History of Art, Architecture, and Archaeology Commons^™

Kibbutz Megiddo (Al-Lajjun): The Faunal Remains, Guy Bar-Oz, Laila Abado

Qadum: Journal of Excavation Reports from Israel

This report discusses a small bone assemblage retrieved from the Hellenistic–Mamluk strata at Kibbutz Megiddo (al-Lajjun). The assemblage is predominantly composed of livestock taxa, including sheep, goats, cattle and chickens. Notably, camel bones are present in almost all strata, with the exception of the Hellenistic period stratum. Pathological analysis of cattle foot bones suggests that these animals were also used as beasts of burden.

Kibbutz Megiddo (Al-Lajjun): The Coins, Ariel Berman, Gabriela Bijovsky

Qadum: Journal of Excavation Reports from Israel

The 61 coins discovered during the excavations at Kibbutz Megiddo provide modest numismatic evidence for a multi-period site, dating from the Seleucid to the Mamluk periods. However, the starting date of occupation could not be established, as the early coins were found in disturbed loci. The majority of the Islamic coins belong to the Mamluk dynasty. Of special interest is an Il-Khānid fals found in a Mamluk context.

Kibbutz Megiddo (Al-Lajjun): The Glass Finds, Tamar Winter

Qadum: Journal of Excavation Reports from Israel

The glass finds from the site at Kibbutz Megiddo cover a long chronological range, from the fourth to the fifteenth centuries CE. The significance of this assemblage lies predominantly in the presentation of glass finds from the Early Islamic and Mamluk periods, as published specimens from these periods in the Megiddo region are quite scarce. Moreover, many of the vessels from the Early Islamic and Mamluk periods are elaborately decorated, supporting the notion of an affluent population at the site in these periods.

Kibbutz Megiddo (Al-Lajjun): Remains From The Hellenistic–Mamluk Periods / קיבוץ מגידו (א־לג'ון): שרידים מהתקופות ההלניסטית עד הממלוכית, Yotam Tepper, Edna J. Stern

Qadum: Journal of Excavation Reports from Israel

The excavation at Kibbutz Megiddo revealed eight strata dating to the Hellenistic, Roman, Byzantine, Umayyad, Abbasid, Crusader and Mamluk periods, as well as a modern stratum. The remains indicate an almost continuous sequence of settlement at the site from the third century BCE to the present. For the first time, remains dated to the Hellenistic, Early, Middle and Late Islamic periods are documented in the Legio-Megiddo region. The Roman finds likely represent a settlement in the vicinity of the Roman legion base and the Jewish village of Kefar ‘Othnay. Its inhabitants maintained trade connections with nearby settlements and urban centers …

Infinite Line, Infinite Knowledge: The 'Spera' And Organized Chaos In Lambert's Encyclopedia, The 'Liber Floridus', Ava Romano

Theses and Dissertations

The Liber Floridus is a medieval encyclopedia renowned for its program of circular diagrams, or sperae. Inside this manuscript of 190 chapters, these diagrams frame and embody written knowledge, revealing a connection between encyclopedism and life in the Benedictine monastery by creating a coherent visual organization of chapters.

Following The Thread: Maria Lai’S 1981 Legarsi Alla Montagna, Claire Borre

Theses and Dissertations

This thesis examines Maria Lai’s (1919-2013) Legarsi alla montagna (1981), a three-day, relational project in which seventeen miles of ribbon were wound through the Sardinian town of Ulassai. In its conception, execution, and legacy, Lai’s project represented a significant challenge to traditional monumentality.

Fugitive Formalisms: Strategies Of Dissemblance And Dissent In The Work Of Queer-Identifying Artists, 1970–Present, Rowan Diaz-Toth

Theses and Dissertations

Utilizing case studies of works by Hélio Oiticica, Scott Burton, and Felix Gonzalez-Torres as points of departure, this thesis puts forth a speculative historical framework for reconsidering queer art practices up through the present day in opposition to regimes of visibility and transparency, exploring the subversive, fugitive potential of non-representational formalisms.

The Double Gaze: Weaving Historical, Decolonial, And Indigenous Perspectives Through Maruch Sántiz Gómez’S Creencias., Elisa Gutiérrez Eriksen

Theses and Dissertations

The Double Gaze examines Maruch Sántiz Gómez’s series Creencias (1994-2000) at the intersection of sociopolitical changes in southeastern Mexico and the 1995 Johannesburg Biennial. Drawing on Rita Segato’s “capillary disobedience” and the Mayan philosophy of kab’awil, the research considers Creencias as a theoretical proposal for reading Indigenous art practices.

