Art Practice Commons^™

The Threes, Clifford Eberly

CGU MFA Theses

In the physical world I explore and gather regenerative clues that vivify the installations I build. The harshness and unforgiving power of nature’s nature, combined with the infinity of the cosmos, inspires me to cobble together sculptures that defy absorption into a finite, descriptive category. Like our beings change from second to second, I work diachronically, chugging along, shifting the purposes of supplies until they manifest like organisms that pulled themselves together from shiny and dirty matter or arrived from an extraterrestrial playground. By reusing and layering a complex blend of materials, I blur the ambiguous origins of the objects …

G-Plex Psi, Jacques Louis David

CGU MFA Theses

Monumental metal sculpture that incidentally creates sound. Heaviness and lightness displayed via large, heavy, metal sculptures of abstract geometric forms suspended from the ceiling by seemingly fragile wires that not only appear to defy gravity but provide tonal expression when plucked, hammered, or bowed. Further conversation associated with the micro to the macro is easily revealed when the sounds and shapes are compared to the vibration of life identified with imagined subatomic movement.

Spatial Phases, Eric Schott

CGU MFA Theses

No abstract provided.

Blanket Statements, Issue 107, Spring 2012

Blanket Statements: News Publication of the American Quilt Study Group

Blanket Statements, Issue 107, Spring 2012

Someone/No One, Jamie L. Fritz

School of Art, Art History, and Design: Theses and Student Creative Work

I am obsessed with the pieces of existence; the memories, experiences and emotions that make up human identity. Our lives are defined by entropy that causes these pieces to fragment and become distorted over time. Looking back at the pieces they become almost unrecognizable, and it becomes unclear if they are something or if they are nothing. My work centers on a compulsive desire to put these pieces into something that makes sense. The photograph serves as a representation of the memory and experience, broken down into parts that remove them as a piece of an identifiable whole. The photographs …

Untitled (12th Istanbul Biennial), Dave Colangelo

School of Film Faculty Publications and Presentations

A review of the 12th Istanbul Biennial, held in 2011 in Istanbul, Turkey, with a focus on curatorial decision making and how this is thematically expressed in the exhibition.

Taking In: A Juried Selection Of Photography 2012, Aib Students

Taking In

Taking In is a student run project featuring a selection of work created by students attending the Art Institute of Boston. The project focuses on the business of promoting art and culminates each year with a juried exhibition, publication, and website all designed to promote selected works of AIB artists. The selected pieces were chosen anonymously by a jury of distinguished members of the Boston art community. The book in your hand is the end result of a collective effort by those in the class.

Face Value, Rebecca Moffett-Moore

All Student Theses and Dissertations

The human face is the most universally important focus of communication. It is a significant source of identity and the most expressive means of nonverbal communication. We use our faces to speak and express emotions. We use faces to recognize friends or foes; to spot family resemblances; and to consider attractiveness or unattractiveness. Gleaned from a number dictionaries, my interpretation of what is meant by taking something or someone at "face value" means to accept that idea, object, or person because of the way it first looks or seems, without thinking about what else it could mean, and to accept …

Travis Novak, Travis Novak

CGU MFA Theses

Flawed memory is a tool that allows an altered reality to exist in the disconnect between a past reality and a present fiction. My work starts with scenarios that evolve into things bigger than themselves, going beyond nostalgia to become celebrations, landmarks, or memorials. Exaggeration, embellishment, adornment, stylization, modification, and customization are methods I use to move through these scenarios and often arrive at a transformative shift...

This preservation process begins the moment a thing dies. Its optimum resides in the past allowing the function of the memory to operate as a preserver. This is the human longing for greater …

Freedom In Creation: Global Village Education Program, Daniel C. Maxwell

Capstone Collection

This capstone paper introduces the Freedom in Creation: Global Village Education Program, an international education program with a focus in service-learning for undergraduate students designed for the organization, Freedom in Creation (FIC). Global Village Education (GVE) will pilot the five-week intensive program in various locations throughout Uganda. As a short-term, service-learning program focusing on experiential education, social identity development, critical thinking, and reciprocity; the goal is to instill conceptual clarity and intellectual growth by introducing participants to new knowledge, concepts and experiences through cross-cultural interaction. The main purpose of the program seeks to build intercultural communication skills as well as …

Baa Baa Black Sheep, Olan Quattro

SPECS journal of art and culture

No abstract provided.

