Arts and Humanities Commons^™

"Breaking Barriers: First-Gen Experiences", Julian Melendez Miranda

First-Gen Voices: Creative and Critical Narratives on the First-Generation College Experience

Journey to college as a first-generation student, navigating challenges and self-doubt.

First Gen Voices, Jesus Arias

First-Gen Voices: Creative and Critical Narratives on the First-Generation College Experience

Looking back at my first semester, I’ve made some truly fond memories. Starting off with an amazing group of people in the program and going on our retreat helped me find a community I could rely on. This community has remained by my side, even during challenging times, and for that, I’ll always be grateful. Whether it was tackling escape rooms or being part of First Year Seminar, the first-gen community has shown itself to be incredibly strong and tightly connected.

The First Generation, Alberto Martinez

First-Gen Voices: Creative and Critical Narratives on the First-Generation College Experience

My poem basically describes how I feel as a first-generation student is. Many of us including myself, felt as if we were alone, not knowing if we have someone by our side, but through our experience, we do share a common ground. First to go is a place where we all can share that and is a place where we do not have to be alone but have the support of those around us who can relate to how we feel.

Roots, Aolanni Jimenez-Gonzalez

First-Gen Voices: Creative and Critical Narratives on the First-Generation College Experience

This poem closely focuses on my experience and acceptance of my first-generation identity. Language is a symbol of my heritage from my family and how I carry hope and resilience as I navigate my everyday life. I want to depict my journey through language and how it serves as a powerful source to communicate with my loved ones and others. While appreciating the roots and strength of my family and striving to live out my dreams and be the first of many to come.

Balance, Alondra Hernandez

First-Gen Voices: Creative and Critical Narratives on the First-Generation College Experience

Through the poem, I wanted to explain my journey as a First Gen student who was struggling to balance school and work. I also wanted to represent the many students who are facing the same fight everyday. My hope was to show encouragement and motivation to keep going.Making sure to remind yourself to live each day knowing you're doing your best.

First Doubts, Carla Bueno

First-Gen Voices: Creative and Critical Narratives on the First-Generation College Experience

As first-gen students, we often struggle with the identity and responsibility of being the firsts to navigate through the unknown. With this, doubts of our ability to succeed come naturally and these can be consuming. My advice is to not be afraid of using resources available and asking questions as these are the first steps into finding our way in institutions not built for us.

Dreams To Reality, Annette Gomez

First-Gen Voices: Creative and Critical Narratives on the First-Generation College Experience

Beneath the shade of the trees, I reflect on the weight of my family’s dreams and the determination it takes to pursue a degree. The clear blue skies and open spaces remind me that possibilities are just as boundless, even when the roads feel steep. Here, amidst the peace and beauty I find the strength to strive as a First-Generation Latina student.

A New Beginning, Jefferson Ramos

First-Gen Voices: Creative and Critical Narratives on the First-Generation College Experience

The purpose of my reflection is to demonstrate to other individuals, especially first-generation students, my experience with the college process, along with the obstacles I faced, the doubts, and everything that comes along with being the first person in your family to attend a higher education institution in the United States. In my reflection, I describe the process that I experienced, from the very beginning of high school to the start of my college journey. To finalize my reflection, I leave the reader with three important tips I have learned along the journey: being resilient, not being afraid of new …

My Experience, Gabby Flores

First-Gen Voices: Creative and Critical Narratives on the First-Generation College Experience

This essay reflects personal experiences starting college and navigating new environments that are new to me.

