Art and Design Commons^™

Missing, Murdered, Indigenous, Matthew Bollinger

Chamisa: A Journal of Literary, Performance, and Visual Arts of New Mexico and the Greater Southwest

The missing and murdered Indigenous women epidemic is an issue currently affecting Indigenous people in North America. To articulate my concept visually, old photographs that showcase American culture (predominantly white) are drawn on, cut-up, and recomposed into portraits of missing Navajo women.

To The Studio, In The Studio, Home, Miquel R. Veldkamp

Theses and Dissertations

A curated series of poems and mini essays that reflect on personal life, politics, art history, folklore, science, identity and race. It addresses the questions that inform my work, and echoes its ethos of play, exploration, curiosity, vulnerability.

Memories As Old As Outer Space, Nicholas Benfey

Theses and Dissertations

My paintings draw from personal memory, as well as the nostalgic longing and nightmarish foreboding of the irrational psyche. Cosmic ruptures, cliffs, cemeteries, and parking lots appear alongside snowglobes and canopy beds. I aim to suggest things to be wary of, while giving space for optimistic fantasy and reflective wonder.

A Draft: Up N’ Upper Or Sisyphus Lounge; Notes, Poems & Essays From The Road & The Cabin, Andrew M. Foster

Theses and Dissertations

This text imagines a reconciliation where the slick, sterile nature of contemporary objects and conditions might offer a sort of soft retreat. Sisyphus Lounge, a modular installation of light, near-defunct-technologies and carefully cluttered “stuff,” attempts to locate and explore value systems fogged by dis/information and the impossibility to articulate is-ness.

Errantry, Simon A. Benjamin

Theses and Dissertations

Errantry, Simon Benjamin's current body of work, named after Édouard Glissant’s theory, is comprised of a series of multi-channel video installations and related works. Errantry is centered on the polyphonic rhythms of coastal space, the Caribbean sea, and the life sustained by it in a non-linear narrative that raises questions about time, labor, environmental degradation and the ongoingness of colonialism.

Painting The City In Flux, Simon S. Smith

Theses and Dissertations

In this paper, Simon Smith describes the way in which the cityscapes of New York serve as a source of inspiration for his painting process. The paper focuses on New York City's warping of time and space, and lays out how Smith sees abstract painting, grounded in a kind of not knowing, as an apt extension of or response to the experience of the city.

Home, It Turns Out, Is Always A Matter Of Paperwork, Leonardo Madriz

Theses and Dissertations

A meandering of life-thinking on notions of migration & diaspora, assimilation, place & home, family & loss, cruel optimism and new imaginaries - through text, film & video, installation, and expanded cinema.

Yellow, Sisi Chen

Theses and Dissertations

The following paper is a constellational unpacking of yellow through notes on critical race and feminist theories, myth, science, science fiction, disparate histories, cyborgs, biography, virtuality, materiality, fungi, porcelain, language, internalization, melancholia, smells, sounds, tastes, feels, and more feels.

Moving Without The Ball: Labor And Collectivity Beneath The Body Of The She-Wolf, Cristina Covucci

Theses and Dissertations

In this paper, I consider my personal experiences as an artist, art handler, and athlete through the motif of the Roman She-wolf, addressing how value systems are constructed according to binaries by showing how the sculptural process can break down these binaries, giving agency to both the mother mold and “completed” form.

Paintings By Anita O. Rodríguez, Anita O. Rodriguez Ms

Chamisa: A Journal of Literary, Performance, and Visual Arts of New Mexico and the Greater Southwest

No abstract provided.

Ethereal Axiom Paintings, Ophelia Cornet

Chamisa: A Journal of Literary, Performance, and Visual Arts of New Mexico and the Greater Southwest

Ophelia Cornet is a painter, illustrator, and installation artist. She was born in Belgium to a family of musicians and designers. After a life-threatening car accident in her early 20’s, Ophelia moved to New Mexico for the dry climate which would assist her recovery. Equipped with knowledge in photography and painting from Rutgers University, she continued her artwork. Today, Ophelia pairs photographed images and oil paint to fête female protagonists in an intimate otherworldliness, creating dreamlike snapshots of the human experience.

Ophelia has been Lead Art Instructor at the Albuquerque Museum for the past 20 years. She has facilitated many …

Aztlán Del Sol, Marcus Zúñiga

Chamisa: A Journal of Literary, Performance, and Visual Arts of New Mexico and the Greater Southwest

An artistic writing developed from the themes and concepts of an of art installation made by a visual artist of Mexican-American descent from New Mexico. The work references the relationship of Aztec mythology to the American Southwest, art theoretical discourse in object oriented ontology and aesthetics, and key ideas in astronomy. Additionally interwoven is an expanded sense for interpreting ancestry and history under the constructs of multicultural conceptions of time, specifically cultures with notable spiritual rituals of Sun worship and observation.

Cosmic Desert Art, Mike Graham De La Rosa

Chamisa: A Journal of Literary, Performance, and Visual Arts of New Mexico and the Greater Southwest

The Cosmic Desert are the designs inspired by chile hallucinations, desert creatures, and the long weird neon nights in the Borderworld. Made with love on the banks of the Rio Grande.