Stephen Chang Kim Mfa Thesis Statement, Stephen C. Kim

CGU MFA Theses

Stephen Chang Kim Thesis

Venable Family Papers (Mss 382), Manuscripts & Folklife Archives

Manuscript Collection Finding Aids

Finding aid only for Manuscripts Collection 382. Correspondence, account books, receipts, sermons, drawings, and diaries of the Venable family of Hopkinsville, Kentucky, chiefly John Wesley Venable, Sr. and his wife Fannie and son John, Jr. Of particular interest is an 1839-1839 travel journal kept by John, Sr. while in Florida. Also includes John, Sr.’s sermons and sermon preparation material as well as thirty-nine small diaries documenting his career as an Episcopal priest in Versailles and Hopkinsville. Includes one of John, Sr.’s art sketch books.

Artist's Statement For Church Of Totem, Totem Shriver

Exhibition Catalogs, Essays, and Related Materials

This artist's statement provides information on the exhibit Church of Totem by Totem Shriver, as well as information on its associated collaborative gatherings. Church of Totem was presented by the Linfield Gallery and the Department of Art and Visual Culture at Linfield College from February 6 through March 17, 2012.

Echo, Winter/Spring 2012, Columbia College Chicago

Echo

Student-produced magazine formerly published as Chicago Arts and Communication, changed to Echo magazine in 1997. Cover Articles: Relics of an 8-bit era; The Elephant in the Room; Next Stop: Chicago; Broken Financial Scene. 78 pages.

Exhibition September 21–November 20, 2012, Wriston Art Center Galleries

Exhibition Materials

Leech and Hoffmaster Galleries: German Expressionism

Kohler Gallery: Andrew Rogers: Rhythms of Life

The Decagonal Tomb Tower At Maragha And Its Architectural Context: Lines Of Mathematical Thought, Carol Bier

Textile Research Works

Of several brick tomb towers constructed at Maragha in western Iran before the Mongol conquests, one in particular, Gonbad-e Qabud (593 H. / 1196-97 C.E.), has generated significant recent attention for its unique patterns with pentagons and decagons. Gonbad-e Qabud is also unusual in having a decagonal plan. While both plan and decoration distinguish it from earlier and later towers at Maragha and elsewhere on the Iranian plateau, the ornamental patterns follow a long line of experimentation with geometric expressions that grace many pre-Mongol buildings in Iran. This article examines in particular the overlapping polygons and radial symmetries of the …

Chalk The Block 2012 Poster, Anne Giangiulio

Selected Works Temporary Series

I designed this poster for the annual Chalk the Block event which took place October 12–October 14, 2012 in downtown El Paso. For the pop-up gallery component of the event, I organized a group of 15 students from my 'Graphic Design 4: Typography' class at The University of Texas at El Paso. Their posters were judged and selected to be on sale in a downtown space, previously a vacant store front, which had been converted into a gallery for the three-day weekend event. All proceeds from the sale of the posters went directly to the students.

Identity Campaign For A Local Jewelry Designer, Anne Giangiulio

Selected Works Temporary Series

This was a proposed identity and packaging campaign I designed for a local jewelry designer whose work is very much earthy and southwest influenced. The jewelery designer uses mainly sterling silver and copper along with semi-precious stones in the work. This is referenced by the use of metallic threads woven through the business cards, each unique. A rubber stamp was also created for packaging like the gift box. Flat-backed adhesive gems were applied to the various components for an added touch of whimsy and sparkle that juxtapose the utilitarian look and feel of the brown kraft paper.

Make It, Take It, Anne Giangiulio

Selected Works Temporary Series

Book cover I designed for 'Make It, Take It' by Rus Bradburd, published by Cinco Puntos Press. Steve Pytel is an assistant coach and top recruiter for a university basketball program. His goals are simple. He wants to keep his job and be a head coach someday. Keeping his wife barely makes the list. The team staggers; everyone’s days are numbered. Pytel was responsible for landing prized recruits Leonard Redmond and Jamal Davis. Pytel’s duties now? Keep Leonard out of jail. Make sure Jamal ignores the advice of his preacher, sidesteps his girlfriend’s pregnancy, and puts the ball in the …

Pop-Up Gallery For Chalk Theblock 2012, Anne Giangiulio

Selected Works Temporary Series

2012 marked the fifth anniversary of Chalk the Block, an annual weekend-long arts festival held in downtown El Paso that attracts over 30,000 visitors. The pop-up galleries portion of the festival takes empty, for-lease spaces and turns them into art exhibition venues for the duration of the weekend. I was asked by the event organizers to curate my own pop-up gallery. For my gallery, I assigned students from my Spring 2012 Graphic Design 4: Typography class to design posters for the event. These posters were judged by the other UTEP graphic design faculty and the best 15 selected were screenprinted …