Deceiving Angels Ii, Alejandra Rodriguez

First-Gen Voices: Creative and Critical Narratives on the First-Generation College Experience

I share a dream with my family. The dream of graduating from college, getting a good job, and living a better life. A life where we won’t be financially tied down. I am now attending Loyola Marymount University and pursuing a degree in Animation. I’m the first in my family to pursue a degree in Film & Television, and even though I can’t help the thoughts that I should be doing something more “impactful,” I know that it’s my passion and that it is the combined efforts of my family and those who have helped me, that led me here. …

Trailblazin, Zahir Pineda

First-Gen Voices: Creative and Critical Narratives on the First-Generation College Experience

My "trailblazin" collage is just a collage of me and my brother as we grew up. It was just us two for the majority of our childhood and we were always pushed to make the most of our education here in the US. Growing up I always relied on him, and he made sure to be there to guide me and help me learn from his mistakes. Fast forward to now and we're both at LMU together, and the same way he trailblazed the path for me, I hope to do for my two younger siblings. It symbolizes what has …

Introduction

First-Gen Voices: Creative and Critical Narratives on the First-Generation College Experience

No abstract provided.

Family Dynamics In Everything, Everywhere, All At Once, Isabell Lachinpour

First-Gen Voices: Creative and Critical Narratives on the First-Generation College Experience

This paper was originally a submission for my general psychology final. The prompt for it was to analyze any topic covered in class and connect to any form of fictional media. I chose to study the social psychology behind the relationships of immigrant parents and their children, connecting it to the movie Everything, Everywhere, All At Once by Daniel Scheinert and Daniel Kwan. I especially picked this movie because of how connected I felt to the characters in the movie as I have gone through some of the same experiences they have and know many immigrant children that have felt …

Summer And Smoke Poster, Providence College Department Of Theatre, Dance, & Film

Playbill and Promotion

Providence College Department of Theatre, Dance & Film

Angell Blackfriars Theatre

Summer and Smoke by Tennessee Williams

October 30th - November 9th, 2025

Summer And Smoke Playbill, Providence College Department Of Theatre, Dance, & Film

Playbill and Promotion

Providence College Department of Theatre, Dance & Film

Angell Blackfriars Theatre

Summer and Smoke by Tennessee Williams

October 30th - November 9th, 2025

Director, Erin Joy Schmidt

Costume Design, David Costa-Cabral

Lighting Design, John Malinowski

Voice & Dialect Coach, Megan Chang

Scenic Design, Scott Osborne

Sound Design, Stuart Holland

Properties Design, TDF Production Team

Cast: Luke MacDonald - Rev . Winemiller; Olivia Barbarini - Mrs. Winemiller; Kyley Robinson - Alma Winemiller; Jude Larson - Dr. John Buchannan, Sr.; Jack Jozefowski - John Buchannan, Jr; Jesatey Zapata - Rosa Gonzales; Anthony Maldonado - Gonzales; …

Integration Through Reform: Le Conflit That Shaped The European Union, Ricardo E. Arellanes

Claremont-UC Undergraduate Research Conference on the European Union

Historians and political scientists have highlighted Charles de Gaulle’s initial hostility towards European integration and tended to ignore his nationalist policies in favor of a focus on pan-European free trade systems. They have also argued that de Gaulle’s vision of establishing a “European Europe” created more problems than solutions. These scholars have primarily approached the question through a realist perspective, holding that de Gaulle believed that total integration would allow larger nations to manipulate smaller ones. This essay argues the opposite. In his effort to restore France’s reputation as a strong world power, de Gaulle actually helped to reinforce the …

The History Of Nazi Neuroscience: Tracing Evidence Through Voids, Angela Gushue

Claremont-UC Undergraduate Research Conference on the European Union

During the Holocaust (1933-1945), voids were created by the destruction of ethics, morality, and human life. We can detect this absence because of material traces of the events. My paper applies the theory of relational ontology of absence to a collection of empty jars on display at the Josephinum, a medical history museum in Vienna. The jars once contained human remains of children murdered in the “euthanasia” program at Am Spiegelgrund, a psychiatric clinic in Vienna where 789 were killed during the Nazi era. These victims were not commemorated until the early 2000s, when the specimen jars were emptied and …

A Buddhist Critique Of Harmony, James Mark Shields

Faculty Contributions to Books

No abstract provided.

