Arts and Humanities Commons^™

Desert Wave, Omelchenko Alisa, Ksenia Bilyk

ATL

Honorable Mention

Inspired by the vernacular architecture of Northern Nigeria.

What did you find most interesting or challenging during the research and development of your prototype?

The most unexpected thing was the huge variety of African architectural typology and forms. Just like any other culture typical for certain area it has its recognizable features, but having examined it deeply we cognized its diversity.

What inspired you to enter this special competition to create a modern architectural language for Africa?

We have always been captivated by Africa’s ancient history and its authentic design, multifaceted culture and the ability to observe it …

Northern Pafta, Gebrekidan G. Debre

ATL

Honorable Mention

Inspired by the culture of the Konso people of Ethiopia.

What inspired you to enter this competition to create a modern architectural language for Africa?

For the past three years I was working on research called Ethioplugin Add-on Library at my campus (EiABC). There the objective, was digitalizing the heritages of Ethiopia such as furniture and fixtures, patterns and textures, construction details, so that they will be accessible by the professionals like interior designers, architects electronically. This made me familiar with working on cultural elements and extracting designed product out of them. I was excited (about the competition) …

Shebaxumite, Liuel Hizikias Ketema

ATL

Honorable Mention

Inspired by the Axumite people of Ethiopia.

What inspired you to enter this special competition to create a modern architectural language for Africa?

The evolution of African architecture has almost come to a standstill due to western influence. The potential of construction materials used in African designs have a far greater utility in their specific climates or natural conditions as opposed to western materials. It‘s easy to say my inspiration came from my deep passion to explore the potential of African construction materials for what they are truly worth.

What did you find most interesting or challenging during …

Tata, Tan Boon Chiou

ATL

Honorable Mention

Inspired by the vernacular architecture of the Benin people.

What inspired you to enter this special competition to create a modern architectural language for Africa?

The culturally rich and diverse nature of the African continent has always fascinated me. The long history of construction skills and know-how displayed by different ethnic groups that reflect the harmonious symphony with the various landscapes and terrains have and would continue to exert the potentials to inspire the architecture of the next generations. For example, the use of fractal geometries, which is native to various tribes of the continent, serves an important …

K'Jong, Nakimuli Thatcher, Lawrence Okoth, Brian Murungi

ATL

Honorable Mention

Inspired by the Karamojong people of Northern Uganda.

What inspired you to enter this special competition to create a modern architectural language for Africa?

Studio Manyatta was created with this very vision in mind. As a team of young designers from various design disciplines, and inspired by the Karamojong one of Africa's most intriguing cultures, we set out to explore what kind of environments Africa would have created with minimal influence from the colonization era. This competition was a chance to carry out his goal on a larger platform.

Why do you believe African homeowners will be interested …

The Ije, Izuchukwu M. Amadi

ATL

Honorable Mention

Inspired by the pyramids of Egypt.

What inspired you to enter this special competition to create a modern architectural language for Africa?

The need to promote and create an indigenous African architectural language using our local materials, methods and also to express the rich heritage of the African people both in design and life style.

What did you find most interesting or challenging during the research and development of your prototype?

The most challenging point of my research was how to use recycled pet bottle for the facade cladding in another innovative way, having used it for my …

Afar Sidama, Amanuale Brook

ATL

Honorable Mention

Inspired by the Afar and Sidama people of Ethiopia.

What inspired you to enter this special competition to create a modern architectural language for Africa?

I am interested in vernacular African architecture especially from my home region, Eastern Africa. Its obvious Vernacular architecture is dear to me. How the people have evolved from historical and diverse socio-cultural, climatic conditions and civilizations. Our built environment is a good way to appreciate our progress.

What did you find most interesting or challenging during the research and development of your prototype?

My research into how people survive in the most uninhabitable …

Assita, Jun Yanagimuro, Hayashi Yoichiro, Ignacio Darras

ATL

Honorable Mention

Inspired by the culture of the Burkina Faso.

Why do you believe African homeowners will be interested in building a home such as the one you have submitted today?

In our design, as mentioned before, we focused in one main aspect: giving new perspectives around their existing ways of constructing. We believe to have got in contact with very main aspects of their construction that needed a change and many others that didn´t so, at least for now, we gave priority to the ones we think they should be changed/improved for a better quality of living, of their …

The Irele, Adeyemi Akande

ATL

Honorable Mention

Inspired by the art and architecture of the Yoruba and Hamer people.

