Art and Design Commons^™

Clan In Da Front - Wu-Tang: An American Saga Review, Marcus Smalls

Journal of Hip Hop Studies

@MarcusSmalls is a Teaching Artist and writer who uses his lifelong love of Hip Hop to moderate creative environments around spirituality and identity. He has been a writer in residence at Teachers & Writers Collaborative and a WritersCorps fellow at Bronx Council on the Arts and is the recipient of the 2021 St. Luke’s Alumni Artistic Achievement Award. Marcus has workshopped with award winning authors, M. Evelina Galang at VONA/Voices in 2015 and A. Naomi Jackson in Catapult’s Master Class in 2017. Marcus is currently featured on The MixTape Museum website. Marcus is a Teaching Artist for the Brooklyn Academy …

Give Me Body! Race, Gender, And Corpulence Identity In The Artistry And Activism Of Queen Latifah, Shannon Cochran

Journal of Hip Hop Studies

Celebrity Queen Latifah’s body is one of the most observable Black female bodies in contemporary United States culture. Using Black feminist theory, textual analysis, and Hip Hop theory, I examine Queen Latifah’s Hip Hop corpulence bodily and narrative performativity. That is, I identify her usage of her body in different and varied spaces. Even though Queen Latifah’s weight has fluctuated throughout her career, she has centered her body in spaces that have previously been hostile to corpulent, defined here as simply meaning larger and nonconforming, bodies; particularly, corpulent Black female bodies. I build on the work of Black feminist scholars, …

“A Different Type Of Time”: Hip Hop, Fugitivity, And Fractured Temporality, Pedro Lebrón Ortiz

Journal of Hip Hop Studies

In this article, I seek to explore Hip Hop as an expression of marronage. I identify marronage as an existential mode of being which restitutes human temporality. Slavery and flight from slavery constituted two inextricable historical processes, therefore logics of marronage must also constitute contemporary human experience. I argue that Hip Hop offers a distinct way of affirming and expressing one’s existence through what has been called a “maroon consciousness.” In the same way that maroons created new worlds free from the tyranny of slavery, Hip Hop offers the Hip Hoppa a space free from colonial logics.

A Critical Interpretive Synthesis Of Research Linking Hip Hop And Wellbeing In Schools, Alexander Crooke, Cristina Almeida, Rachael Comte

Journal of Hip Hop Studies

Hip Hop is recognized as an agent for youth development in both educational and well-being spaces, yet literature exploring the intersection of the two areas is comparatively underdeveloped. This article presents a critical interpretive synthesis of twenty-two articles investigating school-based well-being interventions which used Hip Hop. The critical stance taken aimed to identify or expose assumptions underpinning this area of scholarship and practice. Our analysis suggested several assumptions operate in this space, including the idea rap represents a default for Hip Hop culture, and the default beneficiaries of Hip Hop-informed interventions are students of color living in underprivileged, inner-city US …

Foreword, Travis Harris

Journal of Hip Hop Studies

Foreword to volume 8 issue 1.

Covid Edition, Journal Of Hip Hop Studies

Journal of Hip Hop Studies

No abstract provided.

Spirituality Countering Dehumanization: A Cypher On Asian American Hip Hop Flow, Brett J. Esaki

Journal of Hip Hop Studies

Flow—an artistic connection to the beat—is essential to the experience and cultural mix of Hip Hop. “Flow” is also a term from positive psychology that describes a special out-of-body state of consciousness, first articulated by Mihaly Csikszentmihalyi. When Hip Hop performers get into artistic flow, they sometimes become immersed in psychological flow, and this article examines the combination for Asian American Hip Hop. Based on my national survey of Asian Americans in Hip Hop, I argue that dual flow inspires spiritual transformation and mitigates the dehumanization of social marginalization. However, the combination of terms presents problematic possibilities, given that Hip …

Art As Contextualization: Using Visual Communication As Christian Missions In Native American And Alaskan Cultures, Hali Gehring

Senior Honors Theses

Contextualization is an important aspect of Christian ministries and cross-cultural missions to create sustaining churches around the world. There are many forms of communication that use contextualization for religious purposes, such as theatre, story, art, and dance. These important forms of communication can be used with cultural practices to contextualize the Gospel to different people groups. For Native Americans and Alaskans, artistic works that promote cultural heritage are highly regarded. A beadwork piece that explains the Gospel could be a creative way to contextualize to Native American and Alaskans.

