History of Art, Architecture, and Archaeology Commons^™

Khirbat Shumeila: Buildings From The Persian And Hellenistic Periods And Installations In Their Surroundings / ח'ירבת שומילה: מבנים מהתקופות הפרסית וההלניסטית ומתקנים בסביבתם, Elena Kogan-Zehavi

Qadum: Journal of Excavation Reports from Israel

Salvage excavations at Khirbat Shumeila identified four strata spanning the late Persian, early Hellenistic, Roman and Byzantine periods. The primary remains comprise two structures: Building 25, which features two distinct construction phases dating to the late Persian and early Hellenistic periods, and Building 6, dating to the Hellenistic period. These buildings, along with the installations uncovered within and around them, indicate intensive agricultural activity, suggesting their function as farmsteads. Their proximity to additional adjacent farmsteads implies their integration into a regional agricultural network established during the fourth-century BCE Persian administrative reorganization—a configuration that continued uninterrupted into the early Hellenistic period. …

Sparks Under Ashes, Ani Sargsyan

School of Art, Art History, and Design: Theses and Student Creative Work

Rooted in hope, reflections on longing, family history, and the contemporary Armenian experience take precedence in Sparks Under Ashes. The title of the show itself derives from my great-grandfather’s notebook, which details his unjust exile during the Great Purge of the Soviet era and other life experiences. His handwriting becomes ingrained in my work as both our marks collide through painting, drawing, and transfer processes to bridge the time between us and celebrate generations of resilience.

Acts of endurance are crucial for Armenia’s survival because attempts of erasure have always been prominent, with the 1915 genocide being the darkest …

In The Miery Swamp: Metacomet And Memory, Allison Rose, Marianne Holdzkom

The Kennesaw Journal of Undergraduate Research

Abstract for “In the Miery Swamp: Metacomet and Memory”, written by Allison Rose and sponsored by Dr. Marianne Holdzkom

Memorials have become omnipresent ties to our communal past. Plaques and dedications materialize in our town squares. Statues loom over our city parks. Monuments tower over our cemeteries. A large issue facing public historians today is the disconnect between the original intent of public memorials and the collective representation of diverse histories. “In the Miery Swamp: Metacomet and Memory” addresses how interactions with the public alter and transform four public memorials. Through a chronological and historical analysis of four monuments to …

Artemisia Gentileschi's Judith And Her Maidservant Serves As A Message Of Hope, Holly Kyseth

Theses

This thesis argues that through iconography and specific artistic techniques, Artemisia Gentileschi’s Judith and Her Maidservant utilizes the biblical story of Judith and Holofernes to relay a distinctly female-centered narrative, reflective of the ideals of her seventeenth century Italian community. This piece stands apart from other representations of this narrative in that Judith was commonly shown as either dainty yet violent in the act of decapitating Holofernes, or as a saintly victor proudly displaying his head to her people. With Judith and Her Maidservant, Artemisia displays an obvious sororal alliance between Judith and her servant Abra, while cleverly implementing Caravaggesque …

Crafting Power, Piety, And Memory: The Sabil-Maktab Of 'Abd Al-Rahman Katkhuda In Bayn Al-Qasrayn, Cairo (1157 Ah/ 1744 Ce), Nehal Hany Al-Shamy

Theses and Dissertations

Among hundreds of sabil-maktabs in Cairo, the one ʿAbd al-Rahman Katkhuda built in Bayn al-Qasrayn in 1157/1744 stands out as an iconic jewel, rising to be a symbol of the city itself. However, this sabil is more than just a beautiful building, for its beauty was only a means to channel political, commemorative, and spiritual connotations. This thesis is concerned with analyzing the raisons d’être of constructing the sabil through investigating the historical and political circumstances that influenced its patron at the time, and their reflections in the artistic choices he made. I argue that crafting the sabil as a …

Parallel Concepts Found In The Thousand And One Nights And Sufi Hagiography, Walaa Kamal Emam Kamel

Theses and Dissertations

This thesis argues that The Thousand and One Nights functions as more than mere populist entertainment; rather, it constitutes a literary corpus imbued with Sufi mystical epistemologies that reflect the spiritual quests and Sufi concepts evident in hagiographical traditions. Through discourse and intertextual analysis of two Nights stories, “The City of Brass” and “The Porter and the Three Ladies of Baghdad,” alongside Farīd al-Dīn ʿAṭṭār’s Tadhkirat al-awliyāʾ, this study demonstrates how shared rhetorical strategies—specifically David Pinault’s Leitwörter analysis and L.A. Paul’s Transformative Experience concept—reveal a narrative and rhetorical emphasis on the metamorphosis of the self from worldly attachment toward …

