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Articles 1 - 3 of 3
Full-Text Articles in Film Production
Producción Audiovisual Y Patrimonio: Hacia Un Régimen De Creación De Archivos Y Políticas De Acceso, Claudia Ferman
Producción Audiovisual Y Patrimonio: Hacia Un Régimen De Creación De Archivos Y Políticas De Acceso, Claudia Ferman
Latin American, Latino and Iberian Studies Faculty Publications
Me gustaría comenzar con una aclaración: como en todo trabajo sobre las industrias culturales y la producción audiovisual, se presentarán una serie de datos y hechos, un conjunto abigarrado de información. Los datos e imágenes que aquí se exponen son representativos de otros que se desarrollan en la misma dirección. Ahora bien, estos datos aparecerán muchas veces claramente enfrentados con nociones que son de conocimiento general, y que han sido ampliamente señaladas y discutidas; nociones como la naturaleza monopólica de la industria cinematográfica y audiovisual, la dependencia tecnológica de América Latina, la polaridad unidireccional de la industria audiovisual en el …
Student Led Video Production Projects In The Classroom, Slade Hovick
Student Led Video Production Projects In The Classroom, Slade Hovick
Graduate Research Papers
The purpose of this paper is twofold: first, to review the literature on using video production projects in educational settings, and second, to evaluate their effectiveness. Specifically, the issues of student motivation and student retention, and what effects student-led video production projects have on these areas, are considered closely.
The Development Of Loop-Based Cinematic Techniques In Twentieth Century Motion Pictures And Their Application In Early Digital C, David Scoma
Electronic Theses and Dissertations
For centuries, repetition in one form or another has been seen as a significant element in the artistic palette. In numerous formats of expression, duplication and looping became a significant tool utilized by artisans in a multitude of creative formats. Yet within the realm of film, the Griffith and Eisenstein models of cinematic editing techniques (as the most popular-- and near-monolithic--narrative aesthetic criteria) effectively disregarded most other approaches, including looping. Despite the evidence for the consistent use of repetition and looping in multiple ways throughout the course of cinematic history, some theorists and practitioners maintain that the influx of the …