English Language and Literature Commons^™

Constructing Mothering Performances: The Motherhood Ideal In Caldecott And Newbery Winners, 1980-2014, Dana Mccullough Brewer

English Dissertations - Archive

This project examines representations of motherhood in Caldecott and Newbery winners from 1980-2014 and is informed by feminist literary theory, juvenile literary theory, and motherhood studies. While motherhood studies are evolving to consider egalitarian ideas of motherhood and multiple definitions of motherhood, many Caldecott and Newbery Medal winners present a traditional (and antiquated) motherhood ideal in which maternal figures tend to domestic duties and provide selfless nurturing of children. This objectification depersonalizes, essentializes, and stereotypes motherhood. Diverse mothering characters and practices do materialize in some texts but are often regulated by the motherhood ideal. In Chapter 2, I define the …

The Performing Mother: Maternal Ethics Beyond Embodiment, Charles Hicks

English Dissertations - Archive

The rich and diverse history of maternal thought is at once a response to the Western philosophical tradition's relegation of the maternal to the material abject, as well as a renegotiation of the maternal body as a site of empowerment capable of destabilizing the foundations of the symbolic economy. Understanding the material and historical conditions that subject these bodies and work to construct maternity, as well as their mediating position to authentic ethical activity, reveals that maternity offers a salient schemata for, not only viewing the fundamental operations of power, but the possibilities of ethical interaction. This study focuses on, …

Creating Myself: Friendship As Black Women's Liberation In Toni Morrison's Sula And Alice Walker's The Color Purple, India Renee Miles

English Theses - Archive

The talking book trope, begun in the era of and with the authors of slave narratives, firmly establishes a literary tradition for black writers that continues today. Contemporary authors employ this rhetorical device in order to prove the humanity of those of African descent, express a lack of familiarity with the dominant power structure that seeks to disenfranchise the Other, and to illustrate one method of entry into a hegemonic social structure. Toni Morrison's Sula and Alice Walker's The Color Purple fit into this trope, with varying degrees of success. In both texts, the relational mode of friendship between the …

Realizing The Virtual: Constructing And Embodying Cyberspace In Gibson's Sprawl, Matt Underwood

English Theses - Archive

While the term “cyberspace” first appears in William Gibson’s 1980’s Sprawl series, it arises from a culmination of information and communication technology and cybernetic theory development spanning the majority of the twentieth century. Further, the notion of cyberspace has existed and functioned since the advent of language and tool use and has always reached a global population of users. The recent recognition of cyberspace and its coinage occur as a result of how contemporary technology allows for much more instantaneous and extensive interaction across rapidly increasing distances and user bases. All media and technology, meaning all cyberspace operations, serve as …

In Another Time With (An)Other Race: Representations Of Race And National Narratives In Elder Scrolls V: Skyrim And Fallout 3, Christopher M. Simpson

English Theses - Archive

The video games Elder Scrolls V: Skyrim and Fallout 3 provide simulations of systems of racial marginalization within the context of competing narratives of nation. By utilizing Ian Bogost’s concept of unit operations in concert with postcolonial theorists Edward Said, Homi Bhabha, and Gayatri Spivak it is possible to see how these games perpetuate discourses of the human Western Self and the non-human racial Other. Despite the limitations in the simulation presented in these games, they reflect how video games offer the potential for simulating real-life systems of discrimination and marginalization.

Dress Rehearsal: Word Play And Narrative Construction In The Assembly Of Ladies, Nicola Blake

Publications and Research

In the erotics of theater, words are (theoretically) corporeal. They are up there for public scrutiny. The mind's eye echoes the mind's ear. Words act. They are elements of the: scenic investiture affecting, synesthetically, light space rhythm pattern sound, but they also resound at the deepest level of the: mise-en-scene, through self time memory consciousness as well. Mere words, true. Problematic to the last breath of being. The: material elements of theater - like the: body itself - situate us.