Unmasking The Mouse: Cultural Appropriation In Disney Films, Rebecca Domas

Honors Student Research

The artworld has largely revolved around traditional institutions like museums for centuries, however with the age of technology quickly evolving new artforms have risen to challenge these traditional spaces. Large corporations like The Walt Disney Company, have revolutionized the world of art and have become a prominent voice in representing cultures to a large population of the public. The two forces may be comparably different on the surface; however both are going through a progressive change as they enter the discussion of inclusive representation and accusations of cultural appropriation. The act of cultural appropriation concerns the negatively generated adaptations of …

Addressing The Lack Of Availability In Diverse Skin Tone Options For Performance Fabric, Jessica Batey

Honors College Theses

The following research addresses the lack of availability in diverse skin tone options for performance fabric. The project will discuss the struggles people of color face when finding fabrics that accurately match their skin tone and the difficulties in sourcing the materials needed to successfully design a garment. The research gathered will be used to produce a collection of 4 looks using nude mesh fabrics that are readily available to the average consumer. The garments within the collection will be designed to match the skin color of 4 models. The collection’s theme will be based around the 4 cardinal witches …

Bibliography For "Native American Art: A Display In Celebration Of Native American Heritage", Margaret Puentes

Library Displays and Bibliographies

A bibliography created to accompany a display about Native American art from November 1-30, 2021, at the Leatherby Libraries at Chapman University.

Atlantic Legacies: Free Women Of Color And The Changing Notions Of Womanhood In The Long Nineteenth Century, Marie Stephanie Chancy

FIU Electronic Theses and Dissertations

This dissertation focuses on three free-born African-descended women who defied expectations and prejudices to live previously unthinkable lives in the nineteenth century. The project uses their biographies to illustrate how, as black and mixed-ancestry émigrés from the Americas living in Europe, they adopted and adapted the evolving notions of ideal womanhood. As a result they expanded who could be identified as a true, redemptive or new woman. The project shows how they used the tenets of these ideals to live life on their terms. The dissertation is set in an era dominated by white males, and defined by the enslavement …

Towards A Decolonial Feminist Aesthetics: Gender, Race, And Empire In Theresa Hak Kyung Cha’S Dictee, Juwon Jun

Dissertations, Theses, and Capstone Projects

Defining revolutionary struggle as a struggle between fictions, Trinh T. Minh-ha asserts that art in revolution is a spiritual presence which widens the conception of freedom. Political struggle is constituted by clashes in differently written and conceived realities—hinged on the creation and realization of multiple liberatory fictions. Liberation then requires us to attend to creating new myths and conceptions of freedom which can free us from the current structures of domination that produce current subjects and realities. If culture is indeed an “essential element in the history of a people,” mapping decoloniality in cultural and aesthetic fields may be essential …

Bibliography For "Chicano Art: A Display In Celebration Of Hispanic Heritage", Margaret Puentes

Library Displays and Bibliographies

A bibliography created to accompany a display about Chicano Art for National Hispanic Heritage Month from September 15-October 15, 2021, at the Leatherby Libraries at Chapman University.

Painting Outside Of The Lines: How Race Assignment Can Be Rethought Through Art, Giovanni Mella-Velazquez

Gettysburg Social Sciences Review

For centuries art has been used to make us think about our own human experiences. Unfortunately, works usually reflect the era which they were painted in; this has led to various artists showing, maintaining, and therefore reinforcing racist thoughts in our cultures. Art can be used to create a new narrative for our race assignments and their meanings. The idea of loving one's roots has been prevalent in many cultures, but in art form a disconnect between history and the everyday experience can arise which could miss the mark in helping us redefine our own race. Therefore, artwork which empowers …

Proceedings Of Pivot 2021: Dismantling / Reassembling, Renata Marques LeitãO, Immony Men, Lesley-Ann Noel, Jananda Lima, Tieni Meninato

DRS Conference Volumes

This volume contains the proceedings for Pivot 2021, the 2nd International conference of the Pluriversal Design Special Interest Group of the Design Research Society (DRS). The conference was held in collaboration with the Public Visualization Lab of OCAD University and invited designers, scholars, artists, and changemakers for two days of intercultural conversations about decoloniality and societal transformation. Pivot 2021 aimed to identify tools and practices of dismantling and reassembling that could favour ways of reshaping human presence on Earth and concrete cases of alternative future-making from all around the world.

