English Language and Literature Commons^™

‘How The Erde Is Of A Figure Round’: Mapping Space In The Buik Of Alexander The Conqueror, Katherine H. Terrell

Studies in Scottish Literature

Discusses the image of the world, the concept of a mappamundi, and comments on particular regions and countries, in Gilbert Hay's poem The Buik of Alexader the Conquerour, to argue that Alexander’s mapping, like his military campaigns, reconfigures space as territory that is amenable to exploitation, and that Hay's poem, the only Alexander poem to mention Scotland, shows an historical process, the "translatio imperii," "that will eventually circle back around to a Britain (and a Scotland) no longer imbued with treachery, but ready to assume power."

How To Fight Evil: Lessons For The Church On Spiritual Warfare From Bram Stoker’S Dracula, Bronwyn M. Gray

Liberty Theological Review

Dracula by Bram Stoker is an amazing piece of writing that is often misrepresented. Some Christians dismiss it because of the skewed belief that to enjoy life and literature is somehow less holy, and Dracula is also dismissed because of the judgment that books with blood, horror, and monsters cannot possibly grow us in holiness or teach us anything good. Not only is it forgotten that God created us to enjoy beauty, but also, to the second reason, the Bible itself contains blood, horror, and monsters; indeed, the Bible contains much more! Another unfortunate reality is that in the Western …

Silent Horror: The Complexity, Monstrosity, And Ubiquity Of Evil In Faulkner’S Sanctuary, Bronwyn M. Gray

Liberty Theological Review

In a culture of moral relativism, Faulkner's novel Sanctuary shocks us with an ancient perspective on the nature of man. Not only is the villain Popeye evil, the "good guy" is infected as well, and this is seen through Faulkner's comparison of our hero Horace with Popeye, parallels drawn between Horace's festering desire for his stepdaughter and Popeye's lust for his rape victim Temple Drake. But it is not only the adult men who are at fault. Temple Drake herself is shown to be in the throes between childlike innocence (temple) and evil desire (drake, meaning dragon or serpent). Perhaps …

Code-Switching In Jordanian Stand-Up Comedy A Humor Tool And A Means To Reflect Social Diversity, Ghaida Al-Quran

Journal of the Arab American University مجلة الجامعة العربية الامريكية للبحوث

This article discusses the function of code-switching in Jordanian stand-up comedy. Drawing on Hoffman (1991) and Troike (1982), analysis of twenty performances presented by Jordanian stand-up comedians revealed that the alternation between colloquial Jordanian Arabic, the dialect these performances are mainly delivered in, Standard Arabic, and sometimes English does not only emphasize the humorous role of this genre, but also reflects the social diversity among Jordanians and helps in building rapport with them regardless of their different backgrounds.

Curiosities Of Street Literature, A Critical Edition, Lauren Maynes, Sydnie Poulsen, Drew Rigby, Sarah Schulzke, Zerin Wetzel, Emi Yamazaki

Student Works

Curiosities of Street Literature, compiled and edited by Charles Hindley, Sr. and published by Reeves and Turner in 1871, is a curiosity in every sense of the word. The volume contains over 200 Victorian broadsides (primarily ballads) reprinted from the cheap Seven Dials versions that flooded the streets of Great Britain before the advent of steam printing. Sold for a penny (or less) by “patterers” who sang the ballads to popular tunes to attract their typically working-class customers, these pieces of ephemera were never meant to be saved or remediated in book format. Street ballads appeared quickly and disappeared …

The Syntax Of Answers To Positive Polar Questions In Jordanian Arabic, Osama Omari, Hadeel Mohammad, Aziz Jaber, Mujdey Abudalbuh

Association of Arab Universities Journal for Arts مجلة اتحاد الجامعات العربية للآداب

Responses to a polar question have recently received much attention in the syntactic literature (e.g., Yaisomanag, 2012 on Thi; Wu, 2016 on Taiwanese, Servidio et al., 2018 on Italian; among others). However, the syntax of yes-no questions in Arabic has been undermined in the literature. The present study provides a syntactic analysis of answers to positive/neutral polar questions in Jordanian Arabic. Jordanian Arabic is particularly relevant here because its system allows for a variety of answer expressions. For example, an answer to a polar question could be in the form of a particle (a: ‘yes’ and laʔ ‘no’) or a …

Cesaire's Tempest Writes Back To The Empire, Sawsan Ahmad Daraiseh, Nancy Habis Al-Doghmi, Banan Ahmad Daraiseh

