Music Commons^™

"I, Too": A Graduate Voice Recital Celebrating The Works Of Four Black Female Composers, Xavier Moore

Electronic Theses & Dissertations

This thesis is an extension of Mr. Moore’s graduate vocal recital program notes, highlighting the works of four Black female composers. Each chapter includes biographical information about each composer, analysis of each piece, information about the larger works, and an argument about why the works of these composers should be included in the vocal cannon.

Native American Boarding School Bands And Their Bandmasters. Project File 4: Biographical Sketches Of Important Bandmasters, Peter M. Lefferts

Glenn Korff School of Music: Faculty Publications

This is the fourth of five on-line text files in which I assemble my research notes about boys’ bands and their bandmasters at the US government’s Native American off-reservation inter-tribal boarding schools. It is material that covers a span of about fifty years from the 1880s to the 1930s. I principally have put into some kind of order a mass of data that draws upon online digital newspapers and genealogy databases. What follows here is not a finished, polished document. Everything on offer is still work in progress, inconsistent in formatting and with missing data and the occasional typographical error. …

Native American Boarding School Bands And Their Bandmasters. Project File 5: Native Americans On The Chautauqua Circuits: The Role Of Thurlow Lieurance And Lincoln’S University School Of Music, Peter M. Lefferts

Glenn Korff School of Music: Faculty Publications

This is the fifth of five on-line text files in which I assemble my research notes about boys’ bands and their bandmasters at the US government’s Native American off-reservation inter-tribal boarding schools. The present document began as an off-shoot from that project into local history concerning the School of Music associated with the University of Nebraska in Lincoln, NE around 1915-1925 and its role in preparing Native American young adults to appear on Circuit Chautauqua programs. They were often graduates of boarding school band programs, and the Haskell school band, in particular, made major Circuit Chautauqua tours with Native American …

Native American Boarding School Bands And Their Bandmasters: Project File 1: General Topics, Peter M. Lefferts

Glenn Korff School of Music: Faculty Publications

To establish a context for the Native American boarding school bands, we start with an important generalization. In the great Victorian era of bands, most were amateur, adult, white, male, community- or workplace-based recreational ensembles. With few exceptions, bands in the 19th century were not ensembles of children or women or family members, and they did not have a home in public primary or secondary schools. With roots in the military band tradition, civilian bands were mostly social organizations for adult males---grown men---"discoursing sweet music" as a kind of fraternal club with voluntary civic functions. Adult amateur men’s bands peppered …

Native American Boarding School Bands And Their Bandmasters. Project File 3: The Principal Schools And Their Bands, Peter M. Lefferts

Glenn Korff School of Music: Faculty Publications

This document sketches the histories of the boys’ bands and their bandmasters at eight of the most prominent of the US Government’s off-reservation inter-tribal Native American boarding schools. It is material that covers a span of about fifty years from the 1880s to the 1930s. I principally have put into some kind of order a mass of data that draws upon online digital newspapers and genealogy databases. What follows here is not a finished, polished document. Everything on offer is still work in progress, complete with missing data and the occasional typographical error. The author welcomes queries, additions, and corrections, …

Can Current Stereo Recording Techniques Improve? A Creative Analysis And Experiment On Stereo Recording, Gabriel Asher Jones

Honors Theses

Listening to music in stereo has become the societal norm and because of its popularity, it has become, “invisible by its own success” (Théberge 1). Contrary to its growth, the older and more commonly used stereo microphone techniques are still being used today and very few new and unique techniques have made a similar impact. To test if the commonly used techniques have room for improvement this project compares them to brand-new ones. In order to understand and utilize stereo microphone placements numerous fundamental ideas need to be considered to achieve a certain sound and level of quality. Every microphone …

Native American Boarding School Bands And Their Bandmasters. Project File 2: Bands At The Omaha Indian Congresses, 1898 & 1899, Peter M. Lefferts

Glenn Korff School of Music: Faculty Publications

This is the second of five on-line text files in which I assemble my research notes about boys’ bands and their bandmasters at the US government’s Native American off-reservation inter-tribal boarding schools. In general, it is material that covers a span of about fifty years from the 1880s to the 1930s, though the present document concentrates on the Omaha expositions of 1898 and 1899. I principally have put into some kind of order a mass of data that draws upon online digital newspapers and genealogy databases. What follows here is not a finished, polished document. Everything on offer is still …

Le Donne E La Chitarra, James Akers, Romantic Guitar, Ellwood Colahan

Soundboard Scholar

No abstract provided.

Scholastic A Cappella And The Construction Of Whiteness, Community, And Power, Daniel Fister

Arts & Sciences Graduate Student Theses and Dissertations

Vocal-only student ensembles who cover contemporary popular music at most U.S. high schools and universities, known as a cappella groups, mold students as musical listeners and performers. Though predominantly composed of liberal and progressive people who value diversity and inclusion, a cappella communities perpetuate racialized inequities of sound and representation. I analyze how race, particularly whiteness, shapes the intersecting communities of scholastic a cappella through ideologies of sound (i.e. singing and arranging styles), social structures (i.e. audition processes, competition policies, and judging rubrics), and discourses (how a range of a cappella practitioners discuss, or not, social categories such as race …

Theater Auf Der Wieden - History Of Location, Audiences, And Mechanics, Jonathan Jaworowski, Abriana Tereza, Rachel Thomaschefsky

2022 Festschrift: Mozart's Die Zauberflöte

There are many historical connections between Vienna’s theater scene and the original theater that Mozart’s Die Zauberflöte was performed in. This paper discusses the audiences of the Theater, the location, architecture and mechanics. Although much has changed within theaters since the 18th century, some things still remain the same.

