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Articles 15631 - 15660 of 47628

Full-Text Articles in English Language and Literature

Voluntary And Involuntary Isolation In Mary Shelley's The Last Man, Jessica Pope Mudrow Dec 2017

Voluntary And Involuntary Isolation In Mary Shelley's The Last Man, Jessica Pope Mudrow

Criterion: A Journal of Literary Criticism

No abstract provided.

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The Shadow's Symphony: Archetypal Awakening In Igor Stravinsky's The Rite Of Spring, Rebekah Hood Dec 2017

The Shadow's Symphony: Archetypal Awakening In Igor Stravinsky's The Rite Of Spring, Rebekah Hood

Criterion: A Journal of Literary Criticism

No abstract provided.

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Contents Dec 2017

Contents

Criterion: A Journal of Literary Criticism

No abstract provided.

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Conversation In Woman In The Nineteenth Century: A Tool To Prepare Units For Union, Camille Pay Dec 2017

Conversation In Woman In The Nineteenth Century: A Tool To Prepare Units For Union, Camille Pay

Criterion: A Journal of Literary Criticism

No abstract provided.

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On Symbols And Shadows: Flannery O'Connor's Jungian Concepts Of Grace, Joshlin Sheridan Dec 2017

On Symbols And Shadows: Flannery O'Connor's Jungian Concepts Of Grace, Joshlin Sheridan

Criterion: A Journal of Literary Criticism

No abstract provided.

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The Nets Of Style: Shaping Modernist Literary Narrative, Kelly Lynn Oman Dec 2017

The Nets Of Style: Shaping Modernist Literary Narrative, Kelly Lynn Oman

Arts & Sciences Graduate Student Theses and Dissertations

Literary modernism is often defined by a stylistic distinctiveness generated by experiments in subject and form. Given that these experiments necessarily break with convention, how are we to make sense of this style without those conventions to guide us? In “The Nets of Style: Shaping Modernist Literary Narrative,” I reveal how critical definitions of modernist style often rely on the individualist poses struck and critical pronouncements made by modernists themselves. My research is situated in a body of work in modernist studies that argue, as Paul Sheehan does in Modernism and the Aesthetics of Violence, that “modernism seeks to transform …

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A Phantasmagoric Fairy Tale: “Zerinda” And The Doubling Of Wonder, Conor B. Hilton Dec 2017

A Phantasmagoric Fairy Tale: “Zerinda” And The Doubling Of Wonder, Conor B. Hilton

Criterion: A Journal of Literary Criticism

No abstract provided.

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Snicket And Poe: A Juvenile Mystery, Alex Hugie Dec 2017

Snicket And Poe: A Juvenile Mystery, Alex Hugie

Criterion: A Journal of Literary Criticism

No abstract provided.

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Editors' Note, Chelsea Lee, Makayla Okamura Dec 2017

Editors' Note, Chelsea Lee, Makayla Okamura

Criterion: A Journal of Literary Criticism

No abstract provided.

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Contributors Dec 2017

Contributors

Criterion: A Journal of Literary Criticism

No abstract provided.

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Preface To Ssl 43:2, Patrick G. Scott, Anthony Jarrells Dec 2017

Preface To Ssl 43:2, Patrick G. Scott, Anthony Jarrells

Studies in Scottish Literature

Introduces the two special sections in this issue, on Scottish fiction and Burns bibliography, and briefly describes the range of other contributions, noting the wide international range of contributors.

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The Crème De La Crème: Old Favourites, New-Fangled Works, And Other Fictions, Willy Maley Dec 2017

The Crème De La Crème: Old Favourites, New-Fangled Works, And Other Fictions, Willy Maley

Studies in Scottish Literature

Introduces the SSL Debate, in which 18 contributors react to and add to the BBC Scotland poll on Scotland's Favourite Novel, discussing the purposes and limitations of various lists that have ranked recent Scottish fiction, and commenting briefly on the differences between this debate and the deliberations of a selection panel.

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Thomas Carlyle, Sartor Resartus (1834), Kathryn Chittick Dec 2017

Thomas Carlyle, Sartor Resartus (1834), Kathryn Chittick

Studies in Scottish Literature

Argues that Thomas Carlyle's fictional autobiography from the 1830s deserves recognition as one of the most experimental of Scottish novels and suggests some ways in which it anticipates a fictive self-consciousness often thought of as post-modern.

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Venturing A Little Further: Margaret Elphinstone, The Sea Road (2000), Matthew Wickman Dec 2017

Venturing A Little Further: Margaret Elphinstone, The Sea Road (2000), Matthew Wickman

Studies in Scottish Literature

Proposes that Margaret Elphinstone’s historical novel about Gudrid of Iceland, an eleventh-century female explorer of Greenland and North America, is "a novel for many seasons: the eleventh century, the early and late twentieth, and far into the twenty-first," judging it "one of the great Scottish novels about the unknown," and "perhaps the nation’s greatest contribution to the modern zeitgeist."

