Arts and Humanities Commons^™

“I’M A Biracial Person Who Looks White In A Black Man’S Rap Game”: Exploring Expressions Of Multiracialized Masculine Vulnerability In Logic’S “Everybody”, Matthew Oware

Sociology and Anthropology Faculty Publications

The field of Black vulnerability studies includes analyses of Black men rap artists’ sexual debut, romantic relationships, mental stress, self-medication, and suicidal thoughts. I expand this analysis to Black-white mixed-race men who express emotional vulnerability regarding their racial identities. Using a case study of the song “Everybody” by Logic—a Black and white, mixed-race man—I find that Logic expresses joy and pride in his Black and biracial identity. Similarly, I observe that he expresses anger and frustration toward those who question, dismiss, or degrade his Black and biracial identities, a pattern paralleled in research on multiracial individuals. By analyzing his radio …

Sacred Loss And Moral Authority: Religious Leadership And Identity Reconstruction In Post-Conflict Societies, Kimberly C. Kennedy

Interdisciplinary Journal of Leadership Studies

This paper examines how religious leaders shape narratives of identity formation and reconciliation in post-civil conflict societies where violence, defeat, or political transition produces moral injury and crises of meaning. By drawing on themes of justice, forgiveness, and accountability, religious leadership can wield moral authority to influence public perception, guide healing processes, and support transitions from active conflict to more stable forms of peace. The paper explores how religious leaders reframe narratives of defeat, particularly in cases where a community’s cause was endowed with sacred meaning, creating a crisis of faith. It argues that this work is best understood as …

Powerful Pulpits: Black Preachers As Cultish Leaders In The Axman Murders, 1909-1912, Lauren N. Henley

Interdisciplinary Journal of Leadership Studies

Southwestern Louisiana and southeastern Texas experienced a series of disturbingly similar ax murders from November 1909 to August 1912. In nearly every case, a black family living within a mile of the Sunset Limited line of the Southern Pacific Railroad was brutally slaughtered in their own home, victims of a surreptitious assailant. Eventually, a young black woman would take credit for some of the crimes, ushering in the language of “religious fanaticism” as a potential motive. This confession sparked an intense period of criminalization of black male preachers, with a particular focus on Pentecostal leaders in southwestern Louisiana. This article …

Wille Zum Wald: Nietzsche’S Discovery Of Forest Bathing, Gary Shapiro

Philosophy Faculty Publications

In the fourth part of our “The Forest as a Living Foundation” series, the distinguished American Nietzsche scholar Gary Shapiro investigates new angles on Nietzsche’s bonds to the woods: the philosopher’s personal enthusiasm for what is increasingly called “forest bathing,” the science behind how this practice benefits body, mind, and spirit, and the sheer pleasure of breathing fresh air, in woodland and wherever else we can find it. Shapiro’s essay showcases why this particular Lebensraum matters, not just for our individual well-being, but for the health of the entire planet.

[Introduction To] The Philosophy Of Taylor Swift, Lindsay Brainard, Ryan W. Davis, Jess Flanigan

Bookshelf

Edited by Lindsay Brainard, Ryan W. Davis, and Jessica Flanigan

• Offers the first book-length philosophical analysis focused exclusively on Taylor Swift's songwriting
• Demonstrates innovative methodologies for treating popular music as a site of rigorous philosophical inquiry
• Features essays by a diverse group of leading philosophers across multiple subfields
• Reveals new interpretive insights for both scholars and Swifties, deepening understanding of themes such as love, morality, and meaning

Love, Liability, And Lyrics, Jess Flanigan

Jepson School of Leadership Studies articles, book chapters and other publications

Moralistic responses to Swift’s honest songwriting are misguided. Swift’s songwriting is morally similar to poetry and literary autofiction. As long as the artist’s work is honest and not defamatory, the artist’s interest in self-understanding and entitlement to self-expression is a sufficient defense for the art. The argument has three parts. The first part establishes that honest songwriting about someone is an act of love, even when it’s unflattering to the person who is mentioned in the song. Like many acts of love, honest songwriting might cause suffering. That doesn’t mean it isn’t an act of love. The second part establishes …

