Art Practice Commons^™

Metaphorical Cities - Behind The Cover Art, Elana Melissa Hill

The Transdisciplinary STEAM+ Journal

This is a reflection on how cities function like organisms. An artist's interpretation of the spaces surrounding them.

Metaphorical Cities, Elana Melissa Hill

The Transdisciplinary STEAM+ Journal

This is a reflection on how cities function like organisms. An artist's interpretation of the spaces surrounding them.

Petit Répertoire Méthodologique Pour Une Approche Multidimensionnelle Des Arts Visuels Contemporains, Clotilde Wuthrich

Artl@s Bulletin

Quels pourraient être les outils contenus dans un petit répertoire méthodologique disponible à la fois pour l’anthropologie et l’histoire de l’art à même d’appréhender et décrire les pratiques multiples des arts visuels contemporains, jusqu’aux plus hétérogènes et hybrides, et de façon rigoureusement symétrique ? J’en évoquerai ici quatre en insistant sur le contexte historique de leur émergence: les approches contraires ; l’art comme technologie sociale et les artistes comme interfaces ; l’art-ethnographie ; et la bricologie.

Analysis Of Jacques-Louis David's "Cupid And Psyche" 1817, Regina Bellian

The Downtown Review: An Interdisciplinary Journal Written and Peer-Reviewed by Mandel Honors College Students at Cleveland State University

This paper analyzes the painting Cupid and Psyche 1817 by Jacques-Louis David. The visual details and appearance of the painting is discussed in form and design and further elaborated with symbolism and interpretation of the artist's work.

Hero Baby, Elizabeth J. Harney

Theses and Dissertations

With fiction and theory, the following pages give context to my most recent body of work called Hero Baby. The work in Hero Baby embodies an aesthetic of cuteness, as highlights the relationship between: aggression and protection, power and submission, war and commodity, nationalism and desire for love.

^A Weather Of Her Wake—Should Something Be Missing?, Chip Chapin

Theses and Dissertations

Conciliating an economics of care, support, and desire through the languages of state control, commodity, and shared resources ^A Weather of Her Wake confronts unspoken exchanges endemic to relationships in capitalist society, choreographing relationships that invites both performer and audience to negotiate architectures charged with intimate memory.

The Body. The Art. The Psyche, Anushtha Agrawal

Capstones

The Body. The Art. The Psyche is a series that delves into the psyche behind doing body art. What drives an artist to manipulate another's body whether permanently or impermanently. What drives them? What they gain out of it? What are they seeking? The series has two artists; A tattoo artist who is driven by the demons of the human mind and macabre things around him; another is a henna artist who is driven by the mystical properties of henna and is inspired by the celebration of life. I have tried to draw a contrast between permanence and impermanence in …

Student’S Professional Practices Materials In A Digital Repository, Alison Ragguette

Q2S Enhancing Pedagogy

Preliminary template for an e-portfolio in an MFA course on Professional Practices. Student Learning Outcomes are included.

Project Leaf Year, Allison Godfrey

Honors Projects

On the most basic level, Project Leaf Year is an environmentally focused page-a-day desk calendar. However, the calendar is much more as it is a tool to promote an overarching environmental movement. This calendar is sustainable in both its construction and its purpose involving sustainable manufacturing, spiral-binding, and reusable considerations. The calendar itself includes nature photographs from local artists, daily tasks to promote conservation efforts, and supplemental educational information (either through website articles or videos) for the purpose of inspiring individuals to make environmentally conscious decisions.

Disability Artistry Is Not Outsider Art, Hiram A. Durán

Capstones

"Disability Artistry is Not Outsider Art" explores the obstacles artists with disabilities face in trying to go mainstream.

https://hiram-alejandro-duran.format.com/capstone

Reaching Across Community Lines: How Informal Visual Art Educational Programming Bridges The Gap, Janelle O'Malley

Student Projects

Economic disparity in underserved communities is in large part responsible for a lack of access to quality visual arts education. The communities most in need are often hit first when it comes to funding the arts, and the students suffer these financial consequences. How can we ensure those underserved communities receive a complete education with the visual arts? What other ways can access to the visual arts be provided to schools?

