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Articles 1 - 30 of 2052
Full-Text Articles in English Language and Literature
Growing Pains: The Transformative Journey From A Nascent To A Formal Not-For-Profit Venture, Avery C. Edenfield, Fredrik O. Andersson
Growing Pains: The Transformative Journey From A Nascent To A Formal Not-For-Profit Venture, Avery C. Edenfield, Fredrik O. Andersson
English Faculty Publications
This article examines how a social venture transitions from nascent to formal status and argues that the transformation of the organization set in motion by establishing formal boundaries is a deeply profound one. Drawing from the nonprofit and social entrepreneurship literature on what prompts and energizes individuals to initiate new not-for-profit ventures, and linking it to a notion of revolutionary crisis as organizations emerge and develop, we seek to illuminate and explore the tension, and its consequences, between nonprofit entrepreneurs and the organization they create as the new venture transitions from nascent to formal. We do this by presenting the …
Resisting Marriage: Defying Expectations In Three Lesbian Novels, Jennifer Jordan
Resisting Marriage: Defying Expectations In Three Lesbian Novels, Jennifer Jordan
Honors Program Theses and Projects
No abstract provided.
Chaucer's Divided "I": Narrative Voice And Performance Dynamics In Late Fourteenth-Century English Literature, Isaac Mcduffie
Chaucer's Divided "I": Narrative Voice And Performance Dynamics In Late Fourteenth-Century English Literature, Isaac Mcduffie
LSU Doctoral Dissertations
Throughout the twentieth century, various Chaucer scholars have worked to achieve the now-consensus opinion that Chaucer wrote his works expecting them to be both listened to within a group setting and read privately in an individual setting. These scholars have either assumed or expressly stated that the experience of listening to and reading Chaucer’s works would have been the same. This dissertation argues otherwise. I show that in the late fourteenth century, English vernacular was only starting to be understood as a written language, and this peculiar circumstance created tensions between both listening and reading modes of reception. Such tensions …
Afterparty, Patrick M. Werle
Afterparty, Patrick M. Werle
Creative Writing Programs
Afterparty is built on the question, “Can one overcome the past?”...I think. While the work flows on a loose timeline, I do not intend the manuscript to be a story. As the poems drift in and out of time periods; childhood, adolescence, fatherhood, I hope that this is also a collection that can be opened in the middle or paged through and still be successful. Of course, as the artist, I would love for people to take the journey beginning to end. And I also believe that poetry collections should be able to have a reader jump in at any …
Tropes Trump Politics, Aaron Berkowitz
Tropes Trump Politics, Aaron Berkowitz
Capstones
This critical essay examines the use of tropes and themes in modern comic books and how they are used to protest President Donald Trump’s policies, actions and supporters. It begins with a detailed history of tropes used in comic books and how some of the first superhero comic book writers created these tropes in order to protest the social injustices of their times. It shifts to the first trope, the “compromised hero” where a hero is turned evil. It is used in “Secret Empire,” a book where Captain America turns evil and takes over the presidency. His rise to power …
Voluntary And Involuntary Isolation In Mary Shelley's The Last Man, Jessica Pope Mudrow
Voluntary And Involuntary Isolation In Mary Shelley's The Last Man, Jessica Pope Mudrow
Criterion: A Journal of Literary Criticism
No abstract provided.
The Shadow's Symphony: Archetypal Awakening In Igor Stravinsky's The Rite Of Spring, Rebekah Hood
The Shadow's Symphony: Archetypal Awakening In Igor Stravinsky's The Rite Of Spring, Rebekah Hood
Criterion: A Journal of Literary Criticism
No abstract provided.
Conversation In Woman In The Nineteenth Century: A Tool To Prepare Units For Union, Camille Pay
Conversation In Woman In The Nineteenth Century: A Tool To Prepare Units For Union, Camille Pay
Criterion: A Journal of Literary Criticism
No abstract provided.
On Symbols And Shadows: Flannery O'Connor's Jungian Concepts Of Grace, Joshlin Sheridan
On Symbols And Shadows: Flannery O'Connor's Jungian Concepts Of Grace, Joshlin Sheridan
Criterion: A Journal of Literary Criticism
No abstract provided.
