Arts and Humanities Commons^™

Ice House Cabin, Marcyn Del Clements

Appalachia

No abstract provided.

The Stones Of Rome: A Walk Along Hadrian's Wall, Parkman Howe

Appalachia

No abstract provided.

White Mountains, 1964: 25 Impressions, Guy Waterman, George Bellerose

Appalachia

No abstract provided.

The Shawangunks, Now And Then: A Personal History By The Only Climber From 1952 Still Out There, Steven Jervis

Appalachia

No abstract provided.

Night News: Trailside, Hearing Of The Financial Collapse, Sandy Stott

Appalachia

No abstract provided.

Living With Wind: Gathering Impressions Of The Newest Power Technology, William T. Smith, Timothy Paul Smith

Appalachia

No abstract provided.

Climbing Detectives On Mount Willard: Unearthing A Long-Neglected Route, Geoff Wilson

Appalachia

No abstract provided.

Nowheres: The Sheer Physiographic Intensity Of New Jersey, John Mcphee

Appalachia

No abstract provided.

Doing Time In New Jersey: A Thoreau Scholar In Princeton Finds Comfort In The Nascent Appalachians, Will Howarth

Appalachia

No abstract provided.

Wake Up: The Most Densely Populated State Has Preserved One-Fifth Of Its Land, Ronald J. Dupont Jr., Paul E. Decoste

Appalachia

No abstract provided.

The Long Way Home: Human Nature On The Herd Path, Christine Woodside

Appalachia

No abstract provided.

Appalachia Summer/Fall 2011: Complete Issue

Appalachia

Summer/Fall 2011 - Volume LXII, Number 2 - issue #232. Off the Turnpike: Rediscovering Wild New Jersey

Artistic Novelties Or Political Tools? Circulating Cold War Art Exhibitions In Finland, Maija Koskinen

Artl@s Bulletin

The cultural Cold War was a global phenomenon, but how was it fought in Finland, on the periphery of Northern Europe? The essay brings a previously insufficiently known Finnish perspective into the study of cultural Cold War by introducing a research project, Mission Finland – Cold War cultural diplomacy at the cross roads of East and West, 1945–1991. The essay discusses study methods of international art exhibitions as soft power and introduces – with concrete Finnish examples – the concept of “state- run exhibition” as a means to comprehend the role of circulating art exhibitions as Cold War cultural …

Exhibiting Across The Iron Curtain: The Forgotten Trail Of Danish Artists Exhibiting In The Context Of State Socialism, Ca. 1955–1985, Kristian Handberg, Yulia Karpova

Artl@s Bulletin

The article presents the research project “Exhibiting across the Iron Curtain: The forgot-ten trail of Danish artists exhibiting in the context of state socialism, ca. 1955–1985” (The University of Copenhagen, 2021–24). Project researchers Kristian Handberg and Yulia Karpova introduce the project and its most important ambitions, especially those related to the theme of cross- border connectivity in the Nordic region through a few examples taken from their most recent work. These case studies illustrate how they approach this particular material and will tackle the questions and challenges that may rise.

Exhibiting Art In A European Periphery? International Art In Sweden During The Cold War, Katarina Wadstein Macleod, Marta Edling, Pella Myrstener

Artl@s Bulletin

The project Exhibiting Art in a European Periphery? International Art in Sweden during the Cold War aimed to investigate international exhibitions in Sweden during the postwar period from circa 1945 to the end of the 1980s. The main objective was to find information beyond preconceived ideas of what is important, interesting, or simply good art. In this article, we present our method for searching through the archives and some of the findings and insights generated.

Exhibiting Contemporary Art In The Early 1990s Nordic–Baltic Realm, Annika Öhrner

Artl@s Bulletin

This article investigates exhibitions of Baltic contemporary art in the Early 1990s, that were directed towards an international audience. Notions of an art life finally freed from the heavy institutional power of the Soviet occupation has served to obscure the arrival of other inter-national and political presences, the ones from Norden. While new Baltic art practices were widely made public in the three Baltic capitals after 1991, the fact that the highest political level of Nordic foreign policy provided an infrastructure for this, was not. “The Nordic–Baltic realm,” is here suggested as a notion of interactions between the contemporary art …

Art Contre/Against Apartheid At Lunds Konsthall: An Entangled History Of Art And Solidarity From Paris To Pretoria, Katarina Wadstein Macleod