Ciencia De Las Mujeres: Experiencias En La Cadena Textil Desde Los Ayllus De Challapata, Denise Y. Arnold, Elvira Espejo

Textile Research Works

En el contexto de la crisis económica que atravesó Bolivia en los años ochenta, una comunidad de puna de pastores andinos, Livichuco, que forma parte integral del ayllu mayor de Qaqachaka, emprendió por iniciativa propia un proceso de mejoramiento de su producción textil, con un programa de rescate de los tintes naturales de la región. Con recursos mínimos, los comunarios compraron ollas y bateas metálicas, y comenzaron a preguntar a las personas mayores sobre sus conocimientos prácticos tradicionales en el ámbito de la tinción de textiles. Durante un período de diez años, y en coordinación con varias instituciones —incluida la …

Indominable, Kathleen A. Fox

CGU MFA Theses

INDOMINABLE, Kathleen A Fox

The reformation of the feminine portrait from that of idealistic sexual beauty into a portrait of strength, community, longevity, transformation, and inane human foundational essence of societal value. This collection of portraits illustrates the uniqueness that is often overlooked for the fast, idealistic and instantly read images of women hailed as beautiful. These women contain a space they have earned with their strength of character, spirit, and unwillingness to be moved from their places of significance. Created with an expressive abstractive edge to traditional portraiture, these female portraits refuse to be easily glossed over, for their …

An Uncertain Line: Making Art About Photographs Of American War And Violence., Cassidy Meurer

College of Arts & Sciences Senior Theses

Photography’s power in capturing a moment in history is indisputable, but inevitably flawed. Assumptions of objectivity and truth are made that do not count for the bias of the photographer, or the bias of the viewer. These assumptions do not explain the warped effect of freezing life at a fraction of a second. Information is left outside the frame; stories are fragmented in their retelling. Certain historical photographs have become iconic over time. My interest lies in images of American battle, violence, and trauma; those that have political and propagandic weight. Coded, controversial, and inherently emotional, these photographs have become …

Building Relationships: Art Making And Empty Bowls, Susan R. Whiteland

International Journal of Lifelong Learning in Art Education

How can collaborative art making foster relationship building for those involved? A Problem Based Learning project that investigated food insecurity and the creation of clay soup bowls provided an answer for a number of students, and various community members. This article follows the story of a university professor’s involvement with her students in a partnership with a local intermediate school when they pursued an initiative to include art in their STEAM based curriculum dedicated to meeting a local need. Older adults, elementary students, and a variety of other interested individuals joined the effort and demonstrated how art can build relationships.

Artists As Mentors: A Mid-Career Art Educator Rekindles Her Artist Self, Liz Langdon

International Journal of Lifelong Learning in Art Education

A mentoring relationship between a mid-career art educator and a late-stage artist, is facilitated through the art educator's action research and life story narrative which is key in learning and sharing the artist’s philosophy. The author uses narrative inquiry and Deleuze's sense and event to represent the affective knowing of IG learning and demonstrates psychosocial benefits of mentoring.

Hot, Water, Mud: Some Attachments, Dianne Dillingham

CGU MFA Theses

The works in my thesis show came out of an investigation into what it means to really know something. To have such intimate familiarity with a place or object that the shape, smell, and touch becomes unforgettable; the dirt under your nails, smell easily recalled, the carved outline of a bedpost after years of touch. These things are unremarkable in their everydayness; but they can also hold power over time. They can become attachments – motifs that resurface and repeat - that have agency.

Public School Art Teacher Autonomy In A Segregated City: Affordances And Contradictions, Albert Stabler, Jorge R. Lucero

Journal of Social Theory in Art Education

Over the past two decades, the Chicago Public Schools have seen a lot of change. First there was the opening of magnet schools, and other gestures at reform, followed by school closures and the flourishing of charter schools. In this essay, two former Chicago art teachers, one who taught in a prominent college prep magnet high school on the north side, and one who taught in an under-resourced neighborhood high school on the south side, examine the commonalities of their otherwise divergent experiences, particularly with regard to the freedom allotted to both them and their students by the administrative affordances …

Healing The Encounter Between People And Place In Southern Appalachia, Caroline Merritt

Expressive Therapies Capstone Theses

In southern Appalachia, we fail to make visible the roots. Existing not as a geographical location but as a socially constructed culture and a concentrated source of exploited energy, the region reflects a necessary element of the postcolonial American imagination. For nationally lucrative resources such as coal, oil, lumber, and natural gas to be extracted without consideration or consciousness for the people and the place of its origin, the otherized Appalachian stereotype must prevail. Further crystalizing this false construction, white Appalachian scholars traditionally address current health disparities via the victimization of poor white Appalachia. The capitalist initiative to concentrate power …

Pre-Service Teachers And Middle School Students: A Collaboration For Social Justice Art Education, R. Darden Bradshaw

Biennial Conference: The Social Practice of Human Rights

Our lives are mediated through the visual which informs, in multiple and conflicting ways, our views, our beliefs, attitudes and mores, our choices, and thereby our resulting actions. This barrage of the visual impacts the postmodern student encountered in K-12 education. Students readily gain access to information that was once the sole domain of adults yet the prevailing system of education has not adapted. Visual culture is seldom used as an engagement strategy in school despite its ubiquitous role as hidden curriculum and ever-present place in the world beyond the school.

