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Articles 1 - 30 of 356
Full-Text Articles in English Language and Literature
The Tyrannical Woman: The Collapse Of Idolized Feminine Sexuality In Blake’S Visions Of The Daughters Of Albion, Asha A. Lambson
The Tyrannical Woman: The Collapse Of Idolized Feminine Sexuality In Blake’S Visions Of The Daughters Of Albion, Asha A. Lambson
Criterion: A Journal of Literary Criticism
One year before the publication of William Blake’s Visions of the Daughters of Albion, Mary Wollstonecraft, the mother of modern Western feminism, published A Vindications of the Rights of Woman. In her influential essay, she describes the concept of the tyrannical woman: a woman who, oppressed by reductive and stereotypical views of femininity, especially within the Madonna-whore complex, turns to forms of cunning and trickery to gain power over her environment. This paper explores Oothoon’s character in Blake’s Visions and how, over the course of the poem, she becomes a tyrannical woman. Oothoon, often praised by critics of Blake as …
“The Hond Hire Helde”: Solidarity, Mirroring, And Foreshadowing Between Helen, Cassandra, And Criseyde In Chaucer’S Troilus And Criseyde, Mallory K. Warner
“The Hond Hire Helde”: Solidarity, Mirroring, And Foreshadowing Between Helen, Cassandra, And Criseyde In Chaucer’S Troilus And Criseyde, Mallory K. Warner
Seton Hall University Dissertations and Theses (ETDs)
Geoffry Chaucer’s Troilus and Criseyde has divided readers and critics alike when addressing the main female protagonist: Criseyde. The poem follows Criseyde and her love interest Troilus, during the final days of the Trojan War, as the two are thrust together into a tragic affair then ripped apart by outside forces and the consequences of their own choices. By the end of the narrative, Criseyde’s autonomy is stripped from her as she is traded in a hostage exchange to the Greek army. In her last present moment in the poem, Criseyde comes to the realization that remaining true to Troilus …
Eat Or Be Eaten: A Posthuman Ecofeminist Reading Of The Vegetarian And Organ Meats, Erin Grace Elizabeth Kostic
Eat Or Be Eaten: A Posthuman Ecofeminist Reading Of The Vegetarian And Organ Meats, Erin Grace Elizabeth Kostic
Seton Hall University Dissertations and Theses (ETDs)
As two novels that feature the reformation and reconstruction of the female body, both Han Kang’s The Vegetarian and K-Ming Chang’s Organ Meats emphasize the posthuman existence of women seeking to break free from the gender-based shackles that constrain them, leading to a striking rejection of the anthropocentric and patriarchal worldviews that plague contemporary society. My thesis comparatively examines each novel through an ecofeminist lens in an attempt to prove that it is only when a woman is able to reframe her existence outside of a male-centric worldview that she can truly find freedom. The Vegetarian’s Yeong-hye loses her …
They Can’T “Shut Us Up”: Emily Dickinson’S And Mina Loy’S Use Of Religious Struggles In Girlhood To Empower Their Feminist Poetic Voices As Women, Bridget H. Anderson
They Can’T “Shut Us Up”: Emily Dickinson’S And Mina Loy’S Use Of Religious Struggles In Girlhood To Empower Their Feminist Poetic Voices As Women, Bridget H. Anderson
Seton Hall University Dissertations and Theses (ETDs)
Poet Emily Dickinson and Modernist poet Mina Loy’s works stand the test of time to create a striking religious and feminist narrative today. Dickinson’s poetry, which remained largely unknown in her lifetime, will come to wield great power in the feminist and religious spheres in the years following her death in 1886. Following in Dickinson’s footsteps, Loy’s poetry is direct and engaging in a more urgent message with her bold imagery and brash words. Dickinson’s “We talked as Girls do” (392) and “They shut me up in Prose” (445) are texts that subtly challenge the misogyny in the Calvinist religion …
Nathaniel Hawthorne And The Limits Of Half-Feminism, Jessica Mckenzie
Nathaniel Hawthorne And The Limits Of Half-Feminism, Jessica Mckenzie
