Arts and Humanities Commons^™

Ontology Of The Discarded, Hae Young Kwon

Masters Theses

'Ontology of the Discarded' proposes a methodology for conferring existential legitimacy on everyday objects that are easily cast aside by turning them into jewelry. By projecting my own experience of once having been abandoned onto these trivial, voiceless things, the work offers consolation and a path to overcoming neglect. The thesis philosophically analyzes the human〝object relationship and the value judgments humans impose on objects, and, through research on related artworks, demonstrates how jewelry-fying quotidian items transforms both their value and their relationship with viewers. Each piece examines the object's inherent properties and, through strategic jewelryification, elevates it with a distinct …

An X-Ray Of Mẽbêngôkre Houses In Terms Of Matrimonial Alliance, Vanessa R. Lea, Leandro Mahalem De Lima

Tipití: Journal of the Society for the Anthropology of Lowland South America

This article examines the matrimonial implications of the Houses, or matrihouses, of the Mẽtyktire subgroup of the Mẽbêngôkre (Kayapó-Jê) with the assistance of Puck (Program for the Use and Computation of Kinship Data) and Pajek software. In accordance with the greater legibility of graphics, statistical results have been converted into graphics whenever possible. The analysis is based on a revised version of a dataset spanning the years 1978 to 1982 and published on the site Kinsources. What began as a village census later morphed into genealogies, which served as the basis for the digital dataset. The matrihouses …

Missionary Ernestine Wilson-Frazier

African American Funeral Programs

Missionary_Ernestine_Wilson_Frazier.pdf - Funeral program for Ernestine Frazier

Collaus Taylor

African American Funeral Programs

Collaus_Taylor.pdf - Funeral program for Collaus Taylor

Mrs. Jimmie Lee Canty

African American Funeral Programs

Mr_Jimmy_Lee_Canty.pdf - Funeral program for Jimmie Canty

Soft Potential, Jennifer Choi

Masters Theses

“Soft Potential” highlights the potential of furniture and objects to encourage idiosyncratic and open usage through flexible, modular systems. I utilize modularity as a major tool in prompting interaction and transferring agency. Modular systems embody flexibility in form and function and enable people to tailor designs according to their own ideals. This reflects my aim of designing non-prescriptive work, exercising a soft approach to furniture design.

In this work, softness is a rejection of rigidity in support of human tenderness and agency. Softness in furniture can be both literal and metaphorical — embracing the contours of the human body while …

Lingering Loading, Chi Hao Chang

Masters Theses

In a culture that values speed, seamlessness, and instant clarity, Lingering Loading investigates how graphic design can slow down our ways of seeing and knowing. As technology, internet culture, and social media continue to condition us to expect immediate answers, we have become more passive in how we receive meaning. We scroll, absorb, and move on—often without time to ask what we truly think or feel. But in the increasingly rare moments of pause, something undefinable can happen.

To linger is not to delay progress, but to make space for participation—for meaning to emerge from within, not be delivered from …

The Story Of Stories, Yichu Wang

Masters Theses

I don’t recontextualize objects—I subvert them.

I’m not interested in paying homage to forms or giving them a

second life. I don’t see a fire hydrant and think, “what if it were

a lamp?” I’m not recycling visual cues to create metaphor. What

excites me is the slippage—when an object escapes its assigned

role and starts to unravel. My work imagines this moment: when

function collapses, and the familiar becomes estranged.

This is my version of “I think, therefore I am”—not through

language, but through distortion. By twisting the physical

world, I interrogate our reliance on order, logic, and legibility. …

Welcome To My Mind Palace: The Power Of Fantastical Thinking, Sadie Levine

Masters Theses

What follows is a record of my efforts to make the magic and horrors of my internal world tangible and shareable. The brain constructs hyper-specific fictional realities from childhood to adulthood, yet the scientific study of the mind often forgoes the subjective and the visual. I offer a complementary exploration of the mind - one that is highly visual and based on my own experiences, yet still contextualized in psychological research. Finding the magic in everyday life, and by extension, retreating into alternate realities, is a conscious choice I make, but I have not always had the option to choose. …

Fire Fossils: Biomineral Infrastructures In Untangling Climates, Tanmayee More

Masters Theses

Diatoms drift, sediments sink, wildfires generate their own weather. Lightning strikes can blast sand into glass, and microscopic organisms do the same in the cold recesses of the ocean. What alchemies and metabolisms catalyze space, time, and energy? What are the thermodynamics of infrastructure in Climate Change?

