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Articles 210181 - 210210 of 574080
Full-Text Articles in Arts and Humanities
The Trembling Hand, Elizabeth Simpson
My Definition Of Intelligence, Joyce Skaggs
My First Concert, Janet L. Cox
Time And Death, Robert J. Schrenker
A Modern Breakfast, Robert Luker
The Last Obstacle, Kent Stewart
A Woman I Shall Never Forget, Carol Fidler
Man Has The Power, Harold Modlin
Thought For The Day, Louise Haney
The Moral Responsibility Of Man, Karen Wortley
The Moral Responsibility Of Man, Karen Wortley
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Non-fiction by Karen Wortley
If I Had My Life To Live Over, Joyce Mullery
How Hitler Came To Power, R. L. Rubenzer
Loyalty, Jean Rees
A Blue-Sealed Envelope, Kermit Thomas
A Legion Of Morons, Judy Winslow
My Responsibilities As A Twentieth-Century American, Tom E. Willey
My Responsibilities As A Twentieth-Century American, Tom E. Willey
Manuscripts
Non-fiction by Tom Willey
The Tent, Jean F. Campbell
The Guiding Hand, Patricia Anne Moriarity
A Woman Has Troubles, Timotheus Carson
The Visit, Norman Wilkins
The Individualist, Jean K. Rauch
Abdication, Lucia Walton
The Curious Duck, Jane Bachman
The Brass Key, Ron Schaffner
Poems, Robert Petty
Poems, Robert Petty
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Poems inlcude: How Distant Now?, Out of Winter, and Credo, by Robert Petty
Front Matter, Manuscripts Staff
The Problem With Creativity, Con Kennedy
The Problem With Creativity, Con Kennedy
Conference papers
Creativity would seem to be the single most important competency of design practitioners. The literature would suggest that, in general, creativity is considered to be a positive thing generating positive outcomes of design practices and their clients. This paper investigates how creativity can be defined within the paradigm of design practice and practitioners and draws upon references in international literature to establish themes and concepts. Once identified, these themes are then investigated to identify potential problems or issues with creativity. Problems may include but are not limited to: practices undertaken by the individual designer; attitude responses from the individual designer; …
Hybrid, Subversive, And Skeptical Performances Of Gender, Power, And Space In The Postcolonial Avant-Garde, Alyson T. Inouye
Hybrid, Subversive, And Skeptical Performances Of Gender, Power, And Space In The Postcolonial Avant-Garde, Alyson T. Inouye
Honors Projects
In her one-woman play, Iraqi-American playwright and actress Heather Raffo performs the testimonies of nine resilient Iraqi women, emphasizing their diverse experiences of the American occupation and life under the Baathist regime. Near the end of the play, one of the soliloquies breaks down into incoherence: an instance of poetic rupture. There is revolutionary potential latent in this avant-garde technique, and by applying it to her urgent and immediate postcolonial context Raffo simultaneously enacts and demands a response of justice to the injustices attested to throughout. Through the poetic rupture of Layal’s textual/psychological breakdown, Raffo undermines the system that, by …
Writing & Linguistics News, Georgia Southern University
Writing & Linguistics News, Georgia Southern University
Writing & Linguistics News (2012-2022)
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There Will Be Violence: A Critical Analysis Of Violence In The Works Of Cormac Mccarthy, Matthew L. Robinson
There Will Be Violence: A Critical Analysis Of Violence In The Works Of Cormac Mccarthy, Matthew L. Robinson
Honors Projects
This discussion of McCarthy’s use of violence in his western novels will focus primarily on the books Blood Meridian or the Evening Redness in the West and No Country for Old Men.
Both novels feature antagonists who use war and violence to impose a new societal order. They fail in the end – they cannot succeed so long as there are individuals who refuse to conform to a widespread acceptance of violence that follows Judge Holden’s doctrine of war. In McCarthy’s novels, violence is used to impose a new order of existence. The opposition of individuals cause these imposed …