Music Commons^™

The Role Of The Piano In The 12 Poems Of Emily Dickinson By Aaron Copland, Krista Benesch

Honors Program: Senior Projects (Public)

In the song cycle 12 Poems of Emily Dickinson by Aaron Copland, one may observe the interplay between the piano and the narrator. Throughout all twelve songs, the piano plays different roles. In several songs, the piano plays a certain character: in “Nature, the gentlest mother,” the piano is personified as Nature, while in “Dear March, come in!” the piano is March. In other songs, the piano reacts to the narrator—for example, in “Going to Heaven!”, the narrator announces a statement, and the piano follows with fast, tumbling eighth notes that portray the narrator’s scattered thoughts. Every song in the …

The Hybrid Ensemble Model, Melanie Emily Riley-Gonzalez

Masters Theses

Music education plays a significant role within the public school and needs to be available to all students. Students should have opportunities to learn with voice or instrument and learn the art of performing for an audience. Students that are unable to attend music classes in a traditional class setting or have selected different pathways for their education other than a traditional classroom setting, may be excluded from opportunities to work with others in a collective music environment. Limited options are available for students to remain in their school ensembles when schedule conflicts arise for example, with advanced classes or …

Five Pieces For Piano By Isang Yun And Piano Etude No.1 By Unsuk Chin: An Analysis, Inhye Cho

Theses and Dissertations

Isang Yun (1917-1995) is a well-known Korean-German contemporary classical composer known for incorporating both East Asian and Western musical elements in his music. Despite his fame in Germany, he had little recognition in other countries including his home country, South Korea when he was alive.

Korean composer Unsuk Chin (b.1961) is one of the leading female contemporary composers of the 21st century living in Germany. After being awarded famous international prizes, her compositions gradually became well-known for combining her own musical style with other art forms.

This study provides a biography and background of these two composers and their music. …

Performance Edition Of Franz Simandl’S 30 Etudes For The String Bass With Critical Commentary, Austin Gaboriau

Theses and Dissertations

More than 100 years after František, “Franz,” Simandl’s (1840–1912) death, his pedagogical works are still widely used by aspiring double bassists. Simandl’s methodology codified in these works standardized lower position left-hand technique for most modern bass players. His 30 Etudes for the String Bass is still commonly studied, but existing editions don’t provide adequate instruction to students who haven’t already worked through Simandl’s New Method. With many more recent beginner method books available to present day students, it can’t be expected that students always work through the New Method before moving on to 30 Etudes for the String Bass as …

A Pedagogical Analysis Of Dvořák’S Poetic Tone Pictures, Op. 85, Nathan Macavoy

Theses and Dissertations

The purpose of this study is to pedagogically analyze each of Antonìn Dvořák’s (1841-1904) Poetic Tone Pictures (op. 85) for both technical and artistic challenges. Historical and theoretical analysis give context but are limited so that the pedagogical value of the set can be fully explored.

Poetic Tone Pictures is a set of thirteen programmatic character pieces that were originally popular but have been overlooked in recent history. This is largely due to Dvořák scholars’ discrediting attitude toward his solo piano writing. The recent interest in recording his piano works has brought Poetic Tone Pictures positive critical reviews. This study …

A Trumpet Player’S Performance Guide Of Three Selected Works For Trumpet, Cello, And Piano, Justin Wayne Robinson

Theses and Dissertations

This document explores, in detail, three works for trumpet, cello, and piano. These works were performed on a chamber recital before the writing of this document. The three selected works are Statements, Commanding by Robert J. Bradshaw, Elegy by Alex Shapiro, and Trio for Trumpet, Violincello, and Piano by Eric Ewazen. This document focuses on the musical performance of these three works, ways to prepare specific sections, and issues the author and his trio experienced during the preparation of these works. To the author’s knowledge, no previous documents have explored these three works. The field of study focusing on the …

Young Children’S Behaviors During Favorite-Music Repertoire And Other-Music Repertoire, Vanessa Caswell

Theses and Dissertations

To gain understanding regarding early childhood music repertoire selection, the purpose of this qualitative case study was to examine young children’s music behaviors demonstrated in response to their favorite-music repertoire and other-music repertoire performed in informal early childhood music classes. My guiding research questions were (a) what was the favorite-music repertoire of young children, and (b) what did parents, Alli (an early childhood music teacher), Kat (an early childhood music teacher), and I notice about behaviors young children demonstrated during performances of their favorite-music repertoire and other-music repertoire during our informal music classes?