Association of Arab Universities Journal for Arts مجلة اتحاد الجامعات العربية للآداب

Aimé Césaire, who lived the experience of colonialism, wrote back to Shakespeare’s play The Tempest in a play of his own, which he called A Tempest. Unlike notions of A Tempest as a simplistic writing back, the current research reveals A Tempest as a sophisticated play in which Césaire uses his own creative methods, some of which incorporate the colonizer and others the colonized, to write back to the Empire which Shakespeare represents well and reflects. This research performs a deep analysis of A Tempest, revealing the voice of the Other as enabled; arguing with and disabling The Tempest’s deep …

The Fall Of Númenor (2022) By J.R.R. Tolkien, Edited By Brian Sibley, Douglas C. Kane

Journal of Tolkien Research

Book review, by Douglas C. Kane, of The Fall of Númenor (2022) by J.R.R. Tolkien, edited by Brian Sibley

Bureaucratic Sorceries In The Third Policeman: Anthropological Perspectives On Magic & Officialdom, Alexandra Irimia

Languages and Cultures Publications

This article discusses The Third Policeman through the lens of a dialectic of enchantment and disenchantment that is firmly anchored in the history of anthropological discourse on bureaucracy (Malinowski, Lévi-Strauss, Tambiah, Herzfeld, Graeber, Jones). From this angle, Flann O’Brien’s novel is examined as an aesthetic illustration of an essentially anthropological argument: although bureaucracy has been described as an eminently rational form of social systematisation, regulation, and control (since Weber), it also functions, paradoxically, as a symbolic site for irrationality and supernatural occurrences, haunted by madness, mystery, and delusion. The novel is intriguing partly due to its nonchalant, humorous entwining of …

Esther Inglis, Octonaries, Upon The Vanitie And Inconstancie Of The World, Edited From Folger Ms V.A.91, Jamie Reid Baxter, Georgianna Ziegler

Studies in Scottish Literature

This article provides the first-ever printed text of the poem-sequence discussed in the preceding article, Octonaries, upon the Vanitie and Inconstancie of the Worlde (1600), by the Franco-Scottish poet and calligrapher Esther Inglis (1571-1624). The text given here has been transcribed from one of two manuscripts of the Octonaries in the Folger Library, MS V.a.91. Variant readings from two further manuscripts, Folger MS V.a.92, and New York Public Library Spencer Coll. MS. 14, along with some glosses, are given in the following section. NOTE: The text here now (June 13) incorporates a few final editors' corrections inadvertently omitted …

Esther Inglis, Octonaries: Textual Notes And Glosses, Jamie Reid Baxter, Georgianna Ziegler

Studies in Scottish Literature

These notes record variant readings from two further manuscripts of Esther Inglis's Octonaries, Folger MS V.a.92, and New York Public Library Spencer Coll. MS. 14, collated against the text transcribed in the preceding item, Folger Library, MS V.a.91. The notes also indicate the places where the order of the octonaries varies between manuscripts and also include a few glosses on Scots words likely to be unfamiliar to non-Scottish students or scholars. NOTE: the current version (June 25 2023) incorporates minor corrections. Please refresh your browser if you downloaded an earlier version. SSL Ed.

Appendices To Inglis, Octonaries: Titles And Dedications From Other Mss, Mss Containing The ‘G.D.’ And ‘Velde’ Sonnets, Who Was ‘G.D.’?, Jamie Reid Baxter

Studies in Scottish Literature

Three Appendices to the preceding article on Esther Inglis's Octonaries: (1) transcribe the Titles and Dedications in other manuscripts; (2) record the five MSS containing the ‘G.D.’ and ‘Velde’ Sonnets discussed in the article; and (3) review possibilities for the identity of 'G.D.', proposing that it was George Douglas, a gifted vernacular poet and translator of Boethius.NOTE: the current file (August 9 2023) includes further minor corrections. Please refresh your browser if you downloaded a previous version. SSL Ed.

Robert Watson’S Lectures At St. Andrews: Logic, Rhetoric And Metaphysics, Rosaleen Greene-Smith Keefe

Studies in Scottish Literature

Examines the contributions to rhetoric of Robert Watson (1730?-1781), Professor of Logic, Rhetoric, and Metaphysics at the University of St. Andrews from
1756-1778, and Principal from 1778-1781, based on surviving manuscript sources at St Andrews, and demonstrates the philosophic diversity in rhetorical theory at this time, showing differences among the Scottish literati on the epistemology of language and the origin of grammar, identifying some contrasts and connections between Watson and his near contemporaries Adam Smith, Hugh Blair, and George Campbell, and suggesting his distinctive place in the development of 18th century rhetoric and the history of English studies.

