Film Production Commons^™

Framing The Heart: A Director Of Photography’S Role In Crafting Cinematic Emotion, Mitchell D. Partlow

Electronic Theses and Dissertations

This thesis will explain the process of being the Director of Photography on the film Echoes from the Dock by Bella-Jace Moreno. I will discuss my process during Pre-Production, Principal Photography (Production,) and Post-Production, and walk you through the process of being the Director of Photography on a feature length production. Echoes from the Dock was one of the hardest tasks I have taken on, but through trials and tribulations, it is not about the journey, but the product. Pushing me to my creative limit, here is my journey through the Director of Photography’s Making of Echoes from the Dock …

A Year From Now: A Behind-The-Scenes Documentary, Calvin Henson Jr

Electronic Theses and Dissertations

This thesis will explore A Year from Now: A Behind-the-Scenes Documentary, which I shot, directed, and edited. It will explore the 19-day production process of the 2019 SFA summer feature film, A Year from Now, shedding light on the experiences of both the cast and crew throughout production. Additionally, it will examine my role as the behind-the-scenes documentarian from being assigned the position, through gathering the footage and conducting the interviews, and developing the finished product.

Digital Orchestration In Media Compositions, Jimmy Bartley

Electronic Theses and Dissertations

As composers gain access to better tools, digital mockups have increasingly grown in popularity. Composers often aim to emulate an idealized orchestral sound in their mockups. By understanding the nature of acoustic orchestration and instrumentation, specific techniques and approaches for virtual instruments and sample libraries, and methods to process and manipulate MIDI audio, composers can achieve this idealized sound. This thesis will focus on the common techniques and methods that composers can use to achieve this in digital mockups. Concluding the thesis is an original work that combines digital and live instruments while exploring different techniques to achieve an ideal …

The Making Of The Russian At Christmas, Armando Rey Silvas Jr.

Electronic Theses and Dissertations

This thesis will explain the process of making my feature film, The Russian at Christmas, which I wrote, directed, and edited myself. I will discuss my influences for the film, and how those influences led to my own visual and writing style. By walking through the stages of pre-production, production, and post- production, I will discuss the film from conception to completion. My time in the SFA film program – including working on four other summer features – prepared me to direct my own feature film. Completing this feature film was a daunting task that has no comparison to …

My Journey Through Cinematic Camera Movement, Tim Johnson

Electronic Theses and Dissertations

This thesis explains my journey to becoming a cinematographer and finding my cinematic style through both trial and error and classroom instruction at Stephen F. Austin State University, learning advanced camera and lighting techniques, and working on the 2022 summer feature as a Director of Photography (DP). I will begin with a little bit of history and then move into my influences, experiences, and preferences as it pertains to cinematography and camera movement.

Movies That Sell: A Rhetorical Analysis Of Product Placements In Marvel Movies, Andrew Nii Okai Okai

Electronic Theses and Dissertations

The advancement of digital entertainment media has given audiences the ability to skip ads that do not interest them. Consequently, brands face the challenge of creating ads that can compel audiences and finding media outlets that can effectively reach target audiences. Brands today use product placements to promote their products because movie audiences are generally attentive to ads when they are incorporated in a movie’s narrative. Marvel Cinematic Universe is a globally recognized entertainment franchise that uses product placements strategically to promote brands in their movies and TV shows. In this study, I conduct rhetorical analyses of select product placements …

Antyesti (Last Sacrifice): Funeral Rites Performed By Hindu From Western Region Of Nepal, Krishna Niure

Electronic Theses and Dissertations

This Thesis will discuss the process of making, “Anyesti - The Last Sacrifice” which I have directed, produced and edited. It will cover the rites performed by people residing in the western part of Nepal. It will recount how the concept of making a documentary about the last rites came into my mind.