Capturing The Spirit Of Childhood: An Analysis Of Robert Henri’S Portraits Of Children, Alex C. Maccaro

Theses and Dissertations

Robert Henri (1865-1929) is perhaps best known as the prominent leader of the turn-of-the century American movement The Eight, commonly known as “the Ashcan School,” and as a leading teacher in the United States during the early twentieth century. However, his artistic output as a portrait painter, particularly of children, is also significant. Beginning in 1904 and throughout his career as an artist, Henri painted hundreds of images of children in the various foreign or remote locales to which he traveled, often depicting the same subject in multiple instances. These portraits range from the roughly painted, rosy-cheeked Dutch youth of …

Horbat Husham (North) A-10259, Adir Khanin

Favissa: Past Archaeological Excavation Reports

In March 2026, a trial excavation was conducted at Horbat Husham (North, plot 710, within the Brosh Industrial Zone) in Bet Shemesh (permit No. A-10259; map ref. 196342–454/626441–564; Fig. 1), prior to the construction of a logistics center. The excavation was undertaken on behalf of the Israel Antiquities Authority and funded by Polyran Profiles Ltd. It was directed by A. Khanin, with the assistance of N. Nehama (administration), E. Marco (documentation and photogrammetry), A. Zakaim (drafting and cartography), S. Gendler (metal detection), Y. Shalev (supervision), M. Hemed, A. Aviv, and L. Edeltin.

Interpreting “Vampire” Burials In Medieval Eastern Europe, Arleen Chau

UROP Posters

Since the early twentieth century, various atypical or deviant graves have been excavated across Eastern Europe, particularly in Poland. These discoveries have prompted much speculation, as the individuals were interred with items such as sickles placed over their necks or abdomens, along with other mortuary artifacts not considered normative compared to those found in typical community burials. Such practices suggest that these individuals were regarded as deviant or pariahs within their social contexts. Consequently, many have been quick to label these as “vampire burials,” interpreting them as measures intended to keep the dead from rising. However, this definition is problematic, …

Neanderthals And Their Exhibitions Of Fine Art: Unpacking Neanderthal Art On The European Continent, Jacob T. Simpson

UROP Posters

This research project aims to bridge the gap between anatomically modern humans and our closest genetic relative, Neanderthals. By analyzing research literature on artistically symbolic artifacts potentially created by these ancient humans (focusing on populations in Europe) I hope to offer a superior speculation of Neanderthal intellect. Neanderthals potential capability to create artistic objects could transform our understanding of them and their cognitive abilities, and raise philosophical questions on what it means to be human.

Ideology And Iconography In Gustav Machatý’S Ecstasy (1933), Karl E. Toepfer

Open Educational Resources

This essay discusses the cinematic construction of sexual ecstatic experience in Gustav Machaty's 1933 film Ecstasy. Sergei Eisenstein's theory of cinematic montage governs the shapes the way the filmmakers organize the representation of erotic desire and rapture. But the film also shows affinity with the Czech "Poetist" movement of the 1920s in constructing a guiding view of ecstatic experience. The essay analyzes many images in the film, and concludes with an application of montage theory of ecstatic cinema to the consumption of erotic videos and internet imagery.

Closest Yet Farthest: Zhou Li And The Boundaries Of Contemporary Chinese Art, Langcheng Zhou

Pomona Senior Theses

The global visibility of contemporary Chinese art has been formed by politically legible or culturally identifiable styles, which often explicitly reference social critique, political history, or traditional Chinese visual elements and media. Because of the rapid expansion of the global art market, these visual identifiers quickly became the most effortless and efficient determinants for an artwork’s representativeness of the contemporary Chinese art scene. This framing undeniably helped international audiences to establish a recognizable narrative, but has also narrowed the range of practices that define the field. This thesis argues that Zhou Li’s abstract practice expands the boundaries of what contemporary …

Long-Distance Exchanges In The Art Of The First Millenium, Lawrence Nees

Peregrinations: Journal of Medieval Art and Architecture

No abstract provided.

