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Articles 4501 - 4530 of 4668
Full-Text Articles in Art Practice
Stephen Antonakos: Room For Wright State, Wright State University Art Gallery
Stephen Antonakos: Room For Wright State, Wright State University Art Gallery
Exhibition and Program Catalogs
The guide is a visual record of the installation of an environmental sculpture in the Wright State University Art Gallery. Room for Wright State was designed and built specifically for the Art Gallery by Stephen Antonakos. This document is meant to lend permanence to a temporary exhibition and to allow the reader to participate in the experience of the project from inception through completion. As an aid to the reader, the interior dimensions of the truncated cube that houses the neon (viewed from the upper gallery level) are 18' 6-5/8" x 20' 1-5/8" x 13' 6" high (565 x 610.5 …
Problems In The Evaluation Of Children's Art, Linda Chaffins
Problems In The Evaluation Of Children's Art, Linda Chaffins
Morehead State Theses and Dissertations
A thesis presented to the School of Humanities at Morehead State University in partial fulfillment of the requirements for the Degree of Masters of Art Education by Linda Allen Chaffins on April 26, 1974.
Catalog Of Paintings Exhibited In The Colby College Art Museum May 8 -22- 1974, Lawrence Cappiello
Catalog Of Paintings Exhibited In The Colby College Art Museum May 8 -22- 1974, Lawrence Cappiello
Senior Scholar Papers
This catalog describes paintings by the author, completed as his Senior Scholar Project in art and exhibited in the Colby College Art Museum. Images of the paintings are not available.
Environmental Sculpture Symposium, Wright State University Art Galleries
Environmental Sculpture Symposium, Wright State University Art Galleries
Exhibition and Program Catalogs
An exhibit centered on environmental sculpture. This is a flyer that advertised the exhibit featuring the works of five artists: Rosalind E. Krauss, Michael Hall, Robert Irwin, Robert Doty, and Stephen Doty. It was held October 10th, 1974 at Wright State University Art Gallery.
Eight Teacher-Potters, Bob Daugherty
Eight Teacher-Potters, Bob Daugherty
Masters Theses
This paper presents a survey of statements and the works of eight teacher-potters in Illinois. The works range from simple functional ware to funk art objects. The firing temperatures range from low fire white ware to high fire salt. The styles of the work are many; the philosophies of the work varied; and techniques of the work are diversified; but common to each work is its creation from idea to actuality by the teacher-potter. Beyond depicting the work, the paper attempts to establish the teacher-potter who created the work by showing photographs of him and by presenting his ideas and …
Excavations At Korucutepe, Turkey. Part Ii: The Fortification Wall, Carol Bier
Excavations At Korucutepe, Turkey. Part Ii: The Fortification Wall, Carol Bier
Textile Research Works
Excavations at Korucutepe have brought to light a fortification wall of a type common in Anatolia during the second millennium B.c. The wall had been exposed in places by bulldozing operations for a government farm. Excavation revealed a plan consisting of a curtain wall with a double stone foundation (see fig. 7). Square towers project at intervals where the direction of the wall changes. Adjacent to two of the towers is a passageway, one on the south side of the mound, one on the northeast, leading out from the city. There is no indication of any cross walls, or casemates, …
Mural Painting, Martha C.T. Wetmore
Mural Painting, Martha C.T. Wetmore
Senior Scholar Papers
For my freshman Jan Plan at Colby I painted a mural in Runnals Union illustrating a William Blake poem. This effort began a four year painting project which I pursued my sophomore and junior years by finishing the Hall of the Machines in Runnals and by commencing the Paper Wall in Roberts. As a Senior Scholar, I've continued my undertaking by painting eleven more panels. Eight of these are in the Paper Wall and the other three are in the Spa in Miller Library. In my wallpainting up until this year my major interest has been in a strong two-dimentional …
Solid Casting In Aluminum And Concrete Using The Multiple-Piece Plaster Mold: A Method Of Introducing The Adolescent Student To The Indirect Method Of Sculpture, Donald Leroy Sandblast
Solid Casting In Aluminum And Concrete Using The Multiple-Piece Plaster Mold: A Method Of Introducing The Adolescent Student To The Indirect Method Of Sculpture, Donald Leroy Sandblast
Dissertations and Theses
