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Articles 3601 - 3630 of 572289
Full-Text Articles in Arts and Humanities
Temporal Integration In Music And Aesthetic Judgments: Assessing Musical Taste Through A Transformer-Based Approach, Sophia M. Senderak
Temporal Integration In Music And Aesthetic Judgments: Assessing Musical Taste Through A Transformer-Based Approach, Sophia M. Senderak
Dissertations, Theses, and Capstone Projects
Music unfolds over time, requiring listeners to integrate information moment by moment to make aesthetic judgments. Although we know that music is likely processed on multiple timescales, it is not known which musical features contribute to short versus long timeframes. This study examined whether a computational measure of temporal integration could help explain aesthetic responses to music. Participants (N = 28) listened to 32 sixty-second clips of classical and electronic music, and continuously rated their enjoyment with a dial. After listening, they then gave an overall liking judgment for each clip. To quantify temporal integration, we derived an integration measure …
Reexamining The Croton Aqueduct: A Ward-Level Microhistorical Analysis Of Infrastructure And Cholera Mortality In 1849 New York City, Alexandria R. Toothman
Reexamining The Croton Aqueduct: A Ward-Level Microhistorical Analysis Of Infrastructure And Cholera Mortality In 1849 New York City, Alexandria R. Toothman
Dissertations, Theses, and Capstone Projects
This work reexamines the Croton Aqueduct’s role in public health by shifting analysis from the citywide level to the ward level, revealing that infrastructure expansion did not produce uniform benefits across New York City. When the Croton Aqueduct opened in 1842, it was celebrated as an achievement that would deliver pure water and eliminate disease. However, only seven years after its opening, in 1849, cholera returned with greater force in the Sixth Ward. This work shows that the uneven distribution of Croton infrastructure corresponded with uneven cholera mortality rates, challenging narratives that present Croton as a singular triumph of urban …
Lethal Autonomous Weapons Systems And The Principles Of Distinction And Proportionality, Nicholas Cromie
Lethal Autonomous Weapons Systems And The Principles Of Distinction And Proportionality, Nicholas Cromie
Dissertations, Theses, and Capstone Projects
Lethal Autonomous Weapons Systems (LAWS) challenge the core principles of International Humanitarian Law (IHL), distinction and proportionality, by delegating life-and-death decisions to algorithms rather than human judgment. This dissertation examines whether LAWS can conform to these principles and, if so, under what conditions. Through process tracing, the study traces the historical integration of disruptive weapons technologies, including chemical, biological, nuclear, and armed drones, into IHL-compliant frameworks or their exclusion via prohibition. Each case reveals distinct pathways: outright bans for indiscriminate or inherently inhumane systems (chemical and biological weapons), normative restraint and limited acceptance despite destructive power (nuclear weapons) and phased …
Materializing The Interface: Personal Data Feeds Generative Art, Erin Livingston
Materializing The Interface: Personal Data Feeds Generative Art, Erin Livingston
Dissertations, Theses, and Capstone Projects
Materializing the Interface: Personal Data Feeds Generative Art is a data-studio capstone project that reconstructs elements of desktop and mobile interfaces as handmade mixed-media artifacts, then digitizes them as an interactive website where generative text and images are fed by personal data flows. Twenty-one paper collage windows — built from cardstock, risograph-printed paper, and mixed media — were photographed, digitized, and activated using code to become the interactive surface of a desktop view driven by browser history. A corresponding mobile view renders a corpus of 500 Instagram advertisement screenshots through a risograph print aesthetic, fed by a hand-tagged emotion and …
The New Middle Cinema: Aesthetic Restraint, The Urban Middle Class, And The Reconfiguration Of Mainstream Bollywood (2007–2017), Hasnatun Nabi
The New Middle Cinema: Aesthetic Restraint, The Urban Middle Class, And The Reconfiguration Of Mainstream Bollywood (2007–2017), Hasnatun Nabi
Dissertations, Theses, and Capstone Projects
Between 2007 and 2017, a distinctive wave of mainstream Hindi films, termed here as the “New Middle Cinema”, employed aesthetic restraint to reconfigure Bollywood’s identity in response to a rapidly changing India. Rejecting the industry’s traditional spectacle, melodrama, and visual opulence, these films embraced naturalistic visuals, grounded performances, character‑driven narratives, and a muted color palette. Drawing on industrial analysis, close textual reading, and audience reception data, this thesis examines seven representative films (Chak De India, Wake Up Sid, My Name is Khan, The Lunchbox, Piku, Kapoor & Sons, and Lipstick Under My Burkha …
Contributor Bios, Editorial Board
The Neighbor, Adam Wanlin
Suzhou Garden, Aiwa Wang
I Hold Death In My Hands, Vienna Bertolucci
Do Not Try To Psychoanalyze My Teeth, Kaylin Alder
Añil, Liliana Monge
Elegy, Ani Nazarian
Untitled, Vern Swansen
Istanbul, Aydin Gulle
June, Emily Niebuhr
A Prey Animal, Mars Shepard
Iridescence, Emmi Cayer
Onlyness, Chloe Schauermann
Rooted, Amelia Flint
Like Fine Wine, Iris Langen
October Fire, Emily Niebuhr
Forever Fourteen In Fourteen Lines, Hannah Marechal
Root Canals, Savannah Aguiar
Just Be (My Feet Are Heavy), Luci Brendlinger
The Day My Dad Was A Soprano, Rue Gobbée
¿Por Qué Español?, Cadence Mcintire
There Are Two Girls Playing Inside The Hagia Sofia, Aydin Gulle
There Are Two Girls Playing Inside The Hagia Sofia, Aydin Gulle
Intertidal
No abstract provided.
A Través Del Espejo, Jaime Regalado
The Mourning After Christmas, Ryan Blunt
Hear Everything, Hannah Sevy