Music Commons^™

Music And Politics In Figure Skating: American And Soviet Nationalism, Cultural Diplomacy, And Identity At The Winter Olympics, 1968–1988, Mary Bridget Golden

Graduate Theses, Dissertations, and Problem Reports (ETD)

This thesis situates figure skating, music, and Cold War politics during three separate Winter Olympic Games held in 1968, 1976, and 1988, examining the impact of this intersection on the sport of figure skating. Through a survey of seven Olympic medal-winning figure skating programs in the men’s and women’s single divisions and the pairs’ division, evidence of the relationship between politics and music is examined in the musical selections of the skaters’ programs. This thesis also explores the overwhelming prominence in skating programs of musical selections that appealed to the tastes of an elite majority during the Cold War, while …

A Survey Of Selected Classical Chinese Art Songs For Solo Voice And Piano From 1920 To 1950, Tingting Chang

Graduate Theses, Dissertations, and Problem Reports (ETD)

This study aims to provide a repertoire guide of Chinese art songs for the pedagogical and research needs of musicians and scholars. Chinese art songs are derived from Western art songs. This work provides a valuable resource outside the scope of the standard art song repertoire. There are very limited studies with annotated lists of Chinese art song repertoire in English. Therefore, it is difficult for teachers to search for specific Chinese art songs to utilize with students who have different voice types and learning levels. This study will provide a practical tool that will meet these pedagogical needs.

All …

Joby Talbot’S Path Of Miracles: Musical And Dramatic Analysis, Joseph Stuligross

Graduate Theses, Dissertations, and Problem Reports (ETD)

This project investigates Joby Talbot’s choral composition Path of Miracles, focusing on interpretive insight as well as musical and extra-musical understandings related to the subject matter, the pilgrimage to Santiago de Compostela in Spain known as the Camino de Santiago. It explores the sources and methods of generating dramatic intensity and seeks to understand how the composer achieved particular dramatic effects. The project proceeds along two related modes of inquiry. The first involves musical evaluation, particularly of pitch, motive, harmony and rhythm techniques, in a somewhat traditional analysis. The second investigates the ways in which musical techniques generate the …

Sergei Prokofiev's Third Piano Sonata, Op. 28: Stylistic Analysis And Performance Suggestions, Youngju Lee

Graduate Theses, Dissertations, and Problem Reports (ETD)

Sergei Prokofiev (1891-1953) was one of the greatest Russian pianists and composers of the twentieth century. He established his own musical style by combining classical form and modern compositional techniques. He composed a variety of piano music including nine piano sonatas. This paper is a study of the third piano sonata in A minor, op. 28.

Prokofiev’s music can be classified into three periods: a Russian Period, a Foreign Period, and a Soviet Period. It is possible to identify Prokofiev’s compositional styles by studying his piano sonatas because he composed piano sonatas during the entire course of his life. In …

A Multifaceted Performance Model For The Multiple Percussion Performance Practice: Performance Analysis Of Select Works Toward Developing A Graduate Curriculum, Mitchell Joseph Greco

Graduate Theses, Dissertations, and Problem Reports (ETD)

The purpose of this document is to articulate the various dimensions of the solo multiple percussion performance practice, the primary objective being to construct appropriate graduate curricula. It was found that the necessary skills and concepts could be categorized into four dimensions that make up the multi-faceted model: (1) equipment and setup, (2) notational style, (3) technical demands, and (4) conceptual performance. Requisite skills were posited from performance analyses of over fifty solo works that range from intermediate to advanced difficulty. Representative works are described that might effectively introduce and challenge these requisite skills and concepts, as are exemplary pieces …

Exercises In Developing Bebop Scale Language For Collegiate Jazz Students, Lars Swanson

Graduate Theses, Dissertations, and Problem Reports (ETD)

In this document, major, dominant and minor bebop scales are introduced and engaged through a series of etudes for C instruments, Alto Sax, Tenor Sax, Trumpet, Trombone and Bass. The methodology used is derived from a series of private lessons in which bebop scales were introduced and then engaged over chord progressions. Backing tracks are utilized and linked.

Types And Causes Of Physiological Injury In Piano Playing, With Emphasis On Piano Pedagogy In China, Ruixi Niu

Graduate Theses, Dissertations, and Problem Reports (ETD)

Among musicians who seek medical help for their injuries each year, half are pianists. Improper playing technique is a factor influencing the development of injury. This research project focuses on the types and causes of physiological injury in the process of piano playing and includes methods of avoiding such injuries.

