Film Production Commons^™

Opening The Door Of The Celluloid Closet, Melissa Hernandez

Student Scholar Symposium Abstracts and Posters

While watching the documentary, The Celluloid Closet, I was instantly intrigued by how queer people and cinema mixed. Going as far back to the black and white, silent films era, queer people have been used as comedic relief, but not in an appealing way. Constantly being the butt of the joke, disregard for queer people became so normalized that certain tropes started popping up in cinema. One trope that we can still see be used frequently in today’s films is the “bury your gays” trope (also known as the “dead lesbians syndrome”) where queer characters in cinema are not …

Social Media Addiction Explained Through Film, Matthew Layton

Student Scholar Symposium Abstracts and Posters

“How much is too much?” The central frame of my creative work tackles this question through the lens of queerness, addiction, isolation, and self-identity, giving an unfiltered voice to today’s youth. Social Media’s negative effects go deeper than the usual anecdotes of decline in sleep quality, physical activity, and attention span. The ramifications of a negative mental headspace are often overshadowed by flashy promises and a false sense of belonging. The societal impact is especially influenced due to the malleability of the adolescent brain. In 2022, up to 95% of teenagers ages 13 to 17 claimed to use social media, …

A Narrative-Focused Machine Learning Approach To Predicting Feature Film Success, Arisa T. Trombley

Electrical Engineering and Computer Science (MS) Theses

For decades, the field of film production has been driven by marketability, and it has relied on gut feelings and subjectivity to produce feature films. The analysis of the relationship between a screenplay’s narrative and a film’s success has been widely overlooked due to the challenges involved in data acquisition and complexity. This study investigates the predictive power of narrative structure on film success and aims to build evidence for hypothesized narrative principles. The results suggest that narrative structural elements exhibit moderate predictive power, with strong support for the alignment of the 2nd act crucial moments and the 2nd act …

“Elegy For A Flower” - Remote Orchestral Session/Score-Focused Film, Logyn Okuda

Student Scholar Symposium Abstracts and Posters

Within the many aspects of a film exists the epicenter that is visual storytelling. Music production within film always becomes a point of discussion after the fact, as composers will use their musical expertise to aid the established vision of the filmmaker. Despite music technology having evolved to recreate the sound of an orchestra, the role of music remains the same. However, what if the roles were reversed? Through this endeavor, I sought out to find the impact of a multimedia work when music becomes the primary focus of storytelling. Explored in the past by Disney's "Fantasia" and Phillip Glass' …

Lifelong Movie Goers, Hardworking Filmmakers, And Oscars Discourse, Haley Kamola

Student Scholar Symposium Abstracts and Posters

This paper focuses on the discourse surrounding the Academy Awards, often referred to as the Oscars. The differences in discourse between people working in the film industry and those who watch movies are analyzed, as they represent the supplier and recipient of films and filmmaking. These two groups offer varied perspectives on the topic. The discourse of another group, a group in-between–student filmmakers–is also analyzed. To many people, what makes a film “good” is quite subjective, so the Academy Awards are often a subject of discourse. One particular focus of discourse will be the 2024 Academy Awards. There were a …

Ground-Breaking Stories In Contemporary Cinema: In A Market Full Of Remakes, What Form Does Cinematic Originality Take Today?, Elisa Fong-Hirschfelder

Student Scholar Symposium Abstracts and Posters

This work aims to analyze the evolution of both international and American cinema as an art form, specifically in relation to the abstract concept of originality, to determine what possible future trends in cinema may look like and the potential for the manifestation of “new waves” in cinema. Emerging during the Industrial Revolution, cinema has evolved as an entertainment medium from brief moving pictures presented as novelties to lengthy feature films. With its evolution arose trends in visual storytelling, including experimental, narrative, and remakes, whose own categories comprise the retelling of old stories, remakes of films in other languages, and …

3rd Place Contest Entry: From Film Sets To Front Lines And Back Again: Reinventing Star Image In Post-World War Ii Hollywood, Livia Belen Lozoya

Eric M. Scandrett Graduate Library Research Prize

This is Livia Lozoya's submission for the 2024 Eric M. Scandrett Graduate Research Prize, which won third place. It contains their essay on using library resources, their bibliography, and a summary of their research project on established movie stars who voluntarily left their lives of luxury to serve in World War II and returned to a changed postwar film industry, specifically James Stewart, Robert Montgomery, Marlene Dietrich, and Myrna Loy.

Livia is a student in the Masters of Arts in Film and Media Studies program at Chapman University. Their faculty mentor is Dr. Emily Carman. Her thesis, available here, …

A "Misfit" Revision: Marilyn Monroe, Clark Gable And Transitional Stardom In Postwar Hollywood, Emily Carman

Film and Media Arts Faculty Articles and Research

Director John Huston’s The Misfits (1961) was one of the most volatile productions of his career, with its ensemble cast headlined by a trio of screen icons: Clark Gable, Marilyn Monroe, and Montgomery Clift. Drawing on new archival research, I argue that The Misfits illuminates the transition from old to New Hollywood in terms of its behind-the-scenes star negotiations of Gable and Monroe, who had varying levels of creative control to appear in the film. My analysis of their respective deals underscores how The Misfits anticipates the shift from the female driven star system of Classical Hollywood to the male …