Yafo, Ha-Te‘Uda Ha-Aduma Street: The Military Finds / יפו, רחוב התעודה האדומה: ממצא צבאי, Alexander Glick

Qadum: Journal of Excavation Reports from Israel

The excavation on Ha-Te‘uda Ha-Aduma Street in Yafo uncovered fourteen military items, including two cannonballs and twelve small-caliber bullets. A correlation of these finds with historical sources and with modern and eighteenth–nineteenth-century maps suggests that the military items uncovered in the excavation were related to one or more of the historical sieges of Yafo: the siege laid by Muhammad Beq Abu-Dahab in 1775–1776, during which a siege battery was constructed within the area of the present excavation; or Napoleon’s siege in 1799, whose batteries were likewise positioned within the excavation area.

Yafo, Ha-TeʻUda Ha-Aduma Street: The Glass Finds, Brigitte Ouahnouna

Qadum: Journal of Excavation Reports from Israel

The excavation at Ha-Te‘uda Ha-Aduma Street in Yafo yielded about fifty glass items dating from the late nineteenth to the mid-twentieth centuries CE. These include imported and locally produced medicine, cosmetic and beverage bottles, as well as bracelet fragments of common types that first appeared in the Mamluk period and remained in use through the Ottoman period and into recent times. The finds reflect a modest repertoire associated with local daily life at the beginning of the twentieth century.

Yafo, Ha-TeʻUda Ha-Aduma Street: Late Ottoman Porcelain And Ceramics, Anna De Vincenz

Qadum: Journal of Excavation Reports from Israel

The salvage excavations on Ha-Teʻuda Ha-Aduma street in Yafo yielded a small Late Ottoman ceramic and porcelain vessel assemblage. Porcelain and hard-paste vessels were imported from Europe, whereas glazed earthenware vessels were imported from Europe and Turkey. Among the locally made vessels were Black Gaza Ware and other coarse ware vessels. Many roof tiles, complete and fragmentary, as well as bricks, were imported mainly from Marseille, France. Only a few smoking pipes and narghile were found; these were either locally produced or originated in Turkey.

Yafo, Ha-Te‘Uda Ha-Aduma Street: Remains Of The Al-Hureish Neighborhood From The Late Ottoman Period And British Mandate Era / יפו, רחוב התעודה האדומה: שרידי שכונת אל־הורייש משלהי התקופה העות'מאנית וימי המנדט הבריטי, Ayelet Dayan, Yoav Arbel

Qadum: Journal of Excavation Reports from Israel

The excavation at the corner of Yehuda Ha-Yamit and Ha-Te‘uda Ha-Aduma Streets in Yafo uncovered remains dating to the eighteenth–twentieth centuries CE, including those of the late Ottoman and British Mandate neighborhood of al-Hureish. The earliest construction remains at the site, dated to the second half of the nineteenth century CE, suggest agricultural activity in the area or early residential structures with channels installed for drainage. This construction was later disrupted by a wall, possibly part of the eastern wall of the al-Hureish neighborhood, built in a subsequent phase. The main significance of the excavation was the al-Hureish neighborhood, founded …

Fbi National Stolen Art File: Lost Artifacts And Missing Data, Allison N. Arnold

Dissertations, Theses, and Capstone Projects

This data exploration project studies the FBI’s National Stolen Art File (NSAF). The NSAF is a repository for information on stolen artistic and cultural objects. By design, the objects in the NSAF should have distinguishing features and some monetary value, with a present minimum of $5,000 USD. As a public awareness tool, the objects in the NSAF should have a reasonable chance of being identified and potentially restituted in the future.

Using object data taken from the NSAF on August 25, 2024, my data exploration work includes a narrative of the data preparation process and a series of data visualizations. …

Representations Of "Black"-Type Coffins In The New Kingdom, Yunyao Chen

Theses and Dissertations

This thesis examines depictions of twenty-three owners’ “black”-type coffins depicted in tomb wall paintings from eleven Theban tombs and on eight Theban papyri dating from the Eighteenth Dynasty to the early Twenty-first Dynasty. Four research methods are employed: descriptive, analytical, comparative, and contextual. First, a stylistic and iconographic analysis identifies four phases in the evolution of the “black”-type coffins depicted in the funerary art and explores the factors that influenced these representations by comparing them with actual “black”-type coffins and relevant artistic representations. The results indicate that the representations of “black”-type coffins feature a distinct evolution pattern, which is based …

