Film Production Commons^™

Finding A Way Out Of The Filter Bubble: The Confusion Of A Heavy Social Media User, Longwen Miao

Masters Theses

This thesis studies how algorithmic recommendation systems reshape visual perception, aesthetic judgment, and the construction of selfhood within contemporary digital culture.

Everything begins with the experience of repeatedly encountering algorithmically recommended content on everyday digital platforms. On these platforms, images, sounds, and social interactions are continuously selected, repeated, and reorganized by predictive systems, forming an environment in which perception is constantly structured and adjusted.

From this observation, the research raises two central questions: how do algorithmic recommendation systems reshape visual perception, aesthetic judgment, and self-recognition, and how might these systems be intervened in or made perceptible through artistic practice? Within …

All You Can Eat, Kelly Schiesswohl

Theses and Dissertations

All You Can Eat is a 2D-animated horror short following the patrons and inhabitants of a bakery as they prepare for its annual pie-eating contest. As the contest nears, tensions rise after the discovery of a dark secret amongst the staff inspires rebellion. Through the visual metaphor of pie and the pie-eating contest, this film explores how sexual violence functions on a systemic level. It explores our collective conditioning to a range of behaviors that contribute to patriarchal oppression and the social cycles that reinforce them across generations. Through design and surreal storytelling, this film captures the urgent threat of …

Video Art In The Gallery Space, Juliet Wang, Matthew Thompson

Honors Thesis

The gallery space poses several challenges for incorporation of audiovisual or video elements, including offset entrances, lack of time investment, sound bleed, and light bleed. In order for an audiovisual work to be well optimized for the gallery space, ideally the artist should not only find ways around as many of these “challenges” as possible but also to embrace them and have the work be stronger because of these challenges.

Rewriting The Narrative That Surrounds Mental Illness, Ashley Johnson

All Theses

The focus of this work is to change the narrative that surrounds mental health issues by portraying mental battles through animation. Buddhism heavily influenced the crux of this project, which is the conscious decision to accept oneself and choose to work towards inner balance instead of battles. 3D animation is used to distill complex thoughts into simplified characters that drive the narrative through performance and choreographed fight scenes.

Seaglass: An Animated Rejection Of Narrative Permanence, Alejandra Louise Blackmore

Scripps Senior Theses

This thesis explores how popular narrative structures imply that our reality should be stagnant, thereby leaving us as viewers unprepared for the notion of change. I introduce the term “narrative permanence” as a story structure that assumes the foundations of a narrative are absolute. These stories therefore consider structural change as a threat or abnormal. I analyzed examples such as The Simpsons and news coverage of the BP oil spill to demonstrate how popular media frames change as an unnatural occurrence that must be neutralized. My thesis then culminated in an animated short about a person living in a seaside …

You Were There : An Exploration And Analysis Of The Filmmaking Process, Regan Emfinger

Honors Theses

This thesis explores the process of writing, shooting, and editing my short film You Were There. My process involved scriptwriting with several revisions, shooting with a cast and crew, and editing the raw footage. This paper will not only serve as a timeline leading up to the final product of the film but also will explain the function of each artistic choice. This paper will also outline the biggest lessons I learned about fictional narratives, and discuss the successes and failures of the film as a whole. I also plan on discussing how those lessons will further my academic and …

Free Views To Pay Per Views, Andrew York

Honors Thesis

The purpose of this research was to analyze three different narrative web series that were adapted into traditional television formats within the past ten years. Delving into how the creators marketed themselves, created the content, and distributed the content allows the reader to notice strategies that worked in the past to sell stories to production companies.

The Effect Of Post-Production On Storytelling In Narrative And Documentary Filmmaking, Natalie Pace

Senior Honors Theses

Documentaries and narrative films both tell stories in different ways. A common saying states that narrative filmmakers write one movie, shoot another, and edit a third. In postproduction, timelines are rearranged, montages are created, new dialog and voiceovers are written, and the score can alter the mood and meaning entirely. Documentaries can change even more over the course of their creation. Usually, the script of the documentary is not written until the edit, after most of the interviews and B roll have been shot. This paper examines whether documentary post-production makes more or less use of storytelling techniques than does …

Preview 16 - November 1973, Nova University

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No abstract provided.

Preview 16 - April 1973, Nova University

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No abstract provided.

Preview 16 - March 1973, Nova University

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Preview 16 - February 1973, Nova University

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Preview 16 - November 1972, Nova University

Preview 16

No abstract provided.

Preview 16 - October 1972, Nova University

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Preview 16 - January 1972, Nova University

Preview 16

No abstract provided.