Seton Hall University Dissertations and Theses (ETDs)
This project argues that while Nathaniel Hawthorne creates intellectually complex and emotionally resilient female heroines in The Scarlet Letter and The Blithedale Romance, he ultimately reinforces the patriarchal structures he appears to critique. Through the figures of Hester Prynne and Zenobia, Hawthorne demonstrates a deep awareness of women’s societal oppression and the limitations imposed upon them within nineteenth-century America. However, despite moments of resistance and autonomy, these women are never permitted full liberation, agency, or lasting fulfillment. Their narratives ultimately become constrained by the patriarchal power that denies them independence and sustaining love. Thus, Hawthorne’s work coincides with the …
Women In Literature And Their Ephemeral Bodies, Madeline Zafon-Whalen
Women In Literature And Their Ephemeral Bodies, Madeline Zafon-Whalen
English Honors Theses
This thesis is a comparative analysis of women writers from the twentieth to twenty-first century. Works by authors such as Virginia Woolf, Margaret Atwood, and Otessa Moshfegh, contain an emerging pattern and relationship linked through an ephemeral bodied aesthetic which depicts women's bodies as deconstructed, intangible, and undefined.
The first chapter analyzes works by Woolf, including To the Lighthouse and A Room of One's Own. Starting in the modernist age we see the body coming into question, becoming denaturalized while the institution of the "novel" is renewed through women's contributions to the literary canon. Women’s productivity, and the potential to …
"I Exist In Triple": Parisian Influence, And The Three-Way Split In James Baldwin's Giovanni's Room (1956), Paloma Lupino
"I Exist In Triple": Parisian Influence, And The Three-Way Split In James Baldwin's Giovanni's Room (1956), Paloma Lupino
Theses, Dissertations and Culminating Projects
James Baldwin's novel Giovanni's Room was received as a rebellion against his cohort of ex-patriate Black writers due to its entirely white cast. This thesis investigates how the Parisian influence of the Black writers in Paris served as inspiration for the creation of Baldwin’s second publication. The use of racial frameworks progresses the discussion of a different topic: queerness. Giovanni’s Room will be explored in the following ways: Paris as the internal environment of the novel and Baldwin's backdrop in the novel's creation, the conversation of ex-patriate Black writers, feminism, intersectionality, hygiene as queerness, and a three-way split of consciousness. …
Taylor Swift, Gender, And Feminism: What Do The Data Say?, Maxine Lewis
Taylor Swift, Gender, And Feminism: What Do The Data Say?, Maxine Lewis
The Manuscript: Journal of Taylor Swift Studies
In the world of Swiftian scholarship, several scholars have credited Taylor Swift with feminist impact, while others have criticized both her type of feminism and claims to be a feminist. Many arguments rest on a narrow group of protest songs (“The Man”, “You Need To Calm Down”, and “Only The Young”) and a short period of Swift’s career in which she made many paratextual political gestures (2019-2020). However, claims about a songwriter’s feminism (or lack thereof) will be more accurate, robust, and nuanced if they draw on data from her whole career.
This article provides the first systematic survey of …
Beyond A Shadow Of A Doubt: Examining The Female Gothic In Mary Shelley's Frankenstein And Bram Stoker's Dracula, Delaney Harrington
Beyond A Shadow Of A Doubt: Examining The Female Gothic In Mary Shelley's Frankenstein And Bram Stoker's Dracula, Delaney Harrington
Ex Sapientia Loqui
This paper establishes characteristics of the Female Gothic subgenre, traces the origin of the fiction subgenre throughout the years, and applies these characteristics to argue that Frankenstein and Dracula should be considered prime examples of feminist literature. I analyse the characters of both novels, as well as the authors' respective intentions and social contexts.