Boss Up/Bake Bread, Jess Flanigan

Jepson School of Leadership Studies articles, book chapters and other publications

Taylor Swift’s “Wi$h Li$t” describes people who “want it all.” There, she declares that, in contrast to those who want it all, she dreams about living a quiet life with a driveway and a basketball hoop. This chapter argues that dreaming about a driveway with a basketball hoop while staying married to the hustle is still a form of wanting it all. Like Swift, and me, many other women today enjoy a degree of autonomy and material abundance that our grandmothers could only dream about. We’re free to boss up or settle down. But still, we have to make trade-offs. …

“I’Ll Cry Tomorrow”: The Heroism Of Anti-Alcoholism Advocate Lillian Roth, Elizabeth Gritter

Heroism Science

Lillian Roth (1910–1980) is remembered primarily for her bestselling autobiography I’ll Cry Tomorrow and its successful film adaptation, yet her broader significance as a social hero has received little scholarly attention. This article examines Roth’s transformation from celebrated entertainer and alcoholic to influential public advocate whose confessional storytelling helped reshape public attitudes toward alcoholism during the mid-twentieth century. Drawing on Roth’s autobiographies, contemporary media coverage, and historical sources, the article argues that her willingness to publicly disclose trauma, addiction, and recovery represented an act of social courage that challenged prevailing stigma. By leveraging celebrity to promote compassion, recovery, and public …

Together//Apart Explorations In Choreorobotic Performance Ontologies, Kate Sicchio, Patrick J. Martin

Computer Science Faculty Publications

This chapter presents a practice-as-research approach to developing an improvisational choreorobotic performance. Our performance process motivated the creation of new human–robot interaction and live choreography technologies. These technologies were tested during the performance and evaluated by the audience through feedback on their perceptions about the coexistence of humans and machines in a shared space. Examining these results through both autonomous robotics and performance studies ontologies, we formulated a new analytical process in which choreographic practice informs design and robots inform performance.

Subscribe, Follow, Save: Podcast Preservation In The Platform Era, Ben Pettis, Jeremy Morris

Rhetoric and Communication Studies Faculty Publications

Podcasting has produced a glut of cultural content. Collecting and saving these sounds for future study, however, remains challenging. This article asks: “How are recent developments in the platformization of podcasting threatening the ability of users and researchers to save, study, and sustain podcasts and the cultural insights they offer?” To answer, we focus on a podcast preservation project, PodcastRE.org, and discuss strategies for creating an (un)stable repository for future studies of podcasting. While new developments challenge preservation efforts, they also offer archivists opportunities to prioritize the cultural significance of podcasts, rather than the economic motives of the podcast industry …

Reclaiming Narrative Authority: Gendered Violence And Feminist Reauthorship In Sharon Pollock's Saucy Jack, Jennifer Jones Cavenaugh

Theatre and Dance Faculty Publications

This article examines Sharon Pollock’s Saucy Jack (1994) as a feminist intervention into the narrative structures that have sustained the cultural authority of Jack the Ripper mythology. Drawing on feminist historiography, particularly Judith Walkowitz’s analysis of male violence as narrative structure and Hallie Rubenhold’s reclamation of the murdered women’s lived histories, the essay argues that Ripper narratives depend on three interlocking conventions: killer-centered focalization, the erasure of women’s lives, and the aestheticization of death as spectacle. Through close performance analysis, the article shows how Pollock dismantles these conventions by centering Kate, a music hall actress whose reenactments transform performance into …

Why Gödel Believed In The Afterlife, Alexander Englert

Philosophy Faculty Publications

Despite some renewed interest in Gödel’s thought beyond his logical and mathematical contributions, his philosophy of religion remains sorely understudied. In this paper, I present a thorough examination of Gödel’s reasons for believing in an

afterlife based on evidence from his notebooks and collected papers. Along the way, I explore important tenets of his philosophical thought more broadly, such as his notion of essence, his views on the essence of human beings, the nature of learning, as well as the sort of afterlife that Gödel conceived as the most rational. The result of the study is a picture of his …