Hirarki Ruang Candi Kedaton Muara Jambi, Kirana Anindita Parama Putri

Multikultura

Kedaton Temple is one of the temples located in the Muara Jambi Temple Complex. Kedaton Temple, like most other temples in this temple complex, is composed of several rooms. Kedaton Temple in the Muara Jambi Temple Complex is considered the largest temple there. In addition, Kedaton Temple is composed of 14 rooms. The large number of rooms raises the question of how the existing spatial hierarchy is seen from the concept of Buddhist Cosmology. This research was conducted by conducting a literature study and analyzed using spatial analysis. The literature study was carried out by collecting sources such as books, …

Fungsi Gambar Tifa Pada Dinding Gua Afoem Dan Gua Yadumblu Di Keerom – Papua, Kajian Etnoarkeologi, Klementin Fairyo Miss

Multikultura

This article discusses the function of Tifa drawings on the walls of Afoem cave in Nowai Hamlet and Tifa drawings on the walls of Yadumblu cave in Indangan Hamlet, Yuruf – Amgotro Village, Yaffi District, Keerom Regency - Papua. The Tifa is a traditional musical instrument of the Papuan people; this instrument is an ancestral cultural heritage. The Tifa serves as a cultural artifact and the cultural identity of the Papuan people. The research method is descriptive qualitative, and the topic study uses an ethnoarchaeological approach. The research stages include data collection through literature review, archaeological research reports, books, journals, …

Glasir Pada Keramik Singkawang: Teknologi Dan Seni Keramik Awal Abad Ke- 20 M, Honami Mulan Andadari Wicaksono

Multikultura

This article discusses the use of glaze on Singkawang ceramics in the early 20th century as a reflection of technological and artistic developments among the artisan community in Singkawang, West Kalimantan. Through a literature review, this study highlights how glazing techniques, involving the selection of materials, coating processes, and high-temperature firing, became an important part of Singkawang ceramic production. The use of Tungku Naga kilns and firing traditions influenced by East Asian technology indicate local adaptation and development. The results of the study show that glaze not only functions as a protective coating, but also enriches the aesthetic value and …

Bentuk Dan Ciri Khas Masjid Pathok Negoro Dongkelan, Anggun Rizka Amini, R. Cecep Permana

Multikultura

Masjid Pathok Negoro Dongkelan is one of the kagungan dalem mosques belonging to the Yogyakarta Sultanate, constructed as part of the spiritual and administrative structure of the Kraton’s territory. This study examines the architectural form and distinctive characteristics of Masjid Pathok Negoro Dongkelan using a comparative method with other Pathok Negoro mosques as well as the Great Mosque of Kauman (Masjid Gedhe Kauman). The findings indicate that Masjid Dongkelan possesses unique architectural features, including a fully enclosed veranda, a covered pulpit with a curved roof adorned with ornaments symbolizing the Sultanate, and two pawestren (women’s prayer spaces) that are not …

Western Mansions In The Gardens Of Perfect Brightness, Another History Of High Qing Sino-European Exchanges, Nicolas Woreth

Swarthmore Undergraduate History Journal

The Gardens of Perfect Brightness, the favorite residence of Chinese Emperors in the High Qing era (1683-1799), held mysteries that will remain forever concealed from the public eye after French and British imperialist forces looted it and burned it beyond repair during the Second Opium War (1856-1860). Behind the doors of the secret garden, scarcely open to anyone but the emperor, his wives, and servants, worked European artists and scientists. Most of them were Jesuit missionaries who served the emperor in the hope of gaining his favor and support for the spread of Christianity in China.

This paper aims to …

Ideas Y Materialidades Que Viajan. Las Cabezas Como Contenedoras De Poder En Las Sociedades Malagana, Nazca Y Huari, Catalina Simmonds Caldas, Sonia Blanco, Marisa Sánchez David

Actas seleccionadas del SIMPOSIO ARTE 4.2: Migraciones en la imagen prehispánica: transitando territorios del pasado al presente. 58º Congreso Internacional de Americanistas, Novi Sad, Serbia, 2025.

Un cuenco en cerámica perteneciente a la sociedad Malagana (800 a. C. – 600 d. C.), – Suroccidente de Colombia – y cuya descripción es el de ser un contenedor con cabezas antropomorfas circundantes, adheridas a su contorno, quizá esté vinculado a los aspectos conceptuales e ideológicos que encarna en las sociedades Nazca (s. I - VII d. C.) y Nazca-Huari (500 – 700 d. C.) el culto a las cabezas-trofeo; de ser así, se puede presuponer en estas sociedades distintas, un uso ritual asociado al concepto de la cabeza como materialización de formas de poder. Respecto a esta noción …

El Papel De Tonantzin-Guadalupe En La Conservación Del Pensamiento Nahua Durante La Cristianización De Mesoamérica, Marina Valls I García

Actas seleccionadas del SIMPOSIO ARTE 4.2: Migraciones en la imagen prehispánica: transitando territorios del pasado al presente. 58º Congreso Internacional de Americanistas, Novi Sad, Serbia, 2025.