This thesis deals with an investigation of the feasibility of using the multiple-piece plaster mold as a vehicle for teaching the indirect method of sculpture to the adolescent student. It is based upon the assumption that the students involved in the processes described will have had previous experience with the tools, techniques, and materials to be used. The investigation centered around the ability of the students to express themselves through the development of a sculptural form. The teacher's role was to assist the student identifying, expressing, and evaluating his individual goals against those goals established by the teacher. Instructional goals …
The Art Institute Of Boston Course Catalog (1973), The Art Institute Of Boston
The Art Institute Of Boston Course Catalog (1973), The Art Institute Of Boston
Art Institute of Boston (AIB) Course Catalogs
The Art Institute of Boston maintains, and always has maintained throughout the course of its long history, that the artist holds a unique position of responsibility in his society. Because the weight of his contribution is so widely felt in this age of the expanded media, the artist is expected to be not only innovator, but also arbitrator. The decisions which affect his life and his work influence a wide body of people who look to him for illumination.
Art cannot be taught as a development of certain visual talents separate from a larger awareness of life. The Art Institute …
Interview No. 71, Dennis Vannerson
Interview No. 71, Dennis Vannerson
Combined Interviews
Letter with biographical information.
Acrylic Polymer Transparencies, Inez Allen Kendrick
Acrylic Polymer Transparencies, Inez Allen Kendrick
Dissertations and Theses
Brief mentions by three writers on synthetic painting media first intrigued my interest in a' new technique of making transparent acrylic paintings on glass or plexiglas supports, some of which were said to I I simulate stained-glass windows. In writing this paper on acrylic polymer transparencies my problem was three-told: first. to determine whether any major recognized works of art have been produced by this, method; second, to experiment with the technique and materials in order to explore their possibilities for my own work; and third, to determine whether both materials and methods would be suitable for use in a …
Careers In Graphic Design, Joe Drovetto
Careers In Graphic Design, Joe Drovetto
All Master's Theses
This paper presents an illustrated brochure on careers in graphic design. The study includes the investigation of the number of possible professions in graphic design, definition of each specific profession, education and training necessary to qualify in each area, and a listing of further sources of information. The study also includes a series of creative visual illustrations to represent each area of graphic design.
The Micro-Environment Museum, John Clark Gleason
The Micro-Environment Museum, John Clark Gleason
All Master's Theses
The purpose of this paper is to give an explanation of the show, "The Micro-Environment Museum"; to give an explanation of the miniaturization process and it's opposite, enlargement; and to give a larger insight into the micro-environment.
Photographic Imagery As A Source For Iconography In Painting And Drawing, Eric Peder Brakken
Photographic Imagery As A Source For Iconography In Painting And Drawing, Eric Peder Brakken
All Master's Theses
Any verbalization of an artistic statement is by its very nature, an inadequate interpretation. However, I feel there is some merit in a concise declaration of my general concepts in the study. This paper represents a summation of the concepts and directions involved in my studio investigation in painting and drawing.
Specifically, it is within the scope of man's altered and effected perception of reality that I have based the studio research.
The Flowering Rhinoceros: An Extension Of Photography Into Other Media, Lawrence Leslie Bullis
The Flowering Rhinoceros: An Extension Of Photography Into Other Media, Lawrence Leslie Bullis
All Master's Theses
This paper develops, in a literary form, thematic material derived from fourteen photographically etched metal pieces, two photo-serigraphs, and six photographically produced intaglio prints. The narrative takes the form of an allegorical fantasy which contains a practical attitude toward photographic alchemy. New insights are provided into the origins and nature of the photographic medium in the light of the symbolic context of the artwork.
Illustrations of the artwork from which this paper derives are provided.