I purposefully sampled three young children and …

A Stylistic Analysis Of Alexander Tcherepnin's Piano Concerto No. 4, Op. 78, With An Emphasis On Eurasian Influences, Qin Ouyang

Theses and Dissertations

Russian-born Alexander Nikolayevich Tcherepnin (Jan 23, 1899-Sept 13, 1977), a contemporary of Virgil Thomson, Henry Cowell, Igor Stravinsky, and Arnold Schoenberg, made far-reaching contributions as a pianist, conductor, and composer. His unique contrapuntal system “Interpoint,” employment of rhythmic variation, adoption of polyphonic structure, and use of the nine-step scale secured his place in music history as a celebrated composer of the twentieth century.1 Throughout his life he traveled to various countries. 1928-1947 is a period during which Tcherepnin came under the influence of “Eurasian” ideas (the synthesis of Russian and Eastern cultures). He developed new musical formulas by exploiting musical …

Hamlet As Music: A Study In The Semantics Of Symphonic Poetry, Mckenzie C. Alons

Selected Honors Theses

Symphonic poetry, a widely overlooked genre in musico-literary scholarship, provides a unique focal point into the relationship between music and extramusical texts. Invented by Franz Liszt in the mid-19th century, symphonic poems (or ‘tone poems’) interpret literary texts or ideas through short orchestral works. Thus, the symphonic poem invites close analysis of the semiotic relationship between music and literature. Using Shakespeare’s Hamlet and Liszt’s Symphonic Poem No. 10 (“Hamlet”), this thesis examines the relationship between the Shakespearean tragedy and Lisztian symphonic poetry. This focus is a microcosm for the musico-literary relationship and, henceforth, an undiscovered niche that involves disciplines as …

Working With Metal: The Stylistic Characteristics Of The Swedish Band Meshuggah And An Original Composition Inspired By Their Work, Adam J. Benefield

Electronic Theses and Dissertations

I have long been fascinated by music that is created through the amalgamation of more than one style of music. As a composer, this has led to me exploring paths that combine elements of contemporary, classical, jazz, world, film, and video game music. In this thesis I explore elements of progressive metal band Meshuggah. More specifically I examine their use of polymeter, polyrhythm, and other rhythmic devices used in six of their songs. I then demonstrate how I applied those same components to an original composition, Armageddon, scored for flute, Bb clarinet, C trumpet, trombone, percussion, piano, violin, viola, cello, …

Comparing Traditional And Modern Trends In Jazz Improvisation, Ryan M. Johnson

Electronic Theses and Dissertations

This thesis compares traditional and modern jazz improvisation through analysis. These analyses discuss various musical techniques and ideas specific to each differing era. The case studies focus on three traditional jazz standards: "Autumn Leaves," "Someday My Prince Will Come," and "Cantaloupe Island." Two solo transcriptions (one traditional and one modern) represent each tune, including performances by Bill Evans, Miles Davis, Paul Desmond, Herbie Hancock, Yohan Kim, and Cory Henry. The older transcriptions showcase classic chord-scale relations, diatonic chord harmony, consistent rhythms with spacious phrasing, and recalled material. The newer transcriptions consist more of dense harmony, scales independent from the composed …

Sara Mitnik, Voice: Senior Recital, Sara Mitnik

Setnor School of Music - Performance Programs

No abstract provided.

Key Notes: The Newsletter Of The Department Of Music, Georgia Southern University

School of Music: News & Publications (2017-2023)

• From the department of music archives
• (Approximately) Daily podcast from the department of music

2019-2020 Ppc Recital - Georgiy Khokhlov (Cello), Georgiy Khokhlov, Sheng Yuan Kuan

PPC/PSDP Recitals

No abstract provided.

Acoustic Measures Of The Singing Voice In Secondary School Students, Elizabeth M. Wallace

LSU Doctoral Dissertations

Descriptions of voice quality in vocal and choral music often rely on subjective terminology, which may be perceived differently between individuals. As access to software used in acoustic measurement becomes more widespread and affordable, music educators can potentially combine traditional descriptive terminology with objective acoustic descriptors and data, which may improve both teaching and singing. The secondary school choral music educator has specific challenges, in that they teach students who experience drastic physical and acoustic changes of the voice as they grow from children to adults. The purpose of this study was to objectively analyze various acoustic characteristics of the …

Graduate Recital: Miguel Lumbao, Guitar; March 22, 2020, Miguel Lumbao

School of Music Programs

Kemp Recital Hall
March 22, 2020
Sunday Afternoon
3:00 p.m.

2019-2020 Junior Recital - Xiaoxiao Wang (Piano), Xiaoxiao Wang

Junior and Senior Recitals

No abstract provided.

2019-2020 Ppc Recital - Yiming Tang (Piano), Yiming Tang

PPC/PSDP Recitals

No abstract provided.

Key Notes: The Newsletter Of The Department Of Music, Georgia Southern University

School of Music: News & Publications (2017-2023)

• The Coronavirus and the Department of Music Events
• New (Approximately) Daily podcast from the Department of Music

2019-2020 Senior Recital - Yingpeng Wang (Piano), Ying Peng Wang

Junior and Senior Recitals

No abstract provided.