Gender And The Popular Heroines (And Heroes) Of The Young Adult Dystopia, Kara E. Hemphill

Williams Honors College, Honors Research Projects

For the past few years, dystopian stories have ruled the young adult fiction aisles and the box office. Taking the reins from similarly popular predecessors like Harry Potter and Twilight, the genre has set itself apart by telling stories of action, war, and heroism that are often led by a young female protagonist. This project examines a variety of gender-related themes in six young adult dystopian novels, chosen for their popularity and subject matter. While it is not a comprehensive look at the genre, it is meant to analyze some of the most widely known works, which is important because …

Wordsworth's Lyrical Ballads, 1800, Jason N. Goldsmith

Scholarship and Professional Work - LAS

Prelude:

IN the dense tracts of woodland that stretch south from Esthwaite Water, a young boy pauses amidst a copse of hazel. His chest heaves; his heart races. Brake, bramble, and thorn. Exhaustion and expectation gather in each breath, course through his body and deeper still into his soul. He eyes the trees, fingers the milk-white flowers that hang in clusters, and knows joy. His breathing slows. Leaves murmur in the breeze. His heart fills with kindness. Taking up the crook that lies in the long grass, he swings it wide. Petals fill the air, swirl around him like …

Hamlet Reinvents Himself, William Walsh

Scholarship and Professional Work - LAS

We see the early modern as an open carry society. Hamlet’s success in the swordplay at the end is usually seen as his triumph, fulfilling his father’s injunction at last. The 2013 RSC production of Hamlet projected ambiguity, which I share. The most intriguing angle was Hamlet’s costume. Jonathon Slinger very quickly donned half of a fencing jacket; but the straps of the jacket dangled, strongly suggesting a straight jacket. Half mad, half resolute, Hamlet is driven through much of the play until, I will argue, he reinvents himself as a mad version of divine providence. The providential idea is …

The Royal Review: 2014-2015, Kathleen Conway

The Royal Review from the English Department

No abstract provided.

The Argument, Michael Anda

Whittier Scholars Program

This project is encompassed in the form of a play titled "The Argument" which is centered on a conversation revolving around film theory and critical reception in the setting of a house party.

Completeless Show, Kathleen Raymond-Judy 15

Honor Scholar Theses

No abstract provided.

Past The Bloom: Aging And Beauty In The Novels Of Jane Austen, Stephanie M. Eddleman

Faculty Research and Publications

No abstract provided.

Wreath-Laying In Poet's Corner, Westminster Abbey 17 July 2014, Beryl Gray

The George Eliot Review Online, ISSN: 2831-5375

Every one of us attending this ceremony in Poets' Corner today is surely conscious of a great debt of gratitude to George Eliot for the legacy of her works. This year, partly due to the appearance of Rebecca Mead's memoir, one particular work - Middlemarch - has been the focus of much attention; and of all George Eliot's books it's the existence of Middlemarch for which I am myself most grateful. It's therefore on that work that I shall be focusing today.

For many decades it has been generally accepted that Middlemarch is George Eliot's greatest novel.' The writer Julian …

The George Eliot Review: Journal Of The George Eliot Fellowship- 2015 No. 46, Beryl Gray, John Rignall, Michael Davis

The George Eliot Review Online, ISSN: 2831-5375

CONTENTS

Notes on Contributors ............................................................. .5

ARTICLES Jen Davis: Silas Marner: George Eliot's most Coleridgean Work? (Prize Essay)........................... 8

Barbara Hardy: Elizabeth Gaskell in Middlemarch: Timothy Cooper, the Judgement of Solomon, and the Woman at the Window................................. .16

Marianne Burton: How Much did Dorothea and Celia Know? Sexual Ignorance and Knowledge among Unmarried Girls in Middlemarch ........................................ 21

Kate Osborne: Mr Brooke's Thinking Organ...................................................... 29

John Rignall: Middlemarch and the Franco-Prussian War ............................... 38

Rodney Edgecombe: Felix Holt and the Gusset of Futurity ...............................46

Rosemary J. Burges Woods: A Life Reclaimed: George Evans (1766-1857) of Norbury, Winster, Derby and Belper …

Chairman's Annual Report For 2014, John Burton

The George Eliot Review Online, ISSN: 2831-5375

No wonder we all felt exhausted by December! In preparing this report I have realized what an extraordinary number of things the Fellowship did last year; certainly the biggest workload since I became chairman but, one hopes, a year which brought new insights and pleasures to members and non-members we attract to our events.

Our normal pattern of meetings took place but was supplemented by several other large-scale events. Thus the AGM in March, which included the routine election of officers and council members, was enclosed by two much more exciting events. In February we had a full house at …

Elizabeth Gaskell In Middlemarch: Timothy Cooper, The Judgement Of Solomon, And The Woman At The Window, Barbara Hardy

The George Eliot Review Online, ISSN: 2831-5375

In 'Silly Novels by Lady Novelists" Gaskell and Harriet Martineau were the only living novelists George Eliot praised, and very briefly. George Eliot and Gaskell never met but corresponded, admired each other's work, and in several books George Eliot unconsciously drew on details and characters from Gaskell novels.3 There are three important details in Middlemarch - which Gaskell never read because she died before its publication - deriving from Cousin Phillis, Wives and Daughters, and North and South.

