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Articles 1 - 30 of 111
Full-Text Articles in Art and Design
Interrogating The Light Bugs, Ana C. Villagomez
Interrogating The Light Bugs, Ana C. Villagomez
Theses and Dissertations
My paintings engage with ideas of time, memory and displacement. Intricately painted works appear to cover other layers of information hidden underneath through the act of rubbing, masking and erasing with unconventional tools such as scour pads, toilet brushes and rags, creating a surface that resembles a complex topographical map. But unlike a traditional cartographer, I seek to map my inner world.
Stations Or There Goes Nothing, Jeremy D. Lawson
Stations Or There Goes Nothing, Jeremy D. Lawson
Theses and Dissertations
Jeremy Lawson uses bright, expressive, abstract painting in conversation with minimalist sculpture to encourage a meditation on the death of the self, the potential for it's transformation, and the struggle to maintain the tools beyond language necessary to experience the sublime.
A Dumb Mouth From Which The Teeth Have Been Pulled, Anna Sofie Jespersen
A Dumb Mouth From Which The Teeth Have Been Pulled, Anna Sofie Jespersen
Theses and Dissertations
This paper consists of a series of scenes in which various narratives with proximity to the truth plays out. within it I aim to articulate the dispersed subjectivity and forensic aspects to my work, as well looking at the perverseness in the desire for proximity to the fantasy, utilizing the self as a vehicle of desire.
Song From A Chamber, Miguel A. Martinez
Song From A Chamber, Miguel A. Martinez
Theses and Dissertations
My work weaves a biomythography through figurative reimagining of syncretist religious iconographies. This thesis installation is composed of a mural reliquary in which a collection of twenty works on paper is displayed. The project exposes abstract dimensions of body and spirit in relation to my experience as a gay immigrant.
Paralyzed Within A Plastic World, Gena Leib
Paralyzed Within A Plastic World, Gena Leib
Honors Projects
Our oceans are one of the largest ecosystems found on our planet, and they are also one of the driving forces to a balanced planet. I believe that it is very important to restore our oceans to the once clean environment, and it is up to mankind to make that first step to do so soon and without hesitation. I believe that many people are uniformed on the topics of pollution, and it is important to bring attention to the issues through a perspective that society can see. Social media has had a huge influence on helping this, but for …
Water Color: Inspiring Conservation Of Freshwater Ecosystems By Painting With Algae, Kate Lochridge
Water Color: Inspiring Conservation Of Freshwater Ecosystems By Painting With Algae, Kate Lochridge
Honors Projects
“Water Color: Inspiring Conservation of Freshwater Systems by Painting With Algae” is a project that focuses on raising awareness of harmful algal blooms in Lake Erie through the creation of algae-based paint. Its goal is to provide a multidisciplinary outlet for understanding complex interactions between the causes, effects, and solutions of Harmful Algal Blooms (HABs). The novel part of this project is the creation of watercolor paint from algae cells. This paint was used to create algae-based artwork that facilitates an aesthetic interaction with the science of HABs when other informative materials- such as journal articles- can be confusing and …
Seen And Unseen, The Milspouse Project, Michelle Henning
Seen And Unseen, The Milspouse Project, Michelle Henning
Senior Honors Projects
MICHELLE HENNING (Art)
Seen and Unseen, The MilSpouse Project
Sponsor: Lilla Samson (Art and Art History, Emerita)
I was a military spouse for 20 years. To honor this closing chapter of my life, I developed a project to interview and paint several military friends. My intention was to create a theme of the overlooked, often unseen, spouse. This is not absolute, and it is not to detract from the service of the soldier; but Military Spouses are often misunderstood or mis-represented. I hope to celebrate the inspiring people that form the group known as "MilSpouses". For that reason, I interviewed …
Non-Fungible Tokens On The Blockchain, Talyssa Janae Cruz
Non-Fungible Tokens On The Blockchain, Talyssa Janae Cruz
Graphic Communication
The premise of this project is to see how rising artists would perform in this new method of sharing and selling art. With the skills learned in Graphic Communication, the deliverables would be a well-marketed artistic brand and cohesive art collection that will be launched on the Cardano blockchain. Whether the collection succeeds or not, it would be an excellent learning experience to see if the collection will sell. If it succeeds, the information and findings would be gathered to conclude if it is feasible for rising creators to put Non-fungible Tokens on the blockchain.