Places, materials, and beings are afterimages. Through alchemical experiments, and multi-scalar imaging, I develop simulations of wildfires, and their profound, reverberating effects. In this thesis, a glass-meets-landscape experimental process enters these obscured conditions and renders new material relations for the built environment.

The Portals: Jewelry As A Site Of Escape And Solace, Jung Ki Min

Masters Theses

This thesis investigates jewelry as a medium for emotional escape and psychological refuge, offering multisensory alternative forms of escapism. Rooted in personal experiences of continuous change and instability, the work explores how imagined spaces—constructed through AI-generated and digitally assisted visuals and layered material processes—can serve as intimate sanctuaries. Drawing from psychological theories, surrealism, and escapism, the study positions jewelry as a portable interface that enables temporary retreat without full detachment from reality. The series of work, which integrates transparent acrylic, visual layering, and subtle dimensionality, materializes these imagined spaces into wearable forms. These pieces invite reflective engagement, allowing wearers to …

The Terror Of The Threshold: On Impermanence, Enclothed Hauntology, And Rest, David M. Legrand

Masters Theses

My artistic practice explores the intersections of impermanence, enclothed cognition, necropolitics, and rest as intertwined acts of decolonial resistance. Through a studio practice rooted in transient mediums—charcoal, chalk, and erasure—the work confronts neoliberal and anti-Black demands for coherence, productivity, and permanence. The ephemeral drawings, layered and dissolved on my studio walls, embody a fugitive aesthetic inspired by Édouard Glissant’s “right to opacity[1],” rejecting colonial logics of legibility and commodification. These impermanent gestures mirror Haiti’s silenced revolutionary history[2], as theorized by Michel-Rolph Trouillot, while invoking Vodou’s vevè symbols as counter-archives of survival.

Enclothed cognition[3] is reimagined …

Gamifit, Sishu Wu

Masters Theses

How can we make fitness feel more like raising a pet than checking off a chore?

Gamifit is a playful system that helps beginners build exercise habits by blending AR fitness pets (Fitimals) with a simple physical reminder device (The Dock). Instead of tracking numbers and steps, it focuses on emotional motivation—your Fitimal eats, rests, and grows based on your workout consistency. Skip too many days, and they might get sick... or even leave.

This project uses gamification to bring short-term joy into a long-term challenge, creating a softer, kinder fitness journey—one that feels fun, forgiving, and actually worth sticking …

Designing Between Worlds, Levon Kostandyan

Masters Theses

This thesis reimagines design as a means of cultural continuity—an act of memory, resistance, and transformation. Rooted in the diasporic Armenian experience, it explores how identity is carried not only through storytelling, but through materials, rituals, and objects that evolve across time and place. Through the transformation of pomegranate skin from waste into a meaningful design material, the project navigates the space between symbolism and substance, honoring both the fruit’s ancestral weight and its potential as a living material language.


The work moves between personal narrative, historical research, and material experimentation, engaging with themes of displacement, hybridity, and embedded knowledge. …

Windbound, Selina Kehuan Wu

Masters Theses

Can we navigate reality outside the constraints of chronological progression? As beings seemingly chained to linear time, can memory become a way to transcend this structure—to resist it, to time travel? What if time, instead of a line, is like the wind—non-linear, unpredictable, and both a force of creation and destruction?

