New forms of communication and expression have emerged through the participatory web and its numerous Digital Social Networks. This infutation is in a constant global progression. Our country has a total of 31.59 million Internet users, 63.4% of which are on social media.

This new digital discursivity has allowed them to express themselves anonymously on all types of subjects and also to openly broadcast their personal representations.

This article will examine how YouTube contributes to the broadcasting of women's representations. We also intend to highlight the correlation between the choice of language, the speaker's gender and the position expressed.

In …

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L’Intertextualité Ou Quand Les Imaginaires Culturels Se Rencontrent, Lamiae Khayi Apr 2025

L’Intertextualité Ou Quand Les Imaginaires Culturels Se Rencontrent, Lamiae Khayi

Dirassat

The literary text, regardless of its authors, does not carry a single, unequivocal voice anchored in an experience identifiable in a space situated in a specific time. This statement may provoke astonishment. Yet, this text, a complex reality in itself, like the canvas, invites a new way of reading and interpreting. This would allow us to discover either the constructive dialogue of proximity; or the echo of inter-personal violence; both revealed through the intertext. This article will attempt to examine this dual dimension in the work of Mohamed Nedali, thanks to Jean De La Fontaine.

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L’Isotopie Intertextuelle, Jawad Hazim Apr 2025

L’Isotopie Intertextuelle, Jawad Hazim

Dirassat

Textual cross-referencing is one of the major issues that characterize critical thinking. Between production and reception, the subject/reader is crossed by many forms of intertextual relations: rewriting, parody, prohibition, etc.; hence the reflection on intertextuality which has caused many inks to flow both in literary studies and in the sciences of language.

The present work begins a reflection on the relations between literary texts under the auspices of isotopic relations. It is therefore a question of establishing intertextual constructions on an isotopic basis between a mythological substrate, the Odyssey, and the work of Amélie Nothomb, La biographie de la Faim: …

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