Little Red Riding Hood Rewritten: The Abject In Angela Carter’S “Company Of Wolves”, Samantha Frohring
Little Red Riding Hood Rewritten: The Abject In Angela Carter’S “Company Of Wolves”, Samantha Frohring
CAFE Symposium 2026
This project considers Julia Kristeva's theory of abjection to bring attention to the content within Angela Carter's "The Company of Wolves." This postmodernist rendition of "Little Red Riding Hood" brings attention to feminist topics such as female sexuality and agency. In consideration with Kristeva's theory of abjection, it sheds light on potentially cringeworthy aspects of our bodies and embraces all of the "filth."
The Making Of Jewish-American Progress In Gertrude Stein’S, The Making Of Americans: Being A History Of A Family’S Progress, Rochel L. Gasson
The Making Of Jewish-American Progress In Gertrude Stein’S, The Making Of Americans: Being A History Of A Family’S Progress, Rochel L. Gasson
Electronic Theses and Dissertations
This dissertation provides a comprehensive reading of Gertrude Stein’s The Making of Americans (TMOA), situating the novel at the intersection of literary modernism, Jewish American identity, and feminist thought. It argues that Stein reconceives American progress not as linear advancement but as a recursive, relational, and culturally grounded process. Through experimental form, repetitive syntax, and a sustained present tense, TMOA dramatizes the psychological and social complexities of immigrant families navigating assimilation while maintaining heritage. Characters such as the Old Man, his son, and the Dehning and Herland families reveal generational tensions, moral labor, and the ambivalences of upward …
"The Yellow Wall-Paper": Decoding Medical Patriarchal Structures (A Common Theme Within Gothic Literature/Horror), Yvonne T. Samuels
"The Yellow Wall-Paper": Decoding Medical Patriarchal Structures (A Common Theme Within Gothic Literature/Horror), Yvonne T. Samuels
Masters Theses (Archived)
This paper makes the claim that Charlotte Perkins Gilman’s “The Yellow Wall-Paper” encoded the medical system as part of the patriarchy used to control and harm women, especially within the 19th Century, and how this is a common theme within gothic literature and modern-day horror. Through the Feminist Literary Criticism framework and the methodology of textual analysis, certain literary devices Gilman uses, including the Gothic trope of the narrator’s environment in “The Yellow Wall-Paper” is analyzed to reveal women living in a patriarchal society during the 19thCentury and the medical system being a source of power. “The …
Still Perilous, Still Fair: Perspectives On The Legacy, Or How (Not)Eowyn And (Not)Galadriel Made The Magic Work, Janet Croft, Leslie Donovan
Still Perilous, Still Fair: Perspectives On The Legacy, Or How (Not)Eowyn And (Not)Galadriel Made The Magic Work, Janet Croft, Leslie Donovan
Mythopoeic Society Seminar Proceedings
An informal and wide-ranging conversation between the co-editors of Perilous and Fair: Women in the Works and Life of J.R.R. Tolkien will cover the genesis and development of the project and the pitfalls and traps for the unwary we encountered along the way. We'll talk about the technicalities of our process as editors -- from developing the call for papers through choosing the cover art. And we'll assess the influence the collection has had on subsequent scholarship, and the continuing significance of some of the work included.
Reading Romance As An Act Of Resistance, Amy K. Krug
Reading Romance As An Act Of Resistance, Amy K. Krug
English Faculty Publications
A podcast discussion about how popular romance represents many different populations, including people of color, people with disabilities, and people who are LGBTQ+. Reading these romances with diverse characters can be a powerful mode of resistance against current anti-diversity efforts becoming more prevalent in society.
Listen to the episode. The transcript is available for download.
