Arts and Humanities Commons^™

Return To Virtue: Defining Moral Strength, Melissa A. Weigeshoff

BYU English Symposium

No abstract provided.

Riot Grrrl’S Legacy: The Medium Is The Message, Rosemary Larkin

BYU English Symposium

Riot Grrrl appropriated traditional, even “feminine,” media platforms to encourage third wave feminism. They ignored a central message on purpose in lieu of loud mediums meant to disrupt the status quo instead of assert a new one.

The Scandal Of Sources Of Henriette-Julie De Murat’S Histoires Sublimes Et Allégoriques, Jared Willden

BYU English Symposium

Henriette-Julie de Murat claims in the foreword of Histoires sublimes et allégoriques (1699) that the only source for her tales is Straparola’s Facetious Nights, yet this claim seems to be misleading. Taking “The Savage” as an example, this essay first assesses the reasons we should doubt Murat’s claim. It then explores other possible literary sources for “The Savage,” such as Shakespeare’s As You Like It, Straparola’s “Guerrino and the Savage Man,” and the Breton folktale “Georgic and Merlin,” as well as biographical elements, both from details surrounding her exile by Louis XIV in 1702 and from her fictional …

The Sewing Room, Madeline L. Tracy

BYU English Symposium

A short horror story delving into the depths of family relationships. After Charlotte's mother dies, she goes to live with her grandparents. She has entered her mother's childhood world and what she witnesses could become emotional baggage- or something that could define her forever.

To Know Grief Intimately, Alexandra Francom

BYU English Symposium

No abstract provided.

The Revolution Of Bath: The Writing And Re-Writing Of Social History In Jane Austen's Persuasion, Erica L. Pratt

BYU English Symposium

Hidden beneath the structure of Regency England lies a society near eruption. In Persuasion, Austen brings her characters on a journey through the landscape of social revolution. Bath serves as pinnacle of this journey –the battlefield where characters are invited to perform according to their social training.

The initial skirmish takes place before the book begins and uses social fighting techniques of the pre-Napoleonic war. It is fought within an aristocratic structure, and defeats our heroine. The second battle, however, is conducted under completely different training mechanisms. This second skirmish follows the fall of aristocracy and the rise of meritocracy. …

The Lives And Deaths Of Flora Mac-Ivor And Rose Bradwardine: Romance And Reality In Sir Walter Scott's Waverley, Monica D. Allen

BYU English Symposium

In Sir Walter Scott’s Waverley, Scott presents the problem of romance versus reality. He does this by personifying romance and reality through Flora Mac Ivor and Rose Bradwardine. Flora, with her passion, represents romance. While Rose, a more mellow character, represents reality. Waverley finds that he must choose between them. Rose is a “kindred spirit” to him, while Flora resembles “one of his daydreams.” They embody these ideas through a physical location. Flora’s location is the romantic Scottish Highlands, and Rose’s location is simply her father’s home. Besides location, the figurative deaths of Flora and Rose embody romance and …

Who Wears The Pants: The Unraveling Of Gender In "The Things They Carried", Zoe Meyer

BYU English Symposium

In this paper, I analyze gender roles in Tim O’Brien’s The Things They Carried arguing that war causes American society to shift, and as a result, expected gender roles and the understanding of expected behavior change. Correlating the soldiers’ understanding of what it means to be American directly to their understanding of gender, I explain that changing what it means to be men alters their idea of what it means to be citizens of the United States. Because the soldiers can no longer be identified by their gender, nor can they identify themselves as Americans, they lose their understanding of …

What I Saw Of The Rally: A Few Observations From The Confederate Flag Protests, Jeffrey L. Lauck

The Gettysburg Compiler: On the Front Lines of History

The normally quiet town of Gettysburg was once more disrupted by battle when two groups of protesters went head-to-head over the memory of the Confederate flag. Since the tumult and confusion of that fateful Saturday two weeks ago, many have weighed in on the day’s events with varying degrees of accuracy and distorted perceptions of reality. The following is my account. [excerpt]

Senior Recital - Miekan Stonhill, Miekan Stonhill

All Music Department Programs

No abstract provided.

La Liberazione Di Ruggiero Dall'isola D'Alcina (The Rescue Of Ruggiero From The Island Of Alcina) - Francesca Caccini, Students Of The Caine College Of The Arts Performance Practice Institute, Dmitri Carter, Craig Trompeter, David Walker, Suzanne G. Cusick, Alexa Sand, Christopher M. Scheer

All Music Department Programs

The Performance Practice Institute (PPI) at the Caine College of the Arts embodies a project-based approach to the study of the history of performance, which enriches the intellectual and artistic life of the students involved while making accessible to Utah audiences exciting concerts of lesser known repertoires, especially chose from the pre-1750 period. Events in this series are held in the spring, with a yearly alternation between larger projects and more modest events that build upon the previous year's activities.

2016-03-18 Beautyville: Murder In My Family (Part 7), Lydia Justice Edwards, Eastern Kentucky Voice

Robert S. Frasure Murder Trials

Part 7 of "Beautyville: Murder in my Family" by Lydia Justice Edwards published in the Eastern Kentucky Voice on March 18, 2016.

I Am The Bread Of Life, David J. Mulder

Faculty Work Comprehensive List

"Jesus—God in human flesh—knows our physical and spiritual hungering. Jesus knows that we need bread for sustenance: the Bread of the Presence, Our Daily Bread, the Bread from Heaven."

Posting about our need for the Living Bread from In All Things - an online hub committed to the claim that the life, death, and resurrection of Jesus Christ has implications for the entire world.

http://inallthings.org/i-am-the-bread-of-life/

2015-2016 Master Of Music Recital - Sean Colbert (Viola), Sean Colbert, Sheng Yuan Kuan

Master of Music Recitals

No abstract provided.

