Arts and Humanities Commons^™

Memories As Old As Outer Space, Nicholas Benfey

Theses and Dissertations

My paintings draw from personal memory, as well as the nostalgic longing and nightmarish foreboding of the irrational psyche. Cosmic ruptures, cliffs, cemeteries, and parking lots appear alongside snowglobes and canopy beds. I aim to suggest things to be wary of, while giving space for optimistic fantasy and reflective wonder.

A Draft: Up N’ Upper Or Sisyphus Lounge; Notes, Poems & Essays From The Road & The Cabin, Andrew M. Foster

Theses and Dissertations

This text imagines a reconciliation where the slick, sterile nature of contemporary objects and conditions might offer a sort of soft retreat. Sisyphus Lounge, a modular installation of light, near-defunct-technologies and carefully cluttered “stuff,” attempts to locate and explore value systems fogged by dis/information and the impossibility to articulate is-ness.

Errantry, Simon A. Benjamin

Theses and Dissertations

Errantry, Simon Benjamin's current body of work, named after Édouard Glissant’s theory, is comprised of a series of multi-channel video installations and related works. Errantry is centered on the polyphonic rhythms of coastal space, the Caribbean sea, and the life sustained by it in a non-linear narrative that raises questions about time, labor, environmental degradation and the ongoingness of colonialism.

Some (Im)Material Girls, Living In (Im)Material Worlds, With Seeds, Stars, And Shit, Matthew Weiderspon

Theses and Dissertations

This writing situates material and gestural vocabularies cultivated in my artwork in relation to my lived experience; primarily my rural upbringing in Colorado. Scattered floor dispersals, calling sounds, and bodily movements desire reconsiderations of hope in precarity through a disorientation of place, association, scale, and language.

Painting The City In Flux, Simon S. Smith

Theses and Dissertations

In this paper, Simon Smith describes the way in which the cityscapes of New York serve as a source of inspiration for his painting process. The paper focuses on New York City's warping of time and space, and lays out how Smith sees abstract painting, grounded in a kind of not knowing, as an apt extension of or response to the experience of the city.

Home, It Turns Out, Is Always A Matter Of Paperwork, Leonardo Madriz

Theses and Dissertations

A meandering of life-thinking on notions of migration & diaspora, assimilation, place & home, family & loss, cruel optimism and new imaginaries - through text, film & video, installation, and expanded cinema.

Yellow, Sisi Chen

Theses and Dissertations

The following paper is a constellational unpacking of yellow through notes on critical race and feminist theories, myth, science, science fiction, disparate histories, cyborgs, biography, virtuality, materiality, fungi, porcelain, language, internalization, melancholia, smells, sounds, tastes, feels, and more feels.

Moving Without The Ball: Labor And Collectivity Beneath The Body Of The She-Wolf, Cristina Covucci

Theses and Dissertations

In this paper, I consider my personal experiences as an artist, art handler, and athlete through the motif of the Roman She-wolf, addressing how value systems are constructed according to binaries by showing how the sculptural process can break down these binaries, giving agency to both the mother mold and “completed” form.

Consejera, Esther Marie Garcia

Chamisa: A Journal of Literary, Performance, and Visual Arts of New Mexico and the Greater Southwest

No abstract provided.

Surplus City, Claudio Nolasco

Chamisa: A Journal of Literary, Performance, and Visual Arts of New Mexico and the Greater Southwest

No abstract provided.

Paintings By Anita O. Rodríguez, Anita O. Rodriguez Ms

Chamisa: A Journal of Literary, Performance, and Visual Arts of New Mexico and the Greater Southwest

No abstract provided.

Ethereal Axiom Paintings, Ophelia Cornet

Chamisa: A Journal of Literary, Performance, and Visual Arts of New Mexico and the Greater Southwest

Ophelia Cornet is a painter, illustrator, and installation artist. She was born in Belgium to a family of musicians and designers. After a life-threatening car accident in her early 20’s, Ophelia moved to New Mexico for the dry climate which would assist her recovery. Equipped with knowledge in photography and painting from Rutgers University, she continued her artwork. Today, Ophelia pairs photographed images and oil paint to fête female protagonists in an intimate otherworldliness, creating dreamlike snapshots of the human experience.

Ophelia has been Lead Art Instructor at the Albuquerque Museum for the past 20 years. She has facilitated many …

Stories From Home: Yvonne Montoya And Shannon Parrales In Conversation, Yvonne Montoya

Chamisa: A Journal of Literary, Performance, and Visual Arts of New Mexico and the Greater Southwest

In this conversation, New Mexican contemporary dance artists Yvonne Montoya and Shannon Parrales discuss their dance journeys and their work on Montoya’s current projects: Stories from Home and Stories from Home: COVID-19 Addendum.

Aztlán Del Sol, Marcus Zúñiga

Chamisa: A Journal of Literary, Performance, and Visual Arts of New Mexico and the Greater Southwest

An artistic writing developed from the themes and concepts of an of art installation made by a visual artist of Mexican-American descent from New Mexico. The work references the relationship of Aztec mythology to the American Southwest, art theoretical discourse in object oriented ontology and aesthetics, and key ideas in astronomy. Additionally interwoven is an expanded sense for interpreting ancestry and history under the constructs of multicultural conceptions of time, specifically cultures with notable spiritual rituals of Sun worship and observation.