The Myth Of ‘Mare Nostrum’: Themes And Exhibitions, Legacy And Experimentation In The Construction Of Mediterranean Fascist Italy, Aurora Roscini Vitali
The Myth Of ‘Mare Nostrum’: Themes And Exhibitions, Legacy And Experimentation In The Construction Of Mediterranean Fascist Italy, Aurora Roscini Vitali
Artl@s Bulletin
This essay aims to analyse the ways in which the myth of the Mare nostrum entered into the artistic iconography of the early twentieth century. It was highly amplified during the Fascist regime thanks to some relevant graphic works, monumental commissions and, above all, temporary exhibitions that were characterized by a propagandistic overtone. The representation of a Mediterranean (in fact Italian) common identity became a fundamental part of a pervasive political strategy. The stylistic choices were conditioned both by the need to emphasize the glorious return of “Latinness” and the incardination of the “new” fascist modernity.
Resistance, Catita Guardado
Bonded By Nature: The Prevalence Of Landscape Subjects Within Abstract Expressionism And Their Sources In American Art, Aileen F. Marcantonio
Bonded By Nature: The Prevalence Of Landscape Subjects Within Abstract Expressionism And Their Sources In American Art, Aileen F. Marcantonio
Theses and Dissertations
Landscape subjects reappear throughout Abstract Expressionism. Although it is often overlooked, landscapes were perhaps a natural subject for a group of artists that were known to work from their environment. When we focus on the landscape subjects, we gain a better understanding of Abstract Expressionism and its place within the canon of American art.
Where Are The Women? A Feminist Field Guide To The Museum, Taylor Weaver
Where Are The Women? A Feminist Field Guide To The Museum, Taylor Weaver
Theses
Linda Nochlin’s seminal 1971 essay, “Why Have There Been No Great Women Artists?” was at the fore of the great battle cries of many feminist scholars that drew attention to the limitation’s that female artist’s face in the art world. Women have systematically been left out of the art historical narrative while their male counterparts remain at the forefront.
There are many women that are very prominently represented in museums. They are largely nude and have been represented by male artists. While I do not argue that nudity in paintings should not exist, I do insist that museum goers become …
Color, Texture, Form: Modern European And American Art From The Brummel Collection, Kruizenga Art Museum, Lisa Barney
Color, Texture, Form: Modern European And American Art From The Brummel Collection, Kruizenga Art Museum, Lisa Barney
Kruizenga Art Museum Posters
A poster advertising an exhibition of artwork from the collection of Mike Brummel, Hope College Class of 1957, held September 10-December 11, 2021. A reception held on September 24, 2021, is also advertised.
Native American Art: Recent Acquisitions From The Kruizenga Museum Collection, Kruizenga Art Museum, Lisa Barney
Native American Art: Recent Acquisitions From The Kruizenga Museum Collection, Kruizenga Art Museum, Lisa Barney
Kruizenga Art Museum Posters
A poster advertising an exhibition of recent acquisitions of Native American art held September 10-December 11, 2021.
Painting Outside Of The Lines: How Race Assignment Can Be Rethought Through Art, Giovanni Mella-Velazquez
Painting Outside Of The Lines: How Race Assignment Can Be Rethought Through Art, Giovanni Mella-Velazquez
Gettysburg Social Sciences Review
For centuries art has been used to make us think about our own human experiences. Unfortunately, works usually reflect the era which they were painted in; this has led to various artists showing, maintaining, and therefore reinforcing racist thoughts in our cultures. Art can be used to create a new narrative for our race assignments and their meanings. The idea of loving one's roots has been prevalent in many cultures, but in art form a disconnect between history and the everyday experience can arise which could miss the mark in helping us redefine our own race. Therefore, artwork which empowers …
The Anxiety Of Presenting Identity, Savannah Fleming
The Anxiety Of Presenting Identity, Savannah Fleming
PANDION: The Osprey Journal of Research and Ideas
This work explores aspects of Queer identity, historical reflection, and acceptance through painting, printmaking, and collage. Savannah Fleming's artwork intends to reclaim art history and alter it to include those excluded from its canon. Through the use of prints, paint, and collage, they create works that address the bias of art history, while tackling contemporary problems of identity and acceptance. References and alterations to art history are her way of addressing the erasure of Queer and BIPOC (Black, Indigenous, and people of color) from the art historical canon, while battling with modern-day confines on individuality.
