Arts and Humanities Commons^™

Symphonic Winds, February 11, 2022, F. Mack Wood, Lauren Bobarsky

School of Music Programs

Center for the Performing Arts

February 11, 2022

Friday Evening

8:00 p.m.

2021-2022 Performance Forum - February 11, 2022, Kari Jenks, Olivia Oakland, Nataniel Farrar, Taylor Overholt, Rosie Rogers, Christopher Gonzalez, Jeffrey Chapman, Paula Mora Alfaro, Dezmond Rogers, Aaron Small, Sheng Yuan Kuan

Performance Forum

No abstract provided.

Verneda Elizabeth Hendley

African American Funeral Programs

No abstract provided.

Poetic Explorations In Bill F. Ndi’S Worth Their Weight In Thorns: (De)Constructing Hegemonic National Integration And Debating Francophonecentric National Governance., Hassan Mbiydzenyuy Yosimbom

CLCWeb: Comparative Literature and Culture

This paper explores “hegemonic national integration” and “Francophonecentric national governance” in The Cameroons (TC) poetic scape. The former refers to La République du Cameroun (LRC)-British Southern Cameroons (BSC) or Southern Cameroons (SC) interconnectedness dominated by Francophones. The latter is governance that promotes a Francophone cultural superiority that refuses to see the Cameroonian world through Southern Cameroonians’ eyes. Cameroonians live in a time of enormous fragmenting “Francophonizing” and “Anglophonizing” processes. To flesh this argument out, this paper borrows critical perspectives from Benhabib’s “democratic iterations” and “deliberative democracy” and Rosenau’s “six-governance typology’ as requisites for good governance. It contends that …

Language And Betrayal: Posthuman Ethics In Kazuo Ishiguro’S Never Let Me Go, Netty Mattar

CLCWeb: Comparative Literature and Culture

Netty Mattar discusses in her article “Language and Betrayal: Posthuman Ethics in Kazuo Ishiguro’s Never Let Me Go” the complexities of ethical compassion in this biotechnological age. Mattar highlights how genetic technology creates new forms of life that dissolve the line between ‘human’ and ‘technology.’ In spite of this, contemporary ethical discussions do not take into account changing conceptions of human subjectivity and instead reinstate older assumptions about what ‘human’ is. Mattar argues that speculative fiction (SF), as a self-conscious play on signs and signification, can draw attention to how ethical responses are determined by the language we use. …

The Symbolism Of Clothing: The Naked Truth About Jacques Lacan, Peter D. Mathews

CLCWeb: Comparative Literature and Culture

In the work of Jacques Lacan there exists an extended metaphor of clothing, whereby the ‘naked’ truth is always ‘clothed’ in deception. For Lacan, clothing functions at the intersection of the symbolic and the imaginary, with outward appearance shaping what we imagine to be underneath in order to determine the landscape of symbolic desire. Joan Copjec considers the political implications of this metaphor, arguing that utilitarianism, in particular, divides desire into a false dichotomy of rational, naked desire, and the ornamental clothing of irrationality, a mindset woven into both capitalism and French colonialism. The article then examines two examples from …

Returning To East Africa Via India: On M. G. Vassanji’S And Home Was Kariakoo, Shizen Ozawa

CLCWeb: Comparative Literature and Culture

In his article “Returning to East Africa via India,” Shizen Ozawa examines how M. G. Vassanji further develops his diasporic aesthetics in his latest travel book/ memoir And Home Was Kariakoo: A Memoir of East Africa (2014) from two perspectives. First, the essay explores some possible influences of his earlier travelogue A Place Within: Rediscovering India (2008). It seems partly because of his deepening relationship with his land of ancestral origin that in And, Vassanji emphasizes the cross-continental connections between East Africa and India more strongly than in his earlier works. Especially, he characterizes the very presence of …

Tituba, “Dark Eve” In The Origins Of The American Myth: The Subject Of History And Writing About Salem, Junghyun Hwang

CLCWeb: Comparative Literature and Culture

Recasting the Salem witchcraft trials in light of Walter Benjamin’s theses on historiography, this paper revisits the question of history by examining ways in which Tituba is dis/con-figured as the subject of American history in Arthur Miller’s The Crucible and Maryse Condé’s I, Tituba, Black Witch of Salem. Both stories of persecution revolve around the figure of Tituba, a slave from the Caribbean to whom the beginning of the witch trials is attributed, as the nodal point of different modes of representing the Salem history. The telos in Miller’s drama coincides with the subject-formation of Proctor as the legitimate …