Monarch Steel Band: Semester Showcase, Monarch Steel Band, Elly Carlson (Student Director), David Walker (Faculty Advisor)

Ensemble Performances

No abstract provided.

Music Therapy Interventions And Their Outcomes On Hematology And Oncology Patients, And Outpatient Groups, Alexandra Paque

Honors Theses

There is a variety of research published about the use of music therapy interventions and their outcomes for the pediatric hematology-oncology and outpatient groups, however the research is not combined to put together a description of the most effective interventions utilized in one place. This scoping review addressed the questions of what music therapy interventions are used in the pediatric hematology/oncology and outpatient settings, and what the outcomes of music therapy were respectively. Inclusion and exclusion criteria were established to determine what articles to include in the review. Three databases including Google Scholar, WMU Library, and PubMed were searched to …

A Search For Enlightenment In Mozart's Die Zauberflöte, Briana Castro, Ryan Jones

2022 Festschrift: Mozart's Die Zauberflöte

The Enlightenment was a time of philosophy, critical thinking, and brotherhood. Society at the time felt it was possible to find true meaning and connections with the world around them. Ideas were spread through newspapers, pamphlets, and social gatherings such as lodges. This spread of ideas reached Wolfgang Amadeus Mozart and affected his opera, Die Zauberflöte. Themes of the Enlightenment are found in the characterizations of Tamino, Papageno, Pamina, the Queen, and Sarastro. This essay describes characterizations and analyzes how themes of Enlightenment appear in the opera.

A Musical Analysis Of Die Zauberflöte, John Flannery, Mattheia Rudolph, Rachel Heikkinen

2022 Festschrift: Mozart's Die Zauberflöte

Upon analysis of Mozart’s Die Zauberflöte, we are able to discern the compositional techniques throughout which reflect the plot and inner motives of each character. We also analyze Masonic ideas hidden in the subtext of the opera and how they are explored through the use of reinterpretation of past material, affekt, and text painting.

Mozart & Schikaneder: Production Of Theatre In The 18th Century, Quinne Weinzierl, Miranda Preuss, Haley Tromblee

2022 Festschrift: Mozart's Die Zauberflöte

Die Zauberflöte was composed by Wolfgang Amadeus Mozart, with the libretto written by Emanuel Schikaneder. In this essay, we aim to present our findings regarding Mozart’s Die Zauberflöte in relation to the theater culture found in the 18th century. Because of the lack of writing on the production of Die Zauberflöte we aimed our research towards Schikaneder and the general layout of the theater surrounding the time Die Zauberflöte premiered. Using cross referencing and sources from the 18th century, we have put together a general synopsis of how Die Zauberflöte was likely promoted and produced. All of this information comes …

Times Are Changing: Addressing Racism And Sexism In Die Zauberflöte, Cassidy Wiltjer, Anna Winn, Linnea Johansen

2022 Festschrift: Mozart's Die Zauberflöte

The eighteenth century philosophy regarding discrimination based on gender and race do not align with the philosophy of the modern era. Mozart’s Die Zauberflöte, written in 1791, is full of racist and misogynist remarks which are woven carefully into the music and plot of the opera. Racism is evident through the character of Monostatos and the claims that his status as a Moor make him less valuable as a human being. Additionally, the character Sarastro exemplifies a rational and powerful male while the Queen of the Night, while powerful in her own right, is the villain: an unruly, emotional woman. …

A Senior Recital-Betsy Tullis And Julia Stowell, Betsy Tullis

All Music Department Programs

This recital is in partial fulfillment of the requirements for the degree of Bachelor of Music in Music Performance.

Senior Recital - Nancy Wyatt Jensen, Nancy W. Jensen

All Music Department Programs

This recital is in partial fulfillment of the requirements for the degree of Bachelor of Music in Music Performance.

Children's Choir Presents A Night On Broadway, December 13, 2022 [Program], University Of Northern Iowa. School Of Music.

Music Recital Programs

Program of a music recital given by faculty, students, or guest artists from the School of Music at the University of Northern Iowa.

25 Years Of Garage Review – Music Documentary Falls Prey To The Same Mistakes That Killed The Scene, Monique Charles

Sociology Faculty Articles and Research

"A host of veterans from the heyday of the UK’s garage scene (including Heartless Crew, Dane Bowers and members of So Solid Crew) star in 25 Years of Garage, a new documentary co-directed by former promoter Terry Stone.

As an academic who specialises in Black music and advocates for its serious intellectual study, I find it encouraging to see active members of the garage scene documenting the culture.

UK garage was a genre of electronic dance music, which peaked between the late 1990s and early 2000s. Incorporating elements of R&B, jungle and pop, its sound was marked by pitch-shifted vocal …