What inspired you to enter this special competition to create a modern architectural language for Africa?

I have been tremendously overtaken by the desire to explore a modern cultural identity and outlook for contemporary Africa. A visual identity that MUST stem out of the continent‘s deepest philosophy and interpretation of self. So to find the CPDI competition was a perfect platform for me to finally begin to articulate all the ideas I have been brewing for some time. The CPDI‘s ideology perfectly mirrored my most profound …

Cetiana, Nahom Bekele

ATL

Honorable Mention

Inspired by the people and nations of Ethiopia.

What inspired you to enter this special competition to create a modern architectural language for Africa?

This competition is a chance for young Africans to build their own future, I for that matter was highly inspired to set my footprint on the history of Africa to be made!

What did you find most interesting or challenging during the research and development of your prototype?

The biggest challenge was the availability of accurately recorded historic data. It made the research more intensive

Why do you believe African homeowners will be interested …

Fusion Point, Zuhra Zuhair

ATL

Honorable Mention

Inspired by African cultural identity and modern convenience.

What inspired you to enter this special competition to create a modern architectural language for Africa?

Architecture in Africa today is a receding echo of our heritage. Africa's history and culture is rich and diverse, yet we often live in environments with imported architecture that don't reflect Africa's heritage and our identities. Architecture is the creation of spaces subjective to context, identity and the basics of life. Through architectural design that considers Africa's cultural context, history and materiality, a comprehensive, thoughtful and sustainable architecture can be developed for Africa.

What …

The Omo, Roman Gorshkov

ATL

Honorable Mention

Inspired by the Omo River in Ethiopia.

What inspired you to enter this special competition to create a modern architectural language for Africa?

A unique opportunity to celebrate people of Africa and their culture by providing a beautiful design of their future home.

What did you find most interesting or challenging during the research and development of your prototype?

The most challenging aspect of this project, but also one of the most fascinating things was the vast diversity of different cultures and ways people live in Africa that makes it hard to design but provides an ocean of …

Tata Fu, Seni Dara

ATL

3rd Prize Winner

Inspired by the cultures of Togo and Benin, West Africa.

What inspired you to enter this special competition to create a modern architectural language for Africa?

I participated in this competition because I am a young architect trained in Africa and who has always been lead to think about the traditional African architecture. The development of local architecture has always been a major concern in my training and my career.

What did you find most interesting or challenging during the research and development of your prototype?

The most interesting was certainly the search for elements of character, …

Ifa House, Eduardo Soto

ATL

2nd Prize Winner

Inspired by the culture of the Yoruba people.

What inspired you to enter this special competition to create a modern architectural language for Africa?

The inspiration to enter the CPDI Africa 2015 competition came from the desire to learn more about my own culture and my passion for modern architectural design. My cultural heritage is a blend of Spanish, African, and indigenous Taíno races. These three races contributed to the formation and traditions of the Puerto Rican culture. The CPDI Africa 2015 competition gave me the opportunity to learn more about my African heritage while exploring modern …

The Inna, My Dao Le Hong

ATL

1st Prize Winner

Inspired by the people and culture of Mali.

What inspired you to enter this special competition to create a modern architectural language for Africa?

African architecture always inspired me with amazing earthen architecture throughout the continent. This competition is a valuable chance for me to study and understand more about the architecture of the continent, it is also a chance for me to express my ideas about modern architectural language for Africa.

What did you find most interesting or challenging during the research and development of your prototype?

The most interesting is when researching for an image …

Competition Project Brief, Cpdi Africa

ATL

Project Brief for the 2015 CPDI Africa Design Competition.

Introduction To The Special Issue, Nmadili Okwumabua

ATL

Introduction to the Special Issue of ATL on the CPDI Africa Design Competition 2015 by organizer, Nmadili Okwumabua.

Editor's Introduction, Jesse Benjamin

ATL

Editor's introduction to the inaugural issue of ATL.

Foreword, David Hughes

ATL

Foreword to ATL Volume 1, Number 1 by David Hughes, renowned architect and professor.

