Arts and Humanities Commons^™

Evanescence, Sandra Miskelly

Exile

No abstract provided.

The Day Of The Painters, Edmund Boynton

Exile

No abstract provided.

Recurrence: A Prose-Poem, Nikos Stangos

Exile

No abstract provided.

Hate Eats, Karen Howey

Exile

No abstract provided.

The Harvest, Anne Irgens

Exile

No abstract provided.

Aberration, Barbara Haupt

Exile

No abstract provided.

Beyond The Bauxite Mines, Barbara Ann Jucius

Exile

No abstract provided.

Untitled, Anne Irgens

Exile

No abstract provided.

The Accused, Ellen Moore

Exile

No abstract provided.

These Woods, Barbara Haupt

Exile

No abstract provided.

The August Rose, Virginia Wallace

Exile

No abstract provided.

Editorial, Gordon Garrett, Virginia Wallace

Exile

No abstract provided.

In Place: October 11, 2017, Place

PLACE Historical Documents

In PLACE is a newsletter designed to keep the Linfield College community apprised of information related to PLACE activities, as well as ways to bring the program into classes. Included in this issue:

• A Message to Faculty
• Spotlight On: Jonathan Rauch & Cheryl Harris
• Upcoming Events
• PLACE in the News
• Last Week in PLACE

Hutto, Mary Elizabeth (Peal), 1905-2001 - Relating To (Sc 3151), Manuscripts & Folklife Archives

Manuscript Collection Finding Aids

Finding aid and scans (Click on "Additional Files" below) for Manuscripts Small Collection 3151. Funeral program and photograph of Bowling Green, Kentucky native Mary Hutto, obituaries of Hutto’s parents, and associated information.

Part 6: Miscellaneous And Bibliography, Jack L. Dickinson

C.S.S. Alabama: An Illustrated History

The Alabama claims were a diplomatic dispute between the United States and Great Britain that arose out of the U.S. Civil War. The peaceful resolution of these claims 7 years after the war ended set an important precedent for solving serious international disputes through arbitration, and laid the foundation for greatly improved relations between Britain and the United States.

Part 3: Cruise Of The Alabama, Jack L. Dickinson

C.S.S. Alabama: An Illustrated History

“The Alabama was built for speed rather than battle. Her lines were symmetrical and fine; her material of the best. In fifteen minutes her propeller could be hoisted, and she could go through every evolution under sail without any impediment. In less time her propeller could be lowered; with sails furled, and yards braced within two points of a headwind, she was a perfect steamer. Her speed, independent, was from ten to twelve knots; combined, and under favorable circumstances, she could make fifteen knots. When ready for sea she drew fifteen feet of water.”

Century Magazine, 31, April 1886, p.911.

Part 5: Exploration & Excavation, Jack L. Dickinson

C.S.S. Alabama: An Illustrated History

During June and July 2001, the American CSS Alabama Association and the French Association CSS Alabama carried out an archaeological investigation of the remains of the Confederate commerce raider CSS Alabama. Under the direction of Dr. Gordon P. Watts Jr., American and French archaeologists, French volunteer divers and French Navy personnel cooperated in an examination of the wreck that took place between 6 June and 4 July. Objectives for the investigation included video and 35mm photographic documentation of the wreck, limited test excavation in the officer’s quarters and recovery of selected artifacts exposed on the bottom surface. Unfortunately the most …

Part 4: Battle With Uss Kearsarge, Jack L. Dickinson

C.S.S. Alabama: An Illustrated History

“June 19: Lying off Cherbourg. Moderate breeze from the westward. At 10:20 am discovered the Alabama steaming out of the port of Cherbourg, accompanied by a French ironclad steamer and a fore-and-aft rigged steamer, showing the white English ensign. Beat to general quarters and cleared for action. Steamed ahead, standing offshore, being distant from land about 2 leagues; altered our course and approached the Alabama."

Official Records of Union and Confederate Navies, I, 3, p.64.

Marshall University Music Department Presents Jazz Combo I, Mr. Jeffrey Wolfe, Director, Jeff Wolfe

All Performances

No abstract provided.