A Phantasmagoric Fairy Tale: “Zerinda” And The Doubling Of Wonder, Conor B. Hilton
A Phantasmagoric Fairy Tale: “Zerinda” And The Doubling Of Wonder, Conor B. Hilton
Criterion: A Journal of Literary Criticism
No abstract provided.
Snicket And Poe: A Juvenile Mystery, Alex Hugie
Snicket And Poe: A Juvenile Mystery, Alex Hugie
Criterion: A Journal of Literary Criticism
No abstract provided.
Editors' Note, Chelsea Lee, Makayla Okamura
Editors' Note, Chelsea Lee, Makayla Okamura
Criterion: A Journal of Literary Criticism
No abstract provided.
Preface To Ssl 43:2, Patrick G. Scott, Anthony Jarrells
Preface To Ssl 43:2, Patrick G. Scott, Anthony Jarrells
Studies in Scottish Literature
Introduces the two special sections in this issue, on Scottish fiction and Burns bibliography, and briefly describes the range of other contributions, noting the wide international range of contributors.
The Crème De La Crème: Old Favourites, New-Fangled Works, And Other Fictions, Willy Maley
The Crème De La Crème: Old Favourites, New-Fangled Works, And Other Fictions, Willy Maley
Studies in Scottish Literature
Introduces the SSL Debate, in which 18 contributors react to and add to the BBC Scotland poll on Scotland's Favourite Novel, discussing the purposes and limitations of various lists that have ranked recent Scottish fiction, and commenting briefly on the differences between this debate and the deliberations of a selection panel.
Thomas Carlyle, Sartor Resartus (1834), Kathryn Chittick
Thomas Carlyle, Sartor Resartus (1834), Kathryn Chittick
Studies in Scottish Literature
Argues that Thomas Carlyle's fictional autobiography from the 1830s deserves recognition as one of the most experimental of Scottish novels and suggests some ways in which it anticipates a fictive self-consciousness often thought of as post-modern.
Venturing A Little Further: Margaret Elphinstone, The Sea Road (2000), Matthew Wickman
Venturing A Little Further: Margaret Elphinstone, The Sea Road (2000), Matthew Wickman
Studies in Scottish Literature
Proposes that Margaret Elphinstone’s historical novel about Gudrid of Iceland, an eleventh-century female explorer of Greenland and North America, is "a novel for many seasons: the eleventh century, the early and late twentieth, and far into the twenty-first," judging it "one of the great Scottish novels about the unknown," and "perhaps the nation’s greatest contribution to the modern zeitgeist."
Fresh Air: Michel Faber, Under The Skin (2000) With A Comment On Trainspotting, Tony Jarrells
Fresh Air: Michel Faber, Under The Skin (2000) With A Comment On Trainspotting, Tony Jarrells
Studies in Scottish Literature
Comparing Faber's treatment of the Scottish Highlands (his only novel set in Scotland) with a Highland incident in Welsh's Trainspotting, arguing that in Faber the Highlands are "not merely some representation of a romanticized past," but also "represent this present moment,... marked by the class conflicts and near political hopelessness" seen in Welsh, but also "a strong sense of beauty and an appreciation for the environment."
Matthew Fitt, But N Ben A-Go-Go (2000), Caroline Mccracken-Flesher
Matthew Fitt, But N Ben A-Go-Go (2000), Caroline Mccracken-Flesher
Studies in Scottish Literature
Puts forward Fitt's "challenging, haunting novel," "a dystopian, coming of age, scientific-detective-police procedural-medical romance," written in "lyrical/acerbic Scots," as "thrawn, readable, un-put-down-able," and a "darkly plotted challenge to family dynamics."
Scotland’S Top Ten & The Inadequacy Of A National Canon: Alasdair Gray’S Lanark (1981), Scott Lyall
Scotland’S Top Ten & The Inadequacy Of A National Canon: Alasdair Gray’S Lanark (1981), Scott Lyall
Studies in Scottish Literature
Discusses the healthy overlap in the recent BBC Scotland poll on Scotland's Favourite Novel between popular appeal and critical recognition; judges Gray's Lanark as "Scotland's greatest modern novel," which "deserves to be much better known internationally," as "the outstanding postmodern challenge to the global conformism of capitalist hyper-individualism," laments that, despite their usefulness, such curated polls and lists are self-perpetuating, to the neglect of many distinctive Scottish novels, and concludes by asking "what would a truly uncurated top 30 look like?"