Artl@s Bulletin

This article concerns the international touring exhibition Art contre/against Apartheid originating in France and which reached Lunds konsthall, Sweden in 1984 and was to tour the world for ten years. The aim with this exhibition was to raise awareness of the apartheid regime, cause international protest and ultimately remove the repressive political system. Using histoire croisée as a method this article investigates the different interests and stake-holders in the exhibition at Lunds konsthall, including the critique of the exhibition as resting on white supremacy. The purpose of the article is to locate the different intersections regarding international art, international politics …

The Afterlife Of Danish Modern: Design Exhibition In Moscow, 1969–70, Yulia Karpova

Artl@s Bulletin

The exhibition Contemporary Danish Design arrived in Moscow in December 1969, when Danish design was undergoing a crisis. The popularity of “Danish Modern,” the notion centered on excellent artisanship, natural materials, and a balance between tradition and modernity, was diminishing due to shifting tastes in home furnishing and consumer society critiques. This article considers the Moscow exhibition as a twin effort to include design in Danish- Soviet cultural diplomacy and to revive the cultural importance of Danish Modern in the era of waning techno-optimism and student protests.

Exhibiting Cobra Across The Iron Curtain: Exhibition Diplomacy And Modernism As Ostpolitik Across Borders In Northern Europe During The Cold War, Kristian Handberg

Artl@s Bulletin

The article examines how the Danish artists of the group Cobra appeared in front of exhibitions organized by the Danish state touring the state socialist countries during the Cold War from the early 1960s to the late 1980s. This unknown aspect of the international circulation of the artists were part of the official cultural diplomacy of the Danish state and can contribute to a new understanding of art exhibitions in the Cold War as “Ostpolitik” and the commitment of the artists in these efforts. The article observes the importance of cultural diplomacy in relation to border- crossing exhibitions and the …

Art For All! Nordic Art And Cultural Democracy, 1945–1959, Marta Edling

Artl@s Bulletin

The article will by emphasizing a transnational and geopolitical approach, investigate eight exhibitions of modern art from Denmark, Finland, Iceland, Norway and Sweden presented in Nordic cities 1946–1959. The text highlights the importance of this regional context and argues that the artworks can be seen as socially interconnected signs mediated through the communicative agency of the exhibitions. By focusing on subject matter and artwork titles presented, the article suggests that the exhibitions can be viewed as part of interacting artistic, civic, and political agendas aiming to democratize culture in the postwar Nordic welfare states.

Charting The Beyond. On The Two “First” International Surrealist Exhibitions In Scandinavia, Andrea Kollnitz

Artl@s Bulletin

This article examines two exhibitions introducing international surrealism in the North: Paris 1932 in Stockholm 1932 and Kubisme = Surrealisme in Copenhagen in 1935. Focusing on contents, networks and agents, the analysis shows competitive negotiations of national and local identities in interaction with the promotion of surrealism as a universal international phenomenon. Using a decentralising approach, the article reflects on the role of Paris and other cities as stations as well as elucidates national, transnational and transcultural processes and interactions in the international dissemination of surrealism.

Routes And Ruptures. Swedish Artistic Mobility In The Early Twentieth Century, Jessica Sjöholm Skrubbe

Artl@s Bulletin

This article presents the results of an empirical study of Swedish artistic mobility during the first decades of the twentieth century, a period associated with the emergence of modernism in Swedish art and with Paris as an unquestionable point of reference. Without questioning Paris as an artistic node, it highlights the discrepancy between art history’s narrativisation of transnational mobility and the diverse artistic itineraries that empirical material evidences. Focusing on Swedish artists’ travels in France, Germany, Denmark, and Italy, it offers a geohistorical trajectory that differentiates established narratives.

Georg Brandes And Fin De Siècle Scandinavia As A Cultural Semiperiphery, Stefan Nygård

Artl@s Bulletin

The article centres on the practice of cultural mediation and core-periphery dynamics in Scandinavian cultural life at the turn of the twentieth century. In this period, Copenhagen functioned as a gateway in the circulation of ideas and cultural goods to and from the region, as did individual actors and cultural institutions in Denmark. Similarly, Scandinavia as a whole occupied a transitional position in global intellectual space. With extensive intellectual networks and a strategic role in the literary traffic to and from Scandinavia, the critic and intellectual Georg Brandes provides a starting point for exploring core- periphery relations.