Introduction – Musiques Au Proche-Orient Après Le Tournant Numérique, Amr Abdelrahim, Thomas Michel, Nicolas Puig

Regards

Le développement des pratiques du do it yourself, l’avènement des home studios et la multiplication des circulations sonores (samples, échantillons sonores, etc.) grâce aux supports numériques et aux plateformes d’écoute ont modifié en profondeur la production musicale au Machreq. Cette introduction dresse le tableau des études produites sur la musique au Proche-Orient depuis l’avènement du numérique au début des années 2000 ; elle passe en revue les différents paradigmes mobilisés et propose une approche centrée notamment sur les Science and Technology Studies pour comprendre le sens des évolutions en cours.
Elle décrit ensuite les différentes contributions qui alimentent ce …

Liminality And Monopoly: Contextualizing The Transformations Within The Egyptian Digital Music Scene After 2013, Fayrouz Karawya

Regards

The echoes of the political upheavals, notably in Egypt post-2011 and elsewhere in the Arab world, have produced a supra-monopolistic structure of music production systems and streaming platforms, reflecting post-revolutionary political strategies amid autocratic restoration across the region. While the digital age initially offered greater freedom and creativity to a rising “mediated dissidence class” and countercultural music currents, post-2013 strategies increasingly instrumentalized digital platforms to impose authoritarian control and restrict musical expression. In parallel, social media platforms, which have become crucial for musical mediation, promotion, and marketing, have mirrored broader social and political polarizations that emerged in the post-2013 period. …

Le Stade Rotana De La Pop Arabe, Pierre France

Regards

Rotana, owned by Saudi prince Al-Waleed bin Talal, has been a central and ambiguous player in the Arab music industry since the 1980s, yet its history remains fragmentary and elusive. More than a simple record label with a defined sound and aesthetic, it stands as an audiovisual group embedded within a large holding company linked to Gulf-style capitalism. Rotana has established a lasting model where music operates in close connection — or dependency, from a more critical perspective — with other economic sectors, shaping both artists’ career paths (conceived as buy/sell transactions and transfer markets) and how songs are produced. …

Editorial, Lina Iskandar Hawat

Horizons et Conjonctures

In a context marked by identity tensions, immediacy, and polarized discourse, this issue affirms the role of academic research as critical interpretation. Its bilingual structure creates a dialogue across languages, positioning critical rereading as a condition for renewed meaning.

Résumé
Face aux convulsions qui traversent nos sociétés – crispations identitaires, dictature de l’instantané et polarisation des discours –, la recherche universitaire est convoquée à une tâche exigeante : celle de l’interprétation critique. Ce numéro, par sa structure bilingue, ne se contente pas de juxtaposer des articles ; il propose un itinéraire intellectuel où se répondent, d’une langue à l’autre, les …

Molding The Mass Viewer: New Insights Into The Early Soviet Art System, Wendy Salmond

Art Faculty Articles and Research

"Monographs on the visual culture of the Soviet period are infrequent enough that the appearance of two in one year is a cause for celebration. Chicago University Press has published long-awaited books on El Lissitzky (1890–1941) and Aleksandr Deineka (1899–1969), contemporaries who occupied very different spheres in the early Soviet art system and different niches within the historiography of Soviet art. Designer and architect Lissitzky was an acclaimed member of the international avant-garde, while the figurative painter and graphic artist Deineka is still relatively little known outside the context and cliches of Socialist Realism. Only rarely did their paths cross …

Contentious Culture: The Convergence And Contestation Of Class And Identity In Egypt’S Mahraganat Scene, Elisa Schouten

Regards

Since its inception in the early 2000s, Mahraganat music has undermined traditional cultural gatekeeping and reshaped Egypt’s music scene, becoming one of the country’s most debated music genres in recent history. This paper aims to examine Mahraganat within the broader context of cultural identity formation and technological developments and contextualize the criticism of the genre and its makers. Building on research conducted in Egypt’s capital between 2019 and 2024, this paper explores the history of cultural gatekeeping and argues that social class lies at the core of the heated debate surrounding Egyptian music and Mahraganat in particular. It shows that …

Brehony Louis, "Palestinian Music In Exile: Voices Of Resistance", Le Caire, Auc Press, 2023 – El Rashidi Yasmine, "Laughter In The Dark: Egypt To The Tune Of Change", New York, Columbia Global Reports, 2023., Amr Abdelrahim