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Fresh Air: Michel Faber, Under The Skin (2000) With A Comment On Trainspotting, Tony Jarrells Dec 2017

Fresh Air: Michel Faber, Under The Skin (2000) With A Comment On Trainspotting, Tony Jarrells

Studies in Scottish Literature

Comparing Faber's treatment of the Scottish Highlands (his only novel set in Scotland) with a Highland incident in Welsh's Trainspotting, arguing that in Faber the Highlands are "not merely some representation of a romanticized past," but also "represent this present moment,... marked by the class conflicts and near political hopelessness" seen in Welsh, but also "a strong sense of beauty and an appreciation for the environment."

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Matthew Fitt, But N Ben A-Go-Go (2000), Caroline Mccracken-Flesher Dec 2017

Matthew Fitt, But N Ben A-Go-Go (2000), Caroline Mccracken-Flesher

Studies in Scottish Literature

Puts forward Fitt's "challenging, haunting novel," "a dystopian, coming of age, scientific-detective-police procedural-medical romance," written in "lyrical/acerbic Scots," as "thrawn, readable, un-put-down-able," and a "darkly plotted challenge to family dynamics."

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Scotland’S Top Ten & The Inadequacy Of A National Canon: Alasdair Gray’S Lanark (1981), Scott Lyall Dec 2017

Scotland’S Top Ten & The Inadequacy Of A National Canon: Alasdair Gray’S Lanark (1981), Scott Lyall

Studies in Scottish Literature

Discusses the healthy overlap in the recent BBC Scotland poll on Scotland's Favourite Novel between popular appeal and critical recognition; judges Gray's Lanark as "Scotland's greatest modern novel," which "deserves to be much better known internationally," as "the outstanding postmodern challenge to the global conformism of capitalist hyper-individualism," laments that, despite their usefulness, such curated polls and lists are self-perpetuating, to the neglect of many distinctive Scottish novels, and concludes by asking "what would a truly uncurated top 30 look like?"

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Robin Jenkins, The Thistle And The Grail (1954) With A Comment On Sunset Song, David E. Latane Dec 2017

Robin Jenkins, The Thistle And The Grail (1954) With A Comment On Sunset Song, David E. Latane

Studies in Scottish Literature

Recommends Robin Jenkins's story of a Scottish football (soccer) team, Drumsagart Thistle, and its quest to win the Scottish Junior Cup, as "a marvelous compendium of Roy of the Rovers improbabilities, Our Town ethnography, critiques of gender relations, subtle and broad satire, and laugh outloud comedy."

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Eric Linklater, Private Angelo (1946), Gill Plain Dec 2017

Eric Linklater, Private Angelo (1946), Gill Plain

Studies in Scottish Literature

Recommends Linklater's novel about World War II in Italy as "a book that cherishes national difference while utterly condemning nationalism," "as much a book for 2017 as it was for 1946," and "a sharply observant satire dissecting the male vanity, national hubris and hypocrisy behind the 'logic' of war."

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Willa Muir, Imagined Corners (1931), Timothy C. Baker Dec 2017

Willa Muir, Imagined Corners (1931), Timothy C. Baker

Studies in Scottish Literature

Recommends Muir's novel (which came in 30th in the BBC poll), set in a small Scottish town and concerned with "'the ideology of Scotland,' and questions of class, religion, sexuality, politics, and education," as "indisputably a great novel, perhaps equalled in British fiction only by To the Lighthouse, and utterly unique in the Scottish canon,"

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James Robertson, The Fanatic (2000), Silvia Mergenthal Dec 2017

James Robertson, The Fanatic (2000), Silvia Mergenthal

Studies in Scottish Literature

Suggests that Robertson's first novel, chiefly concerned with 17th century Scotland, already shows the complex intertextual relationships with earlier Scottish works by Scott, Hogg, and Stevenson that marks his subsequent writing, and comments particularly on its question "What happens later?," in relation to the Scottish vote for political devolution in May 1997.

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James Robertson, Joseph Knight (2003), Ilka Schwittlinsky Dec 2017

James Robertson, Joseph Knight (2003), Ilka Schwittlinsky

Studies in Scottish Literature

Recommends Robertson's novel, based on the true story of the Jamaican slave who in 1778 successfully asserted his freedom in the Scottish Court of Session, and the intertwined story of John Wedderburn, the Scottish plantation owner whose slave he had been, as "an eminently enjoyable historical novel which tackles a difficult subject matter [Scotland’s complicity in slavery and the slave trade] with astonishing humanity."