That Mad Game: Growing Up In A Warzone, An Anthology Of Essays From Around The Globe, Anne Giangiulio

Selected Works Temporary Series

Book cover I designed for 'That Mad Game: Growing Up in a Warzone, An Anthology of Essays from Around the Globe, published by Cinco Puntos Press. Seventeen writers contribute essays about how they became adults in times of war. Essays focus on modern history but take no sides. Vietnam from both sides. Bosnia. The Gulf War. Rwanda. Juárez. El Salvador. The list goes on and on. There are no winners, just the survivors left behind. Picking up the pieces. Essays in the anthology are: A Talib in Love by Qais Akbar Omar / AFGHANISTAN No Longer Young by Phillip Cole …

Utep Department Of Art In Rome Poster, Anne Giangiulio

Selected Works Temporary Series

I designed this poster for the Summer 2012 program of the UTEP Department of Art in Rome, Italy program.

Venn (Fragments After A Lecture On The History Of Photography, In Two Parts), Ronan Mccrea

Exhibitions

Venn (Fragments after a lecture on the history of photography, in two parts) is a projected 35mm slide installation which appropriates slide reproductions of photography from the modernist and contemporary canon that at one time formed part of two lectures given by the artist to undergraduate students.

Deploying what can be called a ‘reprographic’ approach, the slides are optically duplicated, cropped, repositioned and cut-up, while the use of various blue and orange filters – employed in photographic lighting to convert the colour of a light to either daylight or tungsten light – correspond to, and at times confuse, the supposedly …

Mongolia 360°, 2nd Land Art Biennial, Creating Identities., Anna Macleod

Exhibition Catalogues

LAM 360º – 2nd Land Art Mongolia Biennial curated by Anna Brietzke, Orna Tsultem, Fumio Nanjo

Locations: Ikh Gazriin Chuluu (Dundgobi) (45°29'33.24"N, 107°13'28.50"E) and National Mongolian Modern Art Gallery, Ulaanbataar, Mongolia.

International site specific visual art event in the Mongolian Gobi Desert, a seminar on Art and Politics and an exhibition of documents and artifacts related to the works produced in the Gobi desert at Ikh Gazriin Chuluu.

Stitching As Knowing: Mapping Nebraska With Textiles And Thread, Elizabeth Ingraham

School of Art, Art History, and Design: Faculty Publications and Creative Activity

Mapping Nebraska is a drawn, stitched and digitally imaged cartography of the state (physical, social, cultural, sociological) where I live. The interrelated components of this on-going project are:

• A 15 foot wide hand-drawn “Locator Map” of Nebraska, with every city, town, park, railroad, river, lake and creek drawn to scale on 95 Tyvek sections which were then stitched together.
• Terrain Squares, quilted and embroidered fabric relief forms of the physical topography of selected locations, using software to be able to see the terrain at a much larger scale (1 inch = 596 feet) than the Locator Map.
• Surveys, or on-the-ground …

Animation Project 2012, Linda Herritt

Cornerstone 2 Reports : Community Outreach and Empowerment Through Service Learning and Volunteerism

No abstract provided.

Aesthetics And Art Of Friendship, Sheila Lintott

Faculty Contributions to Books

In the spirit of exploring fresh perspectives, I offer this investigation into the aesthetic aspects of personal relationships with a focus on friendship.1 Glossing the aesthetic aspects of friendship, as we too often do, impoverishes our understanding of the value and meaning of friendships, relationships which give shape and content to our lives, which animate our lives or, as Nancy Sherman (1993) puts it, relationships which structure the good life. The friendships we forge and those we forgo, the loves we cultivate and those we lose, these varying and variable relations broaden (or impoverish) our experiences, intensify (or diminish) our …

Practice Makes Practice . . . Visible? Revealing Structures Of The Artistic Field By Articulating The Evasive Properties Inherent In Its Systems Of Production Through Art Practice, Naomi Elizabeth Sex

Other

This practice-led research project attempts to seek out and reveal the structures that frame the production of art practice, through and with art practice itself. With this premise in mind, the first phase of the study aims to use practice-led research by adopting quasi-ethnographic strategies firstly to explore the field of artistic production, and secondly in an attempt to activate, capture and contain tangible evidence that the artistic field is powered by persuasive informal discourse and practices that contribute to stringent and hierarchical rules of engagement. Entering the second phase of the project the contribution of this study is based …

Blanket Statements, Issue 110, Winter 2012–2013

Blanket Statements: News Publication of the American Quilt Study Group

Blanket Statements, Issue 110, Winter 2012–2013