Hummingbird, Sheala J. Dunlap

Toyon: Multilingual Literary Magazine

This illustration can be found on my website: https://shealadunlapart.com/monochromatic/

On my Instagram:

https://www.instagram.com/p/CAdYFrQn6hd/

And on my Facebook page:

https://www.facebook.com/sheala.dunlap.art/photos/a.107953577593493/112175557171295

This is my original work and I give permission to Toyon for re-publishing.

Material Encounters: Making Memory Beyond The Mind, Ariel Wills

Masters Theses

Can acts of making carry the memories of our embeddedness within the world? This thesis explores how making things can nurture a sense of kinship that cuts across the organic and inorganic, erasing the distinction between living and dead, material and spiritual. Through handwork such as art-making, sewing, knitting, cooking, woodworking, and beyond, the burden of remembering and of archiving is shared across human and non-human bodies, cultivated through practices of making, and through the materials themselves. By recounting the stories of my family’s experience as Jewish immigrants in the United States, I aim to reveal how their domestic practices …

Inevitable Associations: Art, Institution, And Cultural Intersection In Los Angeles, 1973–1988, Liz Hirsch

Dissertations, Theses, and Capstone Projects

Inevitable Associations: Art, Institution, and Cultural Intersection in Los Angeles, 1973-1988 considers alternative institutions and cultural intersections in bicentennial-era Los Angeles. I look at the spatial, social, and artistic convergence of Los Angeles artists rarely seen as allied, through close examination of alternative cultural infrastructure that came out of a federal jobs program called the Comprehensive Employment and Training Act (CETA) and cohered around a building located at 240 South Broadway in downtown. I use the model of association—alliance through shared purpose—to demonstrate moments of convergence and interconnection. Through an analysis of the formation of Los Angeles Contemporary Exhibitions (LACE), …

The Art Of Heritage And Mortality, Barbara Johanna Mileto

University of New Orleans Theses and Dissertations

Through my art I explore the formation of cultural and personal identity addressing the importance of heritage, ancestors, and religion in Latin-American culture, while I develop my unique deities and spiritual space, creating my own iconography. The pieces are strongly autobiographical, using my family members, and frequently lived experience as a subject. Furthermore, I am drawn to the circle of life and productive failures - beginnings, deaths, and transitions. - My work integrates two-dimensional and three-dimensional mediums, ranging from photography and printmaking to assemblage and textiles, video and digital.

Pero...Maybe, Adrian Gonzalez

Graduate School of Art Theses

Through collage, assemblage, and object making, I fit unlikely fragments that I call manchitas—stains—together. In my paintings and mixed media assemblages I incorporate references to Spanglish as un acto of making. To me, it’s like the visual work that I make: thinking in one language and speaking another, words start with English but end in Spanish. They sound like English but are Spanish or vice versa. The words look misspelled but are used in everyday conversation. Spanglish is idiosyncratic and is what I build my practice on. I collect materials around me, some I find and some I make. …

Using Big Data To Facilitate A Lyrical Analysis Of Poetry And Rap, Remington Yve Giller

English Undergraduate Distinction Projects

Poetry and rap are dissected using text mining techniques in order to determine overall trends in the words used by both. With this data, the way in which ideas and concepts are expressed can be compared and contrasted as a way of showing the legitimacy of rap as a form of literary expression. Other topics within the paper are: a background of the history of rap and the digital humanities, and an example of a close reading featuring a medieval poem and a rap by Eminem. This demonstrates how even in a traditional way of handling texts, both poetry and …

The Adobe Frontier, Christopher J. Gauthier

Theses and Dissertations

The Adobe Frontier is a documentary film about Ronald Rael and Virginia San Fratello—together known as “Studio Rael San Fratello” —and their work connecting contemporary technology with the legacy of pottery making and adobe architecture in the Southwest United States.