Indo-Gothic Architecture And The Reproduction Of Medieval Political Logic In Colonial Calcutta, Sreeja Chowdhury Frsa

Peregrinations: Journal of Medieval Art and Architecture

No abstract provided.

Redeemed Through The Beauty Of Sacred Spaces: How “Church Crawling” Proved To Be A Gift That Never Stops Giving., Cathy Stillman-Lowe

Peregrinations: Journal of Medieval Art and Architecture

No abstract provided.

Tax As Curator: Tax Incentives And The Mediation Of Acquisition In Uk Museums, Julia Dalton

MA in Art Business Dissertations

Not provided

The Marketability Of The Muse: Understanding The Valuation Of Muse-Artists On The Contemporary Market, Mairi Alice Dun

MA in Art Business Dissertations

The label ‘muse,’ and the attention that comes with it, has kept female artists' names in the minds and institutions of the art world for the past 25 years. The word itself carries enough intrigue to make the women behind great male artists’s works interesting. However, in the past five or ten years, while other, formerly invisible, female artists have received a massive reevaluation in the market, and collectors have trended towards adding women to their collections, the art of female muses still trails that of their male counterparts by a large margin. The gendered value gap is not just …

How Have Emil Nolde’S Political Biographies Impacted His Market, From ‘Weimar Degenerate’ And ‘Dissident’, To ‘Complicit Antisemite’?, Samuel Goodwin-Hudson

MA in Art Business Dissertations

Emil Nolde is regarded as one of the most accomplished and innovative modernists. Celebrated for his varied iconographies expressed with thick, erratic brushstrokes, displaying highly saturated, non-naturalistic tonal contrasts, and pronounced, distorted forms. He often draws comparisons to Paul Gauguin and Vincent van Gogh. He died a national hero in Northern Germany, 1956, at 88 years of age. His oeuvre has inspired numerous artists, such as Georg Baselitz, Daniel Richter and Anselm Kiefer. Accordingly, his art has been exalted by institutions and converted by learned collectors, subsequently demanding huge sums.

The exhibition 'Emil Nolde. A German Legend. The Artist during …

Laws, Looting, And Legitimate Trade: The Effectiveness Of The Icc At Prosecuting Cultural Heritage Crimes From An Art Market Perspective, Kassidy Houlihan

MA in Art Business Dissertations

This dissertation is a legal analysis of cultural heritage crime prosecution at the International Criminal Court aimed for art market practitioners. It seeks to evaluate whether the ICC could be an effective means of prosecuting cultural heritage crime in a way that positively effects the art market. It closely reads the Rome Statute to determine how the cultural heritage crimes of looting and intentional destruction of cultural property could be charged at the ICC. It then uses the case studies of Prosecutor v. Al Mahdi and Prosecutor v. Al Hassan, the only two cultural heritage cases at the ICC to …

Artwork Or It-Bag? How Arts-Luxury Collaborations Impact Artist Cultural Visibility, Edwina Keary

MA in Art Business Dissertations

Since Marc Jacobs’ introduction to Louis Vuitton in 1997 and experimentation with artist collaboration, art and luxury collaboration has boomed. Over the years, customer demands have shifted in the wake of postmodern consumer culture, and brands must keep up with them to maintain their competitive advantage. The nature of collaborations has therefore shifted their focus to include experiences as well as products. Different collaboration types have a unique impact on both the brand and the artists involved. This research explores the impact of product versus experience-based collaboration on the cultural visibility of the artists involved through press coverage analysis. This …

Institutional Legitimation And Artistic Value In Portuguese Contemporary Art, Constança Maria Lobo De Castro Afonso

MA in Art Business Dissertations

This dissertation examines the mechanisms of institutional legitimation in the Portuguese art market, with main emphasis on museums, curatorial practices, media mediation and the ever-changing role of public participation. Drawing field theory (Bourdieu), art world sociology (Becker) and recent studies of media and symbolic capital, it positions Portugal as a ‘semi-peripheral’ market in which institutional framing and international infrastructures play a critical role in establishing value and reputation. The literature review shows that legitimacy is collectively produced by a constellation of actors, narratives and conventions, rather than solely by the intrinsic properties of artworks or straightforward market demand.