Love Amid The Rage: Feminist Affect In Women's Life-Writing, Genesis Siverio
Love Amid The Rage: Feminist Affect In Women's Life-Writing, Genesis Siverio
Dissertations, Theses, and Capstone Projects
The aim of this thesis is to show the ways women’s emotions or affect, particularly rage and love, are described by women writers in their most intimate stories. I discuss the way emotion has been demeaned, and how feminist scholars have instead viewed the body as a place of insight, reclaiming a knowledge from the senses. In the midst of white supremacy and heteropatriarchy, women give voice to their affectual experiences and cultivate the feelings they have so often been denied. Focusing on the particular ways women’s anger manifests in their lives and in their bodies, I zoom in on …
Theorizing Graphic Embodiments: A Feminist Perspective, Lisa Detora, Jeannie Ludlow
Theorizing Graphic Embodiments: A Feminist Perspective, Lisa Detora, Jeannie Ludlow
All Faculty Scholarship
In response to the increasing politicization and polarization of discourses around gender, sexuality, and the body, feminist theorists like Judith Butler call for feminism to strive toward flexibility and responsivity. This essay lays out some of the theoretical considerations that inform studies of graphic embodiment—or studies of embodiment in graphic narratives—both generally and within feminist studies, then examines several graphic texts by Tillie Walden and Élodie Durand that exemplify feminist theories of embodiment, with particular attention to the creative co-construction of embodied narratives.
Why Are Men So Obsessed With Pornography? Andrea Dworkin Was Right, Robert Jensen
Why Are Men So Obsessed With Pornography? Andrea Dworkin Was Right, Robert Jensen
Dignity: A Journal of Analysis of Exploitation and Violence
No abstract provided.
At Home In Horror: Women And Body Horror, Brooklynn Kreps
At Home In Horror: Women And Body Horror, Brooklynn Kreps
University Honors Theses
While most discussion around the subgenre of body horror focuses on its birthplace of film, the richest iterations come from women writing body horror fiction to explain the experience of womanhood. As body horror focuses on fear of painful or absurd mishap with the body. Women experience pain or absurdity in their own bodies every day with processes like menstruation, pregnancy, puberty, and heightened chances of becoming a victim of sexual assault. Furthermore, women experience society's forceful shaming and fear about natural processes of the body and experiences such as anger and sexual desire. Using this idea as a framework, …
Margaret Cavendish And Radical Self-Love, Marina Burandt
Margaret Cavendish And Radical Self-Love, Marina Burandt
Electronic Theses and Dissertations
Margaret Cavendish was an early modern Englishwoman writer who lived from 1623 to 1673. She wrote under her own name at a time when it was more common for women to write under a pen name, and published almost everything she wrote. Her writings include a multiplicity of genres, from science fiction, poetry, drama, and philosophy, to letters, biography, and autobiography. Cavendish’s style often blends multiple genres and forms, showcasing a modality that is driven by complexity and hybridity. Cavendish was a surprisingly modern figure in many ways, as her writings show. The Description of a New World, Called the …
An Erotics Manifesto: Developing Critical Feminist Theory Through Erotic Fiction, Cairn Des Lions
An Erotics Manifesto: Developing Critical Feminist Theory Through Erotic Fiction, Cairn Des Lions
University Honors Theses
Erotic literature provides a unique lens through which feminists can develop theory because it reveals the natures of our gendered relations in the contexts of our desires. By either writing or critically reading erotic literature, feminists can explore questions about what and why we desire, how we act upon our desires, and what our desires and actions reveal about our relationships to each other. This thesis uses feminist theory to analyze the potential of fiction focused on eroticism to aid in rethinking gender and sexuality norms.
Reimagining Heroes: The Evolving Narratives Of Helen And Achilles In Feminist Greek Mythology Retellings, Elena A. Smith
Reimagining Heroes: The Evolving Narratives Of Helen And Achilles In Feminist Greek Mythology Retellings, Elena A. Smith
Honors Scholar Theses
“Reimagining Heroes: The Evolving Narratives of Helen and Achilles in Feminist Greek Mythology Retellings” is an analysis of an array of novels, monographs, and critiques regarding the genre of mythology retellings. Combining feminist ideas with historical examples, this thesis delves into why retellings are so popular in the twenty-first century and why the stories of Greek Antiquity have stayed relevant.