Entanglements And Cross-Border Connectivity Of The Nordic–Baltic Region, Marta Edling, Annika Öhrner

Artl@s Bulletin

At the center of attention of this issue is trans-local, transnational, regional, and worldwide contacts inside and outside the Nordic-Baltic region from the late 1800s to the late 1900s. As an introduction, this text attempts to give an overview of some of its major themes and findings. It highlights how the interactive function of cross-border contacts is demonstrated by cases of art and design transfers, artistic travels, Scandinavian intellectual contacts, and cross-border connections over 100 years. Together, the texts published in this issue reflect the interdependent nature of international relations and the vital function of intermediate positions.

Nailing Jell-O To The Wall: Canonicity In Middle-Earth, Kristine Larsen

Journal of Tolkien Research

An expanded version of a contribution to the “Fandom Responses to the Amazon Rings of Power Trailers” roundtable, Northeast Popular Culture Association, October 22, 2022, that discusses the difficulty in defining 'canon' in Tolkien's legendarium.

Presentation-School Of Culinary Arts & Food Technology Awards Ceremony 2023, James Murphy

Other resources

This presentation captured the School of Culinary Arts & Food Technology, TU Dublin Awards Ceremony 2022 held in the Central Quad building on it's Grangegorman Campus, Dublin 7. The awards ceremony celebrate the magnificent achievements of the students and staff across their professional practice, new publications, research, National and International competitions, seminars, conferences and community engagement. These achievements would not be possible without the active and ongoing support of the school's sponsors (who are highlighted in this presentation). The school also remembers colleagues, students and industry figures who sadly passed away in the last year. If you interested in supporting …

First Church Of Christ, Scientist - Bowling Green, Kentucky (Sc 3654), Manuscripts & Folklife Archives

Manuscript Collection Finding Aids

Finding aid and scan (Click on "Additional Files" below) for Manuscripts Small Collection 3654. “Historical Record of First Church of Christ, Scientist,” a narrative by Kate (Topmiller) Hunt outlining the formation and growth of a Christian Science Society in Bowling Green, Kentucky, and the chartering of the First Church of Christ, Scientist in 1925. Includes a list of the early members and a photograph of the church building at 11th and Center Streets in Bowling Green.

2022 Celebration Of Scholarship, Creativity, And Engagement, Todd Bruns, Beth Heldebrandt

Programs

At this annual celebration, the entire Division of Academic Affairs is pleased that the important work of faculty continues and evolves as EIU’s professors have individually and collectively redefined the boundaries of scholarship, creativity, and innovation for the emerging post-COVID era. Indeed, we are excited to come together to celebrate the achievements and outstanding contributions of our colleagues and students to their disciplines and professions. And, as the following pages illustrate, faculty have engaged in continuing scholarly and creative activities that have provided outstanding mentoring experiences for our undergraduate and graduate students.

In addition to sharing faculty productivity, research excellence …

The Slow Violence Of Racism On Asian Americans During The Covid-19 Pandemic, Gloria Wong-Padoongpatt, Aldo Barrita, Anthony King, Michelle Strong

Psychology Faculty Research

Racism against people of Asian descent increased by over 300% after the COVID-19 pandemic outbreak in the United States, with one in five Asian Americans reporting direct experiences with overt discrimination. Large-scale eorts and resources initially, and quite understandably, prioritized investigating the physiological impact of the coronavirus, which has partially delayed research studies targeting the psychological eects of the pandemic. Currently, two studies tracked the unique relationships between psychosocial factors, such as experiencing everyday racism, and the self-reported wellbeing of Asian Americans in the United States and compared these associations with Latinx Americans. Study 1 (April 2020–April 2021) examined how …

Native Leaders Round Table, Institute For Tribal Government, Portland State University, Global Diversity & Inclusion, Portland State University, Serina Fast Horse, Direlle Calica

Global Diversity and Inclusion Publications and Presentations

This event was a Zoom meeting, a "pre-summit" to start conversations that will take place at the first Native Summit set for Spring 2023. The main file is the event description, and the supplemental files include 5 pictorial summaries of the output.

Long overdue, Portland State University is on a journey to becoming an Indigenous affirming institution, a place with authentic relationships and partnerships with the nations/tribes in our area and a place that invites and, is supportive of, Native students who graduate at equitable rates, equipped to advance their communities and the world.

Part of the Tribal relations work …