Art Practice Commons^™

Interview With Mark Finnern, Founder Of The Bay Area Future Salon, Rachel Beth Egenhoefer

SWITCH

In this interview, Future Salon founder Mark Finnern talks about creating spaces where people can explore emerging technologies and ideas together. He describes how innovation often happens when different fields collide, and why different groups of people all play a role in shaping the future.

Watched, Collin Asmus

Bridgewater Review

No abstract provided.

Ideals And Realities, Pamela Bowman

Theses and Dissertations

In order to produce work that prompts the viewer to undergo a process of personal exploration resulting in discourse and the understanding of feelings, it is necessary to balance ideals and realities, combine experience and creativity, and blend concepts and materials. Ideals and realities are discussed in this paper, using an approach that concentrates on foundational principles. The ideals of morality, beauty, goodness, acceptance, and unity form a foundation for the motivation behind my work. They are described in relationship to the philosophy of aesthetics. Ideals are contrasted with realities of life which have patterns and rhythms. These repetitive patterns …

Blanket Statements, Issue 82, Fall 2005

Blanket Statements: News Publication of the American Quilt Study Group

Blanket Statements, Issue 82, Fall 2005

Arte Y Pobreza: Integración Social A Través De Movimientos Culturales, Betsy Mccormick

Independent Study Project (ISP) Collection

This aim of this paper is to explore the relationship between artistic and cultural movements as a means of integration for socially excluded populations in Buenos Aires following the economic crisis of 2001. Art in a traditional sense, that is, art found in museums, is most frequently an expression of the dominant classes and is an object of contemplation rather than a form of intervention with the social reality of the masses. Two prominent and “opposing” theories are presented as a possible framework for understanding the relation between art and the societies that produce it: Liberalism and Marxism. The specific …

Water Being Water, Ronald R. Geibert, Wright State University Art Galleries

Exhibition and Program Catalogs

IQ. DNA. MRI. FYI. In an ever-changing world, we find ourselves conversing with abbreviated acronyms and phrases. They drive today's economy, political agenda, and water cooler chitchat. They define our use of resources and the attention given to matters. Who we are, or think we are, are wrapped around their brevity. In our hurried attempt to sort through the complexities of life we use them to only answer the obvious-How? Unfortunately, an equally important question, Why? is often ignored. The solving of the how of things has generally been left to the scientists and the reasons as to the why …

Blanket Statements, Issue 81, Summer 2005

Blanket Statements: News Publication of the American Quilt Study Group

Blanket Statements, Issue 81, Summer 2005

The Artistic And Architectural Patronage Of Countess Urraca Of Santa Marã­A De Caã±As: A Powerful Aristocrat, Abbess, And Advocate, Julia Alice Jardine Mcmullin

Theses and Dissertations

Countess Urraca Lope de Haro was the daughter of the noble Lord Diego Lope de Haro, friend and advisor to King Alfonso VIII of Castilla-León and granddaughter of Lord Lope Díaz de Haro and Lady Aldonza Ruiz de Castro, aristocratic courtiers as well as popular monastic patrons. As a young and wealthy widow, Countess Urraca took monastic vows at the Cistercian nunnery of Santa María de Cañas founded by her grandparents. Within a short time of uniting herself to this monastery, she was chosen as its fourth abbess in 1225, a position she held for thirty-seven years until her death …

A Place Apart: Myth And Sacred Space, Diana Hazel

Renée Crown University Honors Thesis Projects - All

“When old myths are lost, new ones are needed. Myths flourish and fade and die, but new myths are born, old ones are resurrected, and hybrid forms combining new and old emerge when times change or cultures mingle” (Graves: 1959, 9).

The original concept of this project was to create a CD-ROM database of mythology from various cultures and time periods throughout history. The first few months of my work were carried out with this end in mind. Since then, the project has taken a more personal turn. Instead of presenting the mythologies of other people, I have created my …

On Earth, Laura Mariposa Williams

Renée Crown University Honors Thesis Projects - All

When Junior year arrived, along with the opportunity to start a thesis project, Kristina Foley and I agreed that this was right opportunity for us to create a body of collaborative art works. From there we decided to present our final works at Spark Gallery. Our show, On Earth, is a collection of works in varying media. Overall, we have three videos, two narrative, photographic series, two mural photographs, a driftwood sculpture, felted pelts and photographic frames, a book of poetry and drawings held in knitted pouches, and a shadow cloth mural.

What does it mean to be working …

Blanket Statements, Issue 80, Spring 2005

Blanket Statements: News Publication of the American Quilt Study Group

Blanket Statements, Issue 80, Spring 2005

Taking In: Aib Photography 2005, Aib Students

Taking In

This book is the third edition in the Taking In: series. As was the case in Taking In: I and II, the work, dedication, detail, and graphic design is extraordinary and impressive. The work submitted by our students, and selected by our distinguished judges, reflects the eclectic vision, visual intelligence, perception, and promise of a talented student body. During this first year as a class, Taking In: worked through twice as many submissions than the previous years in half the amount of time. The stable class structure allowed a dependable process to support creativity and enabled the students, as artists, …

Accountability For The Implementation Of Secondary Visual Arts Standards In Utah And Queensland, John K. Derby

Theses and Dissertations

Utah and the majority of states have adopted mandatory standards for visual arts, yet no accountability measures have been established. Consequently, it is impossible to determine if standards are being addressed in the art classroom and aggregate grades are subjective. Queensland, Australia instituted a system of moderated school-based assessment (moderation) in 1971, whereby assessment is accomplished locally, then verified by peer experts. Queensland ensures that standards are addressed in curricula and assessment and that exit grades are reliable and comparable. Research has shown that Utah and Queensland share comparable visual arts standards and similar demographics. Queensland moderation has been extensively …

David Johnson: Prints, Drawings, Books, Wright State University Art Galleries

Exhibition and Program Catalogs

An exhibit featuring the works of David Johnson. His prints and works were held at the Wright State University Art Gallery from November 6th, 2005 through January 8th, 2006. His works include an arrangement of drawings and prints. Johnson is known for the specific qualities that invoke the feelings of strength, drama, intensity while featured around environments captured in his style.