Knowing China, Losing China: Discourse And Power In U.S.-China Relations, Shankara Narayanan

Honors Scholar Theses

The U.S. government’s 2017 National Security Strategy claimed, “China and Russia challenge American power, influence, and interests, attempting to erode American security and prosperity.”[1] Three years later, the COVID-19 pandemic has accelerated the U.S. foreign policy community’s discursive shift towards Realist competition with China, with officials from the past three presidential administrations coming to view China as a threat to democratic governance and America’s security posture in Asia. The discourse underpinning the U.S.-China relationship, however, remains understudied. During key moments in the relationship, U.S. policymakers’ Realist intellectual frameworks failed to account for Chinese nationalism, suggesting a problem embedded within …

Cosmic Desert Art, Mike Graham De La Rosa

Chamisa: A Journal of Literary, Performance, and Visual Arts of New Mexico and the Greater Southwest

The Cosmic Desert are the designs inspired by chile hallucinations, desert creatures, and the long weird neon nights in the Borderworld. Made with love on the banks of the Rio Grande.

My family is originally from Northern Mexico but I grew up in Northern New Mexico down river of both where Al Hurricane and Nuclear Annihilation were originally created. Amongst chollas, rattle snakes, and river willow, the imagining of New Mexico permeates the landscapes. The Cosmic Desert is inhabited lowriders, taco trucks, neon adobe bars, cholas, native peoples, immigrants, punk rockers and cowboys. Just beyond the darkness, our imagination takes …

Works By Rudy J. Miera, Rudy J. Miera

Chamisa: A Journal of Literary, Performance, and Visual Arts of New Mexico and the Greater Southwest

Neo-Cubist painting

Let's Sing For Your Granma, Shelli L. Rottschafer Phd

Chamisa: A Journal of Literary, Performance, and Visual Arts of New Mexico and the Greater Southwest

"Let's Sing For Your Granma" is a short story based in Gallup, NM. It concerns a family living on the Navajo Reservation and how they deal with the matriarch's diagnosis of COVID.

Intersextional Pride, Damon R. Carbajal

Chamisa: A Journal of Literary, Performance, and Visual Arts of New Mexico and the Greater Southwest

This poem is one of a trio of poems published in this volume titled, “at the interSEXtion of being GAY and CHICANX: Un Trío de Poemas,” that dive into what it means growing up as a gay, Chicanx light-skinned in the current times post the moviemento and through the strides of the queer liberation movement. The poems explore many facets of living at this intersection including, but not limited to, toxic masculinities, queerphobia, mental health, sexual assault, pride, etc. The poems also explore the notion of what it means to be mestiza as Mexicano and White and how this further …

Desert Scenes, Diana Gourlay

Chamisa: A Journal of Literary, Performance, and Visual Arts of New Mexico and the Greater Southwest

3 Images of oil Paintings

24 x 30 Desert Foliage

24 X 36 Hope in the Desert

30 X 40 Desert Spiral

The Place That Takes You In, Sylvia Ramos Cruz

Chamisa: A Journal of Literary, Performance, and Visual Arts of New Mexico and the Greater Southwest

No abstract provided.

Photographs By Cathy Chávez, Cathy Chavez

Chamisa: A Journal of Literary, Performance, and Visual Arts of New Mexico and the Greater Southwest

No abstract provided.

Are Control Subjects "Healthy"?, Lizzie Hess

Word for Word 2021

No abstract provided.

The Specifics Of Editing Comedy, Genevieve Roeder-Hensley, Luis Proenca

Honors Thesis

This research paper examines the essential knowledge required for editing comedy well. Editing comedy differs from other genres, and can be extremely difficult and time consuming. The paper explores what defines comedy as a genre, editing techniques unique to comedy, the process of editing, and film theories that enable an editor to make better cuts to heighten the hilarity of the story. Sources include academic writings, personal projects completed under guidance from a mentor, movie and scene examples, and three interviews with comedians and in-demand comedy editors.

History In Crisis: Museum Programming During The Covid-19 Outbreak, Lindsay Mcconnell

Honors Thesis

The subject of my research is how museums adapted their public programming in response to COVID-19. The goal of my research is to analyze how successfully museums shifted their community engagement programming to online platforms. Since I hope to work in the museum field of programming, I was motivated to conduct this research. Not much research can be found on this topic because COVID-19’s effects on museums are still unfolding. My research could provide a foundation of ideas to build on. To begin, I read articles about the relationship between museums and technology. I applied this knowledge to analyze how …

On The Historical And Future Role Of The Music Producer, Tyler Harrison

Senior Honors Theses

The research completed in this thesis is designed to review the historical role of the music producer and track its evolution into the modern era. Focus on the history of the producer will include formal research from the time and a review of individuals who pioneered significant change in the industry. The thesis will then explore the role of the contemporary record producer and raise questions about the impact of modern technology and practice.

Spirit Of The Mound: An Illustrated Story, Tom Montoya

Chamisa: A Journal of Literary, Performance, and Visual Arts of New Mexico and the Greater Southwest

This short story depicts the youthful trials and ambitions of rural dwellers and the daily celebratory aspects of life in northern New Mexico. The illustrations by Francisco LeFebre offer a visual panorama of the Wagon Mound, a unique natural formation, in Mora Country.

Photographs By Esther Marie García, Esther M. García

Chamisa: A Journal of Literary, Performance, and Visual Arts of New Mexico and the Greater Southwest

No abstract provided.

Epistemologías Muertas, Luis Oswaldo Esparza

Chamisa: A Journal of Literary, Performance, and Visual Arts of New Mexico and the Greater Southwest

No abstract provided.

Goddess Couture, Natalia O. Trevino

Chamisa: A Journal of Literary, Performance, and Visual Arts of New Mexico and the Greater Southwest

These poems explore the nature of the divine patriarch and matriarch in the mestiza-American consciousness.