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Articles 15511 - 15540 of 47628

Full-Text Articles in English Language and Literature

Nelle 1 (End Matter), Nelle Staff Jan 2018

Nelle 1 (End Matter), Nelle Staff

Nelle (literary magazine)

pp. 123-135


Nelle 1 (Complete Issue), Nelle Staff Jan 2018

Nelle 1 (Complete Issue), Nelle Staff

Nelle (literary magazine)

No abstract provided.


Severance, Christina Deka Jan 2018

Severance, Christina Deka

Nelle (literary magazine)

pp. 10-21


Endearment, Anna Lena Phillips Bell Jan 2018

Endearment, Anna Lena Phillips Bell

Nelle (literary magazine)

p. 43


Autumn Tritina, Amanda Shires Jan 2018

Autumn Tritina, Amanda Shires

Birmingham Poetry Review

p. 174


Kettle, R T. Smith Jan 2018

Kettle, R T. Smith

Birmingham Poetry Review

p. 175


Supply Chain, Pimone Triplett Jan 2018

Supply Chain, Pimone Triplett

Birmingham Poetry Review

pp. 188-189


Pinnacle, Benjamin S. Grossberg Jan 2018

Pinnacle, Benjamin S. Grossberg

Birmingham Poetry Review

pp. 107-110


Manifest Destiny, American Domesticity, And The Role Of The Immigrant In Ruiz De Burton's Novels, Madison Rose Martinez Jan 2018

Manifest Destiny, American Domesticity, And The Role Of The Immigrant In Ruiz De Burton's Novels, Madison Rose Martinez

Honors Theses

Maria Amparo Ruiz de Burton’s novels Who Would Have Thought It?And The Squatter And the Donare important works of literature due to their representation of the MexicanExperience in the redefined expanding United States of the nineteenth century. The novelsprovide two perspectives of the time period by delving into the lives of Americans and Mexicans on both sides of the country.


Pocahontas Looks Back And Then Looks Elsewhere: The Entangled Gaze In Contemporary Indigenous Art, Monika Siebert Jan 2018

Pocahontas Looks Back And Then Looks Elsewhere: The Entangled Gaze In Contemporary Indigenous Art, Monika Siebert

English Faculty Publications

In the late twentieth and early twenty-first centuries, various genres of visual art in North America feature Indigenous subjects looking from the canvas or the screen at the viewers to interpellate them as implicated in the gaze framing the artwork. In this article, I provide an historical genealogy of this returned gaze, starting with Simon van de Passe’s 1616 engraving, Matoaka als Lady Rebecca. I show how subsequent depictions of Pocahontas depart from the reciprocal gaze of de Passe’s portrait and how contemporary art returns to this theme of the returned gaze, using Shelley Niro’s video work The Shirt (2003) …


Bibliography For Interstices 2018: Beyond Human: Emotion And Ai, Kristin Laughtin-Dunker Jan 2018

Bibliography For Interstices 2018: Beyond Human: Emotion And Ai, Kristin Laughtin-Dunker

Library Displays and Bibliographies

An annotated list of materials in the Leatherby Libraries to accompany the Interstices 2018: Beyond Human: Emotion and AI event held at Chapman University in February 2018. The event featured Lisa Joy, co-creator and executive producer of HBO’s Emmy winning hit series Westworld, Jon Gratch, Director for Virtual Human Research at the University of Southern California’s (USC) Institute for Creative Technologies and Caroline Bainbridge, a Professor of Psychoanalysis and Culture in the Department of Media, Culture and Language at the University of Roehampton London. The Leatherby Libraries also hosted two book club discussions of The Positronic …


In The Shape Of A Woman: Behavioral Compliance To Gendered Expectations In The Early Modern Era And The Implications For Human Identity In Shakespeare's Macbeth, Sydney Shamblin Jan 2018

In The Shape Of A Woman: Behavioral Compliance To Gendered Expectations In The Early Modern Era And The Implications For Human Identity In Shakespeare's Macbeth, Sydney Shamblin