Mom's Money: A Dark Comedy, Buddy Ketelle

Electronic Theses and Dissertations

This thesis will recount the making of the feature film Mom’s Money which I produced, edited, wrote and directed. My influences on the story and visual style of the film will be discussed as well as my prior work and the way those combined forces drew me to make this film. Breaking this into the three stages of filmmaking- Production, Pre-Production and Post Production- I will explore the film from its conception to its completion. The collaborative nature of filmmaking and the way the particular collaborators I had on this film gave me an advantage (while still providing an occasional …

The Heralds Of The Dawn: A History Of The Motion Picture Industry In The State Of Florida, 1908-2019, David Morton

Electronic Theses and Dissertations

Often overlooked in its contribution to cinema history, the State of Florida has the distinction of being among just a handful of regions in the United States to have a continuous connection with the American motion picture industry. This relationship in turn has produced iconic entertainment that has shaped the state's image to the outside world, while production spending has served as an important booster for local economies across Florida. The purpose of this study is to demonstrate how the sometimes cooperative and often contentious dynamics between film and television producers and state politicians have influenced this history of film …

Making Summer Feature: A History Of Sfa Student Productions, Dudley Kyle May

Electronic Theses and Dissertations

This thesis will discuss the documentary film Summer Feature: A History of SFA Student Productions, which I filmed, directed and produced. It will discuss how this documentary came into existence and the process I went through to film and edit the interviews featured in the final film. It will also detail the process of discovering the theme of the film, from the initial concept through post-production.

Whatever Happened To Blackwater Rd.?: A Visual Documentary Concerning Achievement In The Face Of Failure, Michael Stephenson

Electronic Theses and Dissertations

Whatever happened to Blackwater RD.? is a feature length documentary thesis film created and cultivated by Michael E. Stephenson to fulfill the requirements of the Master of Fine Arts degree in Entrepreneurial Digital Cinema while attending the University of Central Florida. Whatever happened to Blackwater RD.? has met these criteria of the School of Visual Arts and Design, in the College of Arts and Humanities, by being a feature length digital film with a budget no larger than $50,000. This film is the efforts of the filmmaker to trace the failure of his original narrative thesis film Blackwater RD., attempting …

Immigrant Stories: Exploring The Conflicts That A Filmmaker Must Face In A Documentary, Berenice Saez Briceno

Electronic Theses and Dissertations

This study attempts to address the personal conflicts that a filmmaker must face in the making of a documentary. It contrasts definitions and theories with the experience of producing the documentary entitled Immigrant Stories and the ethical implications of making it. To conclude, it summarizes the results of the study as final thoughts.

Duality, The Methodology Of Shooting A Documentary As A One-Man Crew, James Mcmahen

Electronic Theses and Dissertations

This thesis will discuss Duality, a long-form documentary about artistic nude models who also create art involving the nude female form. This thesis will discuss the inspiration for the film, as well as the deciding factors that made me choose this as the topic for my thesis documentary.

This thesis will also cover the process and methodology of shooting a documentary as a one-man crew, beginning with the process of preproduction, then the principal photography of the documentary, followed by the editing and postproduction process, and finally premiering the final film.

Design And Production Of An Episodic Online Animation: Cairns Of Apeiron, Andrew Cadieux

Electronic Theses and Dissertations

This paper describes the development of a feature length script and an independent episodic animation to be distributed online. The goal is to show that appealing animation can be achieved using digital tools, a limited animation workflow, few artists and a strict micro-production budget. I will detail the methods of animation used for the project and describe plans for its distribution to an online audience, including a market analysis and business plan.

83 Orange Peels, Klara Hammoud

Electronic Theses and Dissertations

83 ORANGE PEELS is a feature-length film written and directed by Klara Hammoud and produced by Biddayat as part of the requirements for earning a Master of Fine Arts in Entrepreneurial Digital Cinema from the University of Central Florida. The project aims to challenge existing conventions of the documentary filmmaking on multiple levels – aesthetic, narrative, and technical– while also examining growing importance of workflow throughout all aspects of production. These challenges were both facilitated and necessitated by the limited resources available to the production team and the academic context of the production. This thesis is a record of the …

Dialectics Of Microbudget Cinema, Milos Ajdinovic

Electronic Theses and Dissertations

Magic Kingdom is a feature-length, microbudget motion picture, produced, "written", directed, and edited by Milos Ajdinovic as a part of the University of Central Florida's Masters in Fine Arts program in Digital Entrepreneurial Cinema. Its narrative is a product of the collective improvisation between a group of collaborators – Chealsea Anagnoson, Henry Gibson, Mikaela Duffy and Marcus Nieves – moderated by Milos Ajdinovic. This written dissertation is an attempt to document the concepts and processes that surrounded the production of this film.