Walter Scott, The Two Sicilies, And Events ‘Of Recent Date’, Graham Tulloch

Studies in Scottish Literature

Traces Walter Scott's interest in Sicily and Naples through his earlier writing up to his travels to both in 1831-1832, discusses his treatment of Neapolitan history and politics in essays in 1816 and 1829, especially his accounts of Joachim Murat (1767-1815), king of Naples from 1808-1815, and in Masaniello, leader of the popular rising in 1647-48, and suggests how these interests connect to Scott's unfinished short novel Bizarro, written in 1832 but first published in 2008, so unavailable to earlier Scott scholars.

Burns And The Altar Of Independence: A Question Of Authentication, Patrick Scott, Gerard Carruthers

Studies in Scottish Literature

Describes and illustrates the only known manuscript of Robert Burns's short 'Poetical Inscription for an Altar to Independence'; notes ongoing disputes over the authenticity of several other of Burns's political poems from the 1790s; traces the manuscript's provenance from the Kern sale in 1929 (when it was cataloged as genuine) to Sotheby's in 1982 (when it was cataloged as a forgery), to its current location in the J.M.Shaw Collection, Florida State University Libraries, where more recent internal records catalogue it as authentic; points out evidence confirming its authenticity; and provides the first collation of the manuscript against the text published …

Burns And Jean Armour, Ellisland, 1788: A Letter Fragment In The Roy Collection, Patrick Scott

Studies in Scottish Literature

Describes and illustrates a two-sided fragment of Robert Burns's letter from Ellisland to his wife Jean Armour, in Muchline, from September 12, 1788, concerning her move to join him, and news for his brother Gilbert. Only four letters from Burns to Jean are now known; the main body of this letter was printed by Waddell in 1869, and was later recorded in the Honresfield Collection (now the Blavatnik-Honresfield Collection), but this section, now in the G. Ross Roy Collection at the University of South Carolina, was snipped off by the then-owner Mary MacLaughlan Nicolson for a collector before Waddell saw …

Scott’S Reparative Land Ethic, Nigel Leask

Studies in Scottish Literature

A review essay discussing Susan Oliver's "important and convincing" book Walter Scott and the Greening of Scotland: Emergent Ecologies of a Nation (Cambridge University Press, 2021), noting Scott's land ethic and active role in managing his estate at Abbotsford and in afforestation, and suggesting that Oliver's book presents "a cumulative literary history of Scotland’s ecologies," so that Scott's poetry and novels "assume a new relevance for 21st century readers".

A New Study Of Cunninghame Graham, Carla Sassi

Studies in Scottish Literature

Surveys the steady growth of interest in the Scottish fin-de-siècle writer, adventurer, socialist M.P., and nationalist leader R. B. Cunninghame Graham (1852-1936), and reviews Lachlan Munro's "timely and important study" R. B. Cunninghame Graham and Scotland: Party, Prose, and Political Aesthetic (Edinburgh University Press, 2022), judging it an "inspiring and innovative investigation," and suggesting that Cunninghame Graham's "construction and performance of his identities as a writer, adventurer, politician and activist should indeed be seen as an artistic expression in its own right."

‘Scoto-Shamanistic’: The Collected Works Of Kenneth White, Richie Mccaffery

Studies in Scottish Literature

A review-essay discussing the work and influence of the expatriate Scottish poet and cultural theorist Kenneth White, based on vols 1-2 of the new Edinburgh University Press edition of White's Collected Works, edited by Cairns Craig (2021, paperback 2023), placing White in a line of Scottish polymath internationalist writers, from Buchanan and Urquhart, through Miller and Carlyle, to Geddes and MacDiarmid.

Books Received And Noted, Patrick Scott

Studies in Scottish Literature

Brief reviews or notices of some recent books about Scottish literature, Scottish writers, and related topics.

Contributors To Ssl 48:2

Studies in Scottish Literature

Brief biographical notes on contributors to the current journal issue.