Honors Theses

The purpose of this essay is to examine the role that gender plays in the construction of the human within Shakespeare's Macbeth and The Merry Wives of Windsor. While gender was a vital component of the immaterial essence that distinguished humans from animals, early moderns believed that true internal gender conformity could not exist if it was not accompanied by external expressions of it. Characters in each of these plays fixate on the external proofs of their own gendered identities, and in doing so, they inadvertently reveal that those traits which distinguish humanity are only cultural constructions and learned behavior …


Adapting Intertextuality: The Case Of Nursery Rhyme Characters In Creating New Canons In Children’S Culture, Catalina Millán Scheiding Jan 2018

Adapting Intertextuality: The Case Of Nursery Rhyme Characters In Creating New Canons In Children’S Culture, Catalina Millán Scheiding

Faculty Works

The increasingly common use of English nursery rhymes intertextually has impacted upon their transfer into target cultures: entire nursery rhymes, fragments and characters are now found in translational situations. Most of these situations are adaptations of nursery rhymes into other media; and one of the most evident is the use of nursery rhyme characters found in a different context, frequently portrayed visually. Through a reception case study with Spanish students, this report intends to address issues about the relevance of intertextuality in translation, as well as the child’s assumptions in relation to discourse and visual input. Through a qualitative mixed-method …


“I’Ll Come Back And Break Your Spell”: Narrative Freedom And Genre In The Haunting Of Hill House, Hilarie Ashton Jan 2018

“I’Ll Come Back And Break Your Spell”: Narrative Freedom And Genre In The Haunting Of Hill House, Hilarie Ashton

Publications and Research

In The Haunting of Hill House, Shirley Jackson interplays repression and fear inside a “normal” world, reshaping the modern Gothic novel. In this article, I trace key moments in the text where the perceptions of her complicated protagonist, Eleanor Vance, appear without the mediation of the narrator, via verb tenses, punctuation/formatting choices, and quotation. Many of these moments, I argue, occur in narrative spaces that are more quotidian than Gothic (some not even chilling at all). With the periodic narrative freedom, which I call bare thoughts, this recalibrates the division between imaginary and reality while opening up possibilities for …


Hypergoddess, Maeve Bell Jan 2018

Hypergoddess, Maeve Bell

Whittier Scholars Program

HYPERGODDESS is a portfolio of creative work including creative writing (fiction, poetry), music, photography, and video. The primary content is an arrangement of blog posts written from the voice of a fictional character named Juliette. Her world is introduced as she is leaving her boyfriend's hotel and meets a Psychic while ordering a bagel. Over the next 17 blog posts, Juliette juggles a variety of relationships, and shares the details she deems most noteworthy. It is apparent immediately that her priorities are created solely in the interest of her own comfort and that of her small dog, Heinz. Her blog …


Review Of John James Audubon: The Nature Of The American Woodsman, By Gregory Nobles, Matthew Guzman Jan 2018

Review Of John James Audubon: The Nature Of The American Woodsman, By Gregory Nobles, Matthew Guzman

Department of English: Dissertations, Theses, and Student Research

When we think about American ornithology, John James Audubon is often the first name that comes to mind. As evidence to Audubon’s lasting ability to enrapture readers, it bears repeating that an original Double Elephant Folio of Birds of America sold for an astounding $11.5 million in 2010 (2). Yet, for a man who produced such stunning and memorable visual and literary work on the avifauna of North America, some of the important details of his life and origins have remained highly contested. Even though Gregory Nobles’s new biography is not explicitly tied to the study of the Great Plains, …


Joanna Baillie And Sir John Herschel, Judith Bailey Slagle Jan 2018

Joanna Baillie And Sir John Herschel, Judith Bailey Slagle

ETSU Faculty Works

No abstract provided.


The Roles Of Silence In Virginia Woolf's Between The Acts, Elizabeth F. Epprecht Jan 2018

The Roles Of Silence In Virginia Woolf's Between The Acts, Elizabeth F. Epprecht

Scripps Senior Theses

In this thesis I explore the roles of silence in Virginia Woolf’s last novel, Between the Acts (1941). I focus on three readings of silence in the text. First, I consider her portrayal of malicious silences as unsaid judgments and aggressions and their impact on interpersonal relationships and interactions. Second, I look at detached, empty silence and its relation to the critical passivity Woolf noted in her audience in the early years of WWII. Finally, I consider silence as feminist resistance to traditional narratives through the intertwined experiences of Isa and Miss La Trobe.