My family is originally from Northern Mexico but I grew up in Northern New Mexico down river of both where Al Hurricane and Nuclear Annihilation were originally created. Amongst chollas, rattle snakes, and river willow, the imagining of New Mexico permeates the landscapes. The Cosmic Desert is inhabited lowriders, taco trucks, neon adobe bars, cholas, native peoples, immigrants, punk rockers and cowboys. Just beyond the darkness, our imagination takes …

Spring 2021

In The Loop

IRL Programs Debut; Short & Sweet Pandemic Film Fest; New MS in Artificial Intelligence; Virtual Experts Talks; DePaul Trustee Producing Documentary; DemonHacks Hackathon; Silicon Valley 2.0: The DePaul Innovation Development Lab connects students and companies to spark solutions to technological challenges; Code Warrior: Ovetta Sampson has risen to challenges in digital design, journalism and athletics while inspiring others; Pattern Recognition: A CDM health informatics team joins a global race to advance COVID-19 diagnostics through X-ray insights

Structures Of Time: Expressions Of Subjectivity And Social Politics In Works By Silvia Gruner, 1986–2014, Silvia Sampaio De Alencar

Theses and Dissertations

The works of Silvia Gruner (born 1959) illustrate the use of time registers as strategies to express contemporary subjectivity’s experiences with globalized environments between 1986-2014. Through this approach, the artist connects her production to the social politics of Mexico to critique the effects of globalization on Mexican society and culture.

The Theoretical Color Of Sunlight: An Examination Of Charles Blanc’S Color Theory In Joaquín Sorolla Y Bastida’S The Blind Man Of Toledo, Rachel L. Anthony

Art and Art History Theses

Spanish painter Joaquín Sorolla y Bastida (1863 – 1923) exhibited a unique method of impressionistic naturalism in his painting The Blind Man of Toledo of 1906. His impressionistic process was derived from his training in Valencia, Spain with the Spanish Impressionists Francisco Domingo y Marqués and Ignacio Pinazo y Camarlench. Through their lessons at the Valencian Academy, Sorolla learned how to portray intense sunlight by using saturated pigments and creating contrasting shadows. Moving beyond Valencia, the artist traveled to Madrid to copy the works of the Spanish Baroque painter Diego Rodríguez de Silva y Velázquez. Afterwards, he visited Paris to …

Forgotten Things: A Historian's Tale, Mary Jackson

Undergraduate Honors Thesis Projects

Forgotten Things: A Historian’s Tale is a story of a post-human world where magic and creatures of lore have taken sovereignty over the land, following the adventures of Aster, a small flower elf whose job is to travel and document the residual traces of humanity. Every crumbling building, decaying record, and seemingly useless bauble of humanity tells a story, one that Aster is trying to find the conclusion to. One day, rumors start to circulate. Whispers that there might still be humans hidden away somewhere. Aster is thrilled about this, hoping that she might be able to talk with a …

Princeton Sculpture (Creature Design), Rachel Hughes, Anthony Smith

Liberty University Research Week

Undergraduate

3-D

Archie Sculpture (Creature Design), Rachel Hughes, Anthony Smith

Liberty University Research Week

Undergraduate

3-D

Doc Ock, Rachel Hughes, Anthony Smith

Liberty University Research Week

Undergraduate

3-D

Loco-Robo And Gen, Joshua Jacobson, Joshua Wilson

Liberty University Research Week

Undergraduate

2-D

A Part Of Me, Sara Mcneal, Timothy Isaacson

Liberty University Research Week

Undergraduate

2-D

The Flower Man, Isabella Scarborought, Anthony Smith

Liberty University Research Week

Undergraduate

3-D

Wave Tunes, Abigail Walters, Brianna O'Neal

Liberty University Research Week

Undergraduate

Graphic Design

Love Bug Bite, Macklin Luke

Diamond Line Undergraduate Literary Magazine

Macklin is a sophomore gearing towards an interdisciplinary degree, with focus in Chinese, film, and creative writing. She enjoys reading and writing poetry, and her favorite poet is Charles Bukowski. In her free time, she likes to practice writing, pet her cat, Chichi, and watch too many animated movies.

Letter From The Editors, Diamond Line Editors

Diamond Line Undergraduate Literary Magazine

No abstract provided.

Diamond Line - Spring 2021, Diamond Line Editors

Diamond Line Undergraduate Literary Magazine

No abstract provided.

Negotiating Balance, Oscar Adolfo Soto

Graduate Theses

When we enter a room with a bed and dresser, we imagine that someone goes there to sleep. When we enter a larger room, with rows of uniform desks facing a whiteboard or lectern, we understand that people go there to learn. In most cases, the intention for the space and how we are to conduct ourselves in it is determined before the furniture is selected. When we are not privy to those intentions, the furniture itself can offer clues that help us understand what we are to do. As a contemplative device, I apply this framework to the world …

A(M(End)Ing))) Expectations, Renee Holliday

Graduate Theses

This thesis statement explores how my intersectional identity as an artist and mother with a working-class background are intertwined, and how that upbringing has influenced each of these roles and my actions and interactions with those around me. The first part of this thesis A(m(end)ing))) Expectations serves to highlight the diverse experiences that helped form the basis of my identity while also exposing many of the unhealthy societal and familial expectations that are often placed upon women. The exhibition YES/AND is the culminating work of how these varied identities, combined with contemporary themes of feminism, affects my artistic decisions and …

Satori 2021, Caitlyn Salinas, Jacelyn Schley, Megan Haldorson, Carly Weber, Megan Martin, Amanda Gade, Shannon Laurance, Miranda Templeton, Ryanne Mikunda, Jay Lee, Emily Venné, Cheyenne Halberg, David Som, Xandra Okori

Satori Literary Magazine

The Satori is a student literary publication that expresses the artistic spirit of the students of Winona State University. Student poetry, prose, and graphic art are published in the Satori every spring since 1970.

The Satori 2021 editors are Andrew Sitter, Cheyenne Halberg, Kaela Appicelli, Meghan Haldorson, and Xandra Okori. The Satori 2021 faculty advisor is Dr. Delta Eddy, Professor of English.