Music Commons^™

Mixing For Parlak And Bowing For A Büyük Ses: The Aesthetics Of Arranged Traditional Music In Turkey, Eliot Bates

Publications and Research

In this paper I explore the production aesthetics that define the sound of most arranged traditional music albums produced in the early 2000s in Istanbul, Turkey. I will focus on two primary aesthetic characteristics, the achievement of which consume much of the labor put into tracking and mixing: parlak (“shine”) and büyük ses (“big sound”). Parlak, at its most basic, consists of a pronounced high frequency boost and a pattern of harmonic distortion characteristics, and is often described by studio musicians and engineers in Turkey as an exaggeration of the perceived brightness of the majority of Anatolian folk instruments. Büyük …

Concert Recording 2010-11-10a, James Greeson, Claudia Burson, Joseph Rulli, Jesse Austin, Anthony Ball, Sol-A Heo, Matt Beach, Haley Thomas, Jim Sloan, Troy Lawrence, Matt Cope, Danny Walker, Gary Sloan, Joel Paul, Matt Todd, Trent Rhodes, Kjartan Kennedy, Kevin Kelly, Molly Cowan, Clay Johnson, Jordan Wilhelm, Wes King, Derek Walker, Matt Jennings, Colin Mcnerny, Matt Foyt, University Of Arkansas, Fayetteville. Uptown Jazz Combo, University Of Arkansas, Fayetteville. Downtown Jazz Combo, University Of Arkansas, Fayetteville. Big Band

Concert Recordings & Programs

Poltergeists and moonbeams / Lennie Niehaus -- Big cat blues / Dave Hanson -- Children of the night / Wayne Shorter ; arr. by Mark Taylor -- 2 hip 2 hop / Jim Greeson -- Tribute to the Duke / Duke Ellington ; Billy Strayhorn ; arr. by Sammy Nestico -- Ornithology / Charlie Parker -- Oh! What a beautiful morning / Richard Rogers ; Oscar Hammerstein ; arr. by C. Charles Sloan -- If I should lose you / Leo Robin ; Ralph Rainger -- Moment's notice / John Coltrane -- Noomas / Kwak Yoon Chan -- Autumn opaque …

The Illumination Of E. E. Cummings' Poetry In J. A. C. Redford's "Love Is The Every Only God", Amy Louise Aucoin

LSU Doctoral Dissertations

The choral work love is the every only god, composed by J. A. C. Redford, was published in 2001, placing it among the initial choral concert works published in the twenty-first century. love is the every only god is a song cycle for divisi mixed chorus with piano accompaniment based on six poems by E. E. Cummings. The work is organized into six movements with two interludes and lasts approximately twenty-five minutes. Beyond his regard for the art of poetry and care in choosing a text, Redford sees himself as an illuminator of the text, providing the listener with a …

Dancecult Bibliography: Books, Articles, Theses, Lectures, And Films About Electronic Dance Music Cultures, Eliot Bates

Publications and Research

Dancecult is a forum for the electronic dance music culture (EDMC) research network, whose doors opened in April, 2005. Presently, Dancecult manifests as a mailing list and rich informational website. With around 180 members (and growing) worldwide, Dancecult-l is an interdisciplinary mailing list for graduate students, scholars, and other parties interested in the study and documentation of EDMCs from proto-disco through post-rave formations. As a critical information exchange hub, Dancecult-l enables resource sharing and collaboration between international researchers of club cultures, raves, techno, electronica, doof, digital arts and other manifestations of EDMC. Members come from various different disciplines, operating in …

“I’Ll Fly Away”: The Music And Career Of Albert E. Brumley, Kevin Donald Kehrberg

University of Kentucky Doctoral Dissertations

Albert E. Brumley (1905-1977) was the most influential American gospel song composer of the twentieth century, penning such “classics” within the genre as “Jesus, Hold My Hand,” “I’ll Meet You in the Morning,” “If We Never Meet Again,” “Turn Your Radio On,” and “Rank Strangers to Me.” His “I’ll Fly Away” has become the most recorded gospel song in American history with over one thousand recordings to date, and several of his works transcend cultural boundaries of style, genre, race, denomination, and doctrine. However, the racialized historiography of American gospel music has left Brumley—from America’s lesser-known white gospel traditions of …

Beautiful Torment: Interpreting Dissonance And Text-Painting In Selected Sacred Choral Works Of William Byrd And Carlo Gesualdo, Janet M. Mccumber

Masters Theses

The end of the sixteenth century was filled with social, religious, and political turmoil; and yet, the musical atmosphere in England and Italy was conducive to new ideas in text-setting and chromatic inflection that had not been seen in previous eras. This thesis takes an interdisciplinary approach in looking at two late sixteenth-century composers, William Byrd and Carlo Gesualdo, and describes their personal and political sufferings and how these torments may have affected their compositional styles.