Post-Wartime Vs. Post-War Time: Temporality And Trauma In Jacob's Room, Mrs. Dalloway, To The Lighthouse, And The Years, Andrea Conover Jan 2018

Post-Wartime Vs. Post-War Time: Temporality And Trauma In Jacob's Room, Mrs. Dalloway, To The Lighthouse, And The Years, Andrea Conover

Scripps Senior Theses

In these novels, Woolf demonstrates the ways in which wartime trauma affects post-war life, from the societal trauma of losing an entire generation in Jacob’s Room, to the continuation of wartime beyond the end of the war for traumatized soldiers and anyone whose lives they touch in Mrs. Dalloway, to recovery through the creation of art and family ties in To the Lighthouse, to the question of futurity inherent in wartime trauma in The Years.


Depictions Of The Western Artist In Colonial South Africa: Turbott Wolfe, Chloe Bazlen Jan 2018

Depictions Of The Western Artist In Colonial South Africa: Turbott Wolfe, Chloe Bazlen

Scripps Senior Theses

This thesis explores what the role of the artist provides to the colonial novel. Using William Plomer's novel Turbott Wolfe, the role of the Western artist in colonial South Africa is examined and critiqued, putting it in conversation with the art theory of Roger Fry and the Primitivism movement. In doing so, it explores themes such as desire, miscegenation, complexity, and carnival, showing that while artists partake in society, they also remain critical of it, responding to it in their artwork.


“Your Unthought Of Harry”: Political Legitimacy And The Economy Of Honor In Shakespeare's Henriad, Bandana Singh Jan 2018

“Your Unthought Of Harry”: Political Legitimacy And The Economy Of Honor In Shakespeare's Henriad, Bandana Singh

Scripps Senior Theses

Shakespeare’s Henriad delves into questions of divine authority, political process, and the role of class in society. Most importantly, however, the text tracks the shifts in leadership and kingly identity. Richard II paints the portrait of a king infatuated with his own divinity. Richard’s journey from anointed king to deposed mortal captures the dissolution of his fantasy of invincibility. Inciting Richard’s demise, Henry IV effectively disturbs the passive obedience which the king’s subjects maintain; in doing so, the kingship begins to shift away from divine authority, moving into a vacuum of rebellion and civil conflict. Meanwhile, the previously profligate Prince …


Empire Of The Imagination: Imperialism And The Child Reader Of Victorian And Neo-Victorian Children's Literature, Megan Hicks Jan 2018

Empire Of The Imagination: Imperialism And The Child Reader Of Victorian And Neo-Victorian Children's Literature, Megan Hicks

Master’s Theses

My thesis explores the depiction of the British Empire in Victorian and Neo-Victorian children’s fiction. Though scholars may expect to find simplistic imperial triumphalism in texts written in the late Victorian period and incisive critiques of empire in contemporary texts, my work demonstrates that the ideology of empire is much more contradictory, unstable, and incohesive than one might assume. By looking at the instability of imperial ideology through the lens of children’s fiction, I examine the ways in which that ideology is contested in the text rather than a stable site of ideological transference from adult to child. Thus, my …


Representing Wilderness In The Shaping Of America's National Parks: Aesthetics, Boundaries, And Cultures In The Works Of James Fenimore Cooper, John Muir, And Their Artistic Contemporaries, Alana Jajko Jan 2018

Representing Wilderness In The Shaping Of America's National Parks: Aesthetics, Boundaries, And Cultures In The Works Of James Fenimore Cooper, John Muir, And Their Artistic Contemporaries, Alana Jajko

Master’s Theses

This project studies the works of James Fenimore Cooper, John Muir, and their artistic contemporaries in relation to the shaping of America’s national parks and what it means for the parks and their attending wilderness to be symbolic of the nation. It seeks to reveal the national parks as artistic representations of a constructed wilderness, while also emphasizing the physical experience of the natural world as a means of supplementing our subjective views. Through the lenses of aesthetics, boundaries, and cultures, I narrow my study to focus on three distinct perspectives by which we can understand the national parks and …


