Music Commons^™

The Intentional Soundtrack: Using Specific Music To Proactively Manage The Elementary Classroom, Meredith Sundberg, Angela Carlson, Carrie Thonstad

Celebration of Research

This research investigates how educators can intentionally use specific musical genres and tempos as reliable environmental cues to enhance student attention, engagement, and classroom management. While the general benefits of music in education are well-documented, this study seeks to identify which genres are most effective for specific instructional outcomes. While conducting a four-week comparative study across four second-grade classrooms, I evaluated the impact of upbeat and slow music during transitions, classical and pop music during independent spelling work, and classical, pop, and curriculum related music math brain breaks. Data was collected through observational rubrics, student surveys, and academic test scores. …

2025-2026 Faculty Masters Concert Ii, Lisa Leonard, Sheng Yuan Kuan, David Cole, Roberta Rust, Guillermo Figueroa

Faculty Recitals

No abstract provided.

Jazz Combos I And Ii: April 16, 2026, Illinois State University School Of Music

School of Music Programs

This is the one hundred and sixtieth program of the 2025-2026 season.

Kemp Recital Hall

April 16, 2026

Thursday Evening

7:30 p.m.

Do Not Dismiss: How Community Is Built Through Kpop And Their Fandoms, Re Steinberg

Senior Seminars and Capstones

Fans of the music genre Kpop have been dismissed as juvenile or unimportant by some scholars and social commentators. Existing scholarship tends to focus on how the kpop fandom creates a space where the fans form groups amongst themselves, ex: dance cover groups, rather than how the fandoms influence individual motivations and benefits of participation. My aim with this study is to consider the effects that Kpop fandoms have on how fans identify and present themselves, feel a sense of belonging, and partake in the creative process. By using methods of oral history and content analysis of online social spaces, …

West African Drumming And Dance Ensemble: April 15, 2026, Nana Hemaa Ama Oforiwaa Aduonum

School of Music Programs

This is the one hundred and fifty-ninth program of the 2025-2026 season.

Kemp Recital Hall

April 15, 2026

Wednesday Evening

7:30 p.m.

Powwow Sound: The Differences Between Northern And Southen Style Music, Alison P. Walker

SACAD: Scholarly Activities

The purpose of this study was to observe the music performed at Powwows and the differences of the sound according to region.

I examined the changes based on region that made the style of music performed different.

The Influence Mariachi Music On Regional Mexican Music, Alexis Suastegui

SACAD: Scholarly Activities

How has Mariachi music influenced other regional music in mexico?

University Of Richmond Wind Ensemble, Department Of Music, University Of Richmond

Music Department Concert Programs

No abstract provided.

Music Factory I & Ii: April 13, 2026, Carl Schimmel, Alex Stephenson, Roy Magnuson, Alex Taylor

School of Music Programs

This is the one hundred and fifty-seventh program of the 2025-2026 season.

Kemp Recital Hall

April 13, 2026

Monday Evening

6:00 & 8:00 p.m.

2025-2026 Woodwind Department Recital, Betania Canas, Mia Cotton, Ay Kawasaki, Aj Meyer, Daniel Cruz, Amanda Rearden, Karen Trujillo, Rishi Gurnani, Chase Hogan, Juanita Jaimes, Noah Suarez, Nicholas Weathers, Jacob Lomboy, Derek Lund, Ethan Thompson, Ziling Wang

Studio Recitals

No abstract provided.

Spring Choral Concert, Department Of Music, University Of Richmond

Music Department Concert Programs

No abstract provided.

Senior Recital: Toby Tate, Composition And Guitar, Department Of Music, University Of Richmond

Music Department Concert Programs

No abstract provided.

Senior Recital: Andrew Kowal, Piano, Department Of Music, University Of Richmond

Music Department Concert Programs

No abstract provided.

Senior Recital: Michael Hammon, Trombone; April 12, 2026, Michael Hammon, Lu Witzig

School of Music Programs

This is the one hundred and fifty-second program of the 2025-2026 season.

Kemp Recital Hall

April 12, 2026

Sunday Afternoon

4:00 p.m.

Percussion Ensemble: April 12, 2026, David Collier, Ben Stiers

School of Music Programs

This is the one hundred and fifty-fifth program of the 2025-2-26 season.

April 12, 2026

Sunday Evening

7:00 p.m.

Senior Recital: Kenne, Clarinet; April 12, 2026, Ben Keene, Momoko Gresham

School of Music Programs

This is the one hundred and fifty-sixth program of the 2025-2026 season.

Kemp Recital Hall

April 12, 2026

Sunday Afternoon

8:30 p.m.

Junior Recital: Wolz, Viola; April 12, 2026, Val Wolz, Zeph Mussman, Grace Eom

School of Music Programs

This is the one hundred and fifty-third program of the 2025-2026 season.

Kemp Recital Hall

April 12, 2026

Sunday Afternoon

5:30 p.m.

Graduate Lecture Recital: Tseng, Violin; April 12, 2026, Linting Tina Tseng, Lu Witzig

School of Music Programs

This is the one hundred and fifty-fourth program of the 2025-2026 season.

Kemp Recital Hall

April 12, 2026

Sunday Evening

8:00 p.m.

Junior Recital: Parker, Flute; April 12, 2026, Melanie Parker, Lu Witzig

School of Music Programs

This is the one hundred and forty-nineth program of the 2025-2026.

Kemp Recital Hall

April 12, 2026

Saturday

Noon

Senior Recital: Mitcheff, Voice; April 12, 2026, Isabella Mitcheff, Chesia Goulart

School of Music Programs

This is the one hundred and fiftieth program of the 2025-2026.

April 12, 2026

Sunday Afternoon

1:30 p.m.