Socrates The Degenerate: Irony As Trope Of Decadence, Daniel R. Adler

CLCWeb: Comparative Literature and Culture

Decadence is typically associated with a fall from, or an opposition to, ideals of civilization. Western Civilization traditionally traces its roots to the culture of Ancient Greece. While theorists of periodicity from Vico to Nietzsche and Deleuze, to Hayden White and other contemporary scholars, associate decadence with excess, artificiality and over-indulgence, they also recognize that decadence often incorporates pre-civilized, base or “Other” tendencies. Paradoxically, decadence as a degeneration of an original culture’s values can also rejuvenate that culture’s core values through mutation so that a new version of the original culture arises. In literature, degeneration has also been associated with …

Exploring The Margins Of Kotha Culture : Reconstructing A Courtesan’S Life In Neelum Saran Gour’S Requiem In Raga Janki, Chhandita Das, Priyanka Tripathi

CLCWeb: Comparative Literature and Culture

In their article, “Exploring the Margins of Kotha Culture: Reconstructing a Courtesan’s life in Neelum Saran Gour’s Requiem in Raga Janki,” Chhandita Das and Priyanka Tripathi discuss the invisible challenges in life of a famous courtesan Janki Bai Ilahabadi through close analysis of Neelum Saran Gour’s 2018 novel, Requiem in Raga Janki. In this novel, Janki belongs to the infamous kotha but she never fails to seek her subjectivity. This marginal place of Janaki’s belonging will be discussed by appropriating and the theoretical framework of Indian feminist Lata Singh’s (2007) for whom courtesans have been represented as “‘other’ …

Identity Reconfigurations, Memory And Personal History In Norman Manea And Saul Bellow’S ‘Spoken Book’, Simona Antofi, Nicoleta D. Ifrim

CLCWeb: Comparative Literature and Culture

In their paper, “Identity Reconfigurations, Memory and Personal History in Norman Manea and Saul Bellow’s Spoken Book, ”Simona Antofi and Nicoleta Ifrim analyze the book of interviews Settling My Accounts Before I Go Away: A Words & Images Interview, a two-authored mirror-like writing in which two biographical courses and two scriptural identities engage in dialogue. Their aim is to define a double reading effect embedded into the self-oriented narrative: a collective history of the Jewish exile from the communist totalitarian space (Soviet and Romanian) towards the “promised land,” with literary, cultural and political insertions; then, the legitimation of an …

Beyond Victimhood: Female Agency In Nigerian Civil War Novels, Enajite E. Ojaruega

CLCWeb: Comparative Literature and Culture

Enajite E. Ojaruega discusses in her “Beyond Victimhood: Female Agency in Nigerian Civil War Novels” the agential roles women played during the Nigeria-Biafra war as reflected in selected fictional narratives. Female characters are generally impacted negatively by their individual and collective war-time experiences. However, there is another important aspect of women's war-time experiences that has largely been underplayed in most historical or literary accounts on war. Female agency recognizes this gender’s participatory roles during the conflict as they reconstruct their subjectivity in more beneficial ways in the unfolding circumstances of war. Women are depicted as being able to explore their …

Confucianism And Folklore In Vietnamese Fantasy Short Stories: The Case Of Ghost Stories , Nguyen Thi Kim Ngan

CLCWeb: Comparative Literature and Culture

Truyền kỳ, which is a genre of fantasy short stories, was formed and developed in the historic period of medieval literature of Vietnam in the sixteenth and seventeenth centuries. Despite being derived from a similar Chinese genre, the truyền kỳ of Vietnam was the work of the endogenous development of the national fantasy short story, which was closely associated with folk literature and historical prose. However, at the time of its inception, as well as at the glorious top of this genre, truyền kỳ had never been accepted as an official genre. It was rather a metaphor for unorthodox discourse …

Strange Fruit, Office Of Arts + Cultural Programming, Peak Performances At Montclair State University

2021-2022 Join Us in Engaging with the Imaginations of Unparalleled Visionaries

Strange Fruit draws its title from the 1937 poem and song of the same name by Abel Meeropol and made famous by the great jazz singer Billie Holiday—which metaphorically addresses lynching as a tool of racial terrorism during the Jim Crow Era. For this dance/theater work, the facts of lynching act as springboards into a highly personal interior space and state of mind. Abstract yet grounded in a brutal reality, Strange Fruit tracks choreographer Donald Byrd’s feelings as a response to lynching and plays out as a series of dance/theater vignettes.

