Arts and Humanities Commons^™

Business Casual, Georgia R. Knox

Exile

No abstract provided.

A Tavola, Malina Infante

Exile

No abstract provided.

The Ohio River, Annika J. Bruce

Exile

No abstract provided.

The Kramatorsk Train Station, Malina Infante

Exile

No abstract provided.

Spineless, William Barnes

Exile

No abstract provided.

The Cicada Lullaby, Rebecca Hurtado

Exile

No abstract provided.

Letters From The Editors

Exile

No abstract provided.

Exile Vol. Lxix, Moriah Aberle, William Barnes, Antonia Baylor, Annika J. Bruce, Abby Conturo, Rita Costa, S.A. Culyer, Lauren Ehlers, Cordero L.M. Estremera, Mia Fischel, Robert Garber, Brin Glass, Anna Gooch, Eliza Hughes, Rebecca Hurtado, Malina Infante, Anna Northington Jones, Maggie Jones, Georgia Reese Knox, Eliana Lazzaro, Maarten Lempia, Caroline Lopez

Exile

No abstract provided.

Front Matter

Exile

No abstract provided.

A Call For Papers

Exile

No abstract provided.

Canonical Extensions Of Quantale Enriched Categories, Alexander Kurz

MPP Research Seminar

No abstract provided.

The Land Of Reverie, Sarah Moon

MFA in Visual Art

As children we are fascinated by the mythical. Imagining the attractive or even the disturbing serves as an escape from reality. By painting unicorns, vast surreal landscapes, and imaginative playscapes my work expands the white cube gallery into an immersive extension of my imagination. By viewing the canvas as a portal into a world where limitations dissolve, I paint acidic colors, fluid boundaries, and a malleable reality.

My studio practice is inspired by artists who experiment with color and scale like Kenny Scharf, Katharina Grosse, and Pipilotti Rist. In my colorful, large-scale works I explore the transformative power of play …

Spirit, Art, And Care, Jordan Geiger

MFA in Visual Art

In textiles, installations, and interactive performances, I explore how spiritual practice becomes art practice. My experiences as a hospice volunteer, musician, and Buddhist inform my work’s focus on contemplating impermanence as a path to spiritual transformation. Artmaking is a vehicle for exploring the nature of my reality, and both communicating what I find and sharing the path itself. I take inspiration from mystic/artists such as Hilma af Klint, Sengai Gibon, and Agnes Martin, who have sought to expound the path of awakening in artistic form.

In content as well as process, my work explores notions of empathy, awareness, ceremony, and …

Virtual Bodies: Probing Fake Flesh, Emily Elhoffer

MFA in Visual Art

This thesis explores the fluid and often elusive concept of the body as mediated through technology and art, questioning the boundaries between the physical and virtual. By investigating the interactions of cultural ideals, technological mediation, and material experimentation, the research delves into how contemporary art practices can challenge and expand our understanding of embodiment.

Central to this exploration is the use of varied mediums such as sculpture, digital imagery, and installation art to create what I term "virtual bodies"—conceptual entities that exist at the intersection of imagination and material reality. These creations often reflect and critique societal norms regarding beauty, …

Cliffhanger, Micah Mickles

MFA in Visual Art

I am Micah Mickles, a mixed-media visual artist in St. Louis, Missouri. My artwork is deeply rooted in my personal experiences and serves as a memorial and monument to counteract the enduring effects of grief and loss. What sets my work apart is the transformative impact of my everyday encounters, inspired by my 14 years of experience working at Trader Joe's. These encounters have led me to reflect on my profound connections with diverse communities. By delving into the hidden narratives of mundane materials encountered in the workplace, I prompt a reexamination of convenience and supply chain origins. Inspired by …

Advertising To Generation Z, Taryn Romaine

Honors College Theses

The goal of this project is to analyze the history and background of those born between 1997 and 2012, also known as Generation Z, and determine its effect on how this Generation receives and reacts to advertising. In addition, through the use of a personally created and conducted poll, I gathered data on a portion of Generation Z individuals and their preferences to certain elements of advertisement design. These elements are text content, layout, color, and relatability/authenticity. My project discusses how advertisers and advertisement designers, such as myself, can implement these preferences in order to effectively advertise to Generation Z. …

