Music Commons^™

Parent Perceptions Of Elementary General Music Instruction, Hali Shepard

Music Education Theses

The purpose of this study was to explore parent perceptions of elementary general music instruction. This was a qualitative, multiple case study (Fraenkel & Wallen, 2009) in which the perceptions of elementary general music were gathered from a parent from each of the three geographical areas (rural, urban, and suburban) within Western New York. This study sought to determine how parents perceive elementary general music, as well as what types of perceptions of elementary general music exist in all geographical areas (i.e., rural, urban, and suburban districts).

Developing Vocal Agility Of Light Lyric Coloratura Soprano Voices Through The Neglected Repertoire Of French Opéra Comique, Valentine Baron

UNLV Theses, Dissertations, Professional Papers, and Capstones

This document explores light lyric coloratura soprano roles in the French opéra comique genre through an analysis of seven arias and their impact on the development of vocal agility. The opéra comique genre was popular at the beginning of the eighteenth century, but declined to disappear from the stage at the end of the nineteenth century. Despite the opéra comique’s influence on many other vocal genres, the genre is today neglected. Opportunities for singers to improve and practice challenging coloratura in this repertoire are limited. The two most famous arias from the genre which are the Doll Aria and Juliette’s …

The Influence Of Volga Tatar Folk Music And Soviet Cultural Policies On The Orchestral Composers Of Kazan, Jane Katherine Brown

UNLV Theses, Dissertations, Professional Papers, and Capstones

After a brief historical overview of Volga Tatar history and Soviet political and historical contexts, this document begins with a detailed description of Volga-Tatar folk musical characteristics, including probable influences as described, analyzed, and transcribed by twentieth and twenty-first century Volga Tatar scholars. In this description, the author attempts to give the preferential voice to Tatar perspectives, such as the early ethnographers and Tatar ethnomusicologists from Kazan State Conservatory, the officials from the Union of Composers of the Republic of Tatarstan, and of course, the composers themselves. The author’s detailed discussion of folk music elements and genres is then followed …

A Performer’S Guide To Richard Danielpour’S Spirits In The Well: A Cycle Of Four Songs For Soprano And Piano With Lyrics By Toni Morrison, Christina Louise Chenes

UNLV Theses, Dissertations, Professional Papers, and Capstones

Richard Danielpour’s (b.1956) song cycle Spirits in the Well (1998) uses four poems penned by Toni Morrison (1931-2019), specifically for Danielpour’s musical setting. Spirits in the Well remains virtually unknown to the general public and artists, as it has never been professionally recorded, despite having been frequently performed by famed soprano Jessye Norman (1945-2019). This document introduces singers to Spirits in the Well by offering a performance guide to the song cycle; it presents information on the text, musical style, structure, form, technical vocal challenges, and dramatic demands that this work places on a singer. Brief background information is provided …

Music Inspired By The Works Of Robert Frost, Ryan Martin

Graduate Theses and Dissertations

AbstractMany years ago on Easter, my mother gave me a book of Robert Frost’s poems as a gift. As a child, I enjoyed his rhyming schemes and the characteristically simple, beautiful, natural imagery he portrayed in his verses, but the deeper meaning of the words was largely lost on me. As I grew, I would revisit the poems from time to time and would enjoy discovering a subtly hidden metaphor or experiencing new feelings and emotions evoked by a poem I had already read dozens of times. When looking for inspiration as a music composition student here at the University …

Enchanting Music: How English Playwrights Use Music In Renaissance Witchcraft Plays, Alyssa Anders

LSU New Orleans Theses and Dissertations

Music is an integral aspect of the Early Modern theater, but because most of this music is lost, scholars and students typically only analyze these works using literary theories. This approach does not allow for a full understanding these plays, which is especially true of witchcraft plays because witches typically utilize music for their spells. In this thesis, I am exploring the interdisciplinary connection of music and literature in the Jacobean witchcraft plays The Witch (c. 1616) by Thomas Middleton and The Tragedy of Sophonisba or The Wonder of Women (1604-1606). From my analysis of the existing music from The …

An Analysis Of In-Service Choral Music Educators’ Methods Of Classroom Management, Brooke Ann Ward

Music Theses & Dissertations

The purpose of this study was to discuss topics of classroom management as it relates to the experience and training of pre-service music educators. Topics reviewed in the discussion include issues of mentorship, pre-service teacher training, experiential learning, student teaching experiences, conducting knowledge, and confidence in pre-service music educators. This research project was granted an IRB exemption by the Old Dominion University College of Arts and Letters.

The participants in the research survey were choral music educators who had accumulated one through 40 years of teaching experience. The participants were graduates of a music education degree program, or a music …

Plains Minimalism, Matthew Magerkurth

Graduate Theses and Dissertations

Plains Minimalism is a set of four musical scores that seeks to reconcile classical and folk music styles in a semi-improvisatory style. In each piece, the musicians are asked to interact with each other in different ways, alternating between a specifically-notated classical score and esoteric text descriptions. Additionally, this body of work includes instruments traditionally associated with American folk music, including banjo, manolin, and acoustic guitar. Through both the textural and notational fusion, these pieces are designed to be performed by musicians with variable degrees of reading ability, thus widening access to traditional classical music spaces.

