Film Production Commons^™

Adaptation Production Plan For “Cardigan, Betty, And August” From Taylor Swift's Folklore, Carlie Hillhouse

FUSION

This multimodal project creates a production plan for a fictional movie adaptation of Taylor Swift's popular songs "cardigan, betty, and august" from her 8th studio album, folklore. The production plan consists of details and descriptions for each cast member, filming locations, soundtrack, and key scenes to film for the movie.

The project was created in response to an assignment prompt that asked students to analyze how adaptation affects the way stories are told in different genres. Students had to consider audience reception, the portrayal of heroism, how mode affects a story's point-of-view, and how elements like key scenes and …

Adaptation Production Plan For Taylor Swift's "No Body, No Crime", Emma Coley

FUSION

Focused on creating a music video for Taylor Swift’s “No Body, No Crime” song, this detailed production plan encompasses specific plots, settings, characters, and even casting choices. This plan dives into the song’s origins on the Evermore album, presenting a murder mystery narrative involving infidelity, revenge, and a lack of conclusive evidence, raising questions of guilt and justice. The intricate details involving casting are listed and justified based on their suitability for the respective plot, and the chosen locations to film bring forth the mysterious atmosphere that Taylor Swift lyrically created. Overall, the plan demonstrates a thoughtful and comprehensive approach …

Adaptation Production Plan For Khaled Hosseini's A Thousand Splendid Suns, Aman Bhayani

FUSION

The Adaptation Production Plan is a proposal that explores the idea of taking an existing piece of work and adapting it into a live version of a TV show or film. Particularly, for my adaptation, I chose the novel, A Thousand Splendid Suns by Khaled Hosseini. This paper provides a summary of novel's key events and the purpose behind selecting the novel. Then, focusing on the adaptation, just like any other TV show, the proposal presents the selection of actors, locations, specific plot points and music in order to film the show and the reasoning behind them.

The project was …

Adaptation Production Plan For Love In The Time Of Serial Killers, Jimena Arias

FUSION

This Production Plan will describe the different details needed to create a movie adaptation of the novel Love in the Time of Serial Killers by Alicia Thompson. This plan includes a summary of the plot and an analysis of mode and genre in this novel. Included also are photos and descriptions of the cast, filming locations, key scenes, and a list of songs for the soundtrack of my film, followed by a rationale for all of my choices. The goal of this plan is to create an overview of how to turn the novel into a successful film.

The project …

The Voice Actor And Their Double: Working As A Voice Actor And Teaching Voice Acting In The Age Of Ai Voice Cloning, Adam Paul

Tradition Innovations in Arts, Design, and Media Higher Education

The rapid development of Artificial Intelligence (AI) and voice cloning technology presents significant challenges and opportunities in the field of voice acting and performing arts. This article explores the profound transformations taking place in the voiceover industry due to the convergence of AI, voice synthesis, and personal voice cloning technologies. The author, a seasoned voice actor, reflects on the impact of these advancements on his profession, from the democratization of voiceover tools to the emergence of AI-generated voices that closely mimic human speech.

The article delves into the intricate interplay between technology and human creativity, investigating the implications for voice …

The Cinema Of Paul Thomas Anderson: American Apocrypha, Matt Kingcroft

Journal of Religion & Film

This is a book review of Ethan Warren, The Cinema of Paul Thomas Anderson: American Apocrypha (Wallflower Press, 2023).

Promoting Sustainability At The Branch Of Nashville Through Volunteer Training Visuals, Ainsley P. Foster, Nick Wilson, Sophia Vickers

[Archive] Belmont University Research Symposium (BURS)

The Branch of Nashville is a nonprofit organization that aims to provide comprehensive care to the diverse neighborhoods of Nashville, TN through food, ELL services, and individualized support. The services and resources that this organization provides are essential to the acclimation and thriving of vulnerable groups in their new communities. The volunteers at The Branch play a pivotal role in ensuring that each client is welcomed into the community and has their needs appropriately addressed. Thus, there is a need for volunteers to undergo adequate training to feel confident in performing these roles. The Branch, however, currently lacks training materials …

3rd Place Contest Entry: From Film Sets To Front Lines And Back Again: Reinventing Star Image In Post-World War Ii Hollywood, Livia Belen Lozoya

Eric M. Scandrett Graduate Library Research Prize

This is Livia Lozoya's submission for the 2024 Eric M. Scandrett Graduate Research Prize, which won third place. It contains their essay on using library resources, their bibliography, and a summary of their research project on established movie stars who voluntarily left their lives of luxury to serve in World War II and returned to a changed postwar film industry, specifically James Stewart, Robert Montgomery, Marlene Dietrich, and Myrna Loy.

Livia is a student in the Masters of Arts in Film and Media Studies program at Chapman University. Their faculty mentor is Dr. Emily Carman. Her thesis, available here, …

The Art Of The Pivot: A Collection Of Animation Techniques, Andrew Cook

Undergraduate Honors Theses

The Art of the Pivot:

A Collection of Animation Techniques Abstract

As an artist, my work reflects my experiences, the world around me, and the stories of others. My artist statement is deeply rooted in the belief that my art is a conduit for expressing other's stories through myself. I've always aspired for my animation skills to transcend storytelling and to tell my own stories and those of others. My journey towards my thesis was not without its share of unexpected twists and turns. These challenges, though daunting, were an integral part of my growth. My thesis journey has been …

Virtual Production, Jonathan Mason

College of Communication & Creative Arts Departmental Research

Introductory slide of a slide presentation called “Virtual Production for ‘Indie’ Filmmaking.”

