A Survey Of Choral Music Of Mexico During The Renaissance And Baroque Periods,
2010
University of Texas at El Paso
A Survey Of Choral Music Of Mexico During The Renaissance And Baroque Periods, Eladio Valenzuela Iii
Open Access Theses & Dissertations
Discussion of music from Mexico during the Renaissance and Baroque Periods from 1575-1775. Contains a discussion of early music history in Mexico beginning with the arrival of Hernan Cortes. Composers contained in this work include Hernando Franco ( 1532-1585), Juan de Lienas (active in Mexico between 1630-1650), Juan Gutierrez de Padilla (c. 1590-1664), Francisco Lopez de Capillas (1608-1674), Antonio de Salazar (c. 1650-1715), Manuel de Sumaya [Zumaya] (1678-1754), and Ignacio de Jerusaelm (1707-1769).
Effects Of Duration Of Selected Music As An Intervention On Postoperative Pain In Open-Heart Surgery Patients During Chair Rest On The First Postoperative Day,
2010
Eastern Michigan University
Effects Of Duration Of Selected Music As An Intervention On Postoperative Pain In Open-Heart Surgery Patients During Chair Rest On The First Postoperative Day, Tzu-Ting Shu
Master's Theses and Doctoral Dissertations
The purpose of this study was to test the effects of selected music on reducing postoperative pain and use of pain relief medications in open-heart surgery patients during chair rest on the first postoperative day.
This study was conducted using a pretest-posttest experimental design. A convenience sample of 13 open-heart surgery patients from a metropolitan hospital in southeastern Michigan were randomly assigned to the music group (n = 6) and the control group (n = 7). T-test analysis showed that pain scores (numeric rating scale, NRS = 0-10) were lower in the music group than the control group after 30, …
A Performance Preperation Guide To Concerto For Bass Trombone And Orchestra (1964, Revised 2001) Composed By Thom Ritter George (Born 1942),
2010
University of Texas at El Paso
A Performance Preperation Guide To Concerto For Bass Trombone And Orchestra (1964, Revised 2001) Composed By Thom Ritter George (Born 1942), Keith Robert Rose
Open Access Theses & Dissertations
A performance preparation guide for Concerto for Bass Trombone and Orchestra (1964, Revised 2001), composed by Thom Ritter George (born 1942). This thesis provides background information, interview with the composer, and steps for preparing the work for performance. This thesis also explores the major significance of this work in the bass trombone solo repertoire.
Intonation And Compensation Of Fretted String Instruments,
2010
Loyola Marymount University
Intonation And Compensation Of Fretted String Instruments, Gabriele U. Varieschi, Christina M. Gower
Physics Faculty Works
We discuss theoretical and physical models that are useful for analyzing the intonation of musical instruments such as guitars and mandolins and can be used to improve the tuning on these instruments. The placement of frets on the fingerboard is designed according to mathematical rules and the assumption of an ideal string. The analysis becomes more complicated when we include the effects of deformation of the string and inharmonicity due to other string characteristics. As a consequence, perfect intonation of all the notes on the instrument cannot be achieved, but complex compensation procedures can be introduced to minimize the problem. …
Character Education: The Effects Of An After-School Music Program On At-Risk Youth Student Motivation And Academic Achievement,
2010
Wright State University
Character Education: The Effects Of An After-School Music Program On At-Risk Youth Student Motivation And Academic Achievement, Sharon L. Koster
Browse all Theses and Dissertations
This case study was designed to increase student motivation and improve academic achievement in at-risk students through participation in an after-school music program. The case study began in September 2007, as a part of Project Jericho's After-school Arts Program, a program that is a collaboration between the Clark State Community College Performing Arts Center and Job and Family Services of Clark County, in Springfield, Ohio. An analysis compared pre and post data that included field notes, personal observation, student journals, and SWIS data (School-wide Information System: official school behavioral tracking system for data), in order to measure changes in behavior, …
Music And National Identity: A Study Of Cello Works By Taiwanese Composers,
2010
CUNY Graduate Center
Music And National Identity: A Study Of Cello Works By Taiwanese Composers, Yu-Ting Wu
Dissertations, Theses, and Capstone Projects
The purpose of this study is to explore the impact of folkloric elements in music by Taiwanese composers and to uncover the methods they treat regional materials under the influences of Western compositional techniques, hereby creating a new fusion within classical music. This study centers in the ethnic impact on modern Taiwanese music, and also provides an opportunity to probe the significance of the subject "nation" in the field of musical creativity.
