Arts and Humanities Commons^™

Kalamkari Or Chintz: An Anglo-Indian Hanging In The Metropolitan Museum Of Art, Melinda Watt

Textile Society of America: Symposium Proceedings

This paper will present ongoing research on a unique and important eighteenth-century painted cotton hanging now in The Metropolitan Museum of Art, as well as theories on the significance of the narrative depicted in the work. The hanging illustrates one or several military conflicts involving European and Indian combatants, presumably on the Indian subcontinent, and was very likely commissioned by someone connected with the British East India Company. (Fig. 1) This hanging was first exhibited when it was on loan to the museum for the exhibition Interwoven Globe: The Worldwide Textile Trade, 1500-1800 (on view from September 26, 2016 to …

Arimatsu To Africa: Shibori Textiles Developed For African Trade In 1948–49, Yoshiko Iwamoto Wada

Textile Society of America: Symposium Proceedings

Shibori is a traditional Japanese textile term now widely used to classify a variety of patterns created on cloth by plucking, stitching, folding and then tightly knotting, binding, or clamping to compress and selectively resist dye penetration. The resulting patterns record the memory on cloth of the processes it sustained. Reading the resist marks on the cloth, shibori artisans can recreate the process or interpret various patterns. For the Textile Society of America’s Fifteenth Biennial Symposium in 2016 I organized a session with papers contributed by Françoise Cousin, Annie Ringuedé, and Ana Lisa Hedstrom and an exhibition titled “Arimatsu to …

Slipstitch: A Survey Of Contemporary Narrative-Based Stitch And Embroidery Practices In Australia, Belinda Von Mengersen

Textile Society of America: Symposium Proceedings

Slipstitch, an Australian exhibition of contemporary stitch artworks was discussed in a panel session titled, Allegory and Subversion: contemporary stitch narratives, cross-cultural influences and international perspectives. This presentation situated the exhibition as one example within a broader view of contemporary allegorical, speculative and provisional stitch practices emerging within Australia and Internationally. Slipstitch is an Ararat Regional Art Gallery and National Exhibitions Touring Support (NETS) Victoria touring exhibition (2015-2017), curated by Dr Belinda von Mengersen. Slipstitch presented an Australian perspective on the contemporary uptake of stitch and embroidery practice by a new generation of artists. Long overdue, it was the first …

Abstracts & Author Biographies For Textile Society Of America, 15th Biennial Symposium (2016): Crosscurrents: Land, Labor, And The Port

Textile Society of America: Symposium Proceedings

Dr. Heather J Abdelnur, Ph.D.

Reena Aggarwal

Patricia Alvarez

Cecilia Anderson

Emily Anderson

Lynne Anderson

Jaiya A Anka

Adebowale Biodun Areo and Margaret Olugbemisola Areo

Margaret Olugbemisola Areo and Adebowale Biodun Areo

David Arrellanes

Jenny Balfour-Paul

Suzi Ballenger

Ruth Barnes

Jody Benjamin

Carole F. Bennett

Julie Berman

Noga Bernstein

Medha Bhatt

Amy Bogansky

Elaine Bourque

Laurie A Brewer

Carrie Brezine

Donna Brown

Sarah S. Broomfield

Susan Brown

Heather R Buechler

Shelby A Burchett

Tara R Bursey

Bonnie S. Carter

Nynne J Christoffersen

Laura Cochrane

Lia Cook

Françoise Cousin

Jamie Credle

Maria Curtis

Pamela I Cyril-Egware

Sonja K Dahl

Mary Lou …

Fireworks For The Emperor. A New Hand-Colored Impression Of Sebald Beham’S “Military Display In Honor Of The Visit Of Emperor Charles V To Munich”, Alison Stewart, Nicole Roberts

School of Art, Art History, and Design: Faculty Publications and Creative Activity

A little studied Einblattdruck, or single-sheet woodcut, from the sixteenth century shows early incendiary devices used to honor the entry of the Holy Roman Emperor in 1530. The large woodcut displays the military honors given to the emperor: cannons firing on a castle constructed for the occasion and fireworks. Harnessing the potential of powders for both pyrotechnics and color added by hand to prints was among the many cultural developments of the sixteenth century. This article makes known a recently rediscovered impression of the print, unique with hand coloring, which serves as the focus of discussion for several aspects …

