Arts and Humanities Commons^™

Ua12/2/1 College Heights Herald, Vol. 96, No. 8, Wku Student Affairs

WKU Administration Documents

WKU campus newspaper reporting campus, athletic and Bowling Green, Kentucky news. This issue contains articles:

• Lowe, Julianna. A Look Inside – Jamison Moorehead, Quarantine
• Burris, Lily. Day in the Life – Sharon Hunter
• Collins, Michael & Lauren Deppen. Need to Know – COVID-19
• Frazier, Keilen. Homecoming in Barnes-Campbell Hall – Quarantine
• Lowe, Julianna. Survey to Student – Dining Services, Quarantine
• Collins, Michael. Kentucky Universities’ Records on COVID-19
• Burris, Lily. Voices on the Inside – Sam Padgett, Chris Willis, Parker Randall, River Carter, Iyanla Shackelford
• Hargrove, Matthew. Herd Tramples WKU – Football
• Gaylord, Kaden. Travis Hudson is the Greatest of All …

Death Of A Local Scene? Music In Dublin In The Digital Age, Caroline O'Sullivan

Books/Book chapters

This chapter reflects on the Dublin indie and dance music scenes from 2000 to 2017 and examines the everyday reality of being a musician or DJ and the pathways to becoming a regular performer in Dublin over that same period. In the climate of declining gig attendance, closing venues and music piracy, I trace the digitally shaped economic reality for musicians in Dublin over the period 2000–2017. I extrapolate how musicians have made money to pay for the expense of sustaining a career as a musician, such as equipment and production costs, and I investigate how they earned money to …

Leading By Heart, Petr Cincala

Faculty Publications

No abstract provided.

Colleen Glavic: 1918 & 2020 Pandemic Poster, Colleen Glavic

COVID-19 Graphic Design: Posters

• Mixed-media digital collage
• 18 x 24 inches, vertical

Nicolette Engelmeier: 1918 & 2020 Pandemic Poster, Nicolette Engelmeier

COVID-19 Graphic Design: Posters

• Mixed-media digital collage
• 18 inches wide, 24 inches high

Reilly Waldoch: 1918 & 2020 Pandemic Poster, Reilly Waldoch

COVID-19 Graphic Design: Posters

• 18 x 24 inches, vertical
• Mixed-media digital collage

Laura Cahill: 1918 & 2020 Pandemic Poster, Laura Cahill

COVID-19 Graphic Design: Posters

• Mixed-media digital collage
• 18 inches wide, 24 inches high

Mia Gaskey: 1918 & 2020 Pandemic Poster, Mia Gaskey

COVID-19 Graphic Design: Posters

• Mixed-media digital collage
• 18 inches wide, 24 inches high

Jason Sullivan: 1918 & 2020 Pandemic Poster, Jason Sullivan

COVID-19 Graphic Design: Posters

• Mixed-media digital collage
• 18 inches wide, 24 inches high

Megan Emery: 1918 & 2020 Pandemic Poster, Megan Emery

COVID-19 Graphic Design: Posters

• Mixed-media digital collage
• 18 inches wide, 24 inches high

Ellie Westerheide: 1918 & 2020 Pandemic Poster, Ellie Westerheide

COVID-19 Graphic Design: Posters

• 19 inches high, 20 inches wide
• Mixed-media digital collage

Ekua Bransah: 1918 & 2020 Pandemic Poster, Ekua Bransah

COVID-19 Graphic Design: Posters

• Mixed-media digital collage
• 18 inches wide, 24 inches high

Macaira Pucci: 1918 & 2020 Pandemic Poster, Macaira Pucci

COVID-19 Graphic Design: Posters

• Mixed-media digital design
• 18 inches wide, 24 inches high

Gracie King: 1918 & 2020 Pandemic Poster, Gracie King

COVID-19 Graphic Design: Posters

• 18 x 24 inches, vertical
• Mixed-media digital collage

Mira Holifield: 1918 & 2020 Pandemic Poster, Mira Holifield

COVID-19 Graphic Design: Posters

• Mixed-media digital college
• 18 inches wide, 24 inches high

Claire Pawlecki: 1918 & 2020 Pandemic Poster, Claire Pawlecki

COVID-19 Graphic Design: Posters

• 18 inches wide, 24 inches high
• Mixed-media analog and digital collage

Allen Morales: 1918 & 2020 Pandemic Poster, Allen Morales

COVID-19 Graphic Design: Posters

• Digital collage
• 18 x 24 inches, vertical
• Mixed media

Olivia Marklay: 1918 & 2020 Pandemic Poster, Olivia Marklay

COVID-19 Graphic Design: Posters

• Mixed-media digital collage
• 18 inches wide, 24 inches tall

Calan Gizelbach: 1918 & 2020 Pandemic Poster, Calan Gizelbach

COVID-19 Graphic Design: Posters

• 18 x 24 inches, vertical
• Mixed-media digital collage

Laura K. Barrett: 1918 & 2020 Pandemic Poster, Laura K. Barrett

COVID-19 Graphic Design: Posters

• Mixed-media digital collage
• 18 x 24 inches, vertical

Alazhar Al Hinai: 1918 & 2020 Pandemic Poster, Alazhar Ahmed Al Hinai

COVID-19 Graphic Design: Posters

• Mixed-media digital collage
• 18 inches wide, 24 inches high

Forced Transitions: Learning Asl In A Virtual Environment, Kara Gournaris

Northwest Journal of Teacher Education

Engagement with native language models is essential for second language acquisition. Social distancing mandates made this interaction nearly impossible for students learning American Sign Language (ASL), at a small rural university in western Oregon. COVID-19 brought with it many challenges, not the least of which was a hurried transition from face-to-face to online learning. The author found that some courses degraded in content and instruction when shifting to an online platform. Without access to community events where native language models were present, ASL students had less opportunities for incidental learning, legitimate peripheral participation, and connection within Deaf communities of practice.