Mark's Art And Bridge Construction, J. Mark Erlander
Mark's Art And Bridge Construction, J. Mark Erlander
All Master's Theses
Plactic is the material I chose to communicate my ideas. Named for its ability to be shaped, melted, bent, moulded, and extruded into an infinite number of forms, is one of two reasons I used it. The other is its concept is familiar to modern man and even a definition of him.
To make the communication bridge complete the stulptures are constructed to allow the viewer to take part in the final form. By moving the work, he is as involved in the concept, form, and material as I have been in making the piece.
Experimental And Exploratory Thesis In Creative Glass Blowing As Art Media, Stan Flashman
Experimental And Exploratory Thesis In Creative Glass Blowing As Art Media, Stan Flashman
All Master's Theses
This paper along with a one man show of my work in the Fine Art Gallery is a representation of hand blown glass as an art media. The development or technical skill along with more free flowing form and spontaneous way or working was the ultimate aim of th1s study.
Small Objects As Art, Patrick Dybvig
Small Objects As Art, Patrick Dybvig
All Master's Theses
This thesis presents a series of original jewelry and hand-held art objects which aesthetically relate to each other in a controlled gallery environment. The form of the objects is based on box-shapes, while the content comments on and pokes fun at our present society. The objects are made of various combinations of sterling silver, brass, copper, aluminum, plexiglass, fabric. and wood. Some of the objects use photographs from private and magazine sources. All of the objects are intended as Funk-art pieces.
Images And Content, Robert C. Ellis Jr.
Images And Content, Robert C. Ellis Jr.
All Master's Theses
My primary purpose in this study was to explore the relationship of symbolism, imagery, and concept as they relate to printmaking and drawing. The techniques used in my work were collagraph printmaking, drawing, "painting-drawing", and three-dimensional construction. These works represent my development over a period of five quarters. As a result of this study, I expect that my perception and use of imagery, concepts and technique will continue to develop.
Design Of Spatial Interstices, Byron Hiroyuki Kato
Design Of Spatial Interstices, Byron Hiroyuki Kato
All Master's Theses
It was the purpose of this study: (1) to develop an idea visually as well as to articulate it in writing; (2) to evolve and develop illusions and realities of spatial interstices (spatial framents) as positive elements of two and three dimensional form; (3) to articulate, as objectively as possible, an analysis of the body of creative work.
The Art Institute Of Boston Course Catalog (1971-1972), The Art Institute Of Boston
The Art Institute Of Boston Course Catalog (1971-1972), The Art Institute Of Boston
Art Institute of Boston (AIB) Course Catalogs
The Art Institute of Boston maintains, and always has maintained throughout the course of its long history, that the artist holds a unique position of responsibility in his society. Because the weight of his contribution is so widely felt in this age of the expanded media, the artist is expected to be not only innovator, but also arbitrator. The decisions which affect his life and his work influence a wide body of people who look to him for illumination.
Art cannot be taught as a development of certain visual talents separate from a larger awareness of life. The Art Institute …
Sources For Neo-Satirical Drawings: Surrealist And Conceptual Processes, Douglas C. Brittain
Sources For Neo-Satirical Drawings: Surrealist And Conceptual Processes, Douglas C. Brittain
All Master's Theses
This study was concerned with social conunent and the intensity of emotional expression. The work was not intended to be a sociological study with illustrations, nor as an over-literate approach to art, but rather as a study of fine art problems. The problems and questions raised were as follows: (1) How are contradictions resolved when strict definitions of fine art and caricature are combined in drawing? (2) How are surrealist and conceptual processes integrated with biomorphic and mechanical forms? (2) What are the possible symbols and techniques for expressing ideas and emotions about the "mechano-organic" theme? This study was intended …
Experiments In The Decorative Process Of Salt-Glazing, James A. Thornsbury
Experiments In The Decorative Process Of Salt-Glazing, James A. Thornsbury
All Master's Theses
It is the purpose of this study to explore the process of salt-glazing and to develop a representative range of colored salt glazes by the application of soluble and insoluble metallic salts to the surface of the clay bodies. Varying percentages of clay forming constituents and metallic salts were tested to determine their effects on the range and characteristics of the colors obtained, and the ability of the clay body to take a salt-glaze. Firing techniques, kiln atmosphere control, and salting procedures were studied to determine their effects on the color of both clay and glaze, the ability of the …
A Survey Of Art In Edmonton In The 1960'S: Trends And Attitudes, Carin Thyra Thomas
A Survey Of Art In Edmonton In The 1960'S: Trends And Attitudes, Carin Thyra Thomas
All Master's Theses
The purpose of this study was to determine attitudes and trends in the various segments of the art world in the Edmonton area during the 1960's.