Arid Visions, Casey Miller
Arid Visions, Casey Miller
All Graduate Plan B and other Reports, Spring 1920 to Spring 2023
“The vibration of this light, the spaciousness of these skies enthralled me. I knew there was a spirit in nature as in everything else, but here in the desert it was an especially bright light.”
-Agnes Lawrence Pelton
Arid Visions is inspired by my experiences exploring the deserts of southern Utah. The desert landscape is a bounty of diverse flora that appear alien-like. My work celebrates these plants, honoring them for more than what they are sometimes perceived to be. The desert can be an unforgiving place… where an agave’s mesmerizing layered leaves lure you in, but get too close …
Sulfur And Sage, John Swincinski
Sulfur And Sage, John Swincinski
LSU Master's Theses
Sulfur and Sage is a body of abstract paintings created out of memories of time spent immersed in the wilderness of the Rocky Mountains and the Yellowstone Caldera during the summer of 2020. The paintings reflect specific places, experiences, and insights, which occurred as I sought solitude by returning to the one place where I feel most at peace with the universe – the woods.
Each painting is augmented by a written vignette, describing the occurrence it is based on. Should the viewer choose to include these short stories as they encounter the artwork, they provide the jumping off point …
Ikkuma: An Artistic Vr Storytelling Experience, Yangli Liu
Ikkuma: An Artistic Vr Storytelling Experience, Yangli Liu
Frameless
Ikkuma is an interactive storytelling experience utilizing Tilt Brush and Unity. It is about a land being swallowed by the sea, where conflict cracks ice and fire tears families apart. Ikkuma is the Inuvialuit word for fire, a central element to the work. The fundamental theme of Ikkuma is global warming and its impact on the Arctic ecosystem. The players must learn to tame the fire in their hearts and the Inuit traditional knowledge if they hope to survive the harsh yet fragile Arctic tundra.
Mending What’S Invisible, Chaehee Yoon
Mending What’S Invisible, Chaehee Yoon
Masters Theses
A written thesis to accompany the M.F.A. Exhibition Mending What’s Invisible, in which the artist’s personal experiences and memories explore the cultural identities and femininity in Korea and the US. These identities are explored by using traditional Korean motifs, embroidery patterns, and the visual images of the artist's childhood photographs in the projects of “Reconnecting of Nostalgia” and “Mutating”. Also the visual clips of the artist's hometown is demonstrated in the video project “Things I hated” that discusses criticalities of Korean cultures and a sense of nostalgia for childhood in Korea. The project comes out of a personal need to …
Dissonant Forms: Landscape, Nature-Love, And Art, Taylor F. Benoit
Dissonant Forms: Landscape, Nature-Love, And Art, Taylor F. Benoit
Masters Theses
As artists continue the long and storied lineage of Landscape, are there aesthetic responsibilities that come with representing the forces that afford you the capacity to do so? As we delineate spaces into places, endless interconnectivity into knowable “systems”, and living matter into thing based taxonomies, who do these delineations serve and with what intentions do we proceed? My studio art practice explores what it means to give form to our Former—the Former being that from which we came, the here and now, our explicit ecological reality, the stuff of what we call nature. …
The Literary Controversies Of Michelangelo's Sistine Ceiling, Victoria Duehring
The Literary Controversies Of Michelangelo's Sistine Ceiling, Victoria Duehring
The Forum: Journal of History
This literary review will focus on Michelangelo’s most significant work of color: the Sistine ceiling. Michelangelo’s work has spawned a plethora of literature, but this paper will focus on three main controversial topics: assistants (or lack thereof), the ignudi’s purpose, and restoration. I will also apply a psycho-historical approach to these controversies and identify potential avenues for future research.
