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Articles 100591 - 100620 of 574101
Full-Text Articles in Arts and Humanities
10 Things Only Single Moms Who Were In My Living Room Will Understand, Kelly Magee
10 Things Only Single Moms Who Were In My Living Room Will Understand, Kelly Magee
CutBank
No abstract provided.
Send Nudes, Charlotte Hughes
The Pearl Diver, Rebecca Moon Ruark
The Chase, Anna Reeser
Ghost Dog, Serena Solin
Tickling The Dragon's Tail, John Blair
Late Summer, Elisabeth Adwin Edwards
Luz, Greg Garcia
Contributors' Notes, Back Cover
The Usual Loneliness, Chad Foret
Grand Valley Magazine, Vol. 20, No. 4, Spring 2021, Grand Valley State University
Grand Valley Magazine, Vol. 20, No. 4, Spring 2021, Grand Valley State University
Grand Valley Magazine
Grand Valley Magazine is a quarterly publication about Grand Valley State University produced by University Communications since 2001.
Unrequited, Justin Jannise
Cover, Title Page, Staff List, Contents
The Man From Montana, Dana Liebelson
Self-Portrait As Mountain Of Discarded Limbs, Todd Osborne
Self-Portrait As Mountain Of Discarded Limbs, Todd Osborne
CutBank
No abstract provided.
Like Baked Alaska, Francesca Leader
Internal Illustrations, Sarah Scambray
Graduate Jazz Recital: Daniel Bellamy, Piano; Trevor Gould; Nick Fairley; Justin Lindsey; Riley Erskine; April 1, 2021, Daniel Bellamy, Trevor Gould, Nick Fairley, Justin Lindsey, Riley Erskine
Graduate Jazz Recital: Daniel Bellamy, Piano; Trevor Gould; Nick Fairley; Justin Lindsey; Riley Erskine; April 1, 2021, Daniel Bellamy, Trevor Gould, Nick Fairley, Justin Lindsey, Riley Erskine
School of Music Programs
Kemp Recital Hall
April 1, 2021
Thursday Evening
7:30 p.m.
Red Note New Music Festival Composition Workshop Announcement, 2021, Carl Schimmel, Roger Zare
Red Note New Music Festival Composition Workshop Announcement, 2021, Carl Schimmel, Roger Zare
Red Note New Music Festival
The RED NOTE New Music Festival at Illinois State University is a week-long event which features outstanding performances of contemporary concert music.
Red Note New Music Festival Composition Competition Announcement, 2021, Carl Schimmel, Roger Zare,
Red Note New Music Festival Composition Competition Announcement, 2021, Carl Schimmel, Roger Zare,
Red Note New Music Festival
The RED NOTE New Music Festival at Illinois State University is a week-long event which features outstanding performances of contemporary concert music.
School Of Music Faculty/Staff Newsletter, April 2021, School Of Music
School Of Music Faculty/Staff Newsletter, April 2021, School Of Music
School of Music Faculty/Staff Newsletter
Accomplishments and news from the faculty and staff of the School of Music at Illinois State University.