Amish Quilts, Wright State University Art Galleries
Amish Quilts, Wright State University Art Galleries
Exhibition and Program Catalogs
A gallery held by the Wright State University Art Galleries on subject of Amish quilts. These quilts were the collection held by Darwin Bearley that were shown September 18th through October 6th, 1970. Darwin Bearley had a talk on the exhibit October 2nd, 1970; which was followed by a reception.
Investigations In Mixed-Media Printmaking, Jarold H. Powell
Investigations In Mixed-Media Printmaking, Jarold H. Powell
All Master's Theses
The device man uses to transport himself is one of his dearest possessions and one of his biggest problems. The relationship between man and his machine is the basis for the content of this thesis. Since walking became impractical, men have grown dependent physically, emotionally, psychologically, economically, and socially on a personal means of transportation. My own ideas and experiences are the source for the content of this series of works.
Ua68 Development Of The Potter College Of Liberal Arts, Wku Potter College Of Arts & Letters
Ua68 Development Of The Potter College Of Liberal Arts, Wku Potter College Of Arts & Letters
WKU Administration Documents
A history of the development of WKU Potter College of Arts & Letters from 1906 to 1969. Includes information regarding the departments of art, English, foreign languages, history, music, speech and theatre.
Figure Painting In The High School: Experiments And Recommendations, E. Leonora Perron
Figure Painting In The High School: Experiments And Recommendations, E. Leonora Perron
Dissertations and Theses
My research problem was to experiment with four high school art classes in drawing and painting the figure, to draw conclusions about how they relate to working with the figure, and to recommend methods that appeared to be most successful in broadening viewpoints, developing skills and increasing interest and involvement in art. This problem was selected because teenage students, in the vast majority of cases, have great difficulty in drawing or painting figures and, therefore, strenuously avoid it.
I discovered that a subjective approach that recognizes personal feelings, along with one that requires close looking, seemed to get the most …
The Art Institute Of Boston Course Catalog (1969-1971), The Art Institute Of Boston
The Art Institute Of Boston Course Catalog (1969-1971), The Art Institute Of Boston
Art Institute of Boston (AIB) Course Catalogs
In January of 1968 The School of Practical Art changed its name to The Art Institute of Boston as an outward sign of the diversity of ideas and interests that had generated during the past decade. The combined efforts of students, teachers, and administrators have produced a broad program which attracts students with a variety of goals, and affords an opportunity to study in several different disciplines.
The Art Institute of Boston seeks talented young people who wish to make art their lifetime career. The school offers a three-year program leading to diplomas in advertising design, illustration, photography, and fine …
A Series Of Intaglio And Mixed-Media Prints Portraying The Negative Consequences Resulting From Man's Inhumanitarian Actions, Susan Clare Miller
A Series Of Intaglio And Mixed-Media Prints Portraying The Negative Consequences Resulting From Man's Inhumanitarian Actions, Susan Clare Miller
All Master's Theses
It is the purpose of this study (1) to portray in visual, graphic form the negative consequences resulting from inhumanitarian acts man inflicts upon himself and others; (2) to delineate these actions in a revealing, subtle manner that is still representative of the facts of reality; (3) to experiment with a diverse range of intaglio printmaking techniques and compositional arrangements which best produce the visual, emotional effects desired.