Discourse Functions Of Modal Verbs 'Will And Shall' In Christian Prayers, Olalekan T. Adepoju

Publications and Research

Prayer and language can be said to share similar definition in that they are both means of communication, though in prayer, one is communicating solely with a Supreme Being. This communication implies that a prayer is a form of discourse due to the presence of interaction; as such a discourse analysis of prayer will not be out of place. This study therefore investigates the use of modal verbs by pastors in Christian prayers. This is with a view to identifying and examining the discourse functions performed by these modal expressions. The Speech Act Theory and Systemic Functional Grammar, mainly using …

Katniss Everdeen: Feminist Fighter Or Teen Bride?, Baylee S. Vasquez

BYU English Symposium

Katniss Everdeen of The Hunger Games, can be read as a strong female character that represents the Third Wave of Feminism. She has become a measuring stick for strong female characters that have appeared after her. It is even argued that she has taken the place of the stereotypical male hero while her cohort, Peeta Mellark, plays the stereotypical female role. However, in spite of all of the things that she accomplishes during her time within the dueling ring, the main debate amongst teenagers—for whom the book was written—is who will Katniss Everdeen, goddess of the hunt and champion …

Almost Normal, But Not Quite, Benjamin L. Featherstone

BYU English Symposium

This is a non-fictional essay focusing on the author’s personal experience with the process and result of receiving a cochlear implant. This essay neither promotes nor discourages the usage of cochlear implant. Instead, it simply reveals the experience of the author. This written form shows the inner storms that come from trying to find a balance between two worlds, which the author lives in—the Deaf world and the hearing world.

Just The Secretary, Belen Jackson

BYU English Symposium

When a voice is silenced, can it ever be restored?

Violence And Identity In Native Son, Anna M. Gee

BYU English Symposium

Abstract: “Violence and Identity in Native Son” examines the cycle of violence that begins with white objectification of blacks and ultimately results in extralegal black violence and legislated white violence. Richard Wright’s Native Son details this cycle as it is initiated by white objectification of blacks, creating owner-object relationships between members of the two races. Objectification leads to loss of identity and blindness, cultivating indifference and shame among members of black society. For the novel’s main character Bigger, shame produces violence. Violent acts become acts of creation that enable him to formulate identity in meaningful ways. This new understanding …

Beyond Reason: Ophelia's Quest For Truth, Jacob K. Nielsen 9443167

BYU English Symposium

In this paper, I explore Ophelia's supposed descent into 'insanity' in William Shakespeare’s Hamlet. Using Immanuel Kant's Critique of Pure Reason, I conclude that instead of descending into insanity, Ophelia moved beyond reason in order to acquire personal truth that wasn't available to her within the realm of traditional reason. In the end, instead of assuming a passive role, Ophelia's character actively rejects the limitations of reason, allowing her to become more than just a passive object of tragic circumstances. Variations within the Quarto and Folio versions of the play support the conclusion that Ophelia actively sought to …

Wherefore Art Thou, Bae Romeo? Or, An Argument For Modernizing Shakespeare’S Texts, Erin M. Ritchie

BYU English Symposium

This research examines the trend towards modernizing Shakespeare’s plays. Though Shakespeare is valued for his intricate wordplay and changes to his text are considered sacrilegious, I will explain how Elizabethan Era views on language value finding expressing Shakespeare’s important universal social commentaries in ways that are accessible to the largest number of people. Because the majority of Shakespeare’s global fame stems from admirers who have not encountered his original works, but translations of it, this research suggests that the value gained from adapting the original texts into more modern forms of English to engage a wider audience outweighs the arguments …

The Hypocrisy Of Henry V, Shelise Rupp

BYU English Symposium

No abstract provided.

“With What’S Unreal Thou Coactive Art”: Gender And The Forces Of Illusion In The Winter’S Tale And The Tempest, Mark S. Rideout

Selected Papers of the Ohio Valley Shakespeare Conference

No abstract provided.

"Busking For The Queen Of Faerie: Elizabethan Playwrights In Contemporary Fantasy Fiction", Kristen Mcdermott

Selected Papers of the Ohio Valley Shakespeare Conference

No abstract provided.

“Art Thou Not, Fatal Vision, Sensible / To Feeling As To Sight?”: Spiritual Bondage, Carnal Corruption, And Horror In Marlowe’S Doctor Faustus And Shakespeare’S Macbeth, Jared Johnson

Selected Papers of the Ohio Valley Shakespeare Conference

No abstract provided.

Immortal Parts: Ghostly Renown In Shakespeare, Jennifer Holl

Selected Papers of the Ohio Valley Shakespeare Conference

No abstract provided.

Hath Not Thy Rose A Canker?”: Monstrous Generation And Comic Subversion In King Henry Vi, Part 1, Heather Frazier

Selected Papers of the Ohio Valley Shakespeare Conference

No abstract provided.

The Dead Can Speak; Or, The Testament Of Elizabeth Sawyer In Dekker, Ford, And Rowley’S The Witch Of Edmonton, Chuck Conaway

Selected Papers of the Ohio Valley Shakespeare Conference

No abstract provided.

The “Local Habitation” Of Marian Intercession In Shakespeare’S Plays Of Justice And Mercy, Elizabeth Burow-Flak

Selected Papers of the Ohio Valley Shakespeare Conference

No abstract provided.

Hamlet, The Ghost, And A New Document, David George

Selected Papers of the Ohio Valley Shakespeare Conference

No abstract provided.