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Concert Recording 2010-10-20a, Joseph Rulli, S. Michael Shuman, Jordan Wilhelm, Kristine Mezines, Lance Grigsby, Matt Beach, Traci Petty, Joseph Pullara, Benjamin Pierce, Sarah Stout, Gretchen Renshaw, Justin Stowe, Patrick Oliverio, University of Arkansas, Fayetteville. Tuba/Euphonium Recital 2010 University of Arkansas, Fayetteville

Concert Recording 2010-10-20a, Joseph Rulli, S. Michael Shuman, Jordan Wilhelm, Kristine Mezines, Lance Grigsby, Matt Beach, Traci Petty, Joseph Pullara, Benjamin Pierce, Sarah Stout, Gretchen Renshaw, Justin Stowe, Patrick Oliverio, University Of Arkansas, Fayetteville. Tuba/Euphonium Recital

Concert Recordings & Programs

Sonata (1937) / Bernhard Heiden -- Lyric Suite / Donald H. White -- Trombone Institute of Technology / Michael Davis -- Oliver's birthday / Bruce Broughton -- Sonata for trumpet and piano / Eric Ewazen -- String quartet no. 3 / Dmitri Shostakovich ; arr. Andrew Van Devender -- Intrada / Arthur Honegger


Concert Recording 2010-10-24, Megan Mills, Brandon Hults, Paige Grilliot, University of Arkansas, Fayetteville. Maestro String Quartet 2010 University of Arkansas, Fayetteville

Concert Recording 2010-10-24, Megan Mills, Brandon Hults, Paige Grilliot, University Of Arkansas, Fayetteville. Maestro String Quartet

Concert Recordings & Programs

Horn concerto in E♭ Major, KV 495 / Wolfgang Amadeus Mozart -- Nocturno, op. 7 / Franz Strauss -- Auf dem Strom / Franz Schubert -- Sonata for horn and strings (1993) / Kerry Turner


Concert Recording 2010-10-24a, University of Arkansas, Fayetteville. Tuba Quartet 2010 University of Arkansas, Fayetteville

Concert Recording 2010-10-24a, University Of Arkansas, Fayetteville. Tuba Quartet

Concert Recordings & Programs

Tuphonium (1997) / Frigyes Hidas -- Fugue in g minor "Little", BWV 578 / Johann Sebastian Bach ; arr. Gretchen Renshaw -- Es ist ein Ros' Entsprungen / Johannes Brahms ; arr. Stephen Shoop -- Take five (1959) / Paul Desmond ; arr. Ingo Luis -- Tubaphonic suite (2000) / Frank Lynn Payne -- Three pieces / Bela Bartok ; arr. Gerald Sloan -- String quartet no. 3 in F Major / Dmitri Shostakovich ; arr. Andrew van Devender


Concert Recording 2010-10-27, Jackson Jones, Matt Beach, University of Arkansas, Fayetteville. Trombone Ensemble 2010 University of Arkansas, Fayetteville

Concert Recording 2010-10-27, Jackson Jones, Matt Beach, University Of Arkansas, Fayetteville. Trombone Ensemble

Concert Recordings & Programs

Suite for Trombones / Carrol M. Butts -- Panis Angelicus / Cesar Franck ; arr. Howard Stube -- Quartex / Jared Spears -- Annie Laurie / Lady John Scott ; arr. Gus Guentzel -- The Damnation of Faust. Drinking song / Hector Berlioz ; arr. Allen Ostrander -- To be or not to be (Hamlet's soliloquy) / Henri Tomasi -- Two contrasts / Gerald Sloan -- Trombone Institute of Technology / Michael Davis -- Canzona / Biagio Marini -- The magic flute. Sarastro aria / Wolfgang Amadeus Mozart -- Symphony no. 3. Adagio / Camille Saint-Saens ; arr. Ken Murley …


Concert Recording 2010-10-28, Samuel Cook, Kristine Mezines 2010 University of Arkansas, Fayetteville

Concert Recording 2010-10-28, Samuel Cook, Kristine Mezines

Concert Recordings & Programs

Rigoletto. Questo o quello / Guiseppe Verdi -- La boheme. Che gelida manima / Giacomo Puccini -- L'Africaine. O paradiso! / Giacomo Meyerbeer -- Giacomo Meyerbeer / Ruggiero Leoncavallo -- Martha. Ma'appari tutto amor / Friedrich von Flotow -- Who is that yonder ; Sometimes I feel like a motherless child ; Don't feel no ways tired / Jacqueline Hairston -- Hold on! / Michael Ching -- Deep river / Moses Hogan -- Ride on King Jesus / Hall Johnson -- He's got the whole world in his hand ; Give me Jesus / Moses Hogan


