Arts and Humanities Commons^™

2026 Persimmon Creek - Full Journal, Beth Keefauver, Wayne C. Robbins

Persimmon Creek

Dear Readers: Literary journals are a common component of colleges and universities spanning across many continents. As many students experience the drastic transition from childhood to independence, emotions can feel overwhelming, and life can quickly become flooded with anxiety. Writing is an outlet for many; a place humanity turns to as a form of secure therapy.

In William Shakespeare’s Love’s Labour’s Lost, Berowne muses, “Never durst poet touch a pen to write until his ink were temper’d with Love’s sighs” (Act 4, Scene 3).

Without emotion, writing has no depth. The words on the page might seem eloquent, but the …

Floating World: A.A. Murakami, Museum Of Fine Arts, Houston, Tx, Yumi Park

Art Inquiries

No abstract provided.

Encoded, The Metropolitan Museum, New York, Ny, Tamara Smithers

Art Inquiries

No abstract provided.

Imagining The Possibilities: A Consideration Of Speaking Volumes: Transforming Hate, Tracy Wascom

Journal of Hate Studies

Tracy Wascom reviews Speaking Volumes: Transforming Hate, a traveling exhibit that refashions books published by a white supremacist group, the Creativity Movement, into art. Books such as The White Man’s Bible and RAHOWA: This Planet is All Ours!, written in the 1980s, were provided to the Montana Human Rights Network by a white supremacist defector. With curator Katie Knight, MHRN then invited artists to repurpose the texts into paintings, sculptures, films, and other artistic investigations of hate. Thirty-eight artists are represented in the current touring exhibit, including Enrique Chagoya, Jaune Quick-to-See Smith, Jim Riswold, Faith Ringgold, and Clarissa …

Rockin’ Rover On The Rainbow Road, Michael Kolta, Lawrence Burgee, Ying Yuan

Transformations

This paper presents a progressive series of age-appropriate lesson plans for grades K-12 that all use the same interdisciplinary activity to educate students about Science, Technology, Engineering, Art, and Mathematics (STEAM) simultaneously. Technology from Texas Instruments (TI) was employed including a TI Nspire graphing calculator that can run Python programs, a TI Innovator Hub, and a TI Rover. The TI Rover is a small, robotic car that has sensors and is controlled by the calculator via the Hub hardware interface. A Python program was developed that uses the color sensor in the Rover to detect the color on colored paper …

The First Thirteen Years, Crystal Gonzalez Callison

AWE (A Woman’s Experience)

No abstract provided.

Weight Of The World, Makenna Durfee

AWE (A Woman’s Experience)

No abstract provided.

The Miscarriage, Madi Mykal

AWE (A Woman’s Experience)

No abstract provided.

Midnight Stroll, Emma Wilson

AWE (A Woman’s Experience)

No abstract provided.

Abused And Confused, Marilyn Quach

AWE (A Woman’s Experience)

No abstract provided.

Belly Blessins’, Drew Rigby

AWE (A Woman’s Experience)

No abstract provided.

To Have A Sister, Crystal Gonzalez Callison

AWE (A Woman’s Experience)

No abstract provided.

The Dynamics Of Vincent Van Gogh, Monica Morales Hernandez

Journal of Humanistic Mathematics

This article explores the interplay between Vincent van Gogh’s distinctive artistic style and principles of fluid dynamics, particularly through metaphorical comparisons. Van Gogh’s swirling, turbulent brushstrokes in works such as The Starry Night and Wheatfield with Crows evoke the chaotic and dynamic behaviors found in fluid motion, like vortices and turbulence. Although there is no documented scientific influence from fluid dynamics on van Gogh’s art, the parallels between his emotive, flowing techniques and the mathematical principles governing fluid behavior offer a unique lens to appreciate both his artistic innovation and the science of fluid dynamics.

Art In Laparoscopy: A Fun Way Of Training In Minimally Invasive Surgery, Michael Dennis I. Dela Paz

DLSU Arts Congress Conference Proceedings

Paramount to the safety and efficiency of any surgical procedures warrants the enhancement of skills of the surgeon whether in training or practice. In minimally invasive surgery, one should inherently have excellent depth perception, consistent hand-eye coordination, and skillful use of the dominant and non-dominant hands to be able to perform operations with precision, efficiency, and safety. For most surgeons, sustaining or even improving these laparoscopic surgical skills through traditional drills would sometimes reach a point that it seems to be monotonous, and repetitive. Breaking away from the traditional skills will make the training and honing of minimally invasive surgical …

