Music Commons^™

Spring Concert: Treble And Concert Choir; April 26, 2026, Mark Grizzard, Andrew Bruhn

School of Music Programs

This is the two hundred and second program of the 2025-2026 season.

Center for the Performing Arts

April 26, 2026

Sunday Evening

6:00 p.m.

Junior Recital: Tarcak, Piano; April 26, 2026, Ezra Tarcak

School of Music Programs

This is the two hundred and third program of the 2025-2026 season.

Kemp Recital Hall

April 26, 2026

Sunday Evening

7:30 p.m.

Graduate Recital: Pal-Casiano, Piano; April 26, 2026, Alexis Faye Pal-Casiano

School of Music Programs

This is the two hundred and fourth program of the 2025-2026 season.

Kemp Recital Hall

April 26, 2026

Sunday Evening

9:00 p.m.

Howard Series Presents: Chi Yong Yun & Charles Reid, Andrews University

Concerts and Event Programs 2025-2026

International-renowned pianist Chi Yong Yun & acclaimed tenor Charles Reid present a voice recital under the Howard Series.

Graduate Recital: Fuqua, Percussion; April 25, 2026, Jewelianna Fuqua, Kyle Heissler, Noah Berkshier, Wyatt Mastin, Sara Eckert, Abbey Schiller, Bridget Hagan

School of Music Programs

This is the one hundred and ninety-second program of the 2025-2026 season.

Kemp Recital Hall

April 25, 2026

Saturday Afternoon

5:00 p.m.

Senior Recital: Fox, Clarinet; April 25, 2026, Peyton Fox, Momoko Gresham

School of Music Programs

This is the one hundred and ninety-third program of the 2025-2026 season.

Kemp Recital Hall

April 25, 2026

Saturday Evening

7:00 p.m.

Graduate Recital: Tseng, Violin; April 25, 2026, Lin Ting Tseng, Lu Witzig

School of Music Programs

This is the one hundred and ninety-fourth program of the 2025-2026 season.

Kemp Recital Hall

April 25, 2026

Saturday Evening

8:00 p.m.

Graduate Recital: Prado, Composition/Percussion; April 25, 2026, Ethan Prado

School of Music Programs

This is the one hundred and ninety-fifth program of the 2025-2026 season.

Cook Hall 212

April 25, 2026

Saturday Evening

8:00 p.m.

2025-2026 Master Of Music Recital - Maria Savelyeva (Cello), Maria Savelyeva, Diego Suarez

Master of Music Recitals

No abstract provided.

2025-2026 Junior Recital - Lillian Platte (Viola), Lillian Platte, Sheng Yuan Kuan

Junior and Senior Recitals

No abstract provided.

How Can I Keep From Singing: A Reunion Choral Concert, Andrews University

Concerts and Event Programs 2025-2026

Professor Stephen Zork presents a final Reunion Choral Concert as he steps into retirement. Over 200 voices join together to perform choral works that Zork's choirs have performed over the past 34 years at Andrews University.

This concert featured Zork's symphonic poem Matopos performed by the Andrews University Symphony Orchestra. Also including a world premier of James Lee III's When God Sings, a commissioned work to celebrate Zork's legacy at Andrews University.

The Emmanuel Missionary Choir joined the mass choir to perform John Rutter's The Lord Bless You and Keep You.

2025-2026 Performance Forum - April 24, 2026, Amanda Rearden, Sheng Yuan Kuan, Devin Foster, Patrick Hengstler, Rebeca Sierra, Joseph Muhl, Michael Shipps

Performance Forum

No abstract provided.

“Some Rise, Some Fall, Some Climb”: Three Ways Of Looking At Robert Hunter’S The Giant’S Harp, Janet Brennan Croft, David L. Emerson

Journal of Tolkien Research

In this presentation we explore the world of the late Grateful Dead lyricist Robert Hunter’s unpublished novel The Giant’s Harp. We will bring some of the tools we use in fantasy literature criticism and Tolkien studies to bear on this intriguing but sometimes problematic work. First, we want to look at the deep world-building behind the novel and related song cycles: does it create what in fantasy studies we call a legendarium, like the world J.R.R. Tolkien built? Second, how does it stack up as a mythology? What do we see when looking at it through the lenses of …

‘But I’Ll Get Back On My Feet Some Day’: Hopeful Losers In Grateful Dead Lyrics, David L. Emerson, Janet Brennan Croft

Journal of Tolkien Research

Many songs in the Grateful Dead repertoire, particularly those written by Robert Hunter but also those by other lyricists, feature “loser” characters: characters who fail, in ways mundane or spectacular, usually while simultaneously deluding themselves about their chances of success. In this presentation we examine several of these characters and their stories, applying Tolkienian terminology and concepts like ofermod, “Northern courage,” trust in providence, and eucatastrophe. We’ll compare our hopeful losers with Tolkien’s characters, who hold on to hope in the bleakest of circumstances, yet temper all hopes by acknowledging that living in the physical world is “fighting the …

The Cuban Spectacular: Do You Know What It Means To Be In New Orleans?, Department Of Music, University Of Richmond

Music Department Concert Programs

No abstract provided.

Graduate Recital: Stella Faux, Violin; April 23, 2026, Stella Faux, Lu Witzig, Igor Kalnin

School of Music Programs

This is the one hundred and ninety-first program of the 2025-2026 season.

Kemp Recital Hall

April 23, 2026

Thursday Evening

8:30 p.m.

Graduate Recital: Faux, Violin; April 23, 2026, Illinois State University School Of Music

School of Music Programs

Graduate Recital QR Code

April 23, 2026

English Music For The Recorder: April 23, 2026, Illinois State University School Of Music

School of Music Programs

This is the one hundred and eighty-ninth program of the 2025-2026 season.

Kemp Recital Hall

April 23, 2026

Thursday Evening

6:00 p.m.

Senior Recital: Mcdonnell, Voice; April 23, 2026, Connor Mcdonnell, Zeph Mussman

School of Music Programs

This is the one hundred and ninetieth program of the 2025-2026 season.

Kemp Recital Hall

April 23, 2026

Thursday Evening

7:30 p.m.

The Searcy Story, Elise S. Spinder, Sheeva Chourazghi-Azad, Nate Krammerer, Anna Blubaugh, Sarah Brewer

SPARK Symposium Presentations

This presentation explores the planning and execution of our Honors project: a documentary highlighting local Nashville activists Joyce and Walter Searcy. It outlines our research process, the development of timelines documenting their lives, our collaboration with Fisk University, and the production of the documentary. Housed within the Belmont-Fisk Social Justice Collaborative, our work examines strategies that contributed to the systemic change during the Civil Rights Movement. This inquiry sparked deeper engagement with the Nashville community and illuminated the Searcys’ vital role in fostering community organizing and leading meaningful change. This documentary reflects on what it means to be a selfless …