Disarming “Nature” As A Weapon: A Queer Ecosemiotic Reimagining Of Futurity And Environmental Ethics Through Memoir, Sam Lauer Jan 2018

Disarming “Nature” As A Weapon: A Queer Ecosemiotic Reimagining Of Futurity And Environmental Ethics Through Memoir, Sam Lauer

Master’s Theses

In this thesis, I posit that the need for an active, conscious, and radical queering of ecocriticism as a literary and cultural theory has arisen in light of the postmodern problematization of “nature” and the “natural,” along with the queerness of society, culture, and science. The way we understand “nature” (in life and in texts), whether of physical environments, inherent selfhood, or normalcy, begs to be appropriately informed by discourses and realities of queerness in order for both social and environmental healing to take place. I have analyzed three works of queer creative nonfiction—memoirs—to illuminate the ways in which the …


“Jailed On The Charge Of Sodomy”: A Same-Sex, Interracial Marriage In 1888, Adam Yeich Jan 2018

“Jailed On The Charge Of Sodomy”: A Same-Sex, Interracial Marriage In 1888, Adam Yeich

Nineteenth-Century Ohio Literature

Adam Yeich explains and presents an Ohio newspaper report of a same-sex, interracial marriage in 1888 in Arkansas. This article includes the full text of the newspaper report, an introduction explaining its significance, and a bibliography.


Douglass’ Reply To A. C. C. Thompson’S ‘Letter From Frederick Douglass,’ As Reprinted In The Anti-Slavery Bugle: A Critical Edition Of Both Letters, With A Summary Of Maryland’S Fugitive Slave Laws, Kayla Hardy-Butler Jan 2018

Douglass’ Reply To A. C. C. Thompson’S ‘Letter From Frederick Douglass,’ As Reprinted In The Anti-Slavery Bugle: A Critical Edition Of Both Letters, With A Summary Of Maryland’S Fugitive Slave Laws, Kayla Hardy-Butler

Nineteenth-Century Ohio Literature

Kayla Hardy-Butler presents a famous letter by Frederick Douglass, as it was published in Ohio, with the letter that prompted it. This edition also includes a summary of Maryland slave statutes from the time to better explain the day-to-day experience of slavery debated in this correspondence.


A Steady Journey - Critical And Self-Analysis, Ashley Gonzalez Jan 2018

A Steady Journey - Critical And Self-Analysis, Ashley Gonzalez

Williams Honors College, Honors Research Projects

Analysis of the composition of A Steady Journey, a young adult fantasy novel featuring a disabled protagonist by Ashley Gonzalez.


Daniel Defoe's Protestant Roman Catholics. Global Religion, Colonialism, And The Limits Of Toleration In The Farther Adventures Of Robinson Crusoe, David Alvarez Jan 2018

Daniel Defoe's Protestant Roman Catholics. Global Religion, Colonialism, And The Limits Of Toleration In The Farther Adventures Of Robinson Crusoe, David Alvarez

English Faculty publications

In Daniel Defoe's The Farther Adventures of Robinson Crusoe (1719), the Protestant protagonist treats Roman Catholics with a friendly tolerance, which seems at odds with his violence towards idolaters. Placing the novel within the history of secularity reveals that Crusoe can tolerate Roman Catholics because their religion is represented in Protestant terms. In his global travels, an implicit Protestantism shapes his understanding of "religion," which cannot accommodate idolaters. To promote a proper form of religion that he can tolerate, Crusoe turns to violence.


Front Matter, Douglas Higbee Jan 2018

Front Matter, Douglas Higbee

The Oswald Review: An International Journal of Undergraduate Research and Criticism in the Discipline of English

No abstract provided.


Contents, Douglas Higbee Jan 2018

Contents, Douglas Higbee

The Oswald Review: An International Journal of Undergraduate Research and Criticism in the Discipline of English

No abstract provided.