Ten Nights' Dreams And Our Cat's Grave, Natsume Soseki

Zea E-Books Collection

Ten Nights’ Dreams (夢十夜, Yume Jūya) is a classic written work from the Japanese master Natsume Soseki. Originally published in 1908, it announced the emergence in Japanese literature of a modernist and impressionistic mode. Short ­vignettes with fantastic, tragic, or magical events convey an exquisite sensibility compounded with stark realism. Love, honor, duty, artistry, desire, despair, and regret all shape events in the dream-world. The stories themselves suggest echoes of meanings beyond the failures of rational sense-making. Ten dreams—each unique and arresting—form a panorama of life and feeling, at once universal and intensely present.

“Our Cat’s Grave” is a brief …

All Of The Facts About Using "All Of" And "Both Of", Don Norwood

Word for Word 2022

No abstract provided.

Northern Iowa Festival Of Bands, 2022, Uni Wind Ensemble, Uni Symphonic Band, With Anthony Williams, Trombone, Heather Peyton, Oboe, February 11, 2022 [Program], University Of Northern Iowa. School Of Music.

Music Recital Programs

Program of a music recital given by faculty, students, or guest artists from the School of Music at the University of Northern Iowa.

Dr. Randall Harlow, Organ, February 10, 2022 [Program], University Of Northern Iowa. School Of Music.

Music Recital Programs

Program of a music recital given by faculty, students, or guest artists from the School of Music at the University of Northern Iowa.

The Grizzly, February 10, 2022, Layla Halterman, Jenna Smith, Marie Sykes, Erin Corcoran, Vaughn Dibattista, Chase Portaro, Liam Reilly, Sean Mcginley, Kathy Logan

Ursinus College Grizzly Newspaper, 1978 to Present

A BEAR-y High-Tech Campus • Airtag Tracking Concerns Reach Ursinus Campus • Ursinus' Newest Investment: KN95 Masks • Dr. Rebecca Jaroff's Last Hurrah! • The Return of WVOU - Ursinus' Voice • Opinions: Should Professors Ask Pronouns? • Spring Sports are Back! • Swimmer's Retreat

Distilling Kuyper: A Review Of Calvinism For A Secular Age, Donald Roth

Faculty Work Comprehensive List

"This book provides a balance from within Kuyperian thought that supports the overall contention that there’s something to be gained from engaging with the tradition."

Posting about the book Calvinism for a Secular Age from In All Things - an online journal for critical reflection on faith, culture, art, and every ordinary-yet-graced square inch of God’s creation.

https://inallthings.org/distilling-kuyper-a-review-of-calvinism-for-a-secular-age/

15 Nr 249.Pdf, Johannes Schwalm Historical Association

Schwalm Masburg Files

No abstract provided.

15 Nr 250.Pdf, Johannes Schwalm Historical Association

Schwalm Masburg Files

No abstract provided.

15 Nr 248.Pdf, Johannes Schwalm Historical Association

Schwalm Masburg Files

No abstract provided.

15 Nr 247.Pdf, Johannes Schwalm Historical Association

Schwalm Masburg Files

No abstract provided.

15 Nr 266.Pdf, Johannes Schwalm Historical Association

Schwalm Masburg Files

No abstract provided.

15 Nr 267.Pdf, Johannes Schwalm Historical Association

Schwalm Masburg Files

No abstract provided.

15 Nr 268.Pdf, Johannes Schwalm Historical Association

Schwalm Masburg Files

No abstract provided.

The Night Falls, Office Of Arts + Cultural Programming, Peak Performances At Montclair State University

2022-2023 Artists Invoke the Powers of Community as They Bring Audiences Into Fiery, Mysterious, Illuminating Visions of Our World

All across America, people on the brink of despair begin to have the same nightmare. A song will not leave their heads. This dangerously beautiful music lures lost souls to a kitschy Floridian roadside attraction built around a sublime grotto, “home of the world’s eeriest echoes” and the concert hall of The Sirenettes. With choreography that dramatizes the leap of empathy between bodies and music that channels the polarities of surrender and resistance, The Night Falls shows the visceral power of art to brace us against the abyss.

“Steel Wall” To Steel Bars: Historical Context For “Operation Lone Star”, George T. Díaz

History Faculty Publications

No abstract provided.

Kramer Milan, Percussion, February 9, 2022 [Program], University Of Northern Iowa. School Of Music.

Music Recital Programs

Program of a music recital given by faculty, students, or guest artists from the School of Music at the University of Northern Iowa.