The types of piano-related physiological injury and associated conditions that are discussed include tenosynovitis, focal dystonia, and muscle pain. Relevant literature and investigative data—and some legends—are compared and sorted. Chinese pedagogical views concerning piano technique are discussed, along with ongoing debates concerning injury prevention and the appropriate use of exercises …

The Roman Catholic Ordinary Mass From Circa 1750 To Circa 1820: A Selected Bibliography, Letícia Gabriele Grützmann Januario

Graduate Theses, Dissertations, and Problem Reports (ETD)

Orchestrated masses from the 18th century and early years of the 19th century provide a valuable source of repertoire for contemporary choral conductors. This project will explore composers and works from circa 1750 to 1820 to provide choral conductors with a list of works suitable for programming based on the practical size of vocal and instrumental forces.

Western choral music was born in a church setting. Among all choral genres, the mass is the only genre composed throughout all eras, from medieval until the 20th century. The mass remained a prominent genre during the 18th century despite the secularizing influence …

The Role Of Verbal Skills In Analytical Music Therapy, The Bonny Method Of Guided Imagery And Music, And Nordoff-Robbins Music Therapy, Elizabeth Ingram

Theses & Dissertations

The purpose of this study was to explore the role of verbal skills as an intervention in music therapy practice in three models of music therapy: (a) analytical music therapy (AMT), (b) the Bonny method of guided imagery and music (BMGIM), and (c) Nordoff-Robbins music therapy (NRMT). Data were collected from three interviews that included each professional’s use of verbal skills in their respective model of music therapy. Data were analyzed using thematic analysis. Five themes emerged: (1) definitions of verbal intervention/verbal skills, (2) population dependent, (3) use of lyrics, (4) music as therapy vs music in therapy, (5) musical-verbal …

From Student To Practitioner: Formal Music Education’S Influence On The Practitioner’S Informed Music Therapy Practice, Daniel M. Salaway

Theses & Dissertations

This study sought to understand further the relationship between the music therapist’s personal experience in formal music education and their music therapy practice. Key questions asked by the researcher included how music therapists describe, view, and conceptualize their own experiences of formal music education through the lens of music therapy practice. Data collection included semi-structured interviews from three practicing music therapists. The themes revealed within the data were organized into areas of intrapersonal and interpersonal experiences. Results of this study included themes of self-realization during music learning, identifying musical identities during early formal music education, personal uses of music, gratefulness …

A Culturally Situated Perspective Of Music Therapy In Hungary, Sylvia E. Foldes-Berman

Theses & Dissertations

Little to no research has been done on the history, development and current practice of a specific country’s approach to music therapy. This study examines the development of music therapy in Hungary with regards to cultural influences, which the researcher has a unique understanding of as a first-generation Hungarian-American. Three Hungarian music therapists were invited to participate in qualitative interviews in Hungarian. After transcribing and translating the interviews, the data were analyzed using inductive thematic analysis in order to locate themes, patterns and viewpoints. Five themes and one sub-theme emerged. These themes included: a) process of becoming a music therapist, …

"This Is How We Play Destroy": Deconstruction And The Construction Of A Cyborg Future In Poppy's Am I A Girl?, Stevie Eve Sanchez

Dissertations and Theses @ UNI

Internet sensation and pop music star Poppy’s 2018 sophomore album Am I a Girl? stands out in an increasingly oversaturated pop landscape, thanks to evocative imagery, cleverly ambiguous lyrics, and daring genre crossovers that challenge conventions of contemporarypop music. Despite the album’s titular question, Poppy is not interested in being defined—instead, she seeks to transcend definition and exist in the space of questioning.On the album, Poppy explores concepts like gender, class, and consciousness in a way that pushes the boundaries of pop, deconstructing her genre, while also deconstructing the issues she sings about—and offering a vision for a future that …

Concert Recording 2020-03-10, Brandon Garrett, Savannah Ellis, D. J. Talbot, Heather Thompson, Christian Leon, Will Fettig, Benjamin Grief, Nolan Miller, Jordan Alimena, Peter Scott, Aaron Smelley, Matthew Swerts, Harrison Goertz, Derrick Rassinier, Kendyll Garvin, Lily Fuentes, Samantha Ellis, Katelyn Barry, Emily James, Nicholas Liebl, Savannah Ellis, Tomoko Kashiwagi

Concert Recordings & Programs

[00:00]. Three miniatures. I. Allegro vivace ; II. Freely ; III. Allegro vivace / Anthony Plog -- [06:43]. Concerto in one movement / Alexander Lebedev -- [13:37]. Concerto for bass tube and orchestra. I. Prelude ; II. Romanza ; III. Finale rondo alla Tedesca / Ralph Vaughan Williams -- [25:27]. Tuba duet no. 2. Toccate / Walter Sear -- [28:12]. Fantasy for flute and tuba / Ben Miles -- [37:50]. Go the distance (from "Hercules") / Brandon Garrett.