Climate Change And Environmental Crises In Coastal Cities: Charleston Vs New York City, Nolan Rodriguez

Student Theses 2015-Present

This paper addresses the increasing vulnerability that coastal communities face regarding climate crises and rising sea levels. Specifically, this paper investigates the environmental crises facing Charleston, South Carolina, and New York City. The geographical location of these cities places a more severe threat upon their environment, as opposed to urban collectives removed from the immediate effect of rising sea levels. A cross-examination of politics and economics is discussed in order to determine the causal relationship of each city’s engagement with its surrounding environment. This paper examines how each city is affected by climate change, what measures are in place to …

The Experience Of Native New England Women: Community, Capture, And Enslavement, Fallon Suskavcevic

History & Classics Student Scholarship

No abstract provided.

The Daily Struggle: Philip Guston And American Art In The 1930s, Maxwell Dunbar

Arts & Sciences Graduate Student Theses and Dissertations

American art in the 1930s was shaped by questions of social relevance and utility. The crisis of the Great Depression left millions destitute, and the contradictions of capitalism were exposed for all to see. Many artists and intellectuals, despite their marginal and specialized status in American social life, recognized that there was a need to connect their work to the mass mobilization of the working class, who were organizing in the face of unprecedented poverty and misery. The culture of working-class radicalism in this period, now commonly referred to as the “Red Decade,” was the result of the rapid development …

Generative Artificial Intelligence, Co-Evolution, And Language Education, Steven L. Thorne

World Languages and Literatures Faculty Publications and Presentations

At this point in the history of applications of technology for language learning, there is nothing surprising about uses of video conferencing, social media, language tutorial websites and apps, online textbooks and grammars, translation tools, and video- and audio-based content (among others). As Internet theorist Clay Shirky has described it, “communications tools don't get socially interesting until they get technologically boring” (Shirky, 2008, p. 105), and indeed, there has been considerable interest in more deeply examining humans’ now quotidian uses of digital technologies and modalities as they potentially transform language use and trajectories of development. Examples of incisive research …

Tragedy, Ownership, And Hospitality In Gerar: Lessons From Social Psychology, Moshe S. Rachmuth

World Languages and Literatures Faculty Publications and Presentations

Can the story of Isaac be read with tragedy in mind or is the second patriarch the comedic relief of Genesis? Scholars mostly see Isaac as the book’s fool and thus laughable. Even more clearly so in Gen 26:7-11 which recounts how, during the hunger migration of Isaac and Rebekah to Philistine Gerar, Isaac presented Rebekah as his sister. Comparing Genesis 26 with similar stories about Abraham and Sarah (Genesis 12, 20), Isaac and Rebekah are in lesser danger than Isaac’s parents. This work takes three steps to argue that the story supports the national identity of displaced Israelites. First, …

Nostalgic Neighbors: Engaging The Single-Story Of Wholesomeness, Jeffrey Johnson

MFA in Illustration & Visual Culture

In exploring our pasts, memories aren’t made real until they’re articulated out loud. This critical essay offers a meditation on meaning-finding activities of the twentieth century. I offer a definition of the word wholesome, as it exists as both an aesthetic, and as a way to find personal connection with others. As an Illustrator and Storyteller, I carry a responsibility for depicting a way that the world may be remembered. When our stories paint only a picture of a triumphant and moral people we do not only a disservice to the struggles of those same people, but also to the …

Laughing In The Wrong Places: Daniel Clowes And The Danger Of Nostalgia, Liam Cassidy

MFA in Illustration & Visual Culture

This essay explores the relationship between art objects and our past, narrowing in on nostalgia as a malevolent force in American culture that will lead to its eventual downfall. Focusing on Daniel Clowes’ latest graphic novel Monica as a case study, I demonstrate how graphic stories like this seek to reflect rather than interpret, and are often more closely aligned to the creator’s biography than an attempt at broad strokes or political pandering. The essay uses interviews with Clowes at various points of his career, reviews of Monica, academic essays on Clowes, as well as articles and books dissecting …

Seeing Is Believing: Observing Trans Spirituality Through The Smith-Waite Tarot, Phoebe Santalla