Regards

The contributions of this special issue demonstrate a renewed scholarly interest in popular music in the Middle East in recent years. In the face of resilient Arab authoritarianism and the continuing ethnic cleansing of the Palestinians, it is not surprising that many scholars seek to identify a glimmer of hope in the everyday cultural practices of the dominated. The two volumes under consideration are representative of this scholarly impetus, as well as the challenges it must overcome to attain a better understanding of “music in everyday life”: namely articulating art and politics without collapsing one into the other, and resisting …

Reading And Re-Readings, Sr Yara Matta, Rami Wakim, Guy Sarkis

Horizons et Conjonctures

Preface
As part of the Book Expo – 150 Years of USJ, organized jointly by USJ Editions and Opération 7e Jour under the title “USJ Book Expo: A University That Reads”, the religious and theological sciences certainly have their contribution to make. Three professors reflect on the theme of reading and rereadings from a biblical approach, a patristic approach, and a dogmatic approach. In the tone of oral discussion and open dialogue with the public, the three presentations establish the foundations of rereading, both within the biblical text itself and in the subsequent interpretations of the Church Fathers or in …

الرجاء، فضيلةٌ مَسيحيّةٌ مَكروهةٌ ؟, الأب غي سركيس

Horizons et Conjonctures

Hope: A despised Christian Virtue?
Christian theologians and some philosophers disagree on the status of “Hope.” The first group sees it as a great theological virtue that points to God’s victory over the trials of existence and to the joy of eternal life, where “death shall be no more, neither shall there be mourning, nor crying, nor pain anymore, for the former things have passed away” (Rev 21:4). The second group, however, views it as a deceptive illusion, a clinging to baseless dreams, or a form of surrender and acceptance of injustice under the pretext of awaiting the fulfillment of …

The Independent Music Scene In The Levant Between 2003 And 2023: Do-It-Yourself With The Support Of Arts And Culture Organizations, Areej Abou Harb

Regards

The beginning of the 21st century witnessed the rise of the internet and mobile technologies, as well as the expansion of the digital sphere and the emergence of the Do-It-Yourself music. Simultaneously, it experiences significant changes that reshaped the arts and cultural scene in general, and the music production in particular across the Levant. This period marked the institutionalization of arts and culture production and diffusion. It saw the formation of “intermediate” pan-Arab and regional organizations such as Culture Resource (Al-Mawred Al-Thaqafy) and AFAC (The Arab Fund for Arts and Culture), as well as the establishment of small record labels, …

Sonic Acts Of Care: Friendship-Based Networks And Grassroots Activism In Beirut, Rim J. Irscheid

Regards

The article examines a Beirut-based network of self-funded, independent musicians that translate memories and their emotions into artistic and activist practices. Drawing on musical albums created since the 2020 Beirut port explosion, the article explores the social and emotional impact of artist-run spaces for music production. Focusing on a friendship-based network around the collectively-run recording studio Tunefork Studios, it examines how care, trust, and solidarity with Lebanon’s citizens and music producers are translated into both their creative practices and their production and distribution strategies. I argue that Beirut-based musicians increasingly thematise the emotional toll and personal investment in political, infrastructural …

كلمة التحرير, لينا إسكندر حوّاط

Horizons et Conjonctures

آفاق وسياقات هي مجلّة أكاديميّة محكّمة تصدر عن كلّيّة العلوم الدينيّة في جامعة القدّيس يوسف في بيروت، وتُعنى بدراسة العلوم الدينيّة بأبعادها المختلفة. تستند المجلّة إلى محاور خمسة رئيسة: اللاهوت البيبليّ والنظاميّ، تراث الشرق المسيحيّ، الأدب العربيّ المسيحيّ المخطوط، الدراسات الإسلاميّة المسيحيّة، الظاهرة الدينيّة، من أجل خلق منبرٍ علميٍّ لنشر أبحاثٍ أصيلة تمتاز بالدقّة المنهجيّة والعمق التحليليّ‏