Chalcolithic Burial Sites At Ma‘Abarot And Tel Ifshar (Pp. 45–63), Yosef Porath

'Atiqot

The two burial sites are located in the Sharon plain, south and north of Naḥal Alexander. The kidney-shaped cave at Ma‘abarot was hewn in the kurkar sandstone. All the burials in the cave were secondary. Of the 63 burials identified, 42 were placed in three types of ceramic vessels—house-shaped ossuaries, chest-shaped ossuaries and large domestic kraters—and 21, in ‘bone heaps’. The finds consisted of pottery vessels typical of the Chalcolithic period, e.g., V-shaped bowls and fenestrated bowls and bottles, and a flake from a flint digging tool. At Tel Ifshar, two burial places were discovered, both damaged by infrastructure work. …

A Chalcolithic Burial Cave At Eṭ-Ṭaiyiba (Pp. 1–44), Eli Yannai, Yosef Porath

'Atiqot

The cave, hewn in soft limestone, is of an irregular oval shape, with high margins that served as benches. A minimum of 38 ossuaries were found in the cave, some open and box-shaped, others closed and house-shaped; ossuary jars and kraters were also found. The ossuaries were decorated with plastic ornamentation, depicting pegs, noses, eyes and rope decoration, as well as painted ornamentation in various patterns, e.g., triangles, lines and arches. Funerary goods included only pottery vessels characteristic of the Chalcolithic period: V-shaped bowls, cornets, amphoriskoi, fenestrated pedestal bowls and cylindrical stands. It seems that the people buried in the …

Reflecting On Freedom: 250 Years Through The Eyes Of Wvu Alumni Artists Exhibition, Sally Brown, Livia Balan, Ken Hillberry, Yvette Mazza, Precious Burger, Margaret Rose Caro, Ron Hollingshead, Betsy Jaeger, Ruth Yang, Tom Ott, Nancy Swisher, Griffin Nordstrom, Ben Nelsen, Morin Nessim, Desiree Vu, Ali Printz, Tiera Joy Tanner, Eliza Siefert, Stephanie Alaniz, Raymond Thompson, Sue Byrd, Michael Vercelli, Lesley Cottrell, Penny Lipscomb, Joshua Lohnes, Kelly Watson, Hal Gorby, Judith Stitzel, Bonnie Brown, Bob Britten, Renee K. Nicholson, Ellen Rodrigues, Erik Herron, Mark Brazaitis, Alfgeir Kristjansson, Linda Rosefsky, Joseph Lupo, Beth Royall, Evy Wright

Faculty & Staff Scholarship

In honor of the United States’ 250th anniversary, the 2026–27 WVU Alumni Art Show invites viewers to explore freedom and independence through the eyes of West Virginia University alumni artists. This exhibition gathers a rich spectrum of perspectives—personal, historical, political, and cultural—demonstrating that the meaning of liberty is neither fixed nor singular. The exhibit also includes community responses to the work.

Portraits, abstractions, text-based paintings, mixed media, ceramics, and quilts collectively reveal the diverse ways artists grapple with liberty: as memory and inheritance, as resistance and care, and as lived, ongoing practice. By presenting these perspectives side by side, the …

Introducing Contested Weather: Art And The Power Of Collaborative Response In Times Of Crisis, Jo Pollitt, Helena Grehan

Research outputs 2022 to 2026

No abstract provided.

Story, Mapping And “Jarriny”: A Collaborative Exploration Of Artistic Responses To Extreme Weather In The Work Of Natalie Davey And The 2023 Fitzroy River Floods, Natalie Davey, Renée Newman

Research outputs 2022 to 2026

Extreme weather events caused by human created climate change not only cause catastrophic impact on human and the more-than-human populations but can also trigger permanent changes to place. With these changes, stories shift, in turn influencing knowledge and cultural systems. This article is a dialogue between Natalie Davey and Renée Newman, about the role of art, story, mapping and “jarriny” (translating to totem) as a tool for education on extreme weather events and climate crisis. We also consider the vital role custodianship plays in response to and recovery from an extreme weather event, as was the case for Natalie Davey …

Art From My Culture Alternative Project: Zine, Yan Yang

Open Educational Resources

An assignment where students created Zines to teach the class about an object of significance from their culture.

Art History Zine, Estelle Artus

Open Educational Resources

Open Assignment

The Things That Keep Me Up At Night, Kaitlyn Grace Wilson

Masters Theses

This creative nonfiction manuscript is a collection of reflective personal essays centered on ordinary experiences, curiosities, anxieties, and observations that gradually expand into larger questions about identity, memory, adulthood, faith, and human behavior. Rather than relying on dramatic plot or chronological structure, the essays move associatively through thought, humor, research, and reflection. Subjects throughout the manuscript range from fireworks, sourdough starter, dreams, and Facebook Marketplace to art history, floating the Chattahoochee River, weddings, music performances, and irrational fears. Through these seemingly small topics, the manuscript explores the emotional weight and philosophical questions hidden within everyday life.