Concert Recording 2010-11-10, Zack Plumlee, Joel Paul, James Greeson, Jeff Payne, Corey Divine, S. Michael Shuman, Gelynda Johnson, Paige Grilliot, Evan Ballowe, Janelle Hollister 2010 University of Arkansas, Fayetteville

Concert Recording 2010-11-10, Zack Plumlee, Joel Paul, James Greeson, Jeff Payne, Corey Divine, S. Michael Shuman, Gelynda Johnson, Paige Grilliot, Evan Ballowe, Janelle Hollister

Concert Recordings & Programs

Valse a Rosenthal & Djangology / Rosenthal ; Django Reinhardt -- Sicilienne pour saxophone alto et piano / Pierre Lantier -- Rustiques / Eugene Bozza -- Sonata for saxophone in E[169] and piano / Bernhard Heiden -- Traum durch die Dammerung / Richard Strauss -- Sonata / Bernhard Heiden -- Ernani, involami / Giuseppe Verdi


Concert Recording 2010-11-19, Nick Byars, Sophie Kirmanidou, Brice Smith, Caleb Van Wyhe, Tazonio Anderson, Jon George, Chelsey Martin, Mary Patterson, Bailey Stephens, Heather Werschky, Zack Plumlee, Andrew Chu 2010 University of Arkansas, Fayetteville

Concert Recording 2010-11-19, Nick Byars, Sophie Kirmanidou, Brice Smith, Caleb Van Wyhe, Tazonio Anderson, Jon George, Chelsey Martin, Mary Patterson, Bailey Stephens, Heather Werschky, Zack Plumlee, Andrew Chu

Concert Recordings & Programs

Violin sonata, D Major, op. 1, no. 4 / Jean Marie LeClair -- Violin concerto, op. 61 / Edward Elgar -- Violin sonata in e minor, K. 304 / Wolfgang Amadeus Mozart -- Viola concerto no, 1, D Major, op. 1 / Carl Stamitz -- Suite no. 3, in C Major, BWV 1009 / Johann Sebastian Bach -- Violin concerto no. 3, G Major / Wolfgang Amadeus Mozart -- Introduction and rondo capriccioso / Camille Saint-Saens -- Sonata no. 1 in g minor, BWV 1001 / Johann Sebastian Bach -- Sicilienne and rigaudon / Fritz Kriesler -- Romance in F …


Concert Recording 2011-02-01, Richard Rulli, Gerald Sloan, Charles Rigsby, Chalon L. Ragsdale, Stephen Gates, Benjamin Pierce, Timothy Knighten, Timothy Dailey, Patrick Oliverio, Joseph Pullara, Bethany Hayes, Michael Moore, Timothy Thompson, Megan Mills, Taylor Sitzman, Corbin Lehrer, Paige Quinn 2010 University of Arkansas, Fayetteville

Concert Recording 2011-02-01, Richard Rulli, Gerald Sloan, Charles Rigsby, Chalon L. Ragsdale, Stephen Gates, Benjamin Pierce, Timothy Knighten, Timothy Dailey, Patrick Oliverio, Joseph Pullara, Bethany Hayes, Michael Moore, Timothy Thompson, Megan Mills, Taylor Sitzman, Corbin Lehrer, Paige Quinn

Concert Recordings & Programs

Grosse fantasie (1990) / Jan Koetsier -- Vignettes for trumpet and percussion (2005). Running with Lionel ; Chuck's march ; Dinner with Andre ; Waltz in Berlin ; Leandro perpetuo ; Max ; Chasing Igor / James M. Stephenson -- Sonata for trumpet and violoncello, opus 21 (1958) / Yves Chardon -- Signals / Verne Reynolds


Madness, Sexuality, And Gender In Early Twentieth Century Music Theater Works: Four Interpretive Essays, Megan B. Jenkins 2010 CUNY Graduate Center

Madness, Sexuality, And Gender In Early Twentieth Century Music Theater Works: Four Interpretive Essays, Megan B. Jenkins

Dissertations, Theses, and Capstone Projects

Diagnoses of madness are inextricably entwined with social and cultural beliefs about gender and sexual behavior. The portrayal of characters in music theater as mad relies on contemporaneous understanding of mental illness, as often resulting from, or expressed in transgression of normative gender roles or heteronormativity, and this may apply either to male or female characters. Such transgressions are explored--with regard to recent reconceptualizations of madness within Disability Studies--in four works: Arnold Schoenberg's monodrama Erwartung (1924); Richard Strauss's opera Salome (1905); Kurt Weill's ballet chanté, Anna-Anna (1933), also known as The Seven Deadly Sins; and Igor Stravinsky's neo-classical …


Postmodernism And The Professional String Quartet, Kelly Michaela Curran 2010 Edith Cowan University

Postmodernism And The Professional String Quartet, Kelly Michaela Curran

Theses : Honours

No abstract provided.