Dentro de este ciclo de estudios sobre la imagen del poder se aprovecha la ocasión para focalizar en el estudio de la imagen religiosa de la Virgen de Guadalupe y su papel en la conversión del México precolombino. Partiendo de la base antropológica en que el poder siempre es respaldado por la religión de una cultura, profundizamos a entender como este proceso “político” es mimetizado y acompañado no solo por la creación de una imagen de poder religioso sino por diversas luchas de poder entre el pensamiento nahua y el católico, así como entre las distintas órdenes cristianas que participan …

Introducción, Victòria Solanilla, Anabel Villalonga Gordaliza

Actas seleccionadas del SIMPOSIO ARTE 4.2: Migraciones en la imagen prehispánica: transitando territorios del pasado al presente. 58º Congreso Internacional de Americanistas, Novi Sad, Serbia, 2025.

El presente volumen reúne una selección de contribuciones derivadas del simposio «Migraciones en la imagen prehispánica: transitando territorios», coordinado en el marco del 58º Congreso Internacional de Americanistas (ICA58). Este congreso, celebrado en distintas sedes en Novi Sad, Serbia, del 30 de junio al 4 de julio de 2025, conmemoró los 150 años del ICA y reunió a investigadores de todo el mundo bajo el lema «Nuevos desafíos, Nuevos espacios», incorporando además una valiosa «mirada balcánica» al estudio de las Américas. En ese escenario — un cruce de lenguas, trayectorias y tradiciones académicas — nuestro simposio propuso detenerse ante un …

Within Boundaries: Collecting And Exhibiting Chinese Contemporary Art In M+, Hong Kong, Lei April Liu

Masters Theses

This thesis investigates how M+, Hong Kong’s museum of twentieth- and twenty-first-century visual culture, collects and exhibits Chinese contemporary art under political and institutional constraint. It argues that M+ operates through adaptive autonomy, a condition in which curatorial and educational strategies transform limitation into method. By analyzing the museum’s formation, exhibition practices, and comparison with other Asian institutions such as the Asia Culture Center in South Korea, the Power Station of Art in China, and the National Gallery Singapore, the study reveals how M+ sustains visibility of Chinese contemporary art with political sensitive topic through 绥靖 (Sui Jing; subtle appeasement) …

A Treasure Hunt: The Interdisciplinary Challenge Of A Digital Humanities Hackathon, Marie Barras, Adélaïde Quenson, Adrien Jeanrenaud, Angela Allemand, Marina Berazategui, Levyn Bürki, Michel Capot, Simon Gabay, Vestin Hategekimana, Pauline Jacsont, Bokar Lamine N'Diaye, Elina Leblanc, Clara May, Anne-Laure Oberson, Margherita Parigini, Lara Pitteloud, Fassaleh Taal, Cédric Viaccoz

Artl@s Bulletin

Abstract: This article tells the story of an interdisciplinary hackathon emphasizing exploration, collaboration, and creative engagement with globalization-related cultural datasets. Participants worked in teams to produce research posters, which were then presented at the opening of the international conference Image Deluge & Globalization in Geneva. The article discusses three projects: one on 19th-century Spanish chapbooks using topic modeling and network analysis; another on leopard motifs in print imagery; and a third on olfactory heritage. The hackathon highlighted both the potential and the limitations of working with digital cultural data, offering insights into interdisciplinary methods.

Résumé: Cet article raconte un hackathon …

Mapping The Multifarious Image In Time Of Globalization, Anne-Laure Oberson

Artl@s Bulletin

Abstract: In this paper, I examine the evolving concept of the image, exploring the philosophical implications of its complex, multifaceted nature. I question the value of terms such as icon, simulacrum, and image in reference to Gilles Deleuze’s text Difference and Repetition. I argue for a pluralistic approach to understanding images as they embody more than a duality of visible-invisible dimensions. I seek to capture the multifariousness of the image to understand its transformative power. In conclusion, the paper suggests reevaluating image discourse to better engage with the evolution of its implications in a global context.