When The Silver Screen Fades To Black : An Analysis Of Black Faces In Film., Travesheia Rashel Bass

Electronic Theses and Dissertations

The Black Film Industry emerged with the goal of challenging the misrepresented images of African Americans that were promoted in early American Films. The Black Film making process promoted a centrality of stories told from an Afrocentric point of view. This thesis analyzes how Black Film has been defined over the last sixteen years and how it has impacted American society. Films that were made by or in collaboration with African American writers, directors, and producers with a focus on the African American community (its values, cultural aesthetics, and practices) and featuring an all or primarily Black cast were found …

Exploring Ethnic Stereotypes Through The Production Of Five Short Films, Ines Galiano Torres

Electronic Theses and Dissertations

This is a nontraditional thesis that combines social research in ethnic stereotypes in TV and film with the creative process of film production. This paper contains the formal step of research, in addition to the details on the production and creation of five original short films related to the issue of ethnic representations.

That's A Wrap! The Organizational Culture And Characteristics Of Successful Film Crews, Lisa C. Cook

Electronic Theses and Dissertations

This study seeks to determine through survey research what characteristics film production crews possess that makes them so successful as an organization. The factors of age, gender, years of professional experience and education level were tested for their significance on how the respondents view their culture. Hofstede's six dimensions of organizational culture survey questions were rewritten to be applicable to the freelance film crew sample. The presentation of findings focuses on the resultant organizational profile of a film production crew, the workplace values of this group and the influence that the education level of the participants had on responses. The …

The Last Two Years Of David Brachman: The Case For Slow Cinema As A Microbudget Production Model, Marcos Casilli

Electronic Theses and Dissertations

The Last Two Years of David Brachman is a feature-length digital film directed, written and produced by Marcos Casilli in pursuit of the Master of Fine Arts in Film & Digital Media from the University of Central Florida. This is a very personal film that presents a sometimes-humorous approach to the following question: what makes life worth living? The film was made on what is categorized as a microbudget, but following the studio production model for the most part. This thesis presents a critique of that combination, advocating for a "slow cinema" model instead.

Scripting The Docufiction: Combining The Narrative And Documentary Modes In A Social Issue Film, Joseph V. Brown

Electronic Theses and Dissertations

This thesis combines creative and academic efforts in an examination of the "hybrid" film. The question asked: in what ways can fiction be combined with non-fiction to engage with issues of social importance, is answered in analysis, and through practice. Traditional analysis is focused on films that blur the line between the documentary and the narrative-- the "hybrid film" or "docufiction." Analysis through practice is presented in an original feature length script that moves back and forth between the documentary and fiction film. This feature length script-- entitled Rigged, develops a fictional story while examining the issue of …

The Development Of Loop-Based Cinematic Techniques In Twentieth Century Motion Pictures And Their Application In Early Digital C, David Scoma

Electronic Theses and Dissertations

For centuries, repetition in one form or another has been seen as a significant element in the artistic palette. In numerous formats of expression, duplication and looping became a significant tool utilized by artisans in a multitude of creative formats. Yet within the realm of film, the Griffith and Eisenstein models of cinematic editing techniques (as the most popular-- and near-monolithic--narrative aesthetic criteria) effectively disregarded most other approaches, including looping. Despite the evidence for the consistent use of repetition and looping in multiple ways throughout the course of cinematic history, some theorists and practitioners maintain that the influx of the …