Music Commons^™

A Classification Of Musical Scales Using Binary Sequences, Thomas Hillen

Journal of Humanistic Mathematics

Every beginning music student has gone through the four main musical scales: major, natural minor, harmonic minor, and melodic minor. And some might wonder, why those four and not five, or six, or just three? Here we show that a mathematical classification can be used to identify these scales as representatives of certain scale families. Moreover, the classification reveals another scale family, which is much less known: the harmonic major scale. We find that each scale family contains exactly seven scales, which include the modes (dorian, phrygian,...) and other scales such as the Romanian, …

Notes From The Editor

Research & Issues in Music Education

No abstract provided.

Klavar: From Tablature To Comprehensive Music Notation System, E. Joop Van Zoelen

Research & Issues in Music Education

Music students often encounter problems in reading sheet music, because of the complexity of Traditional Music Notation (TMN). Klavar is an alternative music notation system that is simple, intuitive, and easy to learn. Thousands of compositions from many composers are available in Klavar. In its original form, Klavar can be considered as tablature for keyboard instruments. The present paper compares advantages and disadvantages of Klavar and TMN. Subsequently, the author proposes an innovative extension of the Klavar music notation, such that enharmonic notes can be discriminated, and harmonic and melodic lines can be identified. The resulting Klavar20 notation is complete, …

White Supremacy And The Major Scale: Reframing Narratives To Teach The Blues, Improvise, And Check In With Students, John B. Bass Iii

Research & Issues in Music Education

Increasing diversity and equity in secondary and college music programs is a common thread in the scholarship across disciplines in the field. While crucial work is being done to decolonize curricula broadly, students often express difficulty relating to formal music study and teachers struggle to balance desires to diversify repertoire and incorporate alternative pedagogical strategies with their own training. Narratives of white supremacy and music have intersected for over 400 years, but the effect goes beyond the composers and pieces we choose to program or teach. It influences foundational concepts of theory, tuning, and even what notes are (the major …

Music Education Majors And Mental Health: A Follow-Up Study, Philip D. Payne

Research & Issues in Music Education

Music education majors across the United States (N = 1029) self-reported indicators of depression, anxiety, personality, and stress. According to the results, music education majors are highly busy, and report elevated levels of stress as compared to their peers. Semester enrollment averages include: 18.5 hours (including 0 credit courses) a semester, rehearsing an average of 9.08 hours a week, and a majority of whom work an average of 13-15 hours a week all while reporting high perceived stress levels. Furthermore, 74% of respondents required additional screening on the DSM-V for depression with over 70% exhibiting symptoms of moderate or severe …

Ol Woman Blong Wota (The Women Of The Water), Sandy Sur, Ashley Burgess, Maeve Mckenna, Catherine Grant

World Music Textbook

The women of Leweton have been performing Water Music for international audiences since the founding of the Leweton Cultural Village in 2008, and have been practising this tradition for as long as they remember. The women performers who feature in this film are Denilla Frazer, Melinda Frazer, Jerolyn Frazer, Beverley Frazer, Cecilia Tingris, Cicilia Wari, Marie Sur, Sonrin Sur, Trisha Sur, and Margaret Tingris.

Steve Mcneal: Sustained Excellence In Orchestral Education Through Relational Trust, Matthew H. Spieker

Research & Issues in Music Education

No abstract provided.

Pleasure And Power In A Cover Culture: Audiences, Musicians, And Venues In İZmi̇R’S Popular Music Scene, Yılmaz Onur Sönmez

Dissertations, Theses, and Capstone Projects

The live popular music scene in İzmir, Turkey, is dominated by slow-changing cover repertoires that are performed by musicians who have been on stage for a few decades, at places that have been hosting covers shows for a prolonged time. In this dissertation, I question the reasons behind this practice, which I call cover culture, and analyze it from the three different but interrelated perspectives of audiences, musicians, and venues. My analysis relies on the fieldwork data I collected between March 2019 and May 2022, and on my long-term involvement with and observations of the scene since the early 2000s. …

“All The Evil Music Has:” Musical Representations Of The Vamp In Interwar American Popular Media, Martha Schulenburg

Dissertations, Theses, and Capstone Projects

This dissertation explores the vamp as a symbol of sociosexual deviance in film and American popular music of the 1910s and ‘20s. Abbreviated from vampire, “vamp” came to be used as a term for sexually voracious and predatory women in the early 20^th century. Following the unprecedented success of the 1915 film A Fool There Was, vamps then became a staple in American popular media. My project examines the process of remediation and cultural dissemination at the dawn of mass media via the vamp in music. Vamps were pervasive in cinematic accompaniment, vaudeville, jazz, and Tin Pan Alley …