Music Notation-To-Color Synesthesia And Early Stages Of Music Education: A Grounded Theory Study, Eduardo Sola Chagas Lima

Dissertations

Problem

Synesthesia is a neurological condition characterized by over-abundant neural connectivity between commonly highly specialized areas of the brain. The developmental form of the condition often results in automatic and consistent cross-sensory associations between perceived stimuli and commonly unrelated brain regions. This research contemplates the specific form of music notation-to-color synesthesia and its impact on early stages of music education. Synesthetes with this mode of the condition tend to involuntarily yet consistently associate music-notational concepts with colors, thus rendering their assimilation of these concepts unique and individualized. The purpose of this study is to determine the extent of these individualized …

The Influence Of Santería In Leo Brouwer's Solo Guitar Works (1955–1993), Eoin Flood

Doctoral

This study will assess the solo guitar works of Cuban composer Leo Brouwer (1939–present) in terms of influence from Santería, a ritual music derived from WestAfrican slaves and still practised in Cuba. This will be achieved by using both analytical and evaluative processes. For the former, a range of influential parameters have been identified, each falling under three strands: rhythmic and metric, structural, and melodic. These will be revealed in all of Brouwer’s solo guitar works written from 1955 to 1993. A parameter’s influence can be revealed in two ways: the multitude of its usage per piece, or the percentage …

The Sounds Of Being "Un-American": Embodied Cultural Trauma Within Japanese American Musical Worlds, Kyle Przybylski

Electronic Theses and Dissertations

WWII saw the forced removal of around 120,000 Japanese Americans to concentration camps across the United States. Despite being incarcerated in often unforgiving social, political, and physical environments, many incarcerees developed means of continuing Japanese cultural traditions and music. Since that time, former incarcerees have largely avoided detailed discussion of their experiences of imprisonment, and as such, there is little information to determine what kind of impact incarceration had on their individual and collective musical worlds.

This thesis explores transgenerational cultural trauma using the incarceree experiences of the Granada Relocation Center (a National Historic Landmark) in southern Colorado. The cultural …

Towards A Declamatory Performance In Schubert Lieder, Olivia Claire Sanders Robinson

Theses: Doctorates and Masters

This study reconsiders declamation in Schubert lieder performance in light of emerging historical evidence. Johann Michael Vogl’s reputedly declamatory approach has arguably been captured in surviving Diabelli editions that document his rhetorically motivated alterations and ornamentations. Similarly, Gustav Anton von Seckendorff has detailed song-like spoken declamation that manipulates pitch, rhythm and accentuation. Recordings of five modern German speakers were transcribed, analysed and used to model effective declamation in the recitation of Johann Wolfgang von Goethe’s poems ‘Erster Verlust’ and ‘Geistes Gruß.’ PRAAT speech analysis software was used to analyse the recordings. The participants’ use of stress, emphasis and rubato was …

The Solo Piano Sonatas Of Cipriani Potter (1792-1871): An Analysis, Reappraisal, And Historical Performance, Jordan Proctor

Theses: Doctorates and Masters

The solo piano sonatas (Op. 1, 3, and 4) of once eminent English pianist/composer Cipriani Potter (1792-1871) are a collection of works that have for the most part fallen into obscurity. Potter produced three such sonatas in his lifetime, each at approximately the same time during his educational trip to Vienna between 1817 and 1818. Potter was much celebrated in his own time as a virtuoso pianist, teacher, and eventual principal at the Royal Academy of Music, and as an editor of the works of Mozart and Beethoven amongst others. This study examines Potter’s sonatas in light of both modern …

Notational Strategies For Integrating Live Performers With Complex Sounds And Environments, Lindsay Vickery

Research outputs 2014 to 2021

This paper describes strategies for integrating live performers with complex “extra-musical” sounds and environments through extended traditional and proportional notations. The subjects of the works discussed include Animals (wardang [2019], kurui [2018]) and environments (rising water [2018], willsons downfall [2018], njookenbooro [2018]) . The techniques include spectrographic transcription, audio processing, extended forms of notation and spatial audio.

To Become Wind [Full Score], Jie Hong Yang

Research outputs 2014 to 2021

No abstract provided.