Broadband And Mobile Internet Services In Nonmetropolitan Nebraska, Rebecca Vogt, Cheryl Burkhart-Kriesel, Randolph Cantrell, Bradley Lubben, L. J. Mcelravy

Rural Futures Institute: Publications

A recent Pew Research Center survey revealed that home broadband adoption has plateaued in the United States. In addition, there has been an increase in adults who use a smartphone to access the Internet but do not have traditional broadband service in their home. Given these national trends, how do rural Nebraskans access the Internet? Are they accessing the Internet from their cell phones? Are they subscribing to high-speed Internet services at home? How satisfied are they with their Internet services? How important do they feel Internet access is for various items? This paper provides a detailed analysis of these …

Should Confederate Monuments Be Removed?, Aaron Getman-Pickering

Vulcan Historical Review

pp. 17-18

End Of The Line: The Rise And Fall Of Street Railways In Birmingham, Robby Ballard

Vulcan Historical Review

pp. 23-31

We Do Not Want Your Tired And Your Poor: Alabama’S Immigration Policies (1870-1910), Nadejda Bontcheva-Loyaga

Vulcan Historical Review

pp. 73-89

Tried And Blue: The Unionist Origins Of Alabama’S Blue Spot, David Henslee

Vulcan Historical Review

pp. 90-103

The Seeds Of Disfranchisement: How Booker T. Washington Influenced New South Ideals And Paved The Way For Jim Crow, Tyler Malugani

Vulcan Historical Review

pp. 124-132

Drugs, Attempted Assassinations And Shock Therapy: The 1972 Presidential Election’S Influence On The Modern Election Cycle, Chris Perry

Vulcan Historical Review

pp. 133-147

In Memorium: Glen Alan Feldman, Vulcan Historical Review Staff

Vulcan Historical Review

pp. 226-227

Vulcan Historical Review 20 (End Matter), Vulcan Historical Review Staff

Vulcan Historical Review

No abstract provided.

Fuzzy Logic, Brandon Courtney

Birmingham Poetry Review

p. 62

The Dead, Debora Greger

Birmingham Poetry Review

pp. 90-91

Temple, Alexis Levitan, Salgado Maranhāo

Birmingham Poetry Review

p. 108

The One Who Howls, Alexis Levitan, Salgado Maranhāo

Birmingham Poetry Review

pp. 109-110

Emma Darwin At Fifteen, Laura Lee Beasley

Birmingham Poetry Review

p. 51

The Censor Works At Home In The Evening, Corey Marks

Birmingham Poetry Review

pp. 115-117

When He Came Back, Michael Chitwood

Birmingham Poetry Review

p. 56

Monday Morning, Ashley Warner

Birmingham Poetry Review

p. 147

Orbit, Alexis Levitan, Salgado Maranhāo

Birmingham Poetry Review

p. 111

The Miracle, William Logan

Birmingham Poetry Review

p. 114

Gabriel, Chad Davidson

Birmingham Poetry Review

pp. 187-191

The Forest, Corey Marks

Birmingham Poetry Review

pp. 118-119

Pastoral, Rose Mclarney

Birmingham Poetry Review

p. 120

Familiars, Hastings Hensel

Birmingham Poetry Review

pp. 195-199

From Bubble To Bridge: Educating Christians For A Multifaith World, Marion H. Larson, Sara L. H. Shady

Faculty Books

Summary: In a world of deep religious strife and increasing pluralism it can seem safer to remain inside the "bubble" of our faith community. Many Christians worry that engaging in interfaith dialogue will require watering down their faith and accepting other religions as equally true. Marion Larson and Sara Shady not only make the case that we can love our religious neighbors without diluting our commitment, but also offer practical wisdom and ideas for turning our faith bubbles into bridges of religious inclusion and interfaith engagement.

Contents: Why interfaith engagement? A civic imperative: The world is a really big place …

Female Perceptions Of Islam In Today’S Morocco, Fatima Sadiqi

Journal of Feminist Scholarship

This paper is based on a survey, 25 interviews, and observation. According to the results so far, Islam means three things for women in today’s Morocco: faith, culture, and politics. Islam as faith is generally perceived as a personal relationship with God. Such a relationship is seen as both rewarding and empowering, but also private. Women who perceive Islam as faith observe the Islamic rituals and may or may not wear the veil. Women’s perception of Islam as faith is a rather poorly understood topic in research in a heavily space-based patriarchy, probably because of its intimate relationship with the …