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Nan Shepherd, The Quarry Wood (1928), Carole Jones Dec 2017

Nan Shepherd, The Quarry Wood (1928), Carole Jones

Studies in Scottish Literature

Recommends Shepherd's novel about an independent woman in north-east Scotland as "vivid in delineating its female central character, its local language, and what is undoubtedly a radical engagement with sexual politics," that "examines closely issues of sexual identity and gender relations, and ... comes to its own thoughtful conclusions on women's place in the world."

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Muriel Spark, The Prime Of Miss Jean Brodie (1961), Katrin Berndt Dec 2017

Muriel Spark, The Prime Of Miss Jean Brodie (1961), Katrin Berndt

Studies in Scottish Literature

Discusses Spark's well-known novel, recognizing its "curious amalgamation of acerbic humour, elegance of style, Calvinist spirit, and careful poignancy of plot development," but pointing also to "the pleasurable challenge" offered by its "charismatic" protagonist, Jean Brodie, "glamorous and romantic," "with a proud self-assurance rarely bestowed on female characters," which nonetheless "eludes everyone’s emotional grasp."

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Writing On The Margins: Luke Sutherland, Venus As A Boy (2004), Manfred Malzahn Dec 2017

Writing On The Margins: Luke Sutherland, Venus As A Boy (2004), Manfred Malzahn

Studies in Scottish Literature

Recommends Sutherland's "epiphanic" short novel, which received rave reviews on publication, as a novel that should have been "an almost mandatory selection" for the BBC poll ballot, suggesting that it was excluded, not only because of length, explicit language, and violence, but because its island setting and depiction of "the fuzzy margins of sexual and racial identity" made it wrongly seem peripheral to the Scottish "mainland and mainstream."

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Gavin Douglas's Aeneados: Caxton's English And 'Our Scottis Langage', Jacquelyn Hendricks Dec 2017

Gavin Douglas's Aeneados: Caxton's English And 'Our Scottis Langage', Jacquelyn Hendricks

Studies in Scottish Literature

Discusses the Scots poet Gavin Douglas's translation of Virgil's Aeneid into Scots, and Douglas's treatment of his predecessor William Caxton's translation of Virgil into English, arguing that Douglas associates Caxton's English with a barbaric world of monsters and beasts, in contrast to Scots which is seen as expressing civilized classical values, and that Douglas's translation, by enhancing and showcasing the literary power of Scots for a wider audience, successfully resisted for at least forty years the linguistic standardization initiated by the burgeoning print industry.

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Beattie's The Minstrel: A Missing Link In Scottish Poetry, Ian C. Robertson Dec 2017

Beattie's The Minstrel: A Missing Link In Scottish Poetry, Ian C. Robertson

Studies in Scottish Literature

Discusses the Scottish poet James Beattie's poetry, especially his major work The Minstrel, and his shorter poem in Scots, "To Mr Alexander Ross," in terms of his connections, role and influence within the Scottish poetry and culture of the mid- to late 18th century, arguing that without taking into account Beattie's complex relationship to Scottish, and specifically Aberdonian, culture, the development of 18th century Scottish poetry between Ramsay and Burns cannot be adequately understood.

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The Scotch Bard And 'The Planting Line': New Documents On Burns And Jamaica, Clark Mcginn Dec 2017

The Scotch Bard And 'The Planting Line': New Documents On Burns And Jamaica, Clark Mcginn

Studies in Scottish Literature

Based on newly-identified documents, reexamines Burns's plan in 1786 to emigrate to Jamaica to take a job on a Scottish-owned slave plantation, and the timing and circumstances of his eventual decision to stay in Scotland, concluding that Burns "kept his options open to the last moment," and that the new documents might mean Burns "sought to prosper from chattel slavery," and "only dropped the opportunity because a better offer came along, not because of any moral scruples."

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Immigrant Communities, Cultural Conflicts, And Intermarriage In Ann Marie Di Mambro's Tally's Blood, Ian Brown Dec 2017

Immigrant Communities, Cultural Conflicts, And Intermarriage In Ann Marie Di Mambro's Tally's Blood, Ian Brown

Studies in Scottish Literature

Discusses the stage history, structure and themes of Anne Marie Di Mambro’s play Tally’s Blood (1990), especially in terms of the cultural stresses on Italian immigrant families in Scotland in the 1930s and the impact on them of the Second World War.

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An Ssl Research Symposium: Introduction: New Developments In Robert Burns Bibliography, Gerard Carruthers Dec 2017

An Ssl Research Symposium: Introduction: New Developments In Robert Burns Bibliography, Gerard Carruthers

Studies in Scottish Literature

Introduces four talks given at the National Library of Scotland on March 16, 2017, at a workshop on New Developments in Robert Burns Bibliography, jointly convened by Robert Betteridge of the National Library and by Prof. Carruthers, as general editor of the AHRC-funded project Editing Robert Burns for the 21st Century, arguing that "every bit as much as literary criticism or textual editing, bibliographical studies need generational renewal."

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