When The Client Is Not The Abuser, But One Of The Abused, Tania Signal

Animal Sentience

The question of client confidentiality and reporting animal abuse is complicated when the client is not the abuser, and when the abuse (of both people and animals) may escalate precisely because it has been (or may be) reported.

Lanthorn, Vol. 50, No. 44, February 22, 2016, Grand Valley State University

Volume 50, July 13, 2015 - June 6, 2016

Lanthorn is Grand Valley State's student newspaper, published from 1968 to the present.

This Month In Civil War History: February 2016, Jeffrey L. Lauck

The Gettysburg Compiler: On the Front Lines of History

Transcript:

On February 12, 1809, Abraham Lincoln was born in Hodgenville, Kentucky. The self-educated lawyer served in the United States House of Representatives as a delegate from Illinois before being elected as the sixteenth president of the United States.

In February of 1861, the Confederacy formed a government at Montgomery, Alabama and appointed Jefferson Davis as President of the Confederate States of America. [excerpt]

Cseas Weekly Bulletin (February 22, 2016), Center For Southeast Asian Studies

CSEAS Bulletin

No abstract provided.

Grand Valley Forum, Volume 040, Number 22, February 22, 2016, Grand Valley State University

2015-2016, Volume 40

Grand Valley Forum is Grand Valley State's faculty and staff newsletter, published from 1976 to the present.

Tests For Intrinsicness Tested, Kelvin J. Mcqueen, René Van Woudenberg

Philosophy Faculty Articles and Research

Various tests have been proposed as helps to identify intrinsic properties. This paper compares three prominent tests (we call them Perfect Duplication, Real Change, and Lonely) and shows that they fail to pass adequate verdicts on a set of three properties. The paper examines whether improved versions of the tests can reduce or remove these negative outcomes. We reach the sceptical conclusion that whereas some of the tests must be discarded as inadequate because they don’t yield definite results, the remaining tests depend for their application on the details of fundamental particle physics so much so that they cannot be …

Veganism And 'The Analytic Question', Adam Reid

Between the Species

The (practical) dilemma I explore in this paper concerns two advocacy-oriented aims which, though not mutually exclusive per se, are nonetheless quite difficult for vegans to jointly satisfy in practice. The first concerns the need for individual vegans to rebuff (by example) certain familiar stereotypes about vegans as ‘militant,’ ‘angry,’ ‘self-righteous,’ etc.; the second concerns the need to tactfully resist familiar prompts to, as it were, conversationally parse the logic of one’s own convictions ad nauseam. To better explain, and partially respond to, this dilemma, I exploit an instructive analogy with the (so-called) ‘analytic question’ in epistemology (roughly, …

Balancing Rhythms Of Rest And Work (Overview), Theology Of Work Project, David Kim, Leah Archibald

Theology of Work Project

• Created to Rest: Entering Into Joyful Communion With God
• Commanded to Rest: The Impact of the Fall
• Why People Can’t Rest – Human Nature Revealed in the Hebrew Scriptures
• How Rest is Restored – Sabbath & Jesus’ Redemption in the New Testament
  • Is a Weekly Sabbath Observance Expected of Christians?
• How Christians Can Experience Deeper Rest
• Rest and Work: Conclusions

Beyond Beyoncé’S Halftime Show, Rebecca S. Duffy

SURGE

In the weeks following the Super Bowl there has been quite an uproar regarding the halftime show featuring Beyoncé, Coldplay and Bruno Mars. All over Twitter, Facebook, blogs, news outlets, and in political commentary we were faced with the argument, “It’s wrong that Beyoncé used the Super Bowl to advance her own political agenda.” But to all those angry/hurt/confused about Beyoncé and her “right” to interrupt the Super Bowl with commentary on race relations, consider this: Is football, or any form of entertainment for that matter really independent of political, economic and racial issues? Is the NFL immune to the …

Dig Into Local Black History, John M. Rudy

Civil War Era Studies Faculty Publications

Introduction to Dr. Louis Eugene King, African-American anthropologist with the Civilian Conservation Corps and the National Park Service at Gettysburg

Double Or Nothing: Cayla Bellamy And J. Benjamin Smith, Bassoons, February 22, 2016 [Program], University Of Northern Iowa. School Of Music.

Music Recital Programs

Program of a music recital given by faculty, students, or guest artists from the School of Music at the University of Northern Iowa.