Much of the project …

Mediating More-Than-Human Care: Art, Design And Climate Governance, Liesbeth Huybrechts, Jaz Hee-Jeong Choi, Rachel Elisabeth Clarke, Louise Mazet, Kana Ohashi

DRS Biennial Conference Series

Art is increasingly mobilised in climate governance and policy, yet often instrumentalised for predefined human agendas of data visualisation, awareness raising, and science communication. This paper explores design research’s role as a mediator of more radical art-driven participation that cultivates more-than-human care ecologies: relational configurations that redistribute sensing, accountability, and decision-making across human and other-than-human actors. Drawing on theories of care and affective politics, we examine how design research can support art-driven participation through a critical literature review. Three illustrative case studies addressing sustainable transitions on an interregional level, urban air pollution, and disaster recovery demonstrate a move from anthropocentric …

Queer/Cuir Methodological Approaches In Activist Design And Art Research In Contemporary Brazil., Guilherme Altmayer

DRS Biennial Conference Series

This article explores the methodological approaches developed within the Tropicuir research project, an investigation of activist queer art and design practices in Brazil, started in the 2010s. Through a combination of activist research, sentimental cartography, and collaborative curatorial practice, the study examines how aesthetic-political actions function as strategies of micropolitical resistance, collective memory, and worldmaking. Drawing from fieldwork in exhibitions curation, archival practices, art auctions and activist networks, the research articulates a methodological framework that blurs the boundaries between design and art, embracing embodied, affective, and relational modes of inquiry. By engaging concepts such as anthropophagy, micropolitics, and localized knowledge, …

Cut And Cultivate: Process And Practice, Kailey Atkinson

Master of Fine Arts in Visual Arts

Using a candy-coated, flower-ridden, bright palette and maximalist sense of composition, my artwork builds community through narrative collage, photography, painting, sculpture, poetry, and social practice. Through a feminist lens, these bright works explore body image, gender roles, and social issues. Obsessively collecting and repurposing an archive of vintage imagery, my work draws parallels between traditional and contemporary topics through the language of collage and redaction.  My nascent social practice has led me to engage with narratives outside my own experience and offer my process as a healing modality to other women.

In a tumultuous political climate where art can serve …

Arts On The Point: Boston's First Public Sculpture Park, Isabella Slonka

Honors College Theses

Led by the conviction that “a public campus needs public art,” Professor Paul Tucker founded UMass Boston’s Arts on the Point (AoP) sculpture park in 1997. Large-scale works by world-class contemporary artists including Sol LeWitt, Dennis Oppenheim, Luis Jiménez, Sheila Pepe, and Mark di Suvero were made accessible to students, served as teaching aids and attracted those outside of UMB to Columbia Point. AoP’s use of long term loans made the landscape itself a rotating gallery.

Consideration of the “personality” of the campus was essential in the selection of works. Site visits with artists were conducted to ensure that their …

Ever-Present: Exposing The Complex Emotions We Try To Hide, Madison Porter

Honors Projects

Through large brushstrokes and bold colors, my paintings are a culmination of who I am and how I see myself in the world. To explore my sense of self, I learned to process my insecurities through intentional compositional choices and experimental color palettes. This series is as authentic as I can be, depicting raw, emotional figurative work, following in the footsteps of my modern artist predecessors.

Useful Useless Object, Jisu Han Jung

Masters Theses

If spicy ramyun is spicy for others but not for me, is it still spicy

ramyun? This question begins Useful Useless Object, my investigation

into furniture as a site where function, perception, and value are

constantly negotiated rather than fixed. From this question, I

explore how meaning is shaped by the unstable relationship between

object and user. In furniture, usefulness is often treated as an

objective standard, measured by comfort, efficiency, or practicality.

However, this project argues that usefulness is never universal;

it is subjective, relational, and dependent on individual experience,

expectation, and desire.

Through making objects that sit between …

Collecting Meaning: A Study On Collecting As An Artmaking Practice, Johanna Young

Masters Theses

This thesis explores how we practice creativity and construct narratives through the act of building collections. It examines collecting as both an innate creative impulse and a learned process. Using arts-based research and narrative inquiry, the study considers how our collecting habits reflect the ways we process information and express personal artistic interests. Drawing from personal experiences, this thesis mines the idea of the subconscious through the artistic lens of collecting.

In The Wake Of Sound: On Field Recording, Materiality, And Reparative Listening, Ivy Fu

Dartmouth College Master’s Theses

This thesis develops a practice of field recording, spatial audio composition, and soft-circuit installation grounded in what I call reparative listening: a slow, materially attentive form of attention oriented toward what dominant recording apparatuses suppress, discard, or fail to register. Across five major projects—Fable Upon Ununified Grounds (2023), Cocoon (2024), Tether (2025), Hide & Seek (2026), and Frequency Commons (2026)—I treat sound not as an extractable output but as a relational event shaped by site, body, material, and signal loss. The work draws together Jane Bennett's vibrant materialism, Eve Kosofsky Sedgwick's theory of definitional crisis and the open secret, Zhuangzi's …