Asperger's Disorder: A Musical Treatment For Child Anxiety, Jeremy Marriott 2010 Edith Cowan University

Asperger's Disorder: A Musical Treatment For Child Anxiety, Jeremy Marriott

Theses : Honours

School-aged females with Asperger's Disorder (AD) are significantly affected by debilitating anxiety. At present, no empirically validated treatments exist to treat this anxiety. To investigate this affect and treatment gap, a mixed-methods revelatory single-case design, built on evidence-based treatment elements was designed and tested. Solo pianist, David Helfgott rated, performed and provided musical performances by Louis Moreau Gottschalk and Claude Debussy which were listened to once each morning before school by a 10-year-old female with AD. Anxiety was recorded via a self-report Daily Journal and parent-report Spence Child Anxiety Scale for 20 consecutive school days. Results indicated support for the …


Copyright, Creative Commons And Artistic Integrity, Yagan M. Kiely 2010 Edith Cowan University

Copyright, Creative Commons And Artistic Integrity, Yagan M. Kiely

Theses : Honours

Copyright offers tight control over intellectual property while Creative Commons deliberately relaxes this control; this relaxed control provides an artist with an alternative marketing strategy as well as a secure electronic distribution method. Copyright has been a useful tool for controlling intellectual property since its inception in 1710, but new developments in distribution of copyrighted materials has provided new challenges for copyright law. Creative Commons offers an alternative approach to copyright that embraces, rather than confronts these challenges. Creative Commons is an alternative to copyright that is capable of representing all forms of art; sculpture, painting, literature, music printing and …


An Interactive Music System Based On The Technology Of The Reactable, James Herrington 2010 Edith Cowan University

An Interactive Music System Based On The Technology Of The Reactable, James Herrington

Theses : Honours

The purpose of this dissertation is to investigate and document a research project undertaken in the designing, constructing and performing of an interactive music system. The project involved building a multi-user electro-acoustic music instrument with a tangible user interface, based on the technology of the reacTable. The main concept of the instrument was to integrate the ideas of 1) interpreting gestural movement into music, 2) multi-touch/multi-user technology, and 3) the exploration of timbre in computer music. The dissertation discusses the definition, basics and essentials of interactive music systems and examines the past history and key features of the three …


Music For Trumpet And Cornetto In The Duben Collection, Breanna Michelle Evangelista 2010 Edith Cowan University

Music For Trumpet And Cornetto In The Duben Collection, Breanna Michelle Evangelista

Theses : Honours

This dissertation aims to bring to light, and to categorise, the music for trumpet and cornetto contained in the great manuscript collection at Uppsala University, the so-called Düben collection. The dissertation will divide into four clear sections. After an introductory chapter on the Düben collection itself, chapter two will give an overview of the trumpet and cornetto music contained therein. This chapter - in addition to identifying composers, works and typical genres -will also centre round issues of musical style and of the etymology of instruments. Chapter three will present two unpublished works in a modern critical edition, complete with …


A Study Of Performance Practices In Recordings Of Bach's Violin Sonata Bwv 1003 From 1930-2000, Adrian Yeo 2010 Edith Cowan University

A Study Of Performance Practices In Recordings Of Bach's Violin Sonata Bwv 1003 From 1930-2000, Adrian Yeo

Theses : Honours

Throughout the 20th century, the performance practice of baroque music has undergone many stylistic changes. Moreover, the rich resources of primary source material available to us in musical recordings of the period have only recently been realised. Bruce Haynes, in his book The End of Early Music, suggests that the twentieth century saw three principal schools of performance: romantic, modernist, and historically-informed. This study investigates Haynes' hypothesis through a comparison of fourteen recordings of Bach's Solo Violin Sonata in A minor BWV 1003, ranging from 1933 to 1999. Focus is made on eight predetermined observation criteria: tempo, tempo fluctuation, rhythmic …


