Musicology Commons^™

Objects Of Power: Female Instrumentalists In Medieval To Early Modern Europe, Emma Scherrer

Undergraduate Research Symposium

Women are difficult to locate in traditional histories of western music, especially performers and particularly instrumentalists. The relationship between a female performer, the instrument she played, and her audience was especially fraught, constituting a complicated web of gendered relations and power dynamics. An examination of the contexts in which women played instruments in medieval to early modern Europe elucidates how women in these societies interacted with music and musical institutions. While women were generally excluded from musical institutions and discouraged from playing most musical instruments, many women nevertheless chose to take up an instrument outside of professional contexts. From the …

The Politics Of Musical Time: Expanding Songs And Shrinking Markets In Bengali Devotional Performance, Jaime Jones

Yale Journal of Music & Religion

A book review is presented for The Politics of Musical Time: Expanding Songs and Shrinking Markets in Bengali Devotional Performance, authored by Eben Graves, by Jaime Jones.

Byzantine Theories Of Scale And Arab-Byzantine Chant Practices: A Comparative Analysis Proposing A New Resolution To The Theoretical System Of Chrysanthos Of Madytos, Rosy Azar

Yale Journal of Music & Religion

In 2015, Amine Beyhom published a book on Byzantine chant, in which he summarised all the existing theories, paying particular attention to the problematic reform of the Byzantine chant theory in 1881, and guiding the reader through the steps that led to that reform. Driven by the first ever comparison between Byzantine and Arabic modes that he had found in Mīkhāʾīl Mashāqa’s epistle, Beyhom first studied Chrysanthos of Madytos’ insight. He documented this research in detail and followed it with a practical comparison to demonstrate if theory is indeed applied or it acts only as prescriptive guide. He recorded and …

Olivier Messiaen’S "Première Communion De La Vierge" And The Translation Of Religious Meaning, Robert Sholl, Jean-Rodolphe Kars

Yale Journal of Music & Religion

This study creates a rich exegesis of “Première Communion de la Vierge” from Olivier Messiaen’s (1908–1992) piano cycle Vingt Regards sur l’Enfant-Jésus (1944) to show how Messiaen attempted to translate musical symbolism into religious meaning. The first two sections provide background and context on the work, revise previous scholarship, and show how this piece (no XI) functions as a theological hinge in the cycle. The genesis and sources of the Vingt Regards, using previously unavailable archival material, are examined to provide new insight into both the cycle and the “Première Communion.” The aesthetic scaffolding of this piece is then …

Listen To The Birds: Sound Ecology At The Piano, Anna Showalter

Dissertations, 2020-current

This document explores the intersection between birdsong and piano music using four cases studies from the piano repertoire in the Western classical tradition. Using Jeff Titon’s framework of “sound ecology” as a lens, I ask whether the following pieces of music could in some way function as an “acoustic tissue among human and bird communities that becomes the basis for a healthy economy and a just community.” After exploring the history of birdsong in the piano literature as a microcosm of shifting attitudes toward birdsong in Western art music this study focuses on four pieces as case studies for analysis—Amy …

Indexing A Spanish Choir Book To Trace Its Provenance, Amelia Lutz

Honors College Theses

A choir book from the rare books collection at Saint Meinrad Archabbey has little established about it beyond its dimensions and its label “Spanish Gradual.” By first exploring the historical context of liturgical books created after the Council of Trent for use in Spain, implementing a paleographical analysis, and indexing the chants included in the choir book (cantorale), I have established evidence to suggest its dates and likely origin. Following Fr. Columba Kelly’s framework for analyzing chant, I have begun a comprehensive index of the chant melodies and feast days included in the Spanish Gradual for Cantus Database.

The Partsongs Of Samuel Coleridge-Taylor, Alan Davis

Dissertations and Doctoral Documents, University of Nebraska-Lincoln, 2023–

This document examines the complete set of thirteen partsongs by Samuel Coleridge-Taylor (1875-1912) a body of choral works underrepresented in both scholarship and performance. Before the twentieth century, English partsongs had already developed a rich lineage through composers such as Charles Hubert Hastings Parry, Charles Villiers Stanford, Edward Elgar, and Charles Wood. Around 1900, the genre flourished further in the works of Gustav Holst, Ralph Vaughan Williams, Gerald Finzi, and Herbert Howells, whose partsongs were published by Novello & Co. and featured in The Musical Times. Within this broader context, Coleridge-Taylor’s contributions stand apart: his partsongs reveal a distinctive harmonic …