In this dissertation, the discussion includes the development of traditional and Western music in Taiwan including the historical and cultural background, how music serves as an emblem of …
The Piano Works Of Páll Ísólfsson (1893–1974): A Diverse Collection,
2010
CUNY Graduate Center
The Piano Works Of Páll Ísólfsson (1893–1974): A Diverse Collection, Nina Margret Grimsdottir
Dissertations, Theses, and Capstone Projects
The piano works of Páll Ísólfsson (1893-1974) form a diverse collection of twenty-six pieces that consists of nineteen character pieces, one set of variations, and six liturgical pieces. They were composed during 1920-1970, and now for the first time, the collection can, in this dissertation, be appreciated in its entirety. The important steps taken along the way have included publication, recordings, research and concert performances.
The character pieces divide into four groups according to stylistic influence and maturity. Most of the earlier pieces fall into the "humorous burlesque" or "sentimental lyric" group; the other two groups belong to traditional dance …
Mátyás Seiber’S Twelve-Tone Technique,
2010
CUNY Graduate Center
Mátyás Seiber’S Twelve-Tone Technique, Bettina Lee
Dissertations, Theses, and Capstone Projects
This dissertation investigates the compositional style of Mátyás Seiber’s twelve-tone music through an analysis of three works composed between 1934 and 1960: String Quartet No. 2, Concert Piece for Violin and Piano, and Sonata for Violin and Piano. Chapter 1 provides an overview of the composer’s life and his compositional style. Chapter 2, on String Quartet No. 2 (1934-5), examines the subdivisions of the twelve-tone series into smaller pitch-class sets and introduces the concept of families. Chapter 3, on Concert Piece for Violin and Piano (1953-4), demonstrates the permutation of and within tetrachords derived from the prime series …
Right Of Publicity Licensing In A New Age: No Doubt V. Activision Publishing, Inc.,
2010
Benjamin N. Cardozo School of Law
Right Of Publicity Licensing In A New Age: No Doubt V. Activision Publishing, Inc., Marta Baffy
Cardozo Arts & Entertainment Law Journal
No abstract provided.
The Red Flag Test For Apparent Knowledge Under The Dmca §512(C) Safe Harbor,
2010
Benjamin N. Cardozo School of Law
The Red Flag Test For Apparent Knowledge Under The Dmca §512(C) Safe Harbor, Liliana Chang
Cardozo Arts & Entertainment Law Journal
No abstract provided.
The Analysis Of Composition Techniques In Utp_: Synthetic Composition For Electroacoustic Ensembles,
2010
Edith Cowan University
The Analysis Of Composition Techniques In Utp_: Synthetic Composition For Electroacoustic Ensembles, Kynan Tan
Theses : Honours
This thesis attempts to analyse and describe a number of spectrally oriented composition techniques for composing music for electroacoustic ensemble. These techniques aim to achieve a synthetic approach to combining electronic and acoustic sound sources in live performance. To achieve this, an in-depth analysis of utp_ (2008) by Alva Noto and Ryuichi Sakamoto in collaboration with Ensemble Modern is conducted. utp_ utilises a large acoustic ensemble, live electronic processing, prerecorded electronic sound and video projections in performance. The discussion also queries the possible problems of electroacoustic performance, and examines ways to resolve the most prevalent issues. This involves a discussion …
The Seventeenth-Century Battaglie For Lute In Italy,
2010
Edith Cowan University
The Seventeenth-Century Battaglie For Lute In Italy, Aiden Deasy
Theses : Honours
Italy had been the theatre of war for centuries. Political fragmentation ignited dynastic rivalries, carving out powerful autonomous city-states whose leaders amassed within their courts artists, musicians and writers in order to chronicle their military, religious and political vision. The musical depictions of particular military exploits, or battaglia, became popular springboards for colourful, programmatic compositions. These works were often performed in public in order to garner support for campaigns. Originally a vocal genre whose distant relative can be traced back to the caccia, or hunting song, the battaglie were often transcribed for instruments, in particular the lute, thus …
Mixing For Parlak And Bowing For A Büyük Ses: The Aesthetics Of Arranged Traditional Music In Turkey,
2010
CUNY Graduate Center
Mixing For Parlak And Bowing For A Büyük Ses: The Aesthetics Of Arranged Traditional Music In Turkey, Eliot Bates
Publications and Research
In this paper I explore the production aesthetics that define the sound of most arranged traditional music albums produced in the early 2000s in Istanbul, Turkey. I will focus on two primary aesthetic characteristics, the achievement of which consume much of the labor put into tracking and mixing: parlak (“shine”) and büyük ses (“big sound”). Parlak, at its most basic, consists of a pronounced high frequency boost and a pattern of harmonic distortion characteristics, and is often described by studio musicians and engineers in Turkey as an exaggeration of the perceived brightness of the majority of Anatolian folk instruments. Büyük …
The Illumination Of E. E. Cummings' Poetry In J. A. C. Redford's "Love Is The Every Only God",
2010
Louisiana State University and Agricultural and Mechanical College
The Illumination Of E. E. Cummings' Poetry In J. A. C. Redford's "Love Is The Every Only God", Amy Louise Aucoin
LSU Doctoral Dissertations
The choral work love is the every only god, composed by J. A. C. Redford, was published in 2001, placing it among the initial choral concert works published in the twenty-first century. love is the every only god is a song cycle for divisi mixed chorus with piano accompaniment based on six poems by E. E. Cummings. The work is organized into six movements with two interludes and lasts approximately twenty-five minutes. Beyond his regard for the art of poetry and care in choosing a text, Redford sees himself as an illuminator of the text, providing the listener with a …
A Collection Of Original Music,
2010
University of Northern Iowa
A Collection Of Original Music, Hanna Van Hemert
Honors Program Theses
The thesis project, 'A Collection of Original Music', is a creative/performative project comprised of composing, rehearsing, performing, recording, and notating original music. Designed to be completed as a collaboration between two musicians, Kelsey and I worked together during each of the tasks of the project. Consisting of four original pieces for piano/voice, and ukulele/voice, the compositions were performed at a live concert/thesis presentation, recorded at a later date, and transcribed for posterity.
A Collection Of Original Music,
2010
University of Northern Iowa
A Collection Of Original Music, Kelsey Staudacher
Honors Program Theses
No abstract provided.
Playing Like A Girl: An Analysis Of The Role Of Gender In Trumpet Performance,
2010
University of Northern Iowa
Playing Like A Girl: An Analysis Of The Role Of Gender In Trumpet Performance, Leslie Ellen Aboud
Honors Program Theses
The area of classical trumpet performance has been primarily regarded as a masculine profession and many are surprised to be informed of or stumble upon some of the great female trumpeters of our time. Since the gender of trumpet players is seemingly one-sided, it is important to note to what degree, if any, gender impacts this profession. The goal of this research is to use experiences and opinions of prominent female trumpet players to identify the role of gender in classical trumpet performance from the standpoint of musical expression and approaches to performance. In order to carry out these goals, …
A Master's Recital In Viola,
2010
University of Northern Iowa
A Master's Recital In Viola, Amy Beekhuizen
Dissertations and Theses @ UNI
Amy Beekhuizen performed her graduate recital on March 12, 2010 at 6:00 p.m. in Davis Hall at the Gallagher-Bluedorn Performing Arts Center, University of Northern Iowa. This recital was given in partial fulfillment of the Master of Music degree in viola performance. The program consisted of Suite No. 3 in C major, BWV 1009, by Johann Sebastian Bach, Sonate for Viola and Piano, Op. 25, No. 4, by Paul Hindemith, Elegy for Viola and Piano, Op. 44, by Alexander Glazunov, and Sonata for Viola and Piano, by Rebecca Clarke. Polina Khatsko, adjunct instructor of piano at the University of Northern …
Master Of Music Graduate Recital,
2010
University of Northern Iowa
Master Of Music Graduate Recital, Teale Lora Burford
Dissertations and Theses @ UNI
The elements earth, water, fire, and air, are essential for continuing and sustaining life on Earth. They are both life-giving and destructive-bringers of fortune or ruin-in the natural world. Central to this program is an artist's ability to translate these elements into poetic metaphors of the human condition and emotion: burning passion, the fertile soil of the soul, the winds of fortune, and the deep waters of despair. The realization of compositional techniques used to exemplify the four elements and the character communicated by the music is the objective of this recital. This performance involves works from all principle style …
Creating Salsa, Claiming Salsa: Identity, Location, And Authenticity In Global Popular Music,
2010
University of Northern Iowa
Creating Salsa, Claiming Salsa: Identity, Location, And Authenticity In Global Popular Music, William Guthrie Legrand
Dissertations and Theses @ UNI
Although Latin American ethnomusicological scholarship in the last twenty years has addressed much of the Caribbean, particularly Cuba, the popular genre salsa has often been treated as a side project of scholars with other specialties. Much of previous Latin American scholarship has favored nation-based, particularly folkloric, genres, while current trends have largely moved toward either re-engaging nation-based scholarship within postmodern critical contexts or addressing reggaeton as part of the scholarly fascination with global hip-hop culture. Salsa, which has always been created, contested, and claimed. through transnational/global routes, has therefore often been marginalized through its continued association with Latin American musical …