Structured around three interwoven notions—the impulse to preserve (why), the forms that time takes (what), and the gestures through which we intervene (how)—this thesis explores how graphic design engages with the mutable, non-linear nature of time. The first notion, memory labor, considers the poetic and emotional …

Gesture And Trace, Luisa M. Heindl

Masters Theses

I approach type as both gesture and trace: something made and something read, impulse and afterimage, formed through action, reception, and reuse.

My work focuses on the smallest components of written narratives: the shapes that form and encase letters, and the typography that enhances the emotional and cultural resonance of text. I explore how type and language encode meaning through various lenses, whether through the ideological ‘freight’ of reviving or using historical styles, the emotional charge of certain forms, the possibilities of variable font technology, or the curated (and sometimes instrumentalized) narratives embedded in nostalgic-feeling visual trends.

Typographic expression embodies …

I Don't Want To Talk About It, Margaryta Winkler

Masters Theses

This thesis is a contradiction. It is an attempt to verbalize what words can’t capture. It asks what is lost, what is gained and what can only be said when nothing is said at all. It is a love letter to wordless visual narratives. Drawing on the work of animators and illustrators like Gints Zilbalodis, Don Herzfeldt, Shaun Tan and Sophie Burrows, as well as the author’s own explorations, it looks at the risks and rewards of wordless storytelling. It is about silence, but not absence. It is about images that refuse to be reduced to captions and stories that …

Moving With Mountains, Matthew Freeman

Masters Theses

Bodily experiences with stones can produce an experience of the sublime. Through the act of traversing a stone, we can reorient our sense of scale and situatedness in nature. In this thesis, I invoke natural forces of great magnitude in an intimate context, making portable the expansion of thinking that occurs when we imagine ourselves on and as surfaces resembling landscapes.

I have developed my methodology through fieldwork in gorges, beaches and museums, culminating in a study of the conventions of Scholar’s stones and the aesthetics of the sublime. I define the sublime in historical and contemporary contexts by analysing …

The Dialectic Of Airless Space, Ophelia Arc

Masters Theses

The Dialectic of Airless Space is a cumulative, cross-disciplinary research project that explores ‘airless space’ as a somatic and psychological condition shaped by institutional environments. Unfolding over time through five interrelated books, the project weaves together writing, ephemera, textile sculpture, and drawing to archive the invisible architectures of bodily and mental experience.

Ib-Adat, Anum Naseer

Masters Theses

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Note Of An Image-Game Maker, Yuanhui Li

Masters Theses

This notebook archives the process of cases I turn images into games, and my own evolution as an image-game creator along the way. A clarification: image games are not images made for games, but images as games. This is a diary, a scrapbook, a message record, an album, a specimen folder. Here, I attempt to analyze the experiences that make up my artistic body. To unfold why image games have become my intuition. Or, even if I never find the answer, to leave an anchor for the future me. Ideally, one of the four editions of this notebook will always …

Unnatural Nature: A Visual Artist’S Reflection On Myth, Medium, And Feminine Being, Rong Xu

Masters Theses

My artistic journey has been guided by a childhood fascination with mythology and how our ancestors interpreted the natural world. As my practice evolved toward digital media, I began questioning what "nature" truly means—is it an objective reality or a construct filtered through cultural lenses and personal experience?

The transition from traditional to digital tools—from physical brushes to Apple Pencil and Wacom stylus—removed much of the spontaneous dialogue with materials that once mirrored nature's own randomness. While I initially celebrated my ability to simulate traditional techniques digitally, I now recognize this transformation demands a fundamental reconsideration of how artists connect …

Embodied Archives, Emerging Futures, Xuân-Lam Nguyen

Masters Theses

Fifty years after the end of the U.S.–Vietnam War, this thesis reflects on the entangled relationship between the two nations, inspiring hope while challenging dominant representations of trauma and tragedy. Drawing from autobiography, family history, folk art traditions, colonial photographs, hierarchies within art history, archives of student activism, and key geopolitical events, the work explores the complex intersections of queer identity and glitchy historical narratives. Combining research-based inquiry with time- and labor-intensive processes, it reimagines historical materials to construct alternate possibilities for the future.