Music Lessons, Cecilia-Rose Louise Bender

Dissertations, Theses, and Capstone Projects

music lessons is a digital chapbook that explores the relationships between James Baldwin’s writing and Beauford Delaney’s paintings through music. From Delaney’s “Composition 16” (1954-56) to Baldwin’s “The Uses of the Blues” (1964), their collaboration with the core elements of jazz music gives their work rhythm and melodic contour that any/body can vibe with. Absorbing the influences of artists Ella Fitzgerald, Miles Davis, Ray Charles, and putting them to paint and text, music lessons demonstrates how music not only transforms the ways we experience and move our bodies but also the ways that we perceive space, relationships, and time. What’s …

Richard Becker, Piano, Department Of Music, University Of Richmond

Music Department Concert Programs

No abstract provided.

Voice Leading In Fugue, Yuval Shapira

Dissertations, Theses, and Capstone Projects

This dissertation examines voice leading in the fugues of J. S. Bach’s Well-Tempered Clavier from a Schenkerian perspective. In Bach’s fugues, thematic material usually permeates all the parts, making the surface diminutions unusually complex. Given the predominance of the subject, there is a tendency in the Schenkerian tradition to base the voice-leading analysis of a fugue on an a priori analysis of the subject by itself. Based on the subject’s outline, one might expect to find the fugal thematic layout reflected in the underlying voice leading, conceiving the fugal surface as an elaboration of a simpler quasi-fugal substructure. I argue …

Identity And Complexity In Chaya Czernowin’S Ina, Eliav Kohl

Dissertations, Theses, and Capstone Projects

Chaya Czernowin’s Ina (1988) for solo bass flute and six pre-recorded flute parts, unfolds the drama of a protagonist battling her conflicting inner voices. Czernowin interrogates the concept of identity and asks the questions—what is an identity? To what extent can a particular identity endure its own complexities? My analysis demonstrates how the growing levels of musical complexity represent the growing independence of Ina’s multiple inner voices, and how musical simplicity enables their unification. I present two oppositional forces: an intertwining force, and a splitting force. The intertwining force acts very much like a gravitational force in the musical domain—it …

Eun-Jung Auh Soprano Masterclass, Andrews University

Concerts and Event Programs 2022-2023

Eun-Jung Auh Soprano from Seoul Korea runs a masterclass in collaboration with the Voice Studio students..

Lieder Des Lebens, Andrews University

Concerts and Event Programs 2022-2023

Sunday Music Series Lieder des Lebens

Eun-Jung Auh, soprano Chi Yong Yun, piano

Isidora Nojkovic, Cello, January 31, 2023 [Program], University Of Northern Iowa. School Of Music.

Music Recital Programs

Program of a music recital given by faculty, students, or guest artists from the School of Music at the University of Northern Iowa.

Emma Hawkinson, Mezzo-Soprano, Natia Shioshvili, Piano, January 31, 2023 [Program], University Of Northern Iowa. School Of Music.

Music Recital Programs

Program of a music recital given by faculty, students, or guest artists from the School of Music at the University of Northern Iowa.

Jussi Björling Museum Update, Voxna And Strömsbruk, Sue Flaster

Newsletter of the Jussi Björling Societies of the USA & UK

Largely due to the ongoing Covid pandemic and the usual Swedish summer-vacation period, there is nothing new to report about the fate of the Museum, as well as no news about when Borlänge Kommun plans to empty the current Museum building. As of this writing, the municipal government is still planning to relocate the Jussi Björling Museum to space in the Borlänge library. Although the Museum remains officially closed, it is possible to visit by appointment. Efforts continue to find appropriate space in Stockholm as well as to work with Borlänge Kommun to insure the best possible arrangement for this …

Jussi And Elvis, David Lewis

Newsletter of the Jussi Björling Societies of the USA & UK

Jussi Björling and Elvis Presley. Elvis and Jussi. The Swedish Caruso and the King of
Rock ‘n’ Roll. An absurd pairing Or is it?

Remembering Sarah Duvall, Norm Krasne

Newsletter of the Jussi Björling Societies of the USA & UK

After suffering a catastrophic stroke last summer, one of our fellow JBSers, my partner Sarah Duvall, passed away on August 15th. Compared to most in our Society, she was a relative newcomer to opera and to Jussi’s heavenly tenor. As her exposure to the art form grew, she came to prefer more contemporary operatic works to the more traditional classics, but she recognized superior singing when she heard it. Portland (OR) Opera was our home base and over a decade we became more involved with the Company and made many friends among its supporters and staff. Sarah was a volunteer …