Before Beachie Creek, Raine Welterlen
Before Beachie Creek, Raine Welterlen
Anthós
An account of the biodiversity observed on a hiking trip in July 2020, three months before devastating wildfires destroyed much of the Opal Creek Wilderness
Material Encounters: Making Memory Beyond The Mind, Ariel Wills
Material Encounters: Making Memory Beyond The Mind, Ariel Wills
Masters Theses
Can acts of making carry the memories of our embeddedness within the world? This thesis explores how making things can nurture a sense of kinship that cuts across the organic and inorganic, erasing the distinction between living and dead, material and spiritual. Through handwork such as art-making, sewing, knitting, cooking, woodworking, and beyond, the burden of remembering and of archiving is shared across human and non-human bodies, cultivated through practices of making, and through the materials themselves. By recounting the stories of my family’s experience as Jewish immigrants in the United States, I aim to reveal how their domestic practices …
Untitled, Mahi Sutaria '23
Untitled, Mahi Sutaria '23
Heliotrope: IMSA's Arts & Literary Magazine
No abstract provided.
Cool Sunset, Michael Trombetta '21
Cool Sunset, Michael Trombetta '21
Heliotrope: IMSA's Arts & Literary Magazine
No abstract provided.
Records Of (Un)Learning, Gregory Deddo
Records Of (Un)Learning, Gregory Deddo
Masters Theses
The internal processes by which we remember and learn (mnēmē) are in tension with the exterior mnemonic devices of writing, photography, and archives (hypomnēsis). Attempts to accurately record and document our lives often disrupt the living, intersubjective memory it is meant to aid. This dichotomy plays out in both the interpersonal sphere of relationships and identity, and in the socio-political sphere of history, governance, and economics. Our contemporary postmodern condition, as shaped by technologic developments, is marked by an increased skepticism about testimony, witness, and experience and a greater reliance on data-driven information and the structure …
Blue Loops, Rebecca Senn
Blue Loops, Rebecca Senn
Masters Theses
I started threading wires between objects in an attempt at connecting the fragments of my life, winding forms into spiraling webs of meaning. Bluebirds, cartoon toys, Jewish kitsch, 90’s teen angst, immaterial feeling. Wires are squeezed with plaster and smothered in paint, tightly wound, mummified, squeezed to death, or post-death, suspended in an oxygenless void, as if time stopped and all at once we could feel the simultaneity of things — the star hurtling through space, a swimmer falling into water, raindrops sliding off a pair of glasses. I spin wires, squeeze them with wet plaster, mummify them, until they …
Everyone I Have Every Crowed With 2021-, Hannah Lutz Winkler
Everyone I Have Every Crowed With 2021-, Hannah Lutz Winkler
Masters Theses
I started taking walks at sunset to feel better. It was January of 2021, nearly a year into the COVID pandemic. On these antidepressant walks, I kept running into crows, participating in their own sunset ritual, hundreds of them in a raucous shimmering black net. They flew around the city, my hometown, gathering, gossiping, and ultimately sleeping together in trees. I was both intoxicated by and jealous of the nightly crow party—standing under them was my only crowd experience in nine months. For the next three months, I tracked them every night I could. My solo practice of paying the …
The Broken Thought Machine [Broh-Kuhn Thawt Muh-Sheen], Michael Dispensa
The Broken Thought Machine [Broh-Kuhn Thawt Muh-Sheen], Michael Dispensa
Masters Theses
A bulky, inflamed, excess volume of overactive targeted neuron choking nonsense that profits off creating fear-induced high-speed bowel movements.
My current work seeks to create space for intrusive thoughts and images that repeat, disturb, distress, and contaminate. The source of these intrusions is called the Broken Thought Machine(BTM). I use multimedia practices of drawing, sculpture, performance, and video to unearth the origins and properties of the BTM to then perpetuate its product to an absurd degree. This obsessive reiteration brings negativity to a threshold where horror and detachment can spontaneously metamorphose into humor and compassion.
The BTM can be an …