Chapter 56 of Middlemarch is a meeting-point for history and the personal life. Caleb Garth's social confidence rings loud as he speaks …

Note: Alcharisi And The Redundant Definite Article, John Rignall

The George Eliot Review Online, ISSN: 2831-5375

In critical and scholarly writing about Daniel Deronda, Daniel's mother, the Princess Leonora Halm-Eberstein, is all too often referred to as 'the Alcharisi'. In fact, the definite article is only used on one occasion in conjunction with her former stage name, when she tells Daniel that 'I was the Alcharisi you have heard of' (Ch. 51). The definite article simply specifies the particular Alcharisi she was. This is like, for instance, Maria Callas saying to someone on a first meeting 'I am the Callas you have heard of’. Just as this would not license anyone to refer to her thereafter …

A Life Reclaimed: George Evans (1766-1857) Of Norbury, Winster, Derby And Belper, Rosemary J. Burges Wood

The George Eliot Review Online, ISSN: 2831-5375

George Evans, the elder brother of Robert Evans, George Eliot's father, has generally been disparaged as a drunkard who died young, but the following account of further research into his life aims to set the record straight. What is known for certain is that he died on 28 October 1857 at his daughter's house in Swinney Lane, Belper, Derbyshire, and was buried in the Churchyard of St Peter's Parish Church at Belper. He was 90 years of age. On the death certificate his occupation is given as 'A shoemaker at Derby (Master),

The immediate descendants of his daughter, Elizabeth, knew …

Middlemarch And The Franco-Prussian War, John Rignall

The George Eliot Review Online, ISSN: 2831-5375

By the early summer of 1870, George Eliot's work on Middlemarch, then consisting of the Vincy, Lydgate and Featherstone material, seemed to have stalled. In a journal entry of 20 May, George Eliot confessed that she was not hopeful about future work: 'I am languid, and my novel languishes to O'.1 And in fact the last references to Middlemarch in her journal date back to the previous September: on 11 September she had reached page 50 and the end of chapter 3, and then on the 22nd she maintained that she was stuck: 'im Stiche gerathen' (Journals, 138). There followed …

Review Of George Eliot, Poetess, Wendy S. Williams

The George Eliot Review Online, ISSN: 2831-5375

The word 'poetess' is contentious. For some it rankles, because the diminution of 'poet' is generally considered gratuitous, patronizing and offensive. More often than not, it belittles women writers and their work. Others, however, argue that it is a useful word with which to describe poets belonging to the 'poetess tradition'. That particular tradition demands our attention, they argue, and requires detailed study. In 2003, Peggy Davis wrote that such work had only just begun but more biographical research was needed 'to establish a more prominent place for the poetess in particular and, more generally, women's poetry in literary criticism …

Review Of George Eliot's Feminism: 'The Right To Rebellion', June Skye Szirotny

The George Eliot Review Online, ISSN: 2831-5375

This luminous new work - dedicated to 'the millions of women deprived of life, liberty, and the pursuit of happiness by society's misogynist myths' - casts fresh light on George Eliot's feminism, which has often been the subject of controversy. 'I want to show' , says the author, 'that however ambivalent George Eliot was about practical matters, she strongly accepted most of the ideals of contemporary feminists […]. [S]he moves, through her works, from a repudiation of rebellion against conventional views of women to an acceptance of that rebellion in her later works; and, in each of her major works, …

Review Of Sophie And The Sibyl: A Victorian Romance, Patricia Duncker

The George Eliot Review Online, ISSN: 2831-5375

George Eliot's afterlife in adaptations of and sequels to her works is thin compared to those of such contemporaries as Dickens and the Brontes, and similarly the number of novels in which she appears as a character is meagre. True, as early as 1881 the characterization of Theresa in The Autobiography of Mark Rutherford was inspired by the friendship of its author, William Hale White, with Marian Evans in the 1850s, when both lived in publisher John Chapman's house at 142 Strand. Theresa is an idealized character, but recall White's corrective to George Eliot's Life ... by her husband 1. …