To Stain The Soul, Shaoqing Chen

Masters Theses

The process of art-making is a BDSM activity. Painting doesn’t start from the brain. It starts from the hands. Most of the time, painters move through muscle memory, not thought. So, who is in control? I believe there is a higher being—the God of Art. Not a person, not a legend, but something beyond exciting. It loves to see the artist sacrificed, suffering, twisted. It wants something beautiful and painful.

My art practice in the studio is like a BDSM moment in a dungeon. I am the submissive. The god is the one who gives orders. The more I suffer—both …

A Personal Manual Of Escapism, Qing Wen

Masters Theses

In this fast-paced, information-saturated era, avoidance has become a common mechanism of self-preservation. Confronted with global crises and structural instability, the current generation increasingly adopt a pessimistic stance toward the future: some retreat into virtual worlds, others find themselves unable to bear the weight of real-life responsibilities, and many turn to art as a private sanctuary. But is avoidance only a pejorative term?

It wasn’t until recently that I realized, nearly all of my creative work has stemmed from a place, or an action of escape. The imagined worlds I’ve built, the spaces I created to flee from reality—without knowing …

Where Motion Lingers..., Cheng-Lin Lee

Masters Theses

In the pursuit of seamlessness, modern technology has become oversimplified, reduced to simple taps and pushes of buttons. This standardized interaction feels distant and mechanical, offering services without inviting touch, movement, or emotion.

This thesis explores how technology can blend into everyday life in a gentle way. The designed objects will focus on integrating familiar movements that elicit moments of harmony within interactions with technology. Through design transformations, this project seeks to uncover how everyday movements, like lifting a handle and placing flowers, can transform our technological exchanges into something felt rather than simply performed.

The findings reveal that when …

Rooted In Embodied Making: A Notebook On Process, Vija Lietuvninkas

Masters Theses

This thesis takes the form of a wooden box containing an archive of fragments – scanned notebooks, sketches, photographs, emails, journal entries, and other materials – that trace a year of embodied, process-based inquiry. Rather than presenting a linear argument or a polished final product, the work reflects a nonlinear, exploratory methodology grounded in making, wandering, and self-reflection.

Born within the context of the 2025 Sustainability Design Lab, an interdisciplinary initiative at RISD examining the material culture of wood across design fields, this project documents the artist’s evolving engagement with green wood as both material and metaphor. Through practices such …

Pressing Into Absence, Linda Sok

Masters Theses

Pressing into Absence traces the materials, processes, and works I have engaged with between March 2023 and May 2025, positioning historical and contemporary narratives in dialogue with one another. This book interweaves colonial-era source materials (from 1864- 1928) - writings, etchings, and paintings of Cambodia produced by persons from the United States of America and France - with personal anecdotes from my travels to Cambodia in 2024. These accounts are layered alongside speculative reflections in the form of text, sketches, mind maps, and material explorations. These archival remnants and personal experiences are folded together and positioned as equally reliable sources. …

Where The Ocean Ends, The Mountains Becoming, Yuchen Wang

Masters Theses

The father figure casts a long shadow—both a scaffold and a snare. Inherited silence, latent anger, and the fear of being seen are unspoken legacies that bind me. I move within a structure he built that promised protection yet enforced obedience. There, love was often inseparable from control.

This work emerges from the fracture between resistance and inheritance, between the instinct to escape and the compulsion to remain tethered. The paternal presence is no longer a person, but rather a system—an architecture of power and repression—that continues to influence my gestures, choices, and silences. Even distance fails to sever the …

Smora: Breath As Memory, Pratikesh Pundkar

Masters Theses

Smora: Breath as Memory explores smell as a medium for memory, presence, and emotional communication in a world dominated by visual and audio stimuli. The project investigates olfactory interaction through multisensory design, proposing a tangible product system called Smora Cassette that captures, stores, and shares scent memories. Grounded in user research, expert interviews, and material prototyping, Smora speculates a future where smell reconnects us to the truth of lived experience, offering a poetic yet grounded alternative to AI-generated realities.