Neo's Cleaning Service, Yuka Saito, Mcfloyd Nguyen

Student Scholar Symposium Abstracts and Posters

As the modern working society of any global economy experiences exponential growth in work-centric culture, the integrity of communal and family values degrades as a result. Factors such as lack of leisure and human interaction directly correlate to the declining number of marriages, hence exposing an aging population with no reinforcement. Collectively, as a result, the number of elderly people who live alone continues to expand, and in places such as modern-day Japan, the phenomenon of "lonely death" or kodokushi - 孤独死, an occurrence of people dying alone and remaining undiscovered for a long time, has been a remarkable issue. …

She-Ra And The Princesses Of Power: An Intersectional Analysis Of A Modern Reboot, Laine Marshall

Student Scholar Symposium Abstracts and Posters

Children’s animation offers the viewer a unique window into the nuances of current societal norms. Because children’s animation is made for the young, sensitive, and impressionable, it is carefully controlled and often heavily censored. Any statements made regarding the protagonist’s heroism or the villain’s malignity are meant to be accepted as universal truths for the growing minds of our youth. The recent 2018 Netflix and DreamWorks Animation animated reboot of the classic 1980's series "She-Ra: Princess of Power," now titled "She-Ra and the Princesses of Power," shook the animation industry with its groundbreaking representation and astounding visuals. Following its predecessor’s …

Here To Win, Not Here To Settle, Sarah Kaino

Student Scholar Symposium Abstracts and Posters

Ethnic representation goes beyond color blind casting, the diversity of actors, or non-stereotypical casting choices. It is not just a matter of minorities being included in mainstream storylines, but minorities being able to tell their own stories as well. The relevance and relatability of storytelling in film and theatre transcends culture, which is in part the beauty of these mediums. But the impact of Asian Americans seeing stories from their own culture cannot be exchanged for anything less because there is no substitute for visibility. Movies are the source of inspiration for many. Movies can also reinforce a transparent ceiling …

1st Place Contest Entry: Countering The Current: The Function Of Cinematic Waves In Communist Vs. Capitalist Societies, Maddie Gwinn

Kevin and Tam Ross Undergraduate Research Prize

This is Maddie Gwinn's submission for the 2019 Kevin and Tam Ross Undergraduate Research Prize, which won first place. It contains her essay on using library resources, a three-page sample of her research project on how the Czech New Wave and New Hollywood cinema are defined by their agency in preserving and prescribing cultural meaning across their societies while being bound to their economic systems, and her works cited list.

Maddie is a senior at Chapman University, majoring in Film Production. Her faculty mentor is Dr. Carmichael Peters.

The Fluid Gaze In Virtual Reality, Soudhamini

Film and Media Arts Faculty Articles and Research

"In 2006, in the course of an Artists Residency in Munich I made a video triptych titled Meditations on the Tiger, in which a story unfolds over three adjacent screens... The story is as linear as it can get, but working with three screens I found I could move laterally as well... There were multiple tracks of time running together on that train - the real time of action and event, the hurtling projected time of anticipation and expectation, and the deep, reflective time of memory, thought and speech. 3 video timelines synchronized so we begin to approach image, just …

La Relation Réalisateur – Compositeur : Un Exemple De Processus Créatif Relationnel Énactif, Ivan Magrin-Chagnolleau

Presidential Fellows Articles and Research

Cet article explore la relation qui existe entre un réalisateur et un compositeur. Plusieurs exemples sont étudiés, y compris des exemples tirés de l’expérience personnelle de l’auteur. Ces exemples mettent en lumière les différentes façons de travailler sur la composition d’une musique de film, et notamment les différentes façons pour un réalisateur de collaborer avec un compositeur.

French Women In Art: Reclaiming The Body Through Creation/Les Femmes Artistes Françaises : La Réclamation Du Corps À Travers La Création, Liatris Hethcoat

Student Scholar Symposium Abstracts and Posters

The research I have conducted for my French Major Senior Thesis is a culmination of my passion for and studies of both French language and culture and the history and practice of Visual Arts. I have examined, across the history of art, the representation of women, and concluded that until the 20^th century, these representations have been tools employed by the makers of history and those at the top of the patriarchal system, used to control women’s images and thus women themselves. I survey these representations, which are largely created by men—until the 20^th century. I discuss pre-historical …

Introduction To "Independent Stardom: Freelance Women In The Hollywood Studio System", Emily Carman

Film and Media Arts Faculty Books and Book Chapters

During the heyday of Hollywood’s studio system, stars were carefully cultivated and promoted, but at the price of their independence. This familiar narrative of Hollywood stardom receives a long-overdue shakeup in Emily Carman’s new book. Far from passive victims of coercive seven-year contracts, a number of classic Hollywood’s best-known actresses worked on a freelance basis within the restrictive studio system. In leveraging their stardom to play an active role in shaping their careers, female stars including Irene Dunne, Janet Gaynor, Miriam Hopkins, Carole Lombard, and Barbara Stanwyck challenged Hollywood’s patriarchal structure.

Through extensive, original archival research, Independent Stardom uncovers this …

Japanese Video Art, Micol Hebron

Art Faculty Articles and Research

A review of the "Radical Communication, Japanese Video Art, 1968-1988" exhibition, curated by Glenn Phillips, at the Getty Museum.