Comic Legacies Of The Japanese Silver Screen, Aaron Gerow, Xavi Sawada, David Baasch, Eugene Kwon, Adam Silverman, Anna Tropnikova, Chloe Yan

Film Series Commentaries

Pamphlet created for the film series “Comic Legacies of the Japanese Silver Screen” presented at Yale University from February to April, 2024. Starting with an introduction outlining the history of Japanese film comedy, the pamphlet contains plot summaries and commentaries on the following films:

Buddhist Mass for Goemon Ishikawa (1930, Saitō Torajirō) Fighting Friends (1929, Ozu Yasujirō) Romantic and Crazy (1934, Yamamoto Kajirō) Singing Lovebirds (1939, Makino Masahiro) Akanishi Kakita (1936, Itami Mansaku) Tange Sazen and the Pot Worth a Million Ryō (1935, Yamanaka Sadao) Room for Rent (1959, Kawashima Yūzō) Doctor’s Day Off (1952, Shibuya Minoru) Oh, My Bomb! …

Teaching Ghost Dog: The Way Of The Samurai, Jack Ryan

Cinema & Media Studies Faculty Publications

This paper offers a method for students to connect with and study Ghost Dog: The Way of the Samurai. This approach begins with the final credits, when director Jim Jarmusch’s “personal thanks” list appears onscreen: “Tsunetomo Yamamoto, Mary Shelley, Ryunosuke Akutagawa, Seijun Suzuki, Jean-Pierre Melville, Miguel de Cervantes, Akira Kurosawa, and the Wu-Tang Clan.”

Presented at the Third Virtual Joint Conference of the Literature Film Association and the Association of Adaptation Studies (2024).

Hunter Cabiness | Thesd Hands, Hunter Cabiness, Maxime Cavajani, Movement Lab

Student Statements

No abstract provided.

Mohammad Abasi | I Love You, Mohammad Abasi, Maxime Cavajani, Movement Lab

Student Statements

No abstract provided.

Neil Hsiao | Double Sided, Neil Hsiao, Maxime Cavajani, Movement Lab

Student Statements

No abstract provided.

Ava Maghsoodlou | Regeneration, Ava Maghsoolou, Maxime Cavajani, Movement Lab

Student Statements

No abstract provided.

Kisaki Matsumoto | Sylveine, Kisaki Matsumoto, Maxime Cavajani, Movement Lab

Student Statements

No abstract provided.

Candy Qu | Ripples Of Distraction, Candy Qu, Maxime Cavajani, Movement Lab

Student Statements

No abstract provided.

Echo Xu | No One Enters, Echo Xu, Maxime Cavajani, Movement Lab

Student Statements

No abstract provided.

Reem Al-Ani | Down Below, Up Above, And Beyond, Reem Al-Ani, Maxime Cavajani, Movement Lab

Student Statements

No abstract provided.

Elise Williams | Deliver Me, Again (But Cleaner) (Please), Elise Mollie Williams, Maxime Cavajani, Movement Lab

Student Statements

No abstract provided.

Alexandra Reintjes | God Watches With Her Back Turned, Alexandra Reintjes, Maxime Cavajani, Movement Lab

Student Statements

No abstract provided.

Dylan Gabriel | Alez, Belle Bagay, Dylan Gabriel, Maxime Cavajani, Movement Lab

Student Statements

No abstract provided.

Elsie Zhao | Remnants, Elsie Zhao, Maxime Cavajani, Movement Lab

Student Statements

No abstract provided.

Henry Deng | Fleeting, Henry Deng, Maxime Cavajani, Movement Lab

Student Statements

No abstract provided.

Rokyi Li | Lost In Transformation, Rokyi Li, Maxime Cavajani, Movement Lab

Student Statements

No abstract provided.

Cris Gao | To Kill The Dead Boy In The Pool, Cris Gao, Maxime Cavajani, Movement Lab

Student Statements

No abstract provided.

Video Through | Finals Screening Poster, Maxime Cavajani, Movement Lab

Student Work

No abstract provided.

Without Us There Is No Britain: Black British Photography And Film Networks, 1950-1989, Maria T. Quinata

Dissertations, Theses, and Capstone Projects

This dissertation tracks three moments from 1950 to 1989, when images were put to work by Black photographers and filmmakers to stake individual and communal claims to Britain and Britishness: first, through the emergence of photographic portraiture taken in domestic living spaces during the 1950s to 1970s; second, through the Black Panther Movement and their use of photography in the late 1960s to mid 1970s, and last, with the efflorescence of Black film and video collectives in the 1980s. At each of these moments, I attend to the simultaneous production, negotiation, and co-mingling of new social identities that were diasporic, …

Video Through | Week 3: Reading And Voicing Exercises, Maxime Cavajani, Movement Lab

Course Materials

Outline of Week 3, Day 1 presenting method of reading, voicing, and movement exercises.