Sappho’S Flowers: Lyric Ἄνθεσιν And The Aeolic Dative, Jorge Alejandro Wong Medina

Classical Studies Faculty Publications

The retention of -ss- in the Aeolic dialects implies that Proto-Aeolic had s-stem dative plurals with -ss- (ἄνθεσ-σι). Yet the Lesbian lyric poets only have forms with a single -s- (ἄνθεσι). In an influential study, Morpurgo Davies argued that the ἄνθεσιν-type is native to Lesbian and used these forms as crucial evidence for the simplification of -ss- in Proto-Aeolic. However, a closer look at the epigraphic and literary evidence strongly suggests that ἄνθεσιν in Lesbian lyric is a poetic borrowing from Ionic and that Proto-Aeolic maintained -ss- in the dative plural of the s-stems. These findings have important implications for …

The Cuban Spectacular: Do You Know What It Means To Be In New Orleans?, Department Of Music, University Of Richmond

Music Department Concert Programs

No abstract provided.

University Of Richmond Symphony Orchestra, Department Of Music, University Of Richmond

Music Department Concert Programs

No abstract provided.

University Of Richmond Chamber Ensembles, Department Of Music, University Of Richmond

Music Department Concert Programs

No abstract provided.

Senior Recital: Isabella Aldeguer, Violin, Department Of Music, University Of Richmond

Music Department Concert Programs

No abstract provided.

University Of Richmond Wind Ensemble, Department Of Music, University Of Richmond

Music Department Concert Programs

No abstract provided.

Spring Choral Concert, Department Of Music, University Of Richmond

Music Department Concert Programs

No abstract provided.

Senior Recital: Toby Tate, Composition And Guitar, Department Of Music, University Of Richmond

Music Department Concert Programs

No abstract provided.

Senior Recital: Andrew Kowal, Piano, Department Of Music, University Of Richmond

Music Department Concert Programs

No abstract provided.

Senior Recital: Kate Chasin, Cello, Department Of Music, University Of Richmond

Music Department Concert Programs

No abstract provided.

Does Culture Translate? A Case Study On Artificial Intelligencegenerated Text Concerning Japanese-Style Employment, Kanji Kitamura

Languages, Literatures, and Cultures Faculty Publications

Translation matters to international business when it has a discernible impact on firm performance or critical business processes. Current developments include machine translation, which is evolving in tandem with generative artificial intelligence (AI). On one hand, useful translation apps have become available to help the public communicate internationally. On the other hand, recent research concludes that even machine translation's best output still requires post-editing by a human. This argument implies that a machine-translated, grammatically accurate text may not always make sense to a human audience, possibly because of a semantic-pragmatic issue beyond the lexical level. This paper regards it as …

Jazz & Contemporary Combos, Department Of Music, University Of Richmond

Music Department Concert Programs

No abstract provided.

Global Sounds, Department Of Music, University Of Richmond

Music Department Concert Programs

No abstract provided.

The Two Lives Of Chuck Norris, Ben Pettis

Rhetoric and Communication Studies Faculty Publications

“Chuck Norris doesn’t do push-ups. He simply pushes the world down.”

“Chuck Norris counted to infinity – twice.”

“Chuck Norris once strangled someone – with a cordless phone”

In the late 2000s and early 2010s, Chuck Norris, the 1980s action star, became a tongue-in-cheek model of toughness and masculinity in viral internet memes known as “Chuck Norris Facts.”

Mid-Century Modern: American Songs From 1945-1965. Thomas Meglioranza, Baritone; Reiko Uchida, Piano, Department Of Music, University Of Richmond

Music Department Concert Programs

No abstract provided.

Senior Recital: Cadence Rice, Piano, Department Of Music, University Of Richmond

Music Department Concert Programs

No abstract provided.

The 2025-26 Neumann Lecture On Music: Gurminder Bhogal, Speaker, Department Of Music, University Of Richmond

Music Department Concert Programs

No abstract provided.

Doris Wylee Becker, Piano, Department Of Music, University Of Richmond

Music Department Concert Programs

No abstract provided.