The Integration Of Western Compositional Techniques And Traditional Chinese Folk Music In The Piano Works Of Jianzhong Wang, Yingqi Wang

Dissertations and Doctoral Documents, University of Nebraska-Lincoln, 2023–

This document explores the method by which Jianzhong Wang (王建中) (1933–2016), a celebrated Chinese composer and pianist, integrates traditional Chinese folk melodies with Western compositional techniques in his solo piano works, including Western harmonic techniques and tonal language, contrapuntal and polyphonic textures, formal structure and thematic development, and the imitation of instruments and sounds. Introduced to Wang’s music during high school through the piece, “Embroidering the Golden Plaque” from Four Northern Shaanxi Folk Songs, the author reflects on the artistic challenges posed by Wang. Over years of study, an appreciation for Wang’s innovative fusion of Chinese folk elements and Western …

Black On Black Sounds: Music, Migration, And The ‘Nu-K Blak’ Identity Formation In Early 21st Century Britain, Monique Charles

Sociology Faculty Articles and Research

Examining literature on the under researched areas of Afrobeats and African migration to Britain, this article identifies significant internal shifts in the ethnic diversity of Black Britain —i.e., from Caribbean (predominantly Jamaican) to West African (Nigerian, Ghanaian) (ONS 2011). Interpreting literature and applying to the British context, it highlights how Afrobeats reshapes Blackness in Britain, particularly the incorporation of desirable Africanness through Afrobeats music. It argues that demographic and musical shifts in Britain result in a renegotiation of the Caribbean and US dominant 20th century Black Britishness — ‘UK Blak’ identity (as identified by Bradley 2013, Gilroy 1993 & Palmer …

A Lost Culture Of Touch And Sound: The Contribution Of Visually Impaired Musicians To The Evolution Of The Spanish Guitar, Marco Ramelli

Soundboard Scholar

In the story of music-making, blind musicians have played an intrinsic role, helping to drive the development not only of musical styles but also of instruments, instruction, and aesthetics. Many musical practices were cultivated first within blind communities and adopted only later by sighted musicians, often with a gradual erasure of their original context. The history of the Spanish guitar offers a compelling case study of this progression, demonstrating how the contribution of blind musicians could be both wide-reaching and yet, over time, forgotten. The history of this contribution is challenging to recover, for in Spain as elsewhere, blind musicians …

Haydn's Canonic Minuets, James S. Mackay

HAYDN: Online Journal of the Haydn Society of North America

Haydn composed many hundreds of minuets during his long career, enriching the courtly dance with compositional skill and ingenuity. One of the ways in which he sought to elevate the minuet genre was through contrapuntal artifice, including canon. The famous “Hexenmenuett” (“Witches’ Minuet”) from his “Quinten” Quartet, Op. 76 no. 2, dating from 1797, is the most famous of these works, in which the viola and cello duplicate the leading voice of violins I and II at the distance of an octave. Haydn’s interest in canonic minuets dates back to the early 1760s, however. Minuets from three early symphonies (Nos. …

Come, Heavy Sleep: Motive And Metaphor In Britten’S Nocturnal, Opus 70, Stephen Goss

Soundboard Scholar

"The prevailing melancholy [of Britten’s Nocturnal] is as natural to the guitar’s sonorities as it is appropriate in a tribute to John Dowland."

—Peter Evans, The Music of Benjamin Britten.

Such summary remarks characterise what little has been written about Britten’s Nocturnal outside the guitar world. The reader’s reaction might be one of passive agreement or mild irritation, but there is rarely dialogue because discourse is limited: Nocturnal after John Dowland is often passed over by Britten scholars with scant discussion or no mention at all. In fact, little has been added to Evans’ reliable commentary, written only three …

The Resonance Of Desire: A Sonic Exploration And Guide To Recreating Disney’S Signature ‘I Want’ Songs, Aiyanna E. Riley

Electronic Theses and Dissertations

This thesis explores the sonic architecture of Disney’s Renaissance-era “I Want” songs and develops a framework for recreating their signature production style. This study analyzes how vocal timbre, microphone choices, layering, stereo placement, and mixing strategies contribute to the immersive qualities that define the Disney sound. Drawing from historical accounts, interviews with industry professionals, and technical literature, the thesis documents production practices unexamined in scholarly work. Inspired by David Gibson’s The Art of Mixing, my analyses prioritize spatial and textural qualities in Disney mixes, highlighting how sound design shapes narrative impact. The study culminates in two original compositions modeled …