Silas Marner: George Eliot's Most Coleridgean Work?, Jen Davis

The George Eliot Review Online, ISSN: 2831-5375

In 1861 Henry Crabb Robinson compared George Eliot's Silas Mamer with Coleridge's 'The Ancient Mariner'. He noted the novel's 'great affinity' with the poem: 'A little child, its mother having frozen to death at his solitary hovel, is taken in by Silas [ ...]. It is to him what the blessing of the animals is to the Ancient Mariner.' 1 In 1977, U. C. Knoepflmacher argued that: '[b]oth The Mill on the Floss and Silas Mamer hark back to those poems of severance, loss, and expiation that had haunted the imaginations of Coleridge and Wordsworth at the turn of the …

Review Of Silas Marner. Read By Anna Bentinck. Naxos Complete Classics, Michael Slater

The George Eliot Review Online, ISSN: 2831-5375

Audiofile praises the 'pleasant cadence' of Anna Bentinck's voice in this recording of George Eliot's Wordsworthian masterpiece but, initially at least, I found her reading with its beautiful elocution sounded a bit too like Mrs. Miniver (contrast Eileen Atkins's sensitive reading of The Mill on The Floss for Cover to Cover). The pace, moreover, is generally rather slow and becomes slower still when Bentinck comes to voice rural speakers like Jem Bryce or the company at the Rainbow Inn, and almost unbearably slow in the case of Snell the landlord (the exception is Dowlas, the quarrelsome farrier, for whom she …

Review Of The Dog In The Dickensian Imagination, Beryl Gray

The George Eliot Review Online, ISSN: 2831-5375

The nineteenth century saw great changes in the way the English thought about animals. This wasn't only because of Darwinian revelations; it was also the result of increased urbanization and industrialization. Less frequently confined to the farmyard or the hunting kennels the dog, in particular, entered the daily life of humans as never before. It became a domestic pet, a fellow worker, the object of scientific enquiry; in today's accepted phrase, it became a member of 'a companion species', deserving understanding and concern. Dorothea Brooke, we might recall, was 'always attentive to the feelings of dogs, and very polite if …

Felix Holt: The Radical And The Gusset Of Cryptic Futurity, Rodney Stenning Edgecombe

The George Eliot Review Online, ISSN: 2831-5375

Most Victorian novels avail themselves of tidying codas in which the author projects the story into a future-turned-present and, counterpointed by wedding bells, maps out as close an approximation to the 'happily ever after' formula as the constraints of realism will allow. The locus classicus for this procedure occurs at the end of Martin Chuzzlewit:

And coming from a garden, Tom, bestrewn with flowers by children's hands, thy sister, little Ruth, as light of foot and heart as in old days, sits down beside thee. From the Present, and the Past, with which she is so tenderly entwined in all …

Conference Report: Annual George Eliot Conference: Middlemarch, Institute Of English Studies, 22 November 2014, A.G. Van Den Broek

The George Eliot Review Online, ISSN: 2831-5375

Only by combining papers on Romola and Felix Holt. did the 2013 George Eliot Conference manage to attract a tolerably-sized audience; no such problems for the 2014 Conference on Middlemarch. This excellent event was oversubscribed and had to be moved to the biggest room in the Institute of English Studies at the University of London. Barbara Hardy (Birkbeck, London and Swansea) and Louise Lee (Roehampton) yet again organized everything, bringing together a group of speakers who made us think about widely differing issues to do with Eliot's occasional uncertainty, Eliot and Mrs. Gaskell, the sex lives of young nineteenth-century women, …

Review Of George Eliot And Money: Economics, Ethics And Literature, Dermot Coleman

The George Eliot Review Online, ISSN: 2831-5375

This is an important book which fills a gap in George Eliot studies by exploring with impressive authority the novelist's handling of money and economics in her life and work, on the premise that, for her, the economic was an essential constituent of a 'comprehensive ethical understanding' (p. 8). The author is unusually well-qualified for an analysis of economic theory and practice, having co-founded a hedge fund in the late 1990s and retired from the business of investment management shortly before the financial crisis of 2008. He modestly disclaims any foreknowledge of that crisis but points out that his knowledge …

How Much Did Dorothea And Celia Know? Sexual Ignornace And Knowledge Among Unmarried Girls In Middlemarch, Marianne Burton

The George Eliot Review Online, ISSN: 2831-5375

Readers, in my experience, often make an assumption that unmarried girls in nineteenth century novels know nothing about sex, and this seems to be particularly the case regarding Dorothea Brooke. Had she only known about sex, so the adage goes, she would never have made her disastrous marriage choice. In this article I would like to examine this assumption in closer detail, looking not just at Dorothea and Celia, but also Rosamond Vincy and Mary Garth. I do not necessarily want to turn the notion on its head - I am not going to claim these girls were closet readers …