Spectacular Spaces Of Consumption, Ellen G. Watkins

The Kennesaw Journal of Undergraduate Research

Abstract:

Many pre-professional dance studios have become consumer driven in response to the growing economic practice of neoliberalism. Neoliberal values have become more prominent in today’s economy and inevitably seeped into the lives of dancers and instructors, creating consumer based pre-professional training schools. This paper argues that the current neoliberal state of the United States is negatively affecting dance education by reducing specialized and therapeutic training and as a result numbing the creative mind and the artist’s entrepreneurial abilities. This research begins with the basic definition of neoliberalism and discusses how the theory of homo politicus and homo economicus individuals …

Mood And Mode: The Impressionistic Commonalities Of Claude Debussy And John Coltrane, Simon B. Needle, Edward Eanes

The Kennesaw Journal of Undergraduate Research

There are marked parallels in scale use, the use of modality and harmonic construction and movement in the music of John Coltrane as compared to impressionist composers like Claude Debussy. The modal harmonic exploration employed in the works of Coltrane is often attributed to the Indian raga and other music, but it can also be likened to Impressionist works by Debussy. A fascination with exoticism and a search for new veins in music to draw from propelled both of these artists forward musically. While Debussy learned medieval modality from the Russians, Coltrane looked further East to the Arab world and …

The Influence Of Chimú Metalworks On Inca Metalworks, Maria Shah, Hannah Pelfrey, Jessica J. Stephenson

The Kennesaw Journal of Undergraduate Research

One of the cornerstones of art history is the attribution of art work to an artist, culture or time period. Art historians perform this work through a number of methods, including an analysis of medium, provenance, and object history, with the goal of placing a work within a chronological sequence. However, art historical attribution becomes a challenge when studying lesser known cultures or cultures of the past whose art works have been removed from archaeological contexts without rigorous study. As a result, attributions and classifications are sometimes based on minimal information. Once published this information is often uncritically perpetuated. One …

Political Animal: Florence Brown Cotnam And The Arkansas Women's Suffrage Movement, Jared Barton Craig

Theses and Dissertations

Florence Brown Cotnam was a suffragist, war worker, clubwoman, one-time congressional candidate, and an active member of the Democratic Party. She entered the Women’s Suffrage Movement when nothing got done, especially in the American South that opposed equal suffrage on racial and social grounds. The Arkansas General Assembly stalled legislation. Equally daunting were the anti-suffrage arguments were rampant, both in government corridors and in communities across the state. Cotnam was uniquely suited to change that. She remade the perception of a suffragist through a robust publicity campaign, linked the movement to World War I, made suffrage a patriotic issue, countered …

Caitlin Keogh: Feminine Feminism, Madeline Beck

The Kennesaw Journal of Undergraduate Research

The painter Caitlin Keogh (b. 1982) is a rising star in the Contemporary Art scene in the United States. Currently living and working in Brooklyn, New York, Keogh is one of countless emerging painters in the trendy arts hub, but her work is already receiving international attention and critical acclaim. Her refined use of flat figuration and bold but pastel colors combined with her striking subject matter has situated Keogh distinctly in the massive contemporary art scene today. Keogh’s insertion of feminist discourse, personal identity, and appropriated imagery into her paintings begs a thorough analysis of her work. She implements …

The Danger Of Unqualified Dance Instruction In Private Dance Studios And Social Media, Angelina M. Pellini

The Kennesaw Journal of Undergraduate Research

While dance classes have become a popular activity for children in the United States, most people are unaware of what constitutes “quality” dance instruction. This idea has been addressed at a collegiate level yet the lack of standards for dance instruction at the studio level has been overlooked. This research draws attention to this issue and the need for a potential solution to the problem. The project strives to answer these questions: Is there a trend between the lack of standards for dance education and the prevalence of injuries in young dancers? If so, is there a way to address …

Big Bands, Usu Jazz Ensemble, Usu Jazz Orchestra

All Music Department Programs

USU Jazz Ensemble and Orchestra perform various jazz pieces in the "Big Bands" event.

Guest Artist Recital: Raphaella Smits, Guitar; October 11, 2017, Raphaella Smits

School of Music Programs

Kemp Recital Hall
October 11, 2017
Wednesday Evening
7:30 p.m.

Reflections By Federico Campbell About The Writing Process, Dolores Rangel

World Languages & Cultures: Faculty Publications

Resumen: Se analizó el tratamiento de los temas de la impotencia literaria o esterilidad escritural, la frustración y depresión que surgen ante esta condición, la impostura, la memoria y la influencia de la imagen del padre en el escritor y su creación en Post scriptum triste (1994) y Padre y memoria (2009), de Federico Campbell, a la luz de las ideas del filósofo estadounidense Stanley Cavell sobre el escepticismo y la capacidad que tiene un texto para llegar a influir en su lector.

Abstract: We analyzed the way of addressing the issues of literary helplessness or writing sterility, frustration and …

Guest Open Reading, Schumann's Dichterliebe, October 10, 2017, Lawrence University

Conservatory of Music Concert Programs

Memorial Chapel

A Reflection On Catholicism, Legalism And Nuclear War, Robert F. Drinan

The Catholic Lawyer

No abstract provided.