Musicology Commons^™

A Profile Of Evelyn Glennie, Carolyn M. Totaro, Molly Maltempi

SPARK Symposium Presentations

A Profile of Evelyn Glennie discussing her training, disability, and career.

A Profile Of Jane Little Of The Boston Symphony Orchestra, Carolyn M. Totaro, Jayla Frazier

SPARK Symposium Presentations

A Profile of Jane Little of the Boston Symphony exploring her biography, career, and tenure with the BSO.

A Study Of The Quartet For The End Of Time By Olivier Messiaen, Carolyn Totaro, Morgan Franklin

SPARK Symposium Presentations

A Study of the Quartet for the End of Time by Olivier Messiaen discussing its origin, instrumentation, form, and significance.

A Study Of The Coffee Cantata, Bwv 211 By J.S. Bach, Carolyn M. Totaro, Shelby Bagg

SPARK Symposium Presentations

A Study of the Coffee Cantata, BWV 211 by J.S. Bach discussing instrumentation, form, and text.

The Essence Of The Heart: Layered Human Experience In Eva Jessye’S My Spirituals, Jessica Brunet

Theses and Dissertations--Music

Much of the spiritual repertory has been transcribed as documentation of purely melodic and lyrical content, and many songs have been arranged by some of the greatest figures in twentieth- and twenty-first century music history, including Harry T. Burleigh, Hall Johnson, Margaret Bonds, and Jacqueline B. Hairston. On this roster of luminaries is Dr. Eva Jessye (1895-1992).

If Eva Jessye is remembered at all, it is typically in the context of her role as choral director for the original production of Gershwin’s Porgy and Bess (1935). Among a litany of other accomplishments, however, Dr. Jessye also published a collection of …

Belting In Musical Theatre: Vocal Pathologies, Injuries, And Pedagogical Implications, Kaylee Piatt

Theses and Dissertations--Music

Belting has become one of the most defining and contested vocal styles in contemporary musical theatre. Valued for its dramatic immediacy, speech-like intensity, and ability to cut through amplified orchestration, belting is frequently associated with heightened injury risk and pedagogical controversy. This thesis examines the relationship between belting, vocal pathology, and pedagogy through an interdisciplinary lens that integrates voice science, clinical literature, and professional performance practice. Rather than framing belting as an inherently harmful or stylistically aberrant technique, this study conceptualizes belting as a functional vocal coordination shaped by physiological mechanisms, cumulative vocal load, and occupational demands.

Drawing on existing …

Cantate Fratres: Forming And Sustaining Traditional Catholic Music, Liturgy And Culture In The Institute Of Christ The King Sovereign Priest, Reyers P. Brusoe

Theses and Dissertations--Music

The Institute of Christ the King Sovereign Priest is an understudied member of the Traditional Catholic and Latin Mass Communities whose unique approach to Catholic liturgy, culture, and formation offers a sustainable model for the Catholic Church's longevity and renewal. This study is the first of its kind, combining the theoretical positions of affect theory, ecomusicology/musical sustainability, and the musicology of religion to explore and explain the success of this growing classical community. This dissertation examines Church documents, theological literature, and multidisciplinary academic sources as a foundation for the study.             In studying the Institute of Christ the King Sovereign Priest, …

From Lap To Map: How Musical Scale, Place, And Play Drive The Interconnected Mario Kart World, Cameron Cummins

Honors Undergraduate Theses

With their deserts, castles, and ghost houses, the environments of Super Mario games are colorful, whimsical, and charming, but why are they so compelling, and what happens when our analysis of these environments extends beyond individual levels to expansive game worlds? Drawing on Cresswell’s theory of place (2014) and recent work on musical place-building in Mario Kart 8 (Heazlewood-Dale, 2024), I propose a spectrum between localized and globalized scale in games. As game environments become increasingly globalized, the music may be similarly altered to account for this shift in scale. Consequently, players may then encounter a broader, less musically congruent …

Left-Hand Technique And The Limits Of The Possible, Ricardo Iznaola

Soundboard Scholar

This article conceptualizes classical guitar left-hand technique through a physiomechanical framework that places coordinated movement—particularly shifting—at the center of technical practice. Challenging traditional positional doctrines that privilege static hand forms and digital independence, the author argues that such approaches often disregard the functional anatomy of the limb, resulting in inefficiency, unnecessary tension, and potential injury.   Advancing the principle that form must follow function, the study proposes shifting as the fundamental technical category governing all left-hand procedures. A systematic typology—interpositional, intrapositional, and compound shifting—serves as the basis for analyzing arm-wrist-hand coordination across diverse technical contexts, including extensions and contractions, barrés, slurs, …

Book Review: Inside Chinese Theater: Community And Artistry In Nineteenth-Century California And Beyond By Nancy Yunwha Rao, Jiyoon Auo

Asia Pacific Perspectives

No abstract provided.