'Hanging In Balance: 42 Contemporary Necklaces' Exhibition Catalog, Anne Giangiulio

Selected Works Temporary Series

'Hanging in Balance: 42 Contemporary Necklaces' catalog designed for the exhibit at the Stanlee and Gerald Rubin Center for the Visual Arts. This catalog won a 2005 Gold ADDY Award from the Advertising Federation of El Paso. Please be patient when downloading as file is 75.7 MB.

Mesilla Valley Film Society Logo, Anne Giangiulio

Selected Works Temporary Series

I designed this proposed logo for the Mesilla Valley Film Society located in Old Mesilla, NM. The logo is based upon the historic architecture of the Fountain Theatre, where the society shows its films.

Teachers For A New Era Logo, Anne Giangiulio

Selected Works Temporary Series

I designed the logo for Teachers for a New Era, a program of UTEP.

An Exploratory Study Of Arts Participation And Wellbeing In Regioinal Western Australia: A Quantitative Study Of Denmark In The Great Southern Region, Julia Anwar

Theses : Honours

This thesis explores the belief that engaging in the arts has a positive influence on wellbeing, not just for individuals considered disadvantaged or "at-risk", but also for the wellbeing of society and communities. An attempt was also made to determine how the benefits of participation in the arts compares to the possible benefits derived from other forms of community participation. An examination into the current literature on arts participation and its links with wellbeing, as well as social impact research was combined with a quantitative survey derived and adapted from wellbeing indicators. The survey was conducted via telephone interviews with …

Blanket Statements, Issue 83, Winter 2006

Blanket Statements: News Publication of the American Quilt Study Group

Blanket Statements, Issue 83, Winter 2006

Uncoverings: The Research Papers Of The American Quilt Study Group, Volume 26 (2005), Kathlyn Sullivan, Susan Price Miller, Mary Ann J. Montgomery, A. Charlene Orr, Colleen Hall-Patton, Claire Somersille Nolan, Heather Cadogan, Melanie Mckay, Maaja Stewart, Anita B. Loscalzo

Uncoverings Journal

Preface by Kathlyn Sullivan

The Threads of a Friendship: Lillian Walker, Maxine Teele and Lucile Taylor by Susan Price Miller

Quilted Gems by the Jewels of the Lawrence Family by Marian Ann J. Montgomery and A. Charlene Orr

Jean Ray Laury in the 1960s: Foremother of a Quilt Revival by Colleen Hall-Patton

The Star of Bethlehem Variation Quilt at 1he Metropolitan Museum of Art by Claire Somersille Nolan

Artistic Creation: Amish Quilts and Abstract Art by Heather Cadogan

"The Tradition of Old People's Ways": Gee's Bend Quilts and Slave Quilts of the Deep South by Melanie McKay and Maaja Stewart …

Springback Ledger Bindings, Peter D. Verheyen

Librarian Publications

During his introduction, Richard Baker described how, while Deputy Head of the Conservation Bindery of the Johns Hopkins University Library'he was introduced to the springback binding. The historical development of the springback, originally patented in Great Britain in 1799 by John and Joseph Williams, is described in Bernard Middleton's History of English Craft Bookbinding, but Middleton does not detail the steps required to complete a binding. The springbackalso has a long history in the German binding tradition, where it continues to see regular use, especially for guestbooks. As a style, the springback is firmly rooted in the "trade" binding tradition. …

Symmetry And Symmetry-Breaking: An Approach To Understanding Beauty, Carol Bier

Textile Research Works

Considering the relationship of symmetry and beauty, the author examines three textiles from the collection of Doris Duke at Shangri La in Honolulu. Referring to abstract expressionism of the 20th century as antithetical to symmetry, and the Arts & Crafts Movement of the 19th century as countering the insistency of industrial mass production, Bier explores the relative roles of symmetry and symmetry-breaking in the construction of three embroideries (called suzani, after the Persian and Tajik word for “needlework”), using as her point of departure a recent research initiative, the Shangri La Suzani Project. The study of colors, motifs, stitches, designs …

Millimeter Binding / Edelpappband, Peter D. Verheyen

Librarian Publications

What we call the “millimeter” binding in North America is a “nobler” version of the German “pappband,” or paper binding, hence the name “edelpappband.” The technique is based on the German case (Bradel) binding which is covered in paper. What distinguishes the technique is that cloth, leather, or vellum trim is added to the head and tail, foredges, and/or corners for greater durability, making the book more elegant at the same time. This article describes how to complete a binding using this technique.

The Body Eclectic: Viewing Bodily Modification In David Nebreda, David Houston Jones

Reconstruction: Studies in Contemporary Culture

[First paragraph]

David Nebreda's work presents current thinking on body/performance art with a dilemma. In stretching social prescriptions of the (re)presentable body, it exemplifies a pervasive anxiety concerning bodily modification and the politics of looking, and demands a new theorisation of the body in photographic representation. Autoportraits (2000) depicts a series of visibly emaciated bodies on which wounds are inflicted by knives, cords and flames [1]. The photographs document the strict schedules of discipline to which the bodies are subjected, and sometimes represent the very moment at which practices of bodily modification are executed. It is this subject-matter which threatens …