Robin Jenkins, The Thistle And The Grail (1954) With A Comment On Sunset Song, David E. Latane
Robin Jenkins, The Thistle And The Grail (1954) With A Comment On Sunset Song, David E. Latane
Studies in Scottish Literature
Recommends Robin Jenkins's story of a Scottish football (soccer) team, Drumsagart Thistle, and its quest to win the Scottish Junior Cup, as "a marvelous compendium of Roy of the Rovers improbabilities, Our Town ethnography, critiques of gender relations, subtle and broad satire, and laugh outloud comedy."
Eric Linklater, Private Angelo (1946), Gill Plain
Eric Linklater, Private Angelo (1946), Gill Plain
Studies in Scottish Literature
Recommends Linklater's novel about World War II in Italy as "a book that cherishes national difference while utterly condemning nationalism," "as much a book for 2017 as it was for 1946," and "a sharply observant satire dissecting the male vanity, national hubris and hypocrisy behind the 'logic' of war."
Willa Muir, Imagined Corners (1931), Timothy C. Baker
Willa Muir, Imagined Corners (1931), Timothy C. Baker
Studies in Scottish Literature
Recommends Muir's novel (which came in 30th in the BBC poll), set in a small Scottish town and concerned with "'the ideology of Scotland,' and questions of class, religion, sexuality, politics, and education," as "indisputably a great novel, perhaps equalled in British fiction only by To the Lighthouse, and utterly unique in the Scottish canon,"
James Robertson, The Fanatic (2000), Silvia Mergenthal
James Robertson, The Fanatic (2000), Silvia Mergenthal
Studies in Scottish Literature
Suggests that Robertson's first novel, chiefly concerned with 17th century Scotland, already shows the complex intertextual relationships with earlier Scottish works by Scott, Hogg, and Stevenson that marks his subsequent writing, and comments particularly on its question "What happens later?," in relation to the Scottish vote for political devolution in May 1997.
James Robertson, Joseph Knight (2003), Ilka Schwittlinsky
James Robertson, Joseph Knight (2003), Ilka Schwittlinsky
Studies in Scottish Literature
Recommends Robertson's novel, based on the true story of the Jamaican slave who in 1778 successfully asserted his freedom in the Scottish Court of Session, and the intertwined story of John Wedderburn, the Scottish plantation owner whose slave he had been, as "an eminently enjoyable historical novel which tackles a difficult subject matter [Scotland’s complicity in slavery and the slave trade] with astonishing humanity."
Nan Shepherd, The Quarry Wood (1928), Carole Jones
Nan Shepherd, The Quarry Wood (1928), Carole Jones
Studies in Scottish Literature
Recommends Shepherd's novel about an independent woman in north-east Scotland as "vivid in delineating its female central character, its local language, and what is undoubtedly a radical engagement with sexual politics," that "examines closely issues of sexual identity and gender relations, and ... comes to its own thoughtful conclusions on women's place in the world."
Muriel Spark, The Prime Of Miss Jean Brodie (1961), Katrin Berndt
Muriel Spark, The Prime Of Miss Jean Brodie (1961), Katrin Berndt
Studies in Scottish Literature
Discusses Spark's well-known novel, recognizing its "curious amalgamation of acerbic humour, elegance of style, Calvinist spirit, and careful poignancy of plot development," but pointing also to "the pleasurable challenge" offered by its "charismatic" protagonist, Jean Brodie, "glamorous and romantic," "with a proud self-assurance rarely bestowed on female characters," which nonetheless "eludes everyone’s emotional grasp."
Writing On The Margins: Luke Sutherland, Venus As A Boy (2004), Manfred Malzahn
Writing On The Margins: Luke Sutherland, Venus As A Boy (2004), Manfred Malzahn
Studies in Scottish Literature
Recommends Sutherland's "epiphanic" short novel, which received rave reviews on publication, as a novel that should have been "an almost mandatory selection" for the BBC poll ballot, suggesting that it was excluded, not only because of length, explicit language, and violence, but because its island setting and depiction of "the fuzzy margins of sexual and racial identity" made it wrongly seem peripheral to the Scottish "mainland and mainstream."