"The Glare And Glitter Of That Fashionable Resort": Newport, Rhode Island As Ward Mcallister Found It, Emily Elizabeth Parrow
"The Glare And Glitter Of That Fashionable Resort": Newport, Rhode Island As Ward Mcallister Found It, Emily Elizabeth Parrow
Masters Theses
As late nineteenth century New York City’s premier social arbiter, Ward McAllister was one of the most controversial and well-known figures of the Gilded Age. In the turbulent years following the Civil War, he helped codify an otherwise elusive definition of American high society in an era marked by conspicuous spending and an ever-growing gap between the rich and poor. His influence also extended beyond New York, paralleling and contributing to the physical and social transformation of Newport, Rhode Island. Once a thriving port city and participant in the Triangle Trade, Newport experienced a fifty-year period of stagnation following the …
“You Never Get It Out Of Your Bones”: The Christ-Haunted Security Of Jean Louise “Scout” Finch In Harper Lee's To Kill A Mockingbird And Go Set A Watchman, Corley E. Humphrey
“You Never Get It Out Of Your Bones”: The Christ-Haunted Security Of Jean Louise “Scout” Finch In Harper Lee's To Kill A Mockingbird And Go Set A Watchman, Corley E. Humphrey
Masters Theses
Harper Lee’s novels To Kill a Mockingbird and Go Set a Watchman emphasize the struggle of mid-twentieth century Southern identity as Southerners searched for security, and she does so particularly in her main character, Jean Louise “Scout” Finch. Throughout the novels, Jean Louise fights to find a balance within herself as she learns to decide what to accept or reject from her Southern culture. Using New Historicism and Southern Female Gender Studies, this thesis analyzes the character development of Jean Louise “Scout” in the novels and the traits she consistently accepts—discrimination and respect, honor of family, grace—and the ones she …
La Voz Spring 2021, El Instituto: Institute Of Latina/O, Caribbean, And Latin American Studies
La Voz Spring 2021, El Instituto: Institute Of Latina/O, Caribbean, And Latin American Studies
La Voz
In this issue:
- Conference Brings Cuba Scholars to UConn
- Performance Art in the Crossfire
- An Evening with Karla Cornejo Villavicencio
- Jesús Ramos-Kittrell Wins AAUP Teaching Innovation Award
- Alumni Contribute to State Latinx History Curriculum Initiative
- New Study: School Employees Help Farmworker Families Access Health Care
'Wait, Twilight Is A Thing Again?': Examining The Ways In Which Different Social Groups Navigate The Complex Cultural Issues In Twilight, Veronica Buchanan
'Wait, Twilight Is A Thing Again?': Examining The Ways In Which Different Social Groups Navigate The Complex Cultural Issues In Twilight, Veronica Buchanan
Undergraduate Research Symposium Podium Presentations
The four books and five movies in the extremely popular Twilight series give readers and viewers a lot to unpack, in both good ways and bad, and have led to fierce debates over the place the series should have in our culture, especially in regard to gender politics. However, most of the discussions of these texts and their cultural impact have tended to lack a robust, intersectional feminist perspective, one that attends to issues not only of gender, but also race, class, and sexuality. This research draws on both fan studies and feminist media studies to examine the various ways …
Stage Manager And Director For Julius Caesar, University Of North Florida
Stage Manager And Director For Julius Caesar, University Of North Florida
UNF Shakespeare - Julius Caesar
Stage Manager and Director for UNF's production of Julius Caesar
Lost And Found At Sea, Or A Shipwreck’S Art History, Aaron M. Hyman, Dana Leibsohn
Lost And Found At Sea, Or A Shipwreck’S Art History, Aaron M. Hyman, Dana Leibsohn
Art: Faculty Publications
To be lost and found at sea: What kinds of thinking does the shipwreck prompt? This essay pursues this question by centering fragmented remains—large beeswax blocks and Chinese porcelain ware—from the Santo Cristo de Burgos, a Spanish galleon lost while traveling from Manila to Acapulco at the end of the seventeenth century. By considering how durable commodities were recovered and reimagined, primarily by Indigenous inhabitants of the Oregon coast, this essay reflects upon the kinds of histories that can be written around and because of wrecked ships. Tacking between past and present, we use the Santo Cristo de Burgos …
Jazz Art: Flow Psychology And The Individual Creative Process, Isabelle Zoch
Jazz Art: Flow Psychology And The Individual Creative Process, Isabelle Zoch
Honors Capstones
No abstract provided.
Mapping The “Ungeographic” In Jesmyn Ward’S Where The Line Bleeds, Beth B. Smith
Mapping The “Ungeographic” In Jesmyn Ward’S Where The Line Bleeds, Beth B. Smith
Theses and Dissertations
This essay examines the ways in which author Jesmyn Ward guides her reader in reimagining a small Mississippi town in her novel Where the Line Bleeds (2008) by uncovering the antagonisms and ambivalences found in the Dirty South and reflecting on the physical and interior geography of her characters.
The Last Horseman: Albrecht Dürer’S Horsemen Of The Apocalypse, Megan L. Crosby
The Last Horseman: Albrecht Dürer’S Horsemen Of The Apocalypse, Megan L. Crosby
Theses and Dissertations
This thesis analyzes Albrecht Dürer’s Four Horsemen of the Apocalypse through comparisons with examples from the thirteenth to fifteenth centuries, as well as the artist’s own numerous representations of Death. These comparisons will show the way Dürer interpreted and changed the iconography of the Four Horsemen.