Lift Up A Banner Against Babylon! Daniel And The Second Angel's Message, Felix H. Cortez

Faculty Publications

Devotional presented to the Annual Council, General Conference of Seventh-day Adventists, Silver Springs, MD. Bible reading: Jeremiah 50:1-5

Mrs. Ethel Udell Jones

African American Funeral Programs

Funeral program for Mrs Ethel Udell Jones. Service was held on October 13, 2020 at Lee Hodge Cemetery in Portal, Georgia

Co-Énonciateurs Et Contraintes Culturelles Dans Les Textes Néologiques: L’Exemple De La Finance Islamique, Fida Barake

Al Jinan الجنان

Tout discours humain, qu’il soit oral ou écrit, exige la présence, parfois non-simultanée, de deux locuteurs : un émetteur et un récepteur)1(. Nous nous intéressons dans notre travail à la relation qui relie ces deux éléments principaux de l’opération de communication, dans des textes néologiques. Nous appliquons notre étude sur un corpus bilingue, français-anglais, composé d’articles et d’ouvrages portant sur le domaine de la finance islamique. Ce domaine, de par son origine arabe, représente un terrain d’étude assez intéressant des néologismes et de leurs modes d’emploi, et de leur introduction, dans les discours français et anglais,
à des personnes non-expertes. …

The Challenges Of Translating English Compounds Into Arabic - For Better Or For Worse, Walid M. Amer, Karim Menacere

Al Jinan الجنان

This paper examines the main challenges of translating English compounds into Arabic. Compounding is linguistically a common process across many languages where compounds are frequently formed. In English, compounding is highly creative and innovative, and often used as a means of introducing new phrases or coining new words into the lexicon. In contrast, Arabic is less resourceful. Arabic does not possess similar multiword expressions as an integral linguistic mechanism that merges language items to form a unit of language that can be broken down into single words and display idiosyncratic features. (Sag et al. 2002). As the English text-writer and …

La Ruine, Description D’Un Voyage Retrospectif, Dans Arria Marcella De Theophile Gautier, Rana Khoder

Al Jinan الجنان

La reproduction architecturale dans un texte littéraire influence de près la structure romanesque et constitue le fondement de cette dernière. Ainsi, le fait de restituer dans un récit un modèle architectural engendre nécessairement un processus de création langagière exceptionnelle. Dans un récit fantastique, le modèle architectural est conçu d’un œil subjectif ; il s’agit pour la plupart des fois d’un espace ou d’un monde passé qui se ranime et reprend vie aux yeux de l’observateur. Et comme la représentation architecturale est fortement liée à la subjectivité du contemplateur, elle constitue sans doute le reflet de son imagination et de ses …

(التعرف الآلي على الأسماء المهملة و الكنى المستخرجة (أسانيد الحديث نموذجا, Omar Koussa, Moustafa Al-Hajj, Amani Sabra

Al Jinan الجنان

لما كان الحديث النبوي الشريف هو مصدر التشريع الثاني عند المسلمين و هو الترجمة العملية للقرآن الكريم, كان لا بد من التحقق من صحة الأحاديث و ضعفها. و قد اعتمد المحدثون و خاصة أهل الجرح و التعديل منهم على التحقق من أحوال رواة اللأحاديث للحكم عليها, و أصلوا أصولا لذلك ذكرها ابن الصلاح في مقدمته (1), و من أهمها معرفة أحوال الرجال او الرواة. و معرفة الرجال منوطة بمعرفة أسمائهم, و بعد عملنا السابق المرتبط (2) باستخراج أسماء الرجال, لاحظنا وجود أسماء مهملة (مثل سفيان من دون تحديد), و كنى (مثل حدثني أبي), بما يضفي الغموض على الراوي , ولا …

اللغة والثقافة والهوية: الهوية اللغوية وبناء المجتمع الوطني اللبناني المشترك, Li Ya Juan

Al Jinan الجنان

No abstract provided.

ترجمة الأدب العربي في الصين في السياق التاريخي والثقافي في العصر الحديث والمعاصر, Ma Tao

Al Jinan الجنان

قد شهدت قضية ترجمة الأدب العربي في الصين تطورًا مندجمًا في تغيرات اجتماعية في العصر االحديث والمعاصر، خصوصًا منذ حركة الأدب االحديث التي نشأت في بداية القرن العشرين. وكذلك شهدت تحول دوافع المترجمين لترجمة الأدب العربي، من الخدمة لتنوير الشعب وإنقاذ الوطن، إدخال وضع للإيديولوجية والتخطيط السياسي، ثم السعي إلى الجمالية الفنية والتبادل الثقافي. ولم يؤثر الأدب المترجم من اللغة العربية في بيئة الأدب الصيني فحسب، بل قد راح يؤدي وظائف إيديولوجية وشعرية لم يكن يتحلى بها الأدب الإبداعي الصيني في حقبة معينة؛ فهو قد شارك، ّ إلى حد ما، في بناء الثقافة الصينية الأساسية في العصر الحديث والمعاصر.