Résumé: Dans cet …

Queens, Pearls And Spirochaetes, Radu Suciu

Artl@s Bulletin

Abstract: In December 2019, the New Zealand AIDS Foundation (now the Burnett Foundation) released a public health campaign raising awareness about the increasing rates of syphilis infections in New Zealand. The campaign consisted of photographs that contrasted contemporary backgrounds of bars and nightclubs with actors wearing theatrical costumes akin to the Elizabethan period. This reinforced the perceived idea that syphilis was a disease resurging from the distant past. This paper discusses one of the campaign’s most iconic portraits by analysing its shared cultural, artistic, and medical references (explicit or implicit) and their shifting meanings through time.

Résumé: En décembre 2019, …

A Deluge Of Sea Images: Maritime Art And Temporal Crisis, Jonathan Stafford

Artl@s Bulletin

Abstract: We are today inundated with images of the sea, with maritime representations of global trade, the refugee crisis, and climate collapse featuring prominently in both journalistic and artistic image worlds alike. These seascapes seem to be possessed of a certain timeliness, speaking to the idiosyncratically temporal nature of our contemporary crisis. This article seeks to historicise the contemporary deluge of maritime imagery, drawing out its connections with the proliferation of the sea image in earlier representational regimes.

Résumé: Nous sommes aujourd’hui inondés d’images de la mer, les représentations maritimes du commerce mondial, de la crise des réfugiés et du …

Intended To Cross National And Cultural Divides: Art Reproductions From The Ikea Store, Nelly Janotka

Artl@s Bulletin

Abstract: This paper provides an overview of some of the findings of my forthcoming dissertation, which examines Ikea’s globally standardized art motifs and their relationship to art historical canons and corresponding systems of power. It focuses on some of the pictorial strategies pursued to cater to customers across national and cultural divides, including the conflicts that come with such an ambitious attempt. Furthermore, the paper illuminates Ikea’s embeddedness in a larger, highly professionalized visual content industry, which views images primarily based on their global marketability and thereby affects the iconographies, compositions, and aesthetics of the motifs circulating globally.

Résumé: Cet …

The Global On Display? Art, Circulation, And The Institutional Framing Of Practices, Florian Rosinski

Artl@s Bulletin

Abstract: This article examines how the notion of “circulation” structures institutional discourse in contemporary art exhibitions focused on digital photography. Drawing on curatorial texts, mediation materials, and interviews from four shows, it uses discourse analysis to show how circulation operates as both a symbolic framework and an organizational logic. While it helps articulate tensions in the global art field, it also neutralizes critique by reaffirming artistic centrality and marginalizing audiences. The study questions whether circulation illuminates or obscures the very power relations it names.

Résumé: Cet article interroge le rôle structurant de la notion de « circulation » dans les …

Brute Force Branding: Variations & Repetitions Of The Almighty Dollar Banknote, Rui-Long Monico

Artl@s Bulletin

Abstract: This paper examines the U.S. dollar as a global brand and mythic icon, revealing how its stable aesthetic asserts dominance and infiltrates daily life. Through visual analysis and global comparison, it shows how banknotes are battlegrounds where art, identity, and geopolitics collide—currency as a weapon of soft power and cultural hegemony. The dollar’s visual inertia—ritualized, repeated, reappropriated—cements its supremacy as a symbolic force, where repetition enforces authority and variation sparks both resistance and conformity. Banknotes emerge as tools of statecraft and vessels of collective memory, as reflected in the author’s bespoke creation accompanying this study.

Résumé: Cet article analyse …

What Makes Art Images Travel So Well? Repetition, Variation, And The Global Life Of Images, Béatrice Joyeux-Prunel

Artl@s Bulletin

What do we actually know about how images become global? This article takes stock of current approaches to studying their worldwide circulation. Drawing on findings from the Visual Contagions project—which maps 15 million illustrations across 18,000 periodicals in more than 50 countries—we now see that in the age of print, only a small fraction of images traveled widely, with art reproductions proving to be the most mobile. The central question, then, is whether this broader circulation of art images is linked to their formal power. When examined from multiple perspectives, the answer cannot be a simple yes. Visual circulation also …

Kibbutz Megiddo (Al-Lajjun): The Textile Impressions, Orit Shamir

Qadum: Journal of Excavation Reports from Israel

During the excavations at Kibbutz Megiddo (al-Lajjun), thirteen linen textile impressions and coiling marks on pottery were discovered. The textile impressions exhibit either a delicate or a crude texture. Textiles were used to cover ceramic vessels to prevent them from drying too quickly, which could cause the vessel to crack. Impressions on the interior of vessels suggest that they were modeled, apparently using clay coils, around a textile bag filled with wet sand, which provided their general rounded shape. The basketry impressions on the bases of pottery vessels were not created intentionally but resulted from placing freshly shaped pots on …