Rules And Rhetoric: Historically Informed Guitar Performance Of Baroque Music, Arash Ahmadzadeh

Soundboard Scholar

Reviews of Interpreting Baroque Music: A Guide for the Modern Classical Guitarist, by Afshin Torabi Ardekani (Bergmann, second corrected edition, 2025) and Performing Baroque Music on the Classical Guitar: A Practical Handbook Based on Historical Sources, by Peter Croton (2015)

The Art Of Selection - Telling Stories Through Sound, Alexander Foley

Staff Scholarship - Australia & Dubai

The presentation set out to educate novice and intermediate DJs the importance of track selection in a DJ set.  This is a skill that elevates a good DJ to a great DJ. It addresses issues that some DJs have when trying to read a crowd or curate a pre planned set.  The presentation was given at SAE Dubai's annual DJ symposium to a live audience using slides and audio examples.  The presentation was well received and many of the audience had questions and seemed to take away a better understanding of an often underrated element of being a successful DJ. …

Learning How To Practice Takes Practice, Micah Killion, Robert Duke

John J. Cali School of Music Scholarship and Creative Works

Effective music learning depends on effective music practice. Although time spent with teachers is an important component of young musicians’ development, time spent alone practicing is perhaps even more consequential. Researchers and teachers have offered many prescriptions about effective music practice, yet observations of young musicians’ actual practice reveal that their behavior in the practice room is often quite unlike what teachers envision. The most important aspects of effective practice are the thinking, perceiving, and decision-making that serve to organize how musicians spend their time. We discuss how to help students focus their attention in ways that lead to the …

Round The Tárrega Bend, Julian Bream

Soundboard Scholar

In this previously unpublished talk from 2004, delivered two years after his retirement from public performance, Julian Bream traces his own career in relation to the evolution of the modern guitar, recounting his early encounters with nineteenth-century guitars, the introduction of nylon strings to replace gut, innovations in guitar construction, and a transformative meeting with Andrés Segovia. But at the heart of the talk is his approach to sound. Bream discusses the essential elements of his tone production, including his right-hand position with its characteristic “three-quarter Tárrega bend” of the wrist, and his strong preference for the rest stroke. He …

Timbre — A Transcendent Paradox?, Eugenia Siegel Conte

Yale Journal of Music & Religion

Timbre, as ethnomusicologist Cornelia Fales writes, is “paradoxical” precisely because it is one of the most exacting processes in which the human body may sense and comprehend the source of a sound even as that comprehended sound is impossible to describe outside of metaphor or comparison. As one of the more recognizable qualities of sound but the most difficult to describe, timbre allows us to consider physical/emotional (affective) experiences of sound as a key aspect of faith and meditation. In this article, I examine physical-affective intersections of faith and meditation that often are key to praxes of worship, and show …

Live Wires: The Angelus Temple And The Timbre Of Power, Catherine Provenzano

Yale Journal of Music & Religion

This article is a media history and contemporary case study of The Angelus Temple in Los Angeles, founded by Aimee Semple McPherson in 1923. My analysis of the Angelus insists upon the centrality of a hyperaudible paradigm of worship that uses media to maximize the legibility of a Christian message, and, more than this, imagines that media itself as a living soul in need of redemption. Many contemporary megachurches employ savvy applications of sound and sound transmission as instruments of belonging as well as action, and these rely on high-budget investments in church infrastructure, software and personnel. I argue that …

Performing "Manly" Worship Music: Gender And Timbre At Mars Hill Church, Maren Haynes Marchesini

Yale Journal of Music & Religion

Ten years ago, Mars Hill boasted fifteen campuses and 15,000 members. Amid mounting allegations of abuse and mismanagement leveled against founding pastor Mark Driscoll, the church famously collapsed, closing its doors at the end of 2014. Driscoll had built Mars Hill’s core brand around his opposition to the perceived feminization of the Christian mainstream, and appointing himself the “leader of a heterosexual male backlash” in the church and broader culture. While Driscoll’s muscular Christianity stands in a wide historical stream, Mars Hill long led the charge in establishing a youth-oriented, hipster brand of hypermasculine Calvinism. And while rhetoric and theology …