Concert Recording 2010-11-11, University of Arkansas, Fayetteville. Saxophone Quartet, University of Arkansas, Fayetteville. Saxophone Chamber Orchestra 2010 University of Arkansas, Fayetteville

Concert Recording 2010-11-11, University Of Arkansas, Fayetteville. Saxophone Quartet, University Of Arkansas, Fayetteville. Saxophone Chamber Orchestra

Concert Recordings & Programs

Sailor's hornpipe ; Two Hebrew tunes. I believe ; Pisu beoz / Henry Cowell ; arr. Bruce Weinberger -- String quartet op. 20 no. 4. Minuet & presto / Joseph Haydn ; arr. Teal -- Pink Panther / Henry Mancini ; arr. Frackenpohl -- Jubilate (1982) / Ronald Caravan -- Jesus, joy of man's desiring / Johann Sebastian Bach ; arr. Caravan -- Testament (1978) / Robert Donohue -- Pour le piano. Sarabande / Claude Debussy ; arr. Caravan -- Suite for saxophone ensemble. Proclamation (1987) / Virginia Johnston -- Moderato and allegro (1981) / Erland von Koch -- Two …


Concert Recording 2010-11-17, Jessica Carvin, Katie Zwit, Amber Cooper, Heather Rost, Paige Quinn, Nathan Cunningham, S. Michael Shuman, Anna Heintze, Anna Hall, Paige Grilliot 2010 University of Arkansas, Fayetteville

Concert Recording 2010-11-17, Jessica Carvin, Katie Zwit, Amber Cooper, Heather Rost, Paige Quinn, Nathan Cunningham, S. Michael Shuman, Anna Heintze, Anna Hall, Paige Grilliot

Concert Recordings & Programs

Mvmt. no. 1 - "Music for woodwind quintet" / Alexander Von Kreisler -- Legend / Georges Enesco -- Maya / Ian Clarke -- Elijah. Hear ye, Israel! / Felix Mendelssohn


How Independent Irish Music Artists Are Practising Online Pr Techniques By Utilising Social Media Tools., Áine Cullen 2010 Cork Institute of Technology, Cork, Ireland.

How Independent Irish Music Artists Are Practising Online Pr Techniques By Utilising Social Media Tools., Áine Cullen

Theses

This Dissertation explores how the evolution of social media is enabling Irish Independent music artists to publicise their music. It aims to explore the online public relations techniques that Independent Irish music artists are using and determine whether they are embracing it.

A qualitative research design was chosen and the primary method used to gather the data were in-depth interviews with PR professionals in the music industry, PR directors, major record labels. Independent record labels and Irish music artists that practice social media.

The research findings reveal how beneficial social media are for Independent music artists and show how social …


The Effect Of Directed Attention Score Study Procedures On Music Majors' Error Detection In Three-Part Instrumental Music, Amanda Lynn Schlegel 2010 Louisiana State University and Agricultural and Mechanical College

The Effect Of Directed Attention Score Study Procedures On Music Majors' Error Detection In Three-Part Instrumental Music, Amanda Lynn Schlegel

LSU Doctoral Dissertations

The purpose of this study was to determine the effects of directing participant (N = 60) attention to one voice in three-part homophonic and polyphonic instrumental music on music majors’ detection of pitch and rhythm errors. Directed attention participants studied one voice prior to studying the entire score through either visual or aural methods. Visual group participants (n = 20) studied the voice of directed attention (VDA), which was color highlighted, in silence. Aural group participants (n = 20) studied the VDA in a three-phase treatment: sight-singing the VDA, using a piano and their own singing to correct any errors …


Bel Canto Rarities: A Performance Guide To Rarely Performed Tenor Arias From The Works Of Gaetano Donizetti, Zachary Bruton 2010 Louisiana State University and Agricultural and Mechanical College

Bel Canto Rarities: A Performance Guide To Rarely Performed Tenor Arias From The Works Of Gaetano Donizetti, Zachary Bruton

LSU Doctoral Dissertations

The subject of this dissertation is rarely performed tenor arias from operas of Gaetano Donizetti. Each of the arias chosen for this document was selected on the basis of its quality within the canon of Donizetti’s works in contrast with its deficient representation in the repertoire of the majority of student tenors. This document’s purpose is not to represent Donizetti’s development stylistically, dramatically, or in any other respect. Rather it presents a sampling of those arias which I feel are representative of some of the best writing for the tenor voice found in Donizetti’s operas, not only as admirable pieces …


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