Piano Majors Showcase

Printed Performance Programs (PDF Format)

No abstract provided.

Vocal Jazz Ensemble, Chapman Vocal Jazz Ensemble

Printed Performance Programs (PDF Format)

No abstract provided.

Reflections In The Musical Mirror, Todd Van Kekerix, Piano, September 30, 2022 [Program], University Of Northern Iowa. School Of Music.

Music Recital Programs

Program of a music recital given by faculty, students, or guest artists from the School of Music at the University of Northern Iowa.

Roar Of The Dragon: An Explorative Precursor In Film Scoring, Hyrum Kohler

Student Works

Roar of the Dragon (1932) was an important work in film composer Max Steiner’s transitional period before King Kong’s success. While other substantial films of this period have been analyzed and treated in regard in the film community, Roar of the Dragon is a relatively overlooked entry that shares many similarities with King Kong and Steiner’s other early lengthy scores. Because the original score of Roar of the Dragon has been lost, the work I did in 2020 as a research assistant in the Harold B. Library’s department of cataloging and metadata to recreate the score through ear transcription allowed …

Exploring The Regional Traditions Of Fiddling, Anna N. Eyink

Student Theses

During the 1600s, the modern violin traveled from Italy to the British Isles and North America. The instrument became a vital piece of each region's musical culture, and distinct fiddling traditions became established in Ireland, Scotland, Cape Breton, and America. This thesis explores the history of the Irish, Scottish, Cape Breton, Appalachian, and bluegrass fiddling traditions. Additionally, the performance practices of each style are discussed in depth and are related back to the traditional tunes recorded as a part of this project.

The Modern Jazz Guitarist's Approach To Standard Repertoire, Stephan T. Wieder

Recital Papers

This paper examines Gilad Hekselman, Jonathan Kreisberg, Julian Lage, Lage Lund, Mike Moreno, and Kurt Rosenwinkel through the lens of written transcription. All six musicians are analyzed using standards such as; "Stella By Starlight", "Stablemates", "I'll Be Seeing You", "Sandu", and many more. The study of their transcriptions combined with details about their technique and musical equipment, will reveal a clearer understanding of their methods and style. The analysis of these transcriptions focuses on four main elements: phrasing, rhythmic choices, melodic choices, and overall thematic development.

Creative Practice For Classical String Players With Live Looping, Caleb Yang

Student Theses

In recent years, string pedagogy discussions have highlighted the greater need for creative practice as classical string players. Since the second half of the nineteenth century, string methods have shifted towards a limited scope of improvisatory techniques, parallelling the decline of improvisation in Western classical music performance practices. This thesis explores live looping as a practice tool to facilitate learning concepts and help string players develop musicianship skills including improvisation, participate in non-classical genres, and explore their creative voices. Examining the results of string educators that incorporate live looping into their own teaching reveals the tool’s effectiveness in bridging curricula …

Women Writing Music: Poets And Composers From Latin America, Kimberly Grez

Recital Papers

The topic of Latin American women poets and composers is not commonly taught in the standard song literature in universities as they are not considered a part of the Western classical music canon. Instead, male poets and composers of German, Italian, French, and British descent are the focus in standard song literature. Although many of these composers have undoubtedly had an impact in music history, the Western classical music canon has neglected entire ethnic and racial groups. Thus, what is left is a predominantly-male European music history that lacks the diversity and richness of other cultures. Considering that we currently …

The Bleached Bones Of A Story, Coral Douglas

Glenn Korff School of Music: Dissertations, Theses, Student Creative Work, and Performances

All ideas stored in our heads are simplistic in nature, or relational to others, which allows for the production of more complex ideas. As is such, small memories supplement beautifully full, yet inherently relational concepts. Small scale ideas are useful to performers (and to audiences), as it is difficult to handle brain capacity overload; it's impossible to multi-task, let alone keep multiple ideas going at once to their fullest, especially when presented with dense new materials. In composing with mental participation for audience members and performers in mind, I propose that composers should create clear formal devices, intend their materials …

Chapman University Wind Symphony, Chapman University Wind Symphony

Printed Performance Programs (PDF Format)

No abstract provided.

2021-2022 Ppc Recital - James Riggs (Oboe), James Riggs, Sergei Skobin, Ava Figliuzzi, Miriam Smith, Rosa Zoraida Ortega Iannelli, Megan Savage

PPC/PSDP Recitals

No abstract provided.

Spring Concert, Uni New Horizons Band, April 29, 2022 [Program], University Of Northern Iowa. School Of Music.

Music Recital Programs

Program of a music recital given by faculty, students, or guest artists from the School of Music at the University of Northern Iowa.