Social justice education underscores humanizing pedagogy as it examines …

Biafra And The Politics Of Humanitarian Consumption, Chi-Chi Ayalogu

Biennial Conference: The Social Practice of Human Rights

The Nigeria-Biafra War (1967-70) is overwhelmingly represented by photographs of malnourished, sickly looking and often protein-deficient children, iconic and complex images that encapsulate the narrative of an impoverished black Africa in the western imagination. While these photographs reveal the grievous, inhuman atrocities that took place in Biafra, they have come to be negatively associated with the entirety of black Africa, as they tend to validate inaccurate ideas of homogeneity on the continent. Yet despite their homogenizing effect, Biafran leaders re-appropriated images of suffering for propaganda use, specifically to elicit a humanitarian response and thereby procure aid and resources from denizens …

Artful Nature And The Legacy Of Maria Sibylla Merian, Emily N. Roush, Shannon R. Zeltmann, Felicia M. Else, Kay Etheridge, Shannon Egan

Schmucker Art Catalogs

The exhibition Artful Nature and the Legacy of Maria Sibylla Merian celebrates the skills and influences of a remarkable woman from seventeenth-century Europe. Curated by Emily Roush ’21 and Shannon Zeltmann ’21 with the guidance of Professors Kay Etheridge (Biology) and Felicia Else (Art History), Emily and Shannon selected the prints, organized them into categories, and carried out research on them, much of which was relatively obscure and would have been challenging even for graduate students.

Maria Sibylla Merian lived and worked in a time of vibrant intersections of art and science in Europe. Her images of insects and plants …

Developing A Local Clay Body: Augusta County, Virginia, Olivia Heeb

Honors Projects

Several samples of raw clay from Augusta County, Virginia were analyzed, and one was chosen to develop into a clay body that could successfully be thrown on the wheel, fired, and made into functional ware. The characteristics of plasticity, strength, absorption, and glaze effects were important when deciding what materials to add to the raw clay samples. Issues included low plasticity when throwing, cracking while drying, warping when firing, and pinholing in the glaze fire. A recipe was developed that worked well for the chosen clay, found in a roadside in Craigsville, Virginia.

Blanket Statements, Issue 140, Fall 2019

Blanket Statements: News Publication of the American Quilt Study Group

Blanket Statements, Issue 140, Fall 2019

Cryptid Art, Christie Gaskill

Fine Arts

For the fluxus excursion, my superpower was a shapeshifting cryptid. The word cryptid comes from the word cryptozoology or the study of creatures that the scientific community has not recognized yet. I took a walk in downtown Dickson with zero expectations of myself. I decided to stop at a book store that I had not been in. I usually don’t go into book stores. This would change up my natural habits of art-making. The first book I found mentioned depression as a shapeshifter and was full of many enlightening short poems about depression. I took witness sketches from around the …

Art Mummy, Christie Gaskill

Fine Arts

This was a project on the failure of memory.

"How's My Critique Going", Rosemary Solomon

Fine Arts

Students were asked to make a Flow Chart that represented a Habit

Untitled, Rachel Mckee

Fine Arts

This was an assignment called "Tagging the City". This student made tags with printed made up words and a Instagram site on the back of the tag for anyone to look up and see the meaning of the "tag".

Untitled (Listen), Lisa Bachman Jones

Fine Arts

Untitled (listen) investigates the willingness and capability to hear limitations and needs. The materials point to the body. Cotton fabric, the paper wrapping and wax of crayons, and food cartons all touch us or are touched by us. Each of these materials can be taken to physical limitations. The cotton will rip, the wax will break, and the paper will fold under too much weight. I present cross-generational groupings in the installation. Age often determines who is worth listening to.

4am 4pm 6am 8pm, Huy Nguyen

Fine Arts

This was a project where students had to take a walk and think about a Fluxus excursion.