Robert Burns To Maria Riddell, A Lost Burns Manuscript And A Victorian Facsimile, Patrick Scott, Ronnie Young

Studies in Scottish Literature

Reviews the textual history of Robert Burns's brief letter to Maria Riddell, in spring 1795, in Dumfries, mentioning the miniature portrait by Alexander Reid; notes that the manuscript, owned in the late 19th century by Dr Thomas C.S. Corry of Belfast, and later by John Gribbel of Philadelphia, cannot now be located; and describes and illustrates the facsimile made of it in 1864 for Vincent Brooks in the Autographic Mirror, now the only source of this letter manuscript available to the Glasgow editorial team for the forthcoming Oxford edition of Burns's Correspondence.

Bioinsecurities: Disease Interventions, Empire, And The Government Of Species By Neel Ahuja, Amrita De

Critical Humanities

In lieu of an abstract:

There is no better way to preface this review of Neel Ahuja’s rich analysis of the “government of species” in his book, Bioinsecurities: Disease interventions, Empire, and the Government of Species than to dive right into the heart of the ongoing interconnected infectious dis-ease crisis.

Introduction: Pandemic And The Global South, Puspa Damai

Critical Humanities

In lieu of abstract: Critical Humanities is a child of the coronavirus pandemic. As paradoxical as it may sound, the journal was born of our desire for community, conviviality, and survival in a world ravaged by disease, despair and death.

Biopower, Biopolitics And Pandemic Vulnerabilities: Reading The Covid Chronicles Comics, Pramod K. Nayar Ph.D.

Critical Humanities

This essay examines Covid Chronicles: A Comics Anthology from the perspective of biopower and biopolitics. It contends that, on the one hand, the comics capture individual suffering and collective trauma of the pandemic; on the other hand, these comics draw attention to the role the state plays in regulating bodies to be monitored, governed and, in some cases, deemed disposable.

Deadly Snow: Meditations On Muriel Rukeyser, Andrei Tarkovsky, And The Pandemic Era, Nicole Lawrence

Critical Humanities

The following personal essay meditates on Appalachian fatalism and its relationship to vaccine and mask hesitancy. The analogous relationship between ecological destruction and uncertainty with the exploitation and abuse of the body serves as a waypoint to explore Appalachia’s larger dismissal towards “protection” during the pandemic. Included are original art pieces that serve to intertextually converse with Rukeyser’s activism, West Virginia’s aesthetic schism between industrial catastrophe and symbols of prosperity, and Tarkovsky’s imagery of desolation and hope.

Stories Of Social Justice: How The Art Of Storytelling In Tristan Strong Can Heal Racial Trauma In The Unites States, Shaye Lynn Champ-Correll

English Theses, Dissertations, and Student Creative Activity

Storytelling is a vital part of the human experience. Stories can help heal trauma, help us all confront our monsters and inner demons, and can shape the way we understand ourselves and our place in the world. Kwame Mbalia’s Tristan Strong series are an example of the way stories can do all these things in themselves, and also address the ways stories do all of these things within Tristan Strong’s story. In the following thesis, I will examine the art and importance of storytelling, the ways in which stories can grow and change beyond their origins, and the ways in …

Vol. 37 No. 6 - Whole No. 219, Eleanor M. Farrell

Mythprint

Mythprint is the monthly bulletin of the Mythopoeic Society, a nonprofit educational organization devoted to the study, discussion and enjoyment of myth and fantasy literature, especially the works of J.R.R. Tolkien, C.S. Lewis, and Charles Williams. To promote these interests, the Society publishes three magazines, maintains a World Wide Web site, and sponsors the annual Mythopoeic Conference and awards for fiction and scholarship, as well as local and written discussion groups.

Vol. 37 No. 5 - Whole No. 218, Eleanor M. Farrell

Mythprint

Mythprint is the monthly bulletin of the Mythopoeic Society, a nonprofit educational organization devoted to the study, discussion and enjoyment of myth and fantasy literature, especially the works of J.R.R. Tolkien, C.S. Lewis, and Charles Williams. To promote these interests, the Society publishes three magazines, maintains a World Wide Web site, and sponsors the annual Mythopoeic Conference and awards for fiction and scholarship, as well as local and written discussion groups.

Vol. 37 No. 4 - Whole No. 217, Eleanor M. Farrell

Mythprint

Mythprint is the monthly bulletin of the Mythopoeic Society, a nonprofit educational organization devoted to the study, discussion and enjoyment of myth and fantasy literature, especially the works of J.R.R. Tolkien, C.S. Lewis, and Charles Williams. To promote these interests, the Society publishes three magazines, maintains a World Wide Web site, and sponsors the annual Mythopoeic Conference and awards for fiction and scholarship, as well as local and written discussion groups.