Film Production Commons^™

Chain Continuity & Multi-Master Keyframe Coverage- Two Methods For Edit-Ready Ai Filmmaking, John Trevino

Theatre Faculty Publications

Current AI video models generate short clips with inconsistent visual details across shots, preventing traditional film editing. A character may change clothing, lighting may shift, and spatial relationships may drift between angles—all of which break cinematic continuity (Bordwell, Thompson, & Smith, 2020). This paper formalizes Chain Continuity, a reproducible four-step method that eliminates these discontinuities by separating camera construction from performance generation. The method requires locking a single Master Key Frame taken from the first frame of the Master Shot, building all other camera angles as static Setup Frames derived only from that first-frame key, and then generating performances solely …

Security And Reliability Considerations In Modern Bluetooth Audio Implementations, John Trevino

Theatre Faculty Publications

This paper provides a practical overview of security and reliability considerations relevant to modern Bluetooth audio implementations. Drawing from platform documentation and observed behavior in consumer devices, the report focuses on profile-level characteristics, common architectural constraints, and real-world reliability factors that affect both communication and media playback scenarios. The goal is to offer a clear, outcomes-oriented summary suitable for practitioners, educators, and technical evaluators. No proprietary techniques or implementation-specific methods are discussed.

High-Fidelity Wireless Mobile Audio In Film Production Engineering Practices And On-Set Workflow Design, John Trevino

Theatre Faculty Publications

Film production environments demand predictable, stable, and high-fidelity audio capture. Traditional approaches rely on dedicated hardware recorders, wired lavalier systems, and separate RF microphone setups. However, the rapid improvement of mobile processors and modern Bluetooth audio systems has opened new opportunities for filmmakers seeking compact recording workflows.

This paper examines the engineering and production techniques developed in 2025 while building mobile recording systems capable of delivering consistent, clean audio for filmmaking. The analysis focuses on system design, workflow ergonomics, and reliability under field conditions.

Cross-Platform Sample-Rate Behavior In Mobile Bluetooth Microphones A Comparative Audio-Production Study Of Android And Ios Systems, John Trevino

Theatre Faculty Publications

Bluetooth microphones—especially AirPods and similar wearables—are now used in mobile filmmaking for portable, actor-mounted voice capture. However, sample-rate behavior varies significantly across Android and iOS ecosystems. This paper analyzes cross-platform sample-rate performance using perceptual, non-mechanistic evaluation. The focus is on expressive clarity, tonal identity, continuity across recordings, and film-production workflow reliability under Bluetooth microphone conditions.

Cinematic Dialogue Capture With Mobile Wireless Microphones: A Systems Approach To Blocking, Acoustics, And Set Dynamics, John Trevino

Theatre Faculty Publications

This paper presents a systems-engineering analysis of cinematic dialogue capture using mobile wireless microphones. Building on field observations and workstation-based evaluation conducted between June and August 2025, the study models the acoustic, timing, and blocking interactions that shape production-sound outcomes on narrative film sets. A multi-layer framework is proposed that integrates sound recording, cinematography, actor movement, and post-production requirements. Results indicate that mobile microphone systems, when operated within disciplined workflows, can deliver high-quality dialogue coverage with notable advantages in mobility, scene flexibility, and production efficiency.

Stability Cues And User Interpretation In Mobile Bluetooth Recording Workflows, John Trevino

Theatre Faculty Publications

Mobile Bluetooth recording has become a practical tool for filmmakers, content creators, educators, and journalists. While technical specifications offer clear limits to wireless audio, perceived performance is often shaped more strongly by user interpretation, interface cues, and workflow stability. This paper analyzes the perceptual systems users rely on when operating Bluetooth microphones through mobile applications, focusing on stability cues, sonic anchors, and behavioral patterns that influence recorded outcomes. The goal is to establish an academic framework for understanding perceived wireless performance without discussing internal engineering mechanics.

Cashing In Or Giving Back: The Role Of Film Tax Incentives In The Cultural Impact Of Runaway Productions, Karolina Krok

Scripps Senior Theses

This thesis explores the internationalization of Hollywood through economic and creative runaway productions driven by international tax incentives. It examines how these incentives can impact not only the commercial but the cultural success of productions filmed abroad, focusing on regions such as Australia, New Zealand, Canada, the United Kingdom, France, Germany, California, New York, and New Jersey. The analysis centers on cultural tests and diversity requirements, revealing two main approaches: the first requires a minimum of diversity standards and cultural tests points to be met, while the second prioritizes and rewards productions with the highest achieved assessment of those. Furthermore, …

Virtual Production, Jonathan Mason

College of Communication & Creative Arts Departmental Research

Introductory slide of a slide presentation called “Virtual Production for ‘Indie’ Filmmaking.”