Treatment Of Birdsong In Selected Works For Solo Piano, Madeline Hoover

Graduate Theses, Dissertations, and Problem Reports (ETD)

Birdsong-inspired music makes up a small but important part of the classical piano repertoire. This paper reviews birdsong in classical music since the seventeenth century, exploring different techniques for mimicking birdsong and the unique strengths of the piano as an instrument for purveying bird music. In the Baroque and Classical eras, the cuckoo song was sampled often because of its simplicity. Later, composers’ attention turned toward more complicated songs, like that of the hermit thrush. Interest in more complex songs led to experimentation in notation and a push for more accurate transcriptions. In the 20th century, composers included recordings of …

More Than A Man: An Ethnomusicological Survey Of The Folklore Of John Henry And Resource Guide For “More Than A Man” By Shanyse Strickland, Clayton R. Heath

Graduate Theses, Dissertations, and Problem Reports (ETD)

“John Henry” exists as an enduring folk legend in the United States of America, representing the confluence of the Reconstruction Era, the economic utility of Appalachia and the Westward expansion of industry which left it behind. Though based on historical events, Henry’s fictional representation has diverted and evolved in music and other media from its inception in the oral tradition to the modern age. Through this progression, shared symbols have circulated, gathering embedded meanings and associating the folklore with specific communities. Henry’s representational identity has been signaled with the creation and distribution of each version of his story, both complicating …

Of Cicadas And Ducks: Humor In Emmanuel Chabrier's "Les Cigales" And "Villanelle Des Petits Canards", Hope V. Dornfeld

Montview Journal of Research & Scholarship

This research project consists of a vocal performance of two songs from Emmanuel Chabrier’s “Barnyard Suite” (Volailleries), a song cycle on poems of Edmond Rostand and Rosemonde Gérard. It will be accompanied by program notes and a separate oral presentation that detail the research process and creative decisions inherent in presenting a work of musical performance art. The project will provide a broad historical context for Chabrier’s work, with special attention given to the role of humor in French art song. The first song presented, Les cigales, masterfully depicts cicadas and their raucous noises, while the second, …

New Music And New Instruments: The Development Of The Electric Bass Guitar, Braxton Algood

Student Scholar Symposium

The sound of the modern electric bass has become ubiquitous in music across multiple genres. With the emergence of jazz music in the 1930s, upright bassists like Jimmy Blanton sought to create a sonic space that exploited the resonance in the low register of the traditional double bass, but was more rhythmic and percussive than the instrument’s traditional role. This desire for a percussive string instrument that had the sound of the upright bass—and might also be more portable—led to the creation of Leo Fender’s first electric bass guitar in 1951. By the end of the 1950s, the electric bass …

Post-Tonal Pedagogy In The Music Of György Ligeti, Easton Ball

Student Scholar Symposium

Post-tonal piano literature remains unpopular with many modern performers due to a perceived lack of technical approachability. As a result, a wealth of post-tonal keyboard music passes into obscurity, never reaching modern audiences. Despite the preconception that post-tonal music lacks formal and harmonic structure, one can assign order to elements within these compositions both for purposes of improving pedagogy and engendering familiarity with the literature. My research aims to demonstrate one process of elucidating the relative accessibility of post-tonal literature for keyboard by means of an analysis of a selection of György Ligeti’s Études pour piano. Because this material often …

The Influence Of Giovanni Gabrieli On The Music Of Heinrich Schütz, Caleb Taylor

Student Scholar Symposium

Teachers often have a profound influence on their students. The influence of Giovanni Gabrieli on the music of his student Heinrich Schütz is particularly evident: Gabrieli and Schütz’s pieces are so similar that a listener may observe parallels even without the use of scores. The use of specific melodic and rhythmic patterns during cadences and the use of echoing phrases by both composers strongly suggest a musical link between them. There is currently no detailed theoretical analysis comparing specific elements found in the music of both Schutz and Gabrieli. My research aims to remedy this gap in knowledge by examining …

From Cathedral To Concert Hall: The Evolution Of The Requiem Mass, Thomas Butler

Student Scholar Symposium

Requiem aeternam dona eis, Domine – Grant them eternal rest, Lord. These five words make up one of the most well-known texts in the classical music canon: the Requiem Mass. Built on foundations laid by church composers such as Machaut, Dufay, and Palestrina, eighteenth and nineteenth century giants like Mozart, Berlioz, Verdi, and Brahms popularized the Requiem setting as a concert work. The twentieth and twenty-first centuries have seen compositions by Benjamin Britten, Gabriela Frank, and others, which include narrative elements in conjunction with the traditional Latin texts. My research on this topic explores how and why the Requiem Mass …

Objects Of Power: Female Instrumentalists In Medieval To Early Modern Europe, Emma Scherrer

Undergraduate Research Symposium

Women are difficult to locate in traditional histories of western music, especially performers and particularly instrumentalists. The relationship between a female performer, the instrument she played, and her audience was especially fraught, constituting a complicated web of gendered relations and power dynamics. An examination of the contexts in which women played instruments in medieval to early modern Europe elucidates how women in these societies interacted with music and musical institutions. While women were generally excluded from musical institutions and discouraged from playing most musical instruments, many women nevertheless chose to take up an instrument outside of professional contexts. From the …

The Politics Of Musical Time: Expanding Songs And Shrinking Markets In Bengali Devotional Performance, Jaime Jones

Yale Journal of Music & Religion

A book review is presented for The Politics of Musical Time: Expanding Songs and Shrinking Markets in Bengali Devotional Performance, authored by Eben Graves, by Jaime Jones.

Byzantine Theories Of Scale And Arab-Byzantine Chant Practices: A Comparative Analysis Proposing A New Resolution To The Theoretical System Of Chrysanthos Of Madytos, Rosy Azar

Yale Journal of Music & Religion

In 2015, Amine Beyhom published a book on Byzantine chant, in which he summarised all the existing theories, paying particular attention to the problematic reform of the Byzantine chant theory in 1881, and guiding the reader through the steps that led to that reform. Driven by the first ever comparison between Byzantine and Arabic modes that he had found in Mīkhāʾīl Mashāqa’s epistle, Beyhom first studied Chrysanthos of Madytos’ insight. He documented this research in detail and followed it with a practical comparison to demonstrate if theory is indeed applied or it acts only as prescriptive guide. He recorded and …