An Aesthetic Of Authenticity: The Use Of Turquoise In American (Counter)Culture, Madison Staples

Honors Program Theses and Projects

Turquoise is a distinctive part of the material culture of the Indigenous tribes of the American Southwest, including the Navajo, Hopi, Zuni, and Pueblo peoples. The stone, particularly its color, is situated within complex systems of culture and meaning for each tribe, but the physical nature of material culture makes such pieces accessible for outsiders to borrow, buy, or steal. The aesthetic of the southwestern Indigenous tribe, traced in this paper through the use of turquoise, has been drawn upon by non-Native Westerners pursuing authenticity in their American lives. My findings suggest that true authenticity is marked by authentic engagement, …

Architectural + Language: Breaking Barriers And Creating Cultural Dialogue, Maria De Los Angeles Delgado Bailon

Bachelor of Architecture Theses - 5th Year

When I was 11 years old, I moved back to the United States, after having spent my whole childhood in Ecuador, my parents native land. I was moving back to the land of opportunity in the search for the so called ‘American Dream’. It was difficult to leave and move to a new place where we did not know anyone or have anything, but just the idea of a going back to my hometown piqued my curiosity and excitement. I remember very vividly, the day I left Ecuador. I remember telling myself to be happy, because this was a moment …

To The Studio, In The Studio, Home, Miquel R. Veldkamp

Theses and Dissertations

A curated series of poems and mini essays that reflect on personal life, politics, art history, folklore, science, identity and race. It addresses the questions that inform my work, and echoes its ethos of play, exploration, curiosity, vulnerability.

Aztlán Del Sol, Marcus Zúñiga

Chamisa: A Journal of Literary, Performance, and Visual Arts of the Greater Southwest

An artistic writing developed from the themes and concepts of an of art installation made by a visual artist of Mexican-American descent from New Mexico. The work references the relationship of Aztec mythology to the American Southwest, art theoretical discourse in object oriented ontology and aesthetics, and key ideas in astronomy. Additionally interwoven is an expanded sense for interpreting ancestry and history under the constructs of multicultural conceptions of time, specifically cultures with notable spiritual rituals of Sun worship and observation.

Cosmic Desert Art, Mike Graham De La Rosa

Chamisa: A Journal of Literary, Performance, and Visual Arts of the Greater Southwest

The Cosmic Desert are the designs inspired by chile hallucinations, desert creatures, and the long weird neon nights in the Borderworld. Made with love on the banks of the Rio Grande.

My family is originally from Northern Mexico but I grew up in Northern New Mexico down river of both where Al Hurricane and Nuclear Annihilation were originally created. Amongst chollas, rattle snakes, and river willow, the imagining of New Mexico permeates the landscapes. The Cosmic Desert is inhabited lowriders, taco trucks, neon adobe bars, cholas, native peoples, immigrants, punk rockers and cowboys. Just beyond the darkness, our imagination takes …

Space-Praxis: Towards A Feminist Politics Of Design, Mary C. Overholt

Masters of Environmental Design Theses

Outside of the academy and professionalized practice, design has long been central to the production of feminist, political projects. Taking what I have termed space-praxis as its central analytic, this project explores a suite of feminist interventions into the built environment—ranging from the late 1960s to present day.

Formulated in response to Michel de Certeau’s theory of spatial practices, space-praxis collapses formerly bifurcated definitions of ‘tactic’/‘strategy’ and ‘theory’/‘practice.’ It gestures towards those unruly, situated undertakings that are embedded in an ever-evolving, liberative politics. In turning outwards, away from the so-called masters of architecture, this thesis orients itself toward everyday practitioners …

Looking While Reading I, Ii, Iii, Sarah Minor

Journal of Creative Writing Studies

This article introduces the term “visual essay” by tracing the genre’s history through the concrete poetry movement and the rise of the lyric essay. In describing the aims of visual essays, Minor distinguishes between “illustrative” and “non-illustrative” shaped texts, and suggests connections between “non-illustrative” examples and the aims of “Intersectional Form,” a term coined by scholar Jen Soriano.