This thesis focuses specifically on Helen of Troy, Achilles, and the events of the Trojan War in The Iliad. Comparing the epic with retellings of its events may reveal why these characters, gods, and heroes have continued to be discussed …
The Prescribing Of Gender, A Scope On The Societal Ideologies Showcased Within Le Roman De Silence, Derrian Fernandez
The Prescribing Of Gender, A Scope On The Societal Ideologies Showcased Within Le Roman De Silence, Derrian Fernandez
Master's Theses
Culture is constantly evolving, its ideologies cementing themselves within our minds, shaping how we as a society guide ourselves through living in such. Social class, religion, gender, all are forms of identity that have a place, and a certain understanding and standing within our culture and society. Through this understanding of ourselves, we are defined, creating multiple forms of distinct expression to help differentiate our place further. A pope is expected to wear a certain attire just as a bride is expected to. The same ideology trickles down, creating demarcations of attire that subsequently ingrain themselves into our culture and …
The Shame Of (Be)Longing In Jamaica Kincaid's Lucy, Grace S. Miholic
The Shame Of (Be)Longing In Jamaica Kincaid's Lucy, Grace S. Miholic
All Theses
This thesis examines the role of shame in Kincaid's Lucy. Separated into four separate sections, the thesis moves through Lucy’s relationship with her boss, Mariah, her Antiguan mother, and the shame that is identified at the end of the novel. In the introduction, I identify the passage that frames the novel around shame. I then identify my thesis, which centers around Lucy’s shame and her inability and refusal to situate herself with neither Mariah nor her mother’s expectations. The second section of the thesis revolves around Mariah and the form of feminism that skews her perception and expectations of …
Transcendental Blooms: Margaret Fuller And The Radical Language Of Flowers, Jenna Mcclain
Transcendental Blooms: Margaret Fuller And The Radical Language Of Flowers, Jenna Mcclain
Honors Theses
Situated between the literary periods of American Romanticism and Transcendentalism, Margaret Fuller’s writings vary in their topic and medium, offering a unique fusion of literary style as well as a refined yet radical social perspective. Fuller’s work frequently employs flowers as tools for communication rather than as mere symbols, with flowers acting as transmitters of Fuller’s philosophical message in her many sketches and poems. In “The Magnolia of Lake Pontchartrain,” one of her most famous prose sketches, Fuller explores flowers in a nuanced way that exemplifies how floral representations function more like characters than objects in her work. While scholars …
A Critical Conversation On Indigeneity, Colonialism, And Feminism In Natsuo Kirino's The Goddess Chronicle, Tegan Rosso
A Critical Conversation On Indigeneity, Colonialism, And Feminism In Natsuo Kirino's The Goddess Chronicle, Tegan Rosso
English (MA) Theses
Natsuo Kirino’s novel The Goddess Chronicle has received little attention in regard to Western scholarship. However, Kirino’s other works in her literary canon are well renowned for their gritty and uncensored feminist commentary on contemporary Japanese society. This thesis aims to bring forth the discussion of not only feminism, as is so often the focus of Kirino’s works, but Indigeneity and Japanese imperialism within The Goddess Chronicle as well. In order to do so, this thesis analyzes Kirino’s novel in an effort to highlight the ways in which the narrative is both forward-thinking in its feminist critiques of modern and …
The Specter Of Body Horror Haunting Joyce Carol Oates’S “The Chair Of Tranquility” And Charlotte Perkins Gilman’S “The Yellow Wall-Paper”, Tanya L. Tromble
The Specter Of Body Horror Haunting Joyce Carol Oates’S “The Chair Of Tranquility” And Charlotte Perkins Gilman’S “The Yellow Wall-Paper”, Tanya L. Tromble
Bearing Witness: Joyce Carol Oates Studies
