Arts and Humanities Commons^™

Highlights In Jazz Concert 327- Highlights In Jazz Audience Favorites, Jack Kleinsinger, Danny Gottlieb

Jack Kleinsinger Presents Highlights in Jazz

Jack Kleinsinger presents Highlights in Jazz. The concert was held at The Tribeca Performing Arts Center, Thursday, May 12th, 2016 at 8:00 pm. Jack served as producer and master of ceremonies for the series of concerts. Artists for the concert include Bucky Pizzarelli, Wycliffe Gordon, Alexis Cole, Nicki Parrott, Bria Skonberg, Frank Vignola, and Alvin Atkinson.

Filter Feeding, Sam Boven

Graduate School of Art Theses

This paper is an investigation of the mechanics of evolutionary processes and its methods. These investigations are representative of both a world view and a methodology of artistic production. I consider a central consideration of my current work to be the interaction of distinct components and the new experience that these interactions produce when pondered by a viewer. Evolution and the development of life is driven ever forward by the interactions between organisms, both as groups and individuals. By grouping these relationships into three categories: parasitism, predation, and symbiosis, I aim to provide a lens through which to consider both …

Fundamental Awareness: A Framework For Integrating Science, Philosophy And Metaphysics, Neil D. Theise, Menas Kafatos

Mathematics, Physics, and Computer Science Faculty Articles and Research

The ontologic framework of Fundamental Awareness proposed here assumes that non-dual Awareness is foundational to the universe, not arising from the interactions or structures of higher level phenomena. The framework allows comparison and integration of views from the three investigative domains concerned with understanding the nature of consciousness: science, philosophy, and metaphysics. In this framework, Awareness is the underlying reality, not reducible to anything else. Awareness and existence are the same. As such, the universe is non-material, self-organizing throughout, a holarchy of complementary, process driven, recursive interactions. The universe is both its own first observer and subject. Considering the world …

Learning To Love Literature, John Baas

Staff Work

"I keep finding people to admire in books."

Posting about ­­­­­­­­developing a love of reading from In All Things - an online hub committed to the claim that the life, death, and resurrection of Jesus Christ has implications for the entire world.

http://inallthings.org/learning-to-love-literature/

The Early Schenkerians And The "Concept Of Tonality", John Koslovsky

Gamut: Online Journal of the Music Theory Society of the Mid-Atlantic

This essay investigates the role that a single expression played during the years when Schenker’s ideas began to disseminate en masse, the so-called “concept of tonality.” In particular, it examines how three key Schenker disciples—Oswald Jonas, Felix Salzer, and Adele Katz—used the expression to promote his/her own vision of Schenkerian analysis and pedagogy during the 1930s, 40s, and 50s. While considering the writings that gave birth to the expression, the essay also points to the common sources these early Schenkerians drew on in forming their narratives around Schenker, and it goes on to explore the divergent paths those narratives …

On The Slow Movement Of Brahms's F-Minor Clarinet Sonata: Thirds-Cycles, Diatonie, And Todesangst, Edward Klorman

Gamut: Online Journal of the Music Theory Society of the Mid-Atlantic

The slow movement (Andante un poco adagio) of Brahms’s Sonata in F Minor for Piano and Clarinet, op. 120, no. 1, poses two significant challenges for a Schenkerian analysis: (1) pervasive, surface-level rhythmic displacements throughout the A section obscure the relationship between melody and bass; and (2) the B section is organized as a major-thirds cycle, a procedure that has often been regarded as incompatible with the underlying Diatonie of Schenker’s framework. This study develops two plausible interpretations of the ambiguous A section, of which one is selected for its clearer alignment of outer-voice counterpoint with formal function. …

Essays From The Fifth International Schenker Symposium (Part I), William M. Marvin

Gamut: Online Journal of the Music Theory Society of the Mid-Atlantic

No abstract provided.

Do It Again: Sequences In Gershwin And Kern’S Popular Songs, Maxwell Ramage

Gamut: Online Journal of the Music Theory Society of the Mid-Atlantic

Melodic sequences can create musical unity, enhance extra-musical drama, and make a piece memorable. In constructing their popular songs for Broadway and Hollywood, Gershwin and Kern both employed melodic sequences, but did so in mutually differing ways. This article opens with a broad-brushed comparison between the composers’ most popular songs and finds that Kern had a greater predilection for sequences than did Gershwin. Next, I closely analyze several songs by each composer in order to specify differences between the two songsmiths’ approaches to sequence. It is determined that Gershwin often reserves melodic sequence for musical climaxes, whereas Kern tends to …

Concise Manual Of Harmony, Intended For The Reading Of Spiritual Music In Russia (1874), Piotr Illyich Tchaikovsky, Liliya Shamazov (Ed. And Trans.)

Gamut: Online Journal of the Music Theory Society of the Mid-Atlantic

No abstract provided.

Preface To Piotr Illyich Tchaikovsky, Concise Manual Of Harmony, Intended For The Reading Of Spiritual Music In Russia (1874), Liliya Shamazov

Gamut: Online Journal of the Music Theory Society of the Mid-Atlantic

No abstract provided.

Immersions In Global Equality And Social Justice: A Model Of Change, Kevin Guerrieri, Sandra Sgoutas-Emch

Engaging Pedagogies in Catholic Higher Education (EPiCHE)

In the work for global equality and social justice, how should “change” be understood? Who determines what must change or be changed? In the efforts to carry out social change, what is the academy’s relationship with the community, society at large, and the broader world? This article parts from these and other key questions and then proposes a model of change that can be used as a lens for examining any project, program, or organization with the aim of creating positive change that is meaningful, sustainable, and holistic. The article provides both an explanation of the underlying interdisciplinary theoretical framework …

The Spirituality Of Immersion: Solidarity, Compassion, Relationship, Michael E. Lovette-Colyer

Engaging Pedagogies in Catholic Higher Education (EPiCHE)

While the term spirituality can be problematic, obscuring as much as revealing, immersion experiences cannot be understood fully without exploring the contours of what can only be described as spirituality. To the extent that they work, immersions effect change when they speak to the deepest longings of the heart. While manifesting in many different ways, the spirituality of immersion revolves around three major components: solidarity, compassion, and relationship. The spirituality of immersion is a developed relationality, a desire to enter into richer, wider, more expansive relationships with others, which naturally leads into deeper relationship with God.

Answers Will Come, Gabrielle Wolfe

The Anthology

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Nesmith's Stuff, Zach Nesmith

The Anthology

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Pierre Avec Du Chocolat, Abdul Shabazz

The Anthology

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Identity Withheld 4, Dylan Bannister

The Anthology

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Piles, Heidi Nisbett

The Anthology

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Primal Scream, Philip Perry

The Anthology

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Dragon Bottle, Sarah Stokes

The Anthology

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No Feet, Kwan Fuller

The Anthology

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Summer House, Caroline Riley

The Anthology

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Serenity, Will Lattman

The Anthology

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Delicato I, Kwan Fuller

The Anthology

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Still Life Disrupted, Lindsey Bargar

The Anthology

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Quarterly Quitters, Sarah Kinard

The Anthology

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Sentiment For Evanescence, Ashley Felder

The Anthology

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On The Floor: Of The Earth, Nicole Davenport

The Anthology

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Chicken, Heidi Nisbett

The Anthology

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Laundry Mat Love, Elli Mcnall

The Anthology

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Accumulating, Joanna Henry

The Anthology

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