MFA in Illustration & Visual Culture

In 1909 the Rider Company published the Smith-Waite Tarot deck which featured 78 illustrated cards by Pamela Colman Smith. With heavy use of appropriated and ambiguous symbology, the Smith-Waite deck became a meditation tool for realizing alternative realities. By observing the history of the deck, analyzing Smith’s approach to illustration, and retracing the counterculture occult explosion in the 1970s, this essay argues that the Smith-Waite deck is an object the reflects the queered body and self. The modern, trans-contentious, Western political climate creates an environment that obscures the fact that transgender people exist beyond the medicalization of their bodies. To …

Toward An Artifact-Forward Feminist Design History, Celeste Caldwell

MFA in Illustration & Visual Culture

Feminist Design History is a field abundantly sown, with lots of room for growth. This essay digs through seminal and contemporary works of feminist design history to learn how to contribute to the field most thoughtfully. I find that future scholarship must meet four criteria in order to effectively meet the goals of feminist design. The proposed research criteria are to cut across definitions of craft and design, challenge the centrality of individuals, draw from a broad pool of resources, and study objects in and outside of the public sphere. I use these criteria to advocate for design research which …

Welcome Home Stranger: The Evolution & Assimilation Of The Queer Monster, Dee Cea

MFA in Illustration & Visual Culture

The queer monster has been a staple in fiction for ages. The “other” aspect that defines monstrosity is naturally paired with the ostracized queer figure. How better to accent a demon, than with the demonized? This essay explores why queerness clings to the monstrous, and how this dynamic has shifted over time. When does monstrosity feed into queerness, and when does queerness enhance the monstrous? Using the character Mystique from the long-standing X-Men franchise as a case study, I compare how her strange appearance and abilities have villainized her queer subtext, and yet how they have come to strengthen her …

Ramble: To Wander & Wayfind In Image & Text, Charlotte Fleming

MFA in Illustration & Visual Culture

A pedestrian, an international traveler, and a bored-out-of-his-mind bus commuter take note of their surroundings. What do they notice? What do they find? Why does it matter? With these questions in mind, I take three works as my traveling companions: Robert Weaver’s A Pedestrian View: The Vogelman Diary (2012), Weng Pixin’s “Argentina Diaries” (2020), and Peter Arkle’s Dreaming on the 349 (2023).

This essay places these works in conversation with ideas of space/place (Yi-Fu Tuan), slow looking (Shari Tishman), and mapping artistic practice (Anne West). Ultimately, this essay considers how illustrated works wander through and wayfind meaning in sequences of …

Graveyard Shifts: Unearthing Identity Myths And The Retro Rebrand, Rebecca Puno

MFA in Illustration & Visual Culture

This essay examines a trend in brand identity at the time of writing wherein icons of several decades past are resurrected to play to nostalgic feelings associated with a product or service. It begins with a case study of iconography for popular pizza chain logos through several decades alongside definitions of advertising models employed at the time, concluding with the axioms of cultural branding theory. The next section will reexamine the terminology alongside Roland Barthes writing on mythology as a language of semiotics passed through time. The text will then go on to draw parallels between the American fascination with …

How Visual Narrative Can Elevate Immigrant Food, Yiting Chai

MFA in Illustration & Visual Culture

Throughout the history of immigration, visual cultural products have provided channels for them to express their voices in North America, helping audiences understand immigrant culture and situations to promote social equality. Photography and cookbooks, as traditional expressions of food art, provide insight into the vitality of food and the way people treat food.

Graphic memoir and social engagement, as emerging categories, have emerged in the post-pandemic period. These diverse creative forms discuss individuals and food deep connections, such as interactions between people and community or a sense of belonging. For immigrant groups, Food is the quintessence of human existence, which …

Both Sides, Qi Qu

MFA in Illustration & Visual Culture

This essay explores the American’s and the American-born Chinese’s impressions of China and Chinese culture from different perspectives. It mainly focuses on stereotypes, Chinese figures in Hollywood movies, and family dynamics. This essay and data also come from my own research, which involved conducting twenty interviews with my friends, including eight American-born Chinese (all of whom are second-generation immigrants) and twelve American-born individuals (all of them Caucasian, but from various backgrounds). It then focuses on my picture book, BOTH SIDES, representing how the different thinking modes and the specific cultural differences influenced me as a Chinese illustrator working and learning …