Joyce Carol Oates is the editor of a 2023 collection entitled A Darker Shade of Noir: New Stories of Body Horror by Women Writers. Her own story in the collection, “The Chair of Tranquility (from the Diary of Mrs. Thomas Peele, Trenton, New Jersey, 1853),” takes on a fuller meaning when considered in a dialogic relationship to Charlotte Perkins Gilman’s 1892 story “The Yellow Wall-Paper.” By first outlining how Gilman’s and Oates’s stories can be seen as sister stories, then analyzing some essential differences operated in Oates’s story, the author is finally able to discuss the dialogic effect of …
The Mudwoman In The Academia: The Spectral Presence Of Jane Eyre And Antoinette Cosway In Joyce Carol Oates's Mudwoman, Stéphanie Durrans
The Mudwoman In The Academia: The Spectral Presence Of Jane Eyre And Antoinette Cosway In Joyce Carol Oates's Mudwoman, Stéphanie Durrans
Bearing Witness: Joyce Carol Oates Studies
While Jane Eyre has been lauded as a feminist novel, its modernist prequel Wide Sargasso Sea clearly aims at recovering the lost voice of the much-maligned Bertha Rochester from an altogether different feminist perspective. In her 1985 essay on these two novels, Joyce Carol Oates highlights their dual relationship in terms of romance and anti-romance, regarding Rhys’s novel as “a reverse mirror image of Jane Eyre’s and Rochester’s England.” Commenting upon the brief encounter between Jane and Rochester’s first wife as depicted by Jean Rhys, Oates also points out that, “[i]nhabiting contrary worlds, one woman is a savage to the …
The 11-Year Itch: Exploitation As Sublimation In Blonde (Joyce Carol Oates, 2000; Andrew Dominik, 2022), Jocelyn R. Dupont
The 11-Year Itch: Exploitation As Sublimation In Blonde (Joyce Carol Oates, 2000; Andrew Dominik, 2022), Jocelyn R. Dupont
Bearing Witness: Joyce Carol Oates Studies
The goal of this article is to discuss Andrew Dominik’s much-criticized adaptation of Oates’ novel Blonde (2000), released on the Netflix streaming platform in September 2022. It aims at re-assessing the movie in the light of its literary hypotext, which appears to have been rather unfairly left out of much of the debate surrounding the release and critical reception of the film. In a first part, this article briefly addresses the stakes of Dominik’s adaptation, which are more complex than they might seem, notably on account of the extreme iconicity of its subject, even more so than its subject matter. …
Is Love A “Pathological Condition Of The Soul”? Joyce Carol Oates's Beasts And Rape: A Love Story, Nicolas P. Boileau
Is Love A “Pathological Condition Of The Soul”? Joyce Carol Oates's Beasts And Rape: A Love Story, Nicolas P. Boileau
Bearing Witness: Joyce Carol Oates Studies
This paper seeks to address the question of Oates’s relation to feminist and gender theories by looking at two novellas published consecutively, Beasts and Rape: A Love Story in the beginning of the 2000s. The short texts share a common storyline based on rape, which is far from uncommon in Oates’s fiction. However, I argue that there is something very specific in these two novellas in the way Oates chooses to handle the testimony of the rape, both overtly and covertly, both in graphic details and in repressed forms of expression, giving way to a reflection on women’s vulnerable position …
Joyce Carol Oates And Feminism: Facts Found And Foundered, Gavin J. Cologne-Brookes
Joyce Carol Oates And Feminism: Facts Found And Foundered, Gavin J. Cologne-Brookes
Bearing Witness: Joyce Carol Oates Studies
This essay explores the nuanced relationship between Joyce Carol Oates and feminism, distinguishing between Oates as an individual and “JCO” as the authorial process. Through analysis of novels like Babysitter, the essay argues that Oates’s fiction resists fixed labels, instead foregrounding ambiguity, interpretation, and the limitations of categorization. Drawing on philosophical and literary contexts, it contends that while Oates’s work invites feminist readings, her narrative style deliberately undermines definitive conclusions. Ultimately, the essay suggests that JCO’s writing stimulates inquiry and self-reflection, positioning art as a process of response rather than a vehicle for asserting categorical truths—including those of feminism.