Why My Sister Really Left: A Narrative Film, Sarah Shively

Williams Honors College, Honors Research Projects

My Honors Project will bring awareness to some of the less positive aspects of homeschooling that some homeschool advocates tend to gloss over. I will plan and produce a fifteen-to-twenty-minute film that portrays a homeschooled teen as her efforts to discover the truth about her estranged sister lead her to a life-altering decision. In making this film, I wish to explore a homeschool coming-of-age story, as well as the effects that authoritarian parenting styles can have on the homeschool environment. My preproduction research will consist of the relationship between authoritarian parenting and parents’ reasons for homeschooling, the impact of the …

Craft A Cold One, Lennon Sullivan, Noah Christy

Undergraduate Honors Theses

A demo for a four to five episode mini series on how to brew your own beer at home, with affordable materials. This would help translate very complicated craft brewing techniques into an easy-to-understand guide.

Mom's Money: A Dark Comedy, Buddy Ketelle

Electronic Theses and Dissertations

This thesis will recount the making of the feature film Mom’s Money which I produced, edited, wrote and directed. My influences on the story and visual style of the film will be discussed as well as my prior work and the way those combined forces drew me to make this film. Breaking this into the three stages of filmmaking- Production, Pre-Production and Post Production- I will explore the film from its conception to its completion. The collaborative nature of filmmaking and the way the particular collaborators I had on this film gave me an advantage (while still providing an occasional …

Festival De Lasa2015: La Emergencia De Un "Cine Del Otro"--El "Cine Del Otro" En Emergencia, Claudia Ferman

Latin American, Latino and Iberian Studies Faculty Publications

Esta edición del Festival evidencia una vez más la vitalidad de la producción audiovisual latinoamericana, así como su estrecha vinculación con las luchas populares en el continente. Sin duda, el potencial de este cine se ha visto multiplicado gracias a la revolución digital, que ha acercado a la gente una tecnología de comunicación de gran flexibilidad y eficacia. El cine comunitario y el cine regional son testimonio de esta estrecha vinculación entre las tecnologías audiovisuales digitales y la producción de un “Cine del Otro”: el cine indígena, el cine de las periferias suburbanas, el cine comunitario son todos ellos expresiones …

Peak Oil And Transition: The Making Of A Documentary Video, John A. Duvall

Collected Faculty Scholarship

Many scientists and academics have raised serious concerns regarding the depletion of fossil fuels—especially the peaking of oil production—and its impact upon society. According to these researchers, oil for transportation and production will soon become expensive and scarce, and known alternative sources of energy will be insufficient to make up the difference within the required time frame. Therefore, world civilization (and the United States in particular) will soon undergo a crisis in energy supply that will have significant impacts on the structure of community life, economic wellbeing, political organization, and individual lifestyles.

One response to these threats is to attempt …

Cine, Producción Audiovisual Y Participación Politica En Centroamérica, Claudia Ferman

Latin American, Latino and Iberian Studies Faculty Publications

Si el cine y la fotografía son lenguajes altamente dependientes por su constitución tecnológica y su asociación a procesos industriales y de producción de mercancías, la historia de su desarrollo en Latinoamérica, y en especial en Centroamérica, confirma la enorme flexibilidad intrínseca a estos lenguajes, que les ha permitido ser reapropiados y reinventados de modo multifacético en la región. La presente Sección Especial de Istmo no. 20 presenta a las/los lectoras/es los trabajos de siete investigadores académicas/os expertas/os en estudios de cine, producción audiovisual y participación política en Centroamérica.

Estos trabajos basan su discusión en el reconocimiento de que la …

¿De Qué Cine Hablamos? Las Tareas De Los Estudios Del Cine Latinoamericano, Claudia Ferman

Latin American, Latino and Iberian Studies Faculty Publications

La introducción a este grupo de trabajos en los que se abordan los desarrollos recientes en los estudios del cine comienza con la pregunta acerca del objeto de ese estudio, es decir, de qué cine hablamos (o debemos hablar) cuando se piensa el cine latinoamericano. Los trabajos que siguen basan su discusión en el reconocimiento de que la expresión cinematográfica latinoamericana se ha multiplicado exponencialmente (Remedi) y que, gracias a nuevas tecnologías tanto de producción (digital) como de reproducción (DVD), así como a políticas más decididas por parte de algunos gobiernos nacionales del continente, el cine latinoamericano ha llegado en …

Producción Audiovisual Y Patrimonio: Hacia Un Régimen De Creación De Archivos Y Políticas De Acceso, Claudia Ferman

Latin American, Latino and Iberian Studies Faculty Publications

Me gustaría comenzar con una aclaración: como en todo trabajo sobre las industrias culturales y la producción audiovisual, se presentarán una serie de datos y hechos, un conjunto abigarrado de información. Los datos e imágenes que aquí se exponen son representativos de otros que se desarrollan en la misma dirección. Ahora bien, estos datos aparecerán muchas veces claramente enfrentados con nociones que son de conocimiento general, y que han sido ampliamente señaladas y discutidas; nociones como la naturaleza monopólica de la industria cinematográfica y audiovisual, la dependencia tecnológica de América Latina, la polaridad unidireccional de la industria audiovisual en el …