Through a …

Female Ultra-Contemporary Artists: Rise And Career Trajectories, Alexie Talabard

MA in Art Business Dissertations

Over the past decade, ultra-contemporary women artists, those born after 1974, have gained important visibility and market success. Despite the attention they attract, there has been little academic research on why this rise has happened. This dissertation explores the factors behind their prominence, looking at how the art market, institutions, social movements and digital platforms, have shaped their success.

The study draws on literature, market data, case studies and interviews to situate these artists within both commercial and cultural contexts. It finds that their rise is not just a short-term trend but reflects broader shifts in the art world, including …

An Imperial Pivot: How The Qing Court Shaped The Kapāla And Its Global Value, Haiyi Wang

MA in Art Business Dissertations

This thesis examines the journey of the kapāla, a Tibetan Buddhist ritual skull cup, from a sacred implement to a global commodity. It argues that the modern identity, display, and commercial value of the kapāla in the Western world are not a natural extension of its original religious meaning but are fundamentally a product of its aesthetic and political re-creation by the Qing imperial court. This study posits the Qing court's intervention as the "decisive pivot" that systematically replaced the object's native "religious value system," based on ritual efficacy, with a new "imperial value system" rooted in craftsmanship, precious materials, …

Sparks: A Love Story, Stacey Kramer

MA Projects

In 1953 Robert Rauschenberg and Jasper Johns met through a mutual friend, thus sparking a romantic and creative partnership that would endure until late 1961. At a time when it was illegal to be in a same-sex relationship, these two artists collaborated and inspired each other, and together they changed the course of contemporary art. Breaking free of the Abstract Expressionists, they chartered an artistic path forward and beyond while working from their adjacent studios, sharing intimacies and a similar mindset.  The two artists often channeled a shared sensibility and aesthetic, developing their own symbolic language even as they avoided …

Transmission/Reception, Ma'ayan Noy

MA Projects

From the 1940’s to the 70’s the California-based artist Wallace Berman produced a wide-spreading oeuvre, encompassed drawing, collage, assemblage, single channel video, and three dimensional object making. His practice was deeply informed by his interest in Jazz, Kabbalah and Jewish mysticism, film, and poetry, and more. The transmission and reception of an everflowing stream of references which informs Berman’s creative intake and output adopts a mystical undertone in his grand oeuvre. The unifying theme for Transmission/Reception asserts the centrality of Kabbalistic influences on Berman’s practice, his affinity and spiritual regard for the act of creating. Transmission/Reception underscores Berman’s underlying belief …

He Rengao Super-Consciousness Imagery, A Global Touring Exhibition, Jun Dong

MA Projects

Focusing squarely on He Rengao’s long-developed visual philosophy, this exhibition will take the form of a solo presentation introducing Super-Consciousness Imagery to New York audiences. As one of China’s most established contemporary artists, He has spent decades refining a highly introspective and philosophically grounded painterly language. This exhibition aims to situate his mature body of work within an international conversation, foregrounding painting as a site where civilizational imagination, spiritual inquiry, and aesthetic experimentation converge. The exhibition title, Super-Consciousness Imagery, encapsulates two key elements central to He’s artistic practice; it refers to the expanded state of awareness the artist seeks to …

Caribbean Sensibility, Olivia A. Davis

MA Projects

The Caribbean is a region with a complex history, from the displacement of Indigenous communities to the forced migrations of the transatlantic slave trade and the arrival of indentured laborers from Asia. This has produced a region where questions of identity and belonging remain constant. Caribbean Sensibility explores how artists form the Caribbean and its diasporas navigate these complexities, transforming histories of displacement into creative expression. The exhibition draws on Trinidadian scholar Patricia Mohammed’s concept of a “Caribbean sensibility,” an emotional and aesthetic orientation based in hybridity. It is “the dissonance between a seemingly imported religion and our homegrown private …

Objective Chance, Convulsive Beauty And The Marvelous Within Fashion, Ellen Silva

MA Projects

Objective Chance, Convulsive Beauty and The Marvelous within Fashion is an exhibition inspired by the early idea of Surrealism specifically how the concepts of objective chance, convulsive beauty and the marvelous are intertwined and represented within fashion in the 21st century. The audience will be able to witness for themselves the use of these themes throughout the Surrealist movement by viewing works of fashion and artwork side by side. Some of the references are unmistakable, but some of them must be viewed with more of a conceptual focus as Surrealism was not only an art movement, but originally a philosophical …