Brief explorations of England and Catholicism in the time of the Protestant Reformation, the Mannerist movement in the arts, the movement toward chromaticism in …

Triad Fantasy: Score And Analysis, Wayne A. Buck

Masters Theses

No abstract provided.

A Comparison Of Computer-Assisted And Peer-Partner Practice In Treble-Staff Note Recognition, Pammala K. Goodenough

Masters Theses

This study compared the effectiveness of computer-assisted practice and peer-partner practice in treble-staff note recognition. Six 3rd-grade classes participated in 3 sessions, each including a 2-minute pre-test, a lesson on treble staff notes, a 10-minute practice drill, and a 2-minute post-test. During practice, half the students used the online Note Trainer from Ricci Adams ' Musictheory. net to practice identifying notes, while the other half practiced with a partner using flashcards of the notes of the treble staff. Results showed the computer students averaged over twice as many correct answers as the peer practice group at the end of the …

Childe Rowland: Fairy Tale To Tone Poem: An Original Composition And Analysis, David Trent Mason

Masters Theses

My thesis project is an orchestral tone poem on the fairy tale "Childe Rowland," and an analysis of the piece. In this document, I discuss the history and evolution of program music, as well as analyze my composition. In the analysis, I examine form, programmatic elements, harmonic structure, melodic structure, and rhythm and meter. In the form analysis, I show leitmotifs I created to represent characters and places, discuss motives and figures, and illustrate the form of the piece in graphs. To examine the programmatic aspects of the composition, I discuss the function of each leitmotif. Techniques such as thematic …

Cross-Age And Peer Tutoring In The Music Classroom, Christopher B. Gelb

Masters Theses

This is a study on the effects of a Cross-age Tutoring program implemented into a beginning band classroom. High school students worked with small groups of beginning band students. The tutoring sessions were 45-minute sessions on an every-other-day rotation. Supervising teachers provided articles and demonstrations to assist the high school-aged tutors in working with different techniques unique to each instrument. Resources for the tutoring sessions included the Essential Elements 2000 band method book and the Music Ace computer program. The high school and middle school band directors supervised the tutoring sessions and were available to answer questions and develop lesson …

Concert Recording 2010-08-26, Janice Yoes, Mark Smidt

Concert Recordings & Programs

Harmonia Sacra. We sing to Him / Henry Purcell -- Spring ; Sleep ; Winter ; Dirge ; Diaphenia ; Hymn / Dominick Argento -- It was a lover and his lass ; So white, so soft, so sweet is she ; To daffodils / Frederick Delius -- Oedipus. Music for a while / Henry Purcell -- Orpheus ; Tears ; Under the greenwood tree ; Sleep / Ivor Gurney -- Songs of the clown, op. 29. Come away, Death ; O mistress mine ; Adieu, good man devil ; Hey, Robin! ; For the rain it raineth every day …

Concert Recording 2010-01-15, Theresa Delaplain, Ronda Mains, Timothy Thompson, Robin Guy

Concert Recordings & Programs

Romance no. 1 / Robert Schumann -- Solo de Councours no. 4 / Charles Colin -- Trio in a minor, op. 188 / Carl Reinecke -- Obsession / Makato Shinohaara -- Pastorale et Arlequinade / Eugene Goossens -- Sonata, op. 166 / Camille Saint-Saens

Concert Recording 2010-06-10, Ronda Mains, Theresa Delaplain, Timothy Thompson, Marsha Thompson, Er-Gene Kahng, Miho Sakon, Jesse Collett, Stephen Gates, Michael R. Montgomery, Barbara Fast

Concert Recordings & Programs

The village musicians (a musical joke), K. 522 / Wolfgang Amadeus Mozart -- Fantasy (1932) / Benjamin Britten -- Vox Balanae (voice of the whale) / George Crumb

Concert Recording 2010-05-27, Ronda Mains, Er-Gene Kahng, Jesse Collett, Stephen Gates, Ryo Yanagitani

Concert Recordings & Programs

Piano trio in B♭ Major, op. 97, "Archduke" / Ludwig van Beethoven -- Trio for flute, viola, and cello / Albert Roussel -- Quartet for piano and strings in E♭ Major, op. 47 / Robert Schumann

Concert Recording 2010-11-04, Ronda Mains, Theresa Delaplain, Timothy Thompson, Barbara Fast

Concert Recordings & Programs

Serenade sous bois / Hedwige Chretien -- Sonata for flute and piano / Mel Bonis -- Sonata for obe and piano / Grazyna Bacewicz -- Ballade, pastorale, and dance / Eric Ewazen

Steve Blackwell: A Florida Folk Musician, Brian Haymans

Electronic Theses and Dissertations

This study investigates the life of Steve Blackwell (1947-2006), a Florida folk singer/songwriter from Punta Gorda, FL, located where the Peace River meets the Gulf of Mexico. The study examines his biographical history, his performance career, musical output, and the impact he and his music had on the surrounding community. The first part of the study documents Blackwell's history and the major events that shaped his life while, at the same time, describing what kind of person Steve Blackwell was. The second part of the study examines Blackwell's career as a musical performer, the bands he played with, how those …

Concert Recording 2010-04-04, Alicia Mueller, Jeannie Lee, Madison Pennington

Concert Recordings & Programs

Partita no. 3 in E Major BWV 1006 / Johann Sebastian Bach -- Caprice no. 13 / Niccolo Paganini -- Meditation from Thais / Jules Massenet -- Concerto no. 1 in g minor, op. 26 / Max Bruch

Concert Recording 2010-02-23, Allison Dean, Sophie Kirmanidou, Dwight Ferrell, Olga Greenhut, Nathan Cook, S. Michael Shuman, Lauren Thompson, David Frantz, Rachel Dake, Courtney Hardin, Janelle Hollister, Jeannie Lee, Hannah Howard, Corey Lamb, Davis Fleming, Paige Grilliot, Margaret Stall, Jonathan Story, Meisha Stewart, Jayne Brewer, Rocio Pauline Martinez Rendis, Shea Williamson, Jonathan Chavez, Melody Jenkins, Trista Mcvey, Julie Robinson, Donna Rollene, Aurélien Boccard

Concert Recordings & Programs

Mein glaubiges Herze, frohlocke / Johann Sebastian Back -- Die Zauberflote. Dies Bildnis ist bezaubernd schon ; Der Vogenfanger bin ich ja / Wolfgang Amadeus Mozart -- Das Veilchen / Wolfgang Amadeus Mozart -- Das Flohlied des Mefistos / Ludwig van Beethoven -- Heidenroslein ; Nacht und Traume ; Auf dem Wasser zu singen ; Du bist die Ruh ; Aufenhalt / Franz Schubert --Intermezzo ; Im wunderschonen Monat Mai ; Aus meinen Tranen spriessen ; Die Rose, die Lilie, Die Taube / Robert Schumann -- Tannhauser. Dich teure Halle / Richard Wagner ; Die Fledermaus. Mein Herr Marquis / …

Concert Recording 2010-02-24, Jacob Grewe, Kristin Lankford, Jeannie Lee, Olga Greenhut, Austin Silkey

Concert Recordings & Programs

Triumph of the demon gods / John Stevens -- Concerto for oboe in d minor / Alessandro Marcello -- Ballade n4 in f minor / Frederic Chopin -- Aria / Alessandro Stradella

An Annotated Catalogue Of Selected Cuban Piano Works From The 18th-20th Centuries, Nikie Oechsle

LSU Doctoral Dissertations

The piano music of Cuba encompasses a large body of valuable music that is yet to be explored fully on the international scene by performers and teachers. The purpose of this volume is to provide a guide that will enable performers and teachers to quickly reference, and more fully investigate the available music of Cuban composers. This is accomplished by providing description and levels of selected Cuban piano works from the eighteenth through